Parquetry Case Pieces and Storage Cabinets

A 19th Century, antique German Biedermeier tall secretaire with a writing flap made of hand crafted shellac polished, partly veneered Cherrywood and Burlwood, in good condition. The ...

A lovely French armoire in walnut with arched bonnet, fluted astragal between the two paneled doors with parquetry decorating the middle panel of each, and resting on carved escargot...

A large and very well made French style Cabinet with fine form and function. With an elaborately carved shaped case with foliate scrolled decoration, recessed sides with doors and es...

Primarily of tulipwood and kingwood with heavy gilded drawer mounts . Sturdy . Presents very well . The drawers reflecting the fabled tulip by the gilt rosettes. The veneers laid in...

This is an impressive and rare antique French Régence wood and ormolu mounted commode, circa 1720 in date. The stunning breche violette marble top ...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

A fine antique French Louis XV style bibliotheque (bookcase), or display cabinet made by master ébéniste Schmit & Cie. Hand-crafted of exotic kingwood veneers, matched and cross-band...

Jean-Michel Frank Inspired Exquisitely Crafted Parquetry cabinet - 20th century.

Antique chest of drawers from aristocratic property with trompe-l'œil marquetry Southwest Germany Walnut and others around 1770 Dimensions: H × W × D: 87 × 124 × 66 cm Description...

Regency Style Mahogany Display Table, with parquetry inlay details and glass paneled lift top opening to blue velvet lined interior above four tapered legs conjoined by X-form stretc...

A Fine and Impressive French 19th Century Louis XV Style Ormolu-Mounted Mahogany and Parquetry Commode a Vantaux, after the model Antoine Gaudreaux's 'Commode Médallier du Roi Louis ...

A Louis XV Style Satinwood Inlaid Mahogany Parquetry and Marquetry Corner Cabinet. Lock and key present and functional. Measures 28" in width, 23" in depth and 57" in height.

An outstanding French Art Deco / Mid Century Modern tall cabinet. with N.F. Ameublement seal. The armoire features stunning Macassar ebony in a geometric parquetry inlaid pattern with dots of decorative mother of pearl inlay. The case rests on elegant, tapered ebonized legs capped by nickeled bronze tall sabots. The exterior wood grain is all in the original high gloss lacquer finish. and is in very good original condition, with minor wear consistent with age. This unique piece offers an interior refinished in beautiful cedar with ample storage supporting two interior shelves behind the double doors. A unique blend of Art Deco and Mid-Century Modern design pervades this cabinet and showcases an overall exquisite cubist, stark and simple design. The original label is present, and is stamped 1973. Label by Ameublement NF...

A rare early François Linke bureau plat (c.1889, a masterwork of the Belle Époque by France’s most celebrated ébéniste. Originally from the Estelle D...

An elegant pair of antique French mahogany and ormolu mounted parquetry bedside chests, circa 1870 in date.   The rectangular cabinets are free standing and surmounted with grey vein...

A richly ornamented Louis XV style parquetry commode after Charles Cressent, topped with a serpentine brèche d’Alep marble top. The bombé front encloses two drawers veneered in fine ...

PRESENTING AN ABSOLUTELY OUTSTANDING 19C French Empire Style Style Complete Bedroom Suite/Set. HIGHLY, IMPORTANT AND UNIQUE Empire Style Bedroom Suite or Set from circa 1880. The Suite/Set is almost completely original, save the bed, which was originally twin size, but professionally commissioned to be customized and converted into a Euro King Size for modern practicality. The quality of the conversion matches the quality of the suite/set. All pieces have gilt bronze mounted fittings; beautiful patina, beautiful parquetry; beautiful carrara marble tops, simply stunning! About 10 years ago, I saw the ‘identical twin’ of the Commode in an Antique Store on Central Park in New York, however it had a less desirable green marble top (IMHO), and they were looking for 30k USD for the Commode, on its OWN! This Suite/Set is SO GOOD that it is the main exhibit in our rear Showroom. Not marked but under the marble top of the commode there are 2 signatures in pencil (1) M. Le Youters (?) and (2) M. Daneels. You will NOT find another complete suite/set like this ANYWHERE! AS A BONUS: We have curated and sourced (recently) a Pair of Monumental French Empire Wall Sconces which are a ‘PERFECT’ match for this bedroom set! (See pics) These sconces are being sold separately BUT they really COMPLETE the entire bedroom! The Suite/Set includes: European King Size Bed (Headboard, Baseboard, side panels and central support bracket). 2 Matching Bedside...

A stylish, superbly handcrafted French rosewood inlaid bedside cabinet or end table from the second quarter of the 20th century. The fine vintage piece, circa 1940s, features beautif...

This armoire is made in the Louis XVI style. Its made of walnut. Its has finely done Urns and botanicals inlaid on the front doors. The side doors are done in a parquetry and have he...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A pair of incredible bow glass sided show cases from one of the exclusive ladies fashion shops in the Newbury Street area of Boston,Ma. These spectacularly designed glass show cases...

A refined French sideboard designed in the elegant modernist tradition attributed to Jules Leleu. The rectangular top above a case fitted with two pairs of doors, each finely decorat...

The Nine Skies Bar Cabinet is a captivating piece that combines perfect function and exquisite design details. Crafted meticulously in premium Ceylon Teak, fine Italian leather, marb...

A 20th Century, large vintage Mid-Century modern Italian credenza with a slanted top, made of hand crafted polished Rosewood and Walnut, designed and produced by Consorzio Esposizion...

Finely crafted pair of bow front chests with pink marble conforming tops. The fronts with two apron drawers in herringbone parquetry with marquetry foliate framing bands. The lower...

Marble Topped Louis XV Style commode in an impressive parquet design of kingwood, mahogany and rosewood. The serpentine shaped, beveled marble top rests above three bombe front drawe...

A very fine Louis XV style commode in honeyed medium-light brown wood with parquetry throughout. The top features a bowed curve around the front, with finely figured veneers detaile...

Mahogany triple mirror vanity with adjustable mirrors 1900s This stunning vanity has a raised back with burled and parquetry oval panels. One ...

A Very Fine French 19th century Louis XV Style Ormolu-Mounted Kingwood and Satinwood Parquetry Vernis Martin Decorated Meuble D'Appui Side-Cabinet by François Linke (1855-1946) - Index Number 204 - Paris. The serpentine Griotte de Campan Rouge marble top above a single bombé door painted with a scène of a couple running through the forest flanked by cupids and angels over a waterfall, the interior fitted with one wooden shelf, the front angles each with a scrolling foliate clasp, the bombé sides decorated with square parquetry fields, on cabriole legs and acanthus-cast sabots. The lockplate engraved 'Ct. LINKE - PARIS'. The ormolu cast stamped 'FL' on the back. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, in the manner of François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...

A very well crafted Collector's Edition French Provincial Style Parquetry Walnut Coffee Table by Baker Furniture. Great vintage condition Measures 42" in width, 42" in depth, 18" in ...

Louis XV Style Marquetry And Parquetry Kingwood and Satinwood Corner Cupboard / Cabinet. Features two shelves lined with felt clothes and a bottom drawer. Comes with key. Measures 31...

Rococo 18th century yew and elm bureau desk circa 1750. Stunning swedish rococo period bombe shaped bureau.   Beautifully made from yew wood and elm, using various techniques such a...

A fine French antique, circa 1900, Transitional Louis XV - XVI style marble-top chest of drawers commode. Hand-crafted in France in the early 20th century, exceptionally executed in 18th century Regence taste, of excellent quality, craftsmanship and solid wood construction, featuring stunning matched veneer and banded serpentine shaped case, fitted with three graduated dovetailed drawers. Each drawer affixed with original patinated gilt brass Rocaille pulls flanking ornate complimentary escutcheons, over chiseled gilt bronze mounted scalloped apron, rising on tapered French transition legs, ending in sabots. Topped with the original rouge red marble...

A rare and stunning fine quality French Transitional Tulipwood, Kingwood, ormolu, Brocatelle Violette secrétaire bookcase by renowned Parisian cabinetmaker Maison Gouffé. circa 1925 ...

A Superb Late 19th Century Gilt Bronze Mounted Louis XVI Style Bureau à Cylindre Possibly François Linke for Maison Krieger In the manner of Adam Weisweiler, Possibly by François Linke for Maison Krieger Cajou, platane trellis-parquetry, ébène and buis stringings, the rounded corner marble top above three small drawers, the cylinder front opening to a gilt-tooled leather lined writing slide and five small drawers, the frieze fitted with three drawers, the central drawer, with spring-loaded secret release, is decorated with an ormolu relief plaque which depicts a group of putti at play, the two side drawers with hidden key...

Spanish Baroque walnut vargueño / collectors cabinet / traveling table cabinet with highly detailed / decorated bone inlay and trim, wrought iron mounted, Spain, late 17th century

Pair of Large 19th Century Italian Walnut Commodini with Serpentine Fronts, Parquetry Inlay & Marble Tops

Antique Flemish / Dutch walnut marquetry Royal Manuscript cabinet, circa 1680. The cabinet possessing a stepped cornice with a carved frieze of frui...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

A Very Special and Palatial Early 20th Century Louis XV Style Gilt Bronze Mounted Mahogany and Bois Satine Parquetry Bureau a Cylindre By François Linke François Linke – Index Numbe...

Cartonnier in the Louis XVI Manner after the Original by Simon Oeben Constructed in kingwood and having extensive parquetry inlay, with well cast and extensive fire gilt bronze enhancements. The writing section of oblong form with re-entrant corners, housing three frieze drawers and with a tooled brown leather top; the shouldered tapering legs dressed with imbricated bronze mounts: lions masks at the ends: the frame having a guard bronze rail...

A rare, exquisite Victorian Sewing drawers or desktop filing cabinet in oak parquetry and tiger oak. Porcelain drawer knobs. May be used as riser fo...

Antique Louis XVI style ormolu, marble and parquetry vitrine French, Late 19th Century Height 158cm, width 68cm, depth 40cm Crafted in late 19th century France, this splendid vi...

A stunning antique Louis XVI style bedside cabinet with outstanding patina. Hand crafted in France during the late 19th / early 20th century, having a marble-top on a parquetry and s...

French Louis XVI-style (19th Century) parquetry inlaid drop front secretary abattant with gilt bronze trim and ring hands with 4 drawers below a fitted interior with a leather writin...

Mid 20th Century Italian Parquetry and Marquetry 2- drawer Petite Bombay chest Commode / side table in beautiful vintage condition. The surface of this beautiful, Italian bombe ches...

Louis XV style ormolu mounted Vernis Martin and parquetry vitrine French, c.1880 Height 197cm, width 102cm, depth 49cm This remarkable work is a Louis XV style, Vernis Martin, parqu...

French Louis XV-XVI transitional period commode with lovely marquetry in satinwood, rosewood and tulipwood, Gris Sainte Anne marble top and three drawers. The commode features a cent...

A very fine Period French Louis XVI Commode signed T.C. Oak and Walnut construction in the case and drawers. There are three upper drawers over two lower drawers. Heavy use of flowi...

A Queen Anne style server custom handcrafted by Councill Craftsmen offers flame mahogany construction with cabinet having three cross banded drawers surmounted by satinwood inlaid to...

A stunning Antique French Louis XV-style semainier (tall chest of drawers), crafted in the late 19th to early 20th century. This elegant seven-drawer chest is designed for week-long ...

Outstanding Italian 18' century walnut, parquetry bureau cabinet fruitwood inlaid with scrolling foliage, The upper section with a shaped carved cresting centered by a cartouche-sha...

A large cabinet with parquetry design by Jules Leleu Paris, Model no. 4178. Designed in 1951 and this example is dated to 1953. Functioning as an Armoire for wardrobe, the cabinet fe...

This Hungarian chest of drawers dates to the late 1940's or early 1950's and features Mid-Century Modern styling with an Art Deco twist. The piece is crafted with a walnut case and m...

This fine buffet/sideboard is fitted with two centered drawers over two cabinet doors, Flanked by curved door side cabinets, interior shelf, rising on cabriole legs that are Beaut...

Fine walnut four-door cabinet by Jules Leleu with bronze medallion by Champreix For an illustration of an identical cabinet, see Mobilier et Décoration, no. 5. December 1946. F...

Significant neoclassical cylinder secretary resting on six tapered square legs, canted at the corners. The lower commode section, with two drawers, projects slightly in a risalit for...

Early and important Tomaso Buzzi dining room server cabinet embellished with ornately detailed marquetry depicting the entrance to the ‘Bosphorus Straits’. The artwork is an imaginative rendition of one of the most economically and geopolitically important locations on the planet, namely, the vital trade route between East and West through the ancient city port of Constantinople or modern-day Istanbul. The piece reflects the influences of various historic Empires in the region, including Egypt in North Africa to the North West, and The Greek and Roman Empires to the North East, and the Turks to the East. The scene portrays a time when countless battles occurred in these provinces in order to control the flow of Maritime trade between the Continents of the Northeastern Hemisphere and The Orient or the Far East, along the ‘silk road’. The illustration includes numerous architectural icons including the Pyramids of Giza, Roman Colosseums, Roman Aqueducts, Greek Acropolis style buildings, The Galata Tower, The Obelisk of Theodosius, Rumelifeneri Castle, and The Blue Mosque of Istanbul amongst others. A variety of seafaring vessels, marine life, and geological landmarks are also included in the panorama. This masterwork was executed by Buzzi during his tenure at the school of arts and crafts in Sao Paulo Brazil in the late 1920s. This was during the time he joined the "Novecento Milanese" Group and began to collaborate with Gio Ponti on the newly developed Design Magazine, Domus. The cabinet was showcased as a centerpiece in the 8th Triennale of Modern Decorative Arts in Monza, Italy in 1930. It is well documented and retains the original brass plaque from the Institutional Authority of the Arts in Brazil. A copy of a promotional postcard from the exhibition signed by Buzzi and featuring this cabinet is part of the Buzzi Archive. Crafted from indigenous Brazilian...