Medieval Furniture

Set of 4 wrought iron wall lights. French work (Indicated height without candles). Circa 1940 Additional Information: Material: Wrought Iron Period: Circa 1940 Dimensions: W: 4.13 x...

An antique Cotswold limestone corbel of a medieval English King, salvaged from the base of an archway in a period building in Oxfordshire. This fragment of stone is an impressive ha...

Medieval style three-light torch wall sconce in iron and wood, Spain, 1940s This wall sconce features a wooden backplate holding three hand forged iron branches with naturalistic des...

Large 17th century French Gothic andirons made of wrought iron. The tops of the andirons consist of bull heads, which is characteri...

A 16th century Spanish slate stone architectural fragment. Probably part of a commerative plaque. The Latin inscription only partly present but most likely being a religious referenc...

An English terracotta Medieval encaustic tile of exceptional rarity. This tile would have been found in a monastery, church or abbey around the 14th to 15th century. With a distinc...

Carob Brown, Vintage Northwest Persian with Animal Figurines, Worn Down and Distressed, 100% Wool, Hand Knotted, Zero Pile, Sides and Ends Professionally Secured, Runner, Oriental Ru...

A carved gilt-wood Gothic design pier mirror inspired by the style and decoration of The Long Gallery at Strawberry Hill. Please note we are currently working to a 30-36 week lead t...

Monumental pair of hand-forged wrought iron dragon wall sconces .. masterpiece craftsmanship. Why We Love It: Because drama meets craftsmanship in...

This nice pair of wall lights with 2 Arms is made of wrought iron. This is a French work in the Gothic Style (Indicated Height without candles). Circa 1940 Additional Information: M...

This is an impressive pair of detailed spelter medieval military figures on wonderful tall bases which are adorned with dragon heads and paw feet. The figures are titled Roland and R...

More information coming soon… Hand-carved in northern France during the 1900s, this large pine altar niche has a nook large enough to fit a 6 3/4 foot tall work of art. The wood ha...

74417 18th Century Antique Indian Medieval Wall Tapestry after the Battle of Karnal in 1739. This beautiful antique Indian painted tapestry is done on a canvas. It features a hunting battle scene with kings, kingsmen and royalty with multiple types of animals ranging from horses, elephants, lions, birds, peacocks and leopards. This tapestry is possibly in relation to The Battle of Karnal in 1739. The Muhammed Shah fought with Nader Shah...

This nice pair of wrought iron wall lights with coat of arms and 2 light arms. This is a French work in the Gothic Style. Circa 1940 Additional Information: Material: Wrought iron S...

This bowl or jardiniere, crafted by Michael Andersen & Son, is a remarkable reproduction of a baptismal font discovered in a church in Åkirkeby on Bornholm. The original font, adorne...

A rare and one of a kind antique figural carved oak floor lamp, circa 1920s. Meticulously carved with amazing detail throughout. Features a swiss guard with torchiere staff atop a sq...

Ornate pair of wrought-iron candle holders. Lovely scrolling and patterned iron work.

A tall slender Italian mirror with a gold giltwood frame in the Gothic design style, circa early to mid-20th century, Italy. A great mirror for a vanity, hall, foyer, etc., where a tall slender mirror...

Mid 17th century Northern European carved figure of a saint. This striking statue depicts a saint who is dressed in robes, whilst holding his hand over his heart. This figure is freestanding and is stood within a leaning position which makes him stand out. It has been beautifully carved from oak and has remnants of its original paintwork. Likely to have stood within a church for many years and would have been removed due to renovation reasons. This historical figure...

Peach Pink, Antique Chinese Peking, Even Wear, Clean, Pliable and Soft Pile, Some Discoloration and Faded Areas Throughout, 100% Wool, Hand Knotted, XL, Oriental Rug Primary material...

Late 19th Century Wooden Door with Gothic Style Arch Detail

Antique Gothic/Arts & Crafts Wrought Iron Spiral Twist 56" Fireplace Mantel Fender Surround. Item features twisted finials, vintage scrolling central design, very nice antique item, ...

This fabulous Hand-Knotted carpet has been created and designed for extra strength and durability. This rug has been handcrafted for weeks in the traditional method that is used to m...

While the birth of Christ is briefly told in the Gospel of Luke (2, 7) it is in the apocryphal texts that we find most of the elements and details that have then inspired artists. As of the 14th century and even more of the 15th century the subject of the Adoration of the Child replaces in Western art the scene of the Birth, much favoured in Byzantine art. Instead of being depicted lying with the new-born swathed in the manger, the Virgin is now kneeling, her hands joined in prayer in front of the naked child. This change was probably hastened by the popularity of the visions of Saint Bridget of Sweden to whom the Virgin allegedly appeared to show how she had given birth to Jesus (Visions, VII, chap. 21). Sheltered by a thatch-roofed structure the Virgin is kneeling in front of the Child Jesus. She wears a magnificent red dress under a large gold cloak. Her curled blond hair is partially veiled. The newborn is lying on a straw mat. Joseph is depicted with a parted beard and stands opposite from the Virgin. He wears a tunic and a coat with a purse hanging from the belt. His costume reminds us of the long journey him and Mary have accomplished to reach Bethlehem. Two other women are present. One is looking through the stable’s window to observe the Holy Family while another one kneels in prayer in front of the divine child. The rich costume of the lady might indicate she is a donator. However they could also both represent the women who took part in the birth of Christ, Zelemi and Salome. Salome, incredulous did not believe in the virginal conception of Mary and she is represented far from the scene. The artist has depicted her with an expression of doubt on her face. Zelemi, on the contrary, is a believer. She is rewarded by a place of honour at the heart of the scene, close to Mary. To the left the donkey and ox that have accompanied Mary and Joseph to Bethlehem observe quietly the scene. On the foreground two angels hold a scroll reading an excerpt from the Gloria : “/Gloria/ in excelsis /Deo/.” One of the angels wears a blue cape while the other’s is red Those two colours are very significant as during Middle-Ages blue symbolises hope and red charity. Together they express the hope in redemption thanks to the advent of Christ and his sacrifice to come. Above the main scene, up a cliff, a small shepherd lets his herd of sheep graze amidst the trees. He is framed by two walled cities. This wood carving is the work of a very skilled and inventive artist. The piece bears witness to his exceptional talent. The realism of the scene is emphasised by the amount of details depicted. The refinement of the carving itself is highlighted by the well preserved polychromy. This key moment of the New Testament is set in a contemporary context thanks to the clothes of the characters and the scenes of rural life. The universal dimension of the scene is intensified while allowing contemporary viewers to grasp its meaning more easily. This care for details, the picturesque realism as well as the extraordinary rendition of the cloths suggest it was made by a Flemish artist during the late 15th century. This relief can be compared with the panel of the Nativity from the Saint-Vaast altarpiece made by Jacques Daret between 1433 and 1435, today in Madrid’s Thyssen-Bronemisza Museum. Literature Louis Réau, Iconographie de l’Art chrétien...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

Wonderful print of St Patrick Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Coral Pink, Vintage Persian Hamadan with Anchored Medallion, Worn Out and Distressed, Zero Pile, Clean, Hand Knotted, 100% Wool, Wide Runner, Oriental Rug Primary materials: Wool Lat...

Hallmarked in Birmingham in 1851 by John Gilbert, this exquisite antique Victorian sterling silver toast rack is in the gothic style. The rack will hold 6 pieces of toast and is fitt...

This is a truly genuine one-of-a-kind Dense Weave Hand Knotted Herati Fish Design Square 175 KPSI Extra Soft Wool Red Oriental Rug. It has been woven for months and months in the cen...

Awesome vintage Gothic or Spanish Revival handmade solid wrought iron black painted candelabra wall hanging made in Mexico. Beautiful condition, keeping in mind that this is vintage ...

Spanish Revival magazine rack, wrought iron, gold leaf, Spain, 1940s-1950s. Wrought iron magazine rack with gold leaf finish and Gothic accents. This hand-hammered magazine or news...

Celtic Carved Oak Occasional Table A charming Carved Oak Occasional Table, it has a carved border along the top edge with a carved apron to the front and more carving to the main f...

A Very Fine Hand Hammered Iron Chandelier in the Gothic style. Extraordinary iron work. 16 lights. France, circa 1890. Dimensions: Height 51" Diameter 44" CW5203

Discover the elegance of this mid-century French screen-printed by hand tapestry featuring the exquisite design of a medieval museum tapestry This tapestry, a replica of the origin...

Coffee Brown, Vintage Persian Hamadan with Bird Figurines, Hand Knotted, Worn Down and Distressed, 100% Wool, Zero Pile, Sides and Ends Professionally Secured, Runner, Oriental Rug P...

A 445-year-old late medieval 16th century heraldic encaustic tile of Flemish origin (unmarked). Made from terracotta and glazed, this 6-inch antique tile is an excellent collector’s ...

A towering pair of 18th century French forged, wrought iron andiron-chenets to watch over the hearth. They include a small basket at the top for warming, the rim impressed with a geo...

Neo Gothic Medieval Style Carved Wood Wall Candle Holder or Torchere. This imposing wooden candle holder seamlessly combines natural beauty with functionality, featuring a sturdy des...

A Seljuk Bronze Oil Lamp, 12th/13th Century Provenance: Private Australian Collection. Description: A 12/13th-century Seljuk bronze oil lamp is an antique from the Seljuk Empire, k...

Beaver Brown with Pink, Vintage Persian Hamadan with Geometric Pattern, Worn Out and Distressed, Zero Pile, Clean, Hand Knotted, 100% Wool, Wide Runner, Oriental Rug Primary material...

Rare Large Grape or Cauldron in Solid Bronze, Europe, 16th Century. This is a rare and large museum quality 16th century grape or cauldron or cooking pot in solid bronze. A practi...

Medieval Limestone Figural Corbel. Corbel is carved in high relief with a stylized grotesque face. It would have originally been created as an architec...

Particular Gothic style chandelier made of wrought iron and wood. Made in France in the 1940s.Please watch the video and photos carefully, thank you. Weight: 10 Kg Bulbs: 4 E14 ligh...

Add a touch of opulence to your home with this charming Chandelier. Perfect verdigris colored parts to enhance any chic or eclectic home. We'd love to see it hanging in an entryway o...

A remarkable survivor from 17th‑century France, this oak linen chest. It embodies the strength, craftsmanship, and understated elegance of early provincial furniture. Built in an era...

An antique medieval carved stone gargoyle from the private collection of a country house in Oxfordshire, originally purchased from Crowther of Syon Lodge in 1985. Dating to the 13...

Beaver Brown, Mamluk Design, Pure 100% Himalayan Wool, Natural Dyes, Hand Knotted, Mat, Oriental Rug Primary materials: Wool Latex: No Pile height: 0.25 Inches Style: Transitional P...

Discover a reproduction of the exquisite "Noble Amazone" French medieval museum tapestry, a true masterpiece of design. This captivating artwork showcases a noble lady elegantly seat...

Crafted in Italy circa 1750, this impressive antique walnut cassone offers both architectural presence and practical storage. The rectangular coffer showcases a richly carved façade ...

IMPORTANT TRIPTIC FLORENTINE SCHOOL (Italy) 16th Century Oil on wood, representing the Eternal Father, Our Lady with Baby Jesus, Saint Bernadino of Siena, San León, Saint Stephen an...

Large antique wrought / forged iron converted torchiere candle stand / candle holder floor lamp featuring Gothic / Spanish styling with scrolled accents, fleur de lis and two lights....

Reclaimed Fragments of Religious Artworks After Matteo di Pacino. A pair of reclaimed fragments of religious artworks after Matteo di Pacino, originally part of a triptych. Painted ...

This is a truly genuine one-of-a-kind Cypress Tree Design Silk With Textured Wool Hand Knotted Oriental Rug. It has been Knotted for months and months in the centuries-old Persian we...

17th - 18th century French andirons - fire dogs made of wrought iron. These French andirons are called 'landiers' in France. This dates from the times the andirons were the main cook...

Mimosa Yellow, Colorful Mamluk Design, Sari Silk with Textured Wool, Hand Knotted, Oriental Rug Primary materials: Wool & Silk Latex: No Pile height: 0.25 Inches Style: Traditional ...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

This is a truly genuine one-of-a-kind Hot Pink, Broken Persian Design Tone on Tone, Wool and Pure Silk Hand Knotted, Runner Oriental Rug. It has been Knotted for months and months in...

Very well detailed and proportioned, carved Stone architectural spire of the gothic style. Made during the last quarter of the 19th century, origin is unknown. The carved detailing a...

19th century green man carved oak hall or centre table This is an intricately and very attractive piece, of Gothic carved oak furniture. The carvi...

16th century / Belgium / Letter Panel / Oak / Gothic A finely carved Gothic oak panel from 16th-century France. This architectural fragment features graceful vertical fluting framed...