Medieval Asian Art and Furniture

Early 19th century Chinese bench. A special black lacquered antique Elm wood bench circa 1800. A waisted (refers to specific Chinese furniture construction & joinery) raised top set on frame with hump back stretchers and struts. A most sensational patina of black lacquer worn through to the wood showcases the benches elegant presence and raw beauty. This is an original piece with a 200 plus year history. The raw top is worn silk like smooth from age and use. The reaming black lacquer is thick having an alligatored rustic patina. The construction is solid and strong. Feet having scroll key detail carved to faces with wear prevalent to the bottom of the feet. The humpback struts show ware from one side being more evident then on the other side, more lacquer remains covering one strut. A very significant Antique Chinese Bench...

A well carved Indian white marble Jain temple relief fragment featuring an image of a Jina, circa 12th century, Rajasthan or Gujarat, India. The Tirthan...

This sandstone sculpture, originating from Madhya Pradesh in India during the 19th century, is a striking piece of art. Carved from sandstone, it stands at an impressive height of 69...

Presenting a stunning piece of Indian antiquity from the 12th century, namely, a Vishnu Buff Sandstone Central India. From Central India. This piece has impeccable Provenance ! It...

Copper base cloisonné Fu Dogs made for Chinese export with gilded, mane, ears and accents. This pair from 1910s or earlier.

Beautiful round porcelain dish or circular box with a cover in blue and white. This circular chinoiserie box with a cover is finely decorated with a crisp blue and white hue. This di...

Old wide Elm bench with framed seat. Pretty detailed carved apron. Rustic and elegant. Sturdy and functional.

Italian Memento Mori skull Marble North of Italy, 17th century H 9 x L 7 x P 14 cm At the turn of the 16th century, they were the height of fashi...

Potted with the fluted sides rising from a recessed base, carved to the interior with Chrysanthemum, covered overall with a grayish-green glaze, save for a ring to the underside left...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Collection of 6 Chinese cloisonne teapots in varying shapes and designs of flora and fauna. The highest one is 5.5'' H x 2 W x 2.5'' D. the sm...

A fantastic and wonderfully hand carved piece. These smiling, mischievous skulls are hand carved in very Fine detail. Would be the crown jewel of any walking stick collection once at...