Medieval Furniture

This fabulous Hand-Knotted carpet has been created and designed for extra strength and durability. This rug has been handcrafted for weeks in the traditional method that is used to m...

Gothic Country Solid Oak Welsh Dresser This is a late Victorian piece it is constructed in solid Oak including the panelled back boards, the dresser top has a classic styled top with...

Wonderful print of St Matilda Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

An extraordinary pair of medieval pole arms from the 15th-16th century, originating in the Habsburg Empire (Austria). These rare weapons- comprising a long iron spear and a glaive- w...

Hedge Green, Hand Knotted, Broken and Erased Persian Inspired with Birds Design, Distinct Abrash, Shaved Low, Pure Wool, Oriental Rug Primary materials: Wool Latex: No Pile height: ...

Neo Gothic bronze architectural fragment mounted as lamp.

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

An exceptionally rare and important 15th century Gothic iron strongbox, weighing approximately 80 kg. This large strongbox retains its original mechanical locking system, which remai...

Encaustic Medieval Floor Tile, with impressed and inlaid slip filled decoration. 14th Century, wear and condition commensurate with age, minor loss to one corner.

A very early oak chest with lovely silvery patina of heavy plank construction raised off the floor with integral legs extending the depth of the edges, and a hinged ridged top with t...

Crimson Red, Antique Persian Bijar Garus, Even Wear, Clean, Sides and Ends Professionally Secured, Hand Knotted, 100% Wool, Oversized, Oriental Rug Primary materials: Wool Latex: No ...

Wonderful print of St Rosa of Lima Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Rare and important bronze crucifix by the French ‘fondeur’ F. Barbedienne. Ferdinand Barbedienne (1810-1892) does not need any further introduction, but that he also made this type...

Unique and extremely rare medieval wooden Madonna with traces of her original color Original period piece, South of France, circa 1500 or older Weathered, small losses and old repair...

A very cool and well detailed solid cast brass medieval armored knight on horse sculpture, circa 1970s. The piece is in very good vintage condition and...

Wonderful print of St John Chrystostom Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

19th Century French Gothic Hall Bench was hand-crafted from solid old-growth oak, and features a tailored classical architecture with design embellishments that are definitive of the...

Pair of Antique Giltwood Angels Hand carved and gilded with silvered clouds to base. Made in France at the end of the 19th century, Very decorative architectural wall elements. ...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

A rare and remarkable authentic nearly 300 year old early French Gothic hand carved oak tabouret (today use as a stool, end table or plant stand) Crafted in France in the 17th/18th ...

An extraordinary and museum-worthy 15th century Gothic Corpus Christi, masterfully hand-carved in wood with exceptional anatomical detail and partially polychromed in white and royal...

Finely cast rein faux stone architectural element form Mirror with shaped and scrolled top with fruit cluster in a crest. The mirror with an egg-and-dart and bead-and-reel double sur...

very beautiful French Aubusson style tapestry, with a design of a medieval tapestries. This tapestry has been made in the renowned “La Filandière” manufacturing Beautiful colours w...

Rare and beautiful small medieval treasure. Hand carved Romanesque marble capital, Italy, circa 1250-1400. Weathered, small losses. More photo's avai...

Pair of gothic mahogany tabourets or end tables circa 1910, with superbly carved arches to each panel. Believed to be of English origin. Older restoration, holds up nicely. The tops ...

Wonderful print of St Scholastica Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Transport yourself back to the sleek and sophisticated 1970s with this exquisite arch gothic armoire cabinet with interior mirror. The ultra rare cabinet exudes an air of luxury and ...

Discover the elegance of this mid-century French hand-printed tapestry featuring the exquisite design of the renowned medieval museum tapestry, "Les Vendanges" (grape harvest) from t...

This 18th century, mixed wood French armoire is absolutely stunning. It is Gothic-style and features two tall, paneled doors on barrel hinges. One key operates the locking right door...

This remarkable windlass crossbow, dating from the late 15th to early 16th century, is a striking example of early European military craftsmanship, originating from Germany. Measurin...

Wonderful print of St Ferdinand Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Wonderful print of St Stephen Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Medium Jungle Green, Vintage Look Mamluk, Zero Pile, Shaved Low, Worn Wool, Hand Knotted, Runner Oriental Rug Primary materials: Worn Wool Latex: No Pile height: 0.25 Inches Style: ...

Shades of Brown, Wool and Silk, Hand Knotted, Modern Grass Design, Tone on Tone, Lush and Plush, Oriental Rug Primary materials: Wool & Silk Latex: No Pile height: 0.25 Inches Style...

Impressive sterling silver chess board medieval style chess set. The chess board, made by ARVAL ARGENTI VALENZA, was made in white marble and sodalite is supported by a STERLING SILVER frame made with the casting method and finished with a chisel, subsequently burnished and reproducing the bricks of a wall of a fortress. This "frame" is supported at the four horses two tone...

In true Gothic fashion, these lamps illustrate the style of light common to many cathedrals of the time yet devoid of any religious symbols. Lights are of grand scale consisting of s...

An exceptional and extremely rare complete set of Italian infantry armour from the 16th century, featuring a finely crafted triple-comb burgonet helmet with hinged ear flaps for improved hearing. The helmet retains its original character and showcases the classic fluted detailing associated with the period. The armour is composed of forged steel plates, joined with leather straps for proper fitting, and rests on an antique wooden mannequin stand measuring 175 cm in height. It comes with its original linen undergarment and chainmail shirt...

This is a truly genuine one-of-a-kind Beige, Silk With Textured Wool Hand Knotted, Directional Vase Design, Square Oriental Rug. It has been Knotted for months and months in the cent...

Beautiful midcentury hand painted kalamkar with a nice design of Safavid period and beautiful colors, hand painted on cotton foundation.

This fabulous Hand-Knotted carpet has been created and designed for extra strength and durability. This rug has been handcrafted for weeks in the traditional method that is used to m...

76680 Vintage Persian Tabriz Hunting Rug 14’07 x 21’09. Reminiscences of an exotic journey and worldly sophistication, this hand-knotted wool vintag...

Spanish drinks table on a tripod base, Spain, 1950s Entirely made in hand forged iron, gilt finish. It has a clean design with Gothic style acce...

A large English carved and polychrome painted medieval ecclesiastical throne. In the English gothic manner, with finely carved tracery, it is also decorated in the Italianate taste w...

Chess table and chess game in bronze and brass made with the ancient casting technique. After the casting, the finishing was chiseled and subsequently silvered and finished with 24-k...

An enchanting tall arched oak door replicating something out of an ancient castle or English church. Beautifully weathered by the ages and displaying ornate iron hinge embellishment...

Exceptional Ornate unique Curry & Company Vintage Large Lantern pair. Gorgeous seeded glass panels. Original ceiling canopy and chain. The finish is slightly distressed but beautiful...

Gothic Style German fireback depicting a religious theme. The fireback is made of cast iron and has a black / pewter color. The fireback is in a good condition and does not have cracks.

A very rare, fine large Edward F. Caldwell jeweled champleve enamel folio cover in the High Gothic Style. The central panel depicting a King on a white horse holding a large orb with a snake symbol, surrounded by exquisitely detailed Gothic heraldic elements and jeweled embellishments. Burgundy velvet lined interior, retaining original leather backing and spine, wear commensurate with age, ideal for a museum or private collection. Measurements: 13.63 inches high, 11 inches wide, 1 inch deep Condition: the enamel panel is in excellent condition, age appropriate wear to velvet, leather and interior pages. Please note, the enamel panel may be removed and mounted on a modern folio if desired. This piece may be framed or displayed as a decorative panel on a stand Edward F. Caldwell & Co was established in 1895 in New York City at 31 East 17th Street and quickly became one of the premier designers and manufacturers of fine lighting and decorative objects. Their commissions included J.P. Morgan's residence, Saint Patrick's Cathedral, Vanderbilt Mansion, Henry Clay Frick residence, Harvard Club...

English Gothic Revival style (19th Cent) oak high back carved and filigree Bishops throne chair with griffin finials.  

Antique large size sculpture and an impressive, religious work of art. Looking at Christ suffering like this, the crucifix (in our view) is a symbol of what 'telling people the trut...

Elegant Gothic style hand-hammered iron round gueridon table standing on a tripod base. Spain, 1940s. This wrought iron black painted table has twisted details at the steam and the t...

A beautiful decorative box, made of brass. The box is richly decorated with elegant motifs and representations of the classic story Tristan and Isolde. The box was probably made in B...

An English Solid Iron Door Knocker displaying an ominous Gargoyle. The piece is very large at 15" tall and also has a very good weight at 7 pounds. Definitely a substantial stateme...

A mid century French attributed sofa. Angular gothic silhouette. Iron base frame. Cream vinyl upholstery with brass brad detail. Previous owner added bolts with caps to adjust feet h...

Discover the elegance of this mid-century French screen-printed by hand tapestry featuring the exquisite design of a medieval museum tapestry titled “Charade” This tapestry, a repli...

Imperial Red, Afghan Kilim with Colorful Geometric Pattern, Vegetable Dyes, Pure Wool, Hand Woven, Flat Weave, Reversible, Oriental Rug Primary materials: Wool Latex: No Pile height...

Dutch Gothic style (19th Century) oak and gilt filigree carved 4 section steeple (Provenance: a Dutch church 108 Utrechtsestraat St., Amsterdam).

An extraordinary trio of 13th-century Tuscan iron torches, exquisite examples of medieval wall lighting that stand as a testament to early Italian craftsmanship. These hand-forged sconces, also known as torchères or wall-mounted candleholders, offer a unique glimpse into the artistry of High Medieval Tuscany. They are sold individually and price is per item. Crafted by skilled blacksmiths in the 1200s, these iron wall lights are a Tuscan salvage showcasing an unexpected delicacy in metalwork. The antique...

French Gothic fireback reproduction. With decorations in the style of the early days of casting firebacks. 20th century. The fireback has a black / pewter color. The fireback is in ...

Decorate a games room or a study with this colorful painted curved plaque. Crafted in southern Italy, circa 1950, the painted wall sculpture features a center medallion decorated wit...