Ming Furniture

This Annamese ceramic dish features a central lotus motif, enclosed by a thin circular border. The rim is adorned with intertwining vine patterns and swirling motifs. The dish has a gently curved form with a well-proportioned depth and a neatly finished rim. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Early Ming standing carved wood Bodhisattva Avalokiteśvara (Guanyin), China 1368-1644. This massive Bodhisattva Guanyin is depicted here in the...

A rare and evocative wooden sculpture of a male deity, dating to the Ming dynasty (14th–17th century), China. The figure’s calm expression and dignified posture reflect the spiritual...

Created over 400 years ago, this low table from the late Ming/early Qing dynasty was carved by hand from a single block of limestone. The table has aprons carved with interlocking rings...

This monumental Ming-dynasty bell once pealed in a Chinese village, sounding out in celebration or giving notice of important events. Expertly forged, the cast-iron bell is detailed with characters in intricate relief, and its exaggerated scallop rim is traced with oversized rivets. Covered in scales and ending in expressive faces, the bell's handle is cast in the form of a two-headed hong dragon, thought to be the embodiment of a rainbow and thus visible only after rainfall. Frosted with snow or lit from within by flickering candles, this sculptural bell takes on a magical presence in the winter garden.

Stoneware painted with underglaze cobalt blue and remnants of overglaze enamel. This work has been presented as a centerpiece in the Annamese gallery of the Asian Art Museum of San Francisco, underscoring its significant artistic and historical standing. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Ewer Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Phoenix Art Museum - OBJECT NUMBER 2000.108.1 2) Asian Art Museum of San Francisco - Annamese Collection 3) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

A pair of Chinese stoneware horseshoe cross chairs circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offeri...

This blue and white porcelain jar was produced at a southern folk kiln (minyao) during the mid to late Ming dynasty. It features a well-balanced form with rounded shoulders, a short ...

This Longquan celadon figure is defined by a composed frontal presence: half-lidded eyes, a calm oval face, and a hooded mantle that reads as a single, clean silhouette. The robe is modeled with restrained but deep folds—glaze pools in the recesses into a richer olive tone, while the raised edges fire thinner and lighter, sharpening the relief and giving the carving real definition. The color shifts naturally from jade-like grey-green to mossy depths, with fine peppered speckling and subtle kiln character on the surface—an understated, materially convincing piece where form and glaze do the work. Period: Ming Dynasty (1368-1644) Region: Longquan, China Medium: Stoneware - Celadon glazed, with a range from heavy grey to almost white porcelain-like material Type: Sculpture Height : 24.5 cm Provenance : Acquired in 1999, Hongkong * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Ming Dynasty, China, 1368–1644 CE Terracotta equestrian figure depicting a mounted rider holding a bird in an animated ceremonial gesture. The sculpture features finely modeled detai...

Chinese Art. A large wooden lacquered box decorated with birds and vegetal motif China, Ming dynasty, 17th century. 36cm x 6.5cm. Condition see more...

A Ming dynasty pottery horse modelled in a standing posture on a rectangular base, with a robust yet stylised anatomy, elongated neck, covered in a warm buff-toned slip with survivin...

Daoist sage, official, or possibly a Buddhist acolyte. A large, thick and heavy cast iron statue of a head. Custom vintage carved hardwood stand finishes off this outstanding and decorative bust, circa 10th...

An extremely charming lacquered Chinese table in lovely antique condition. Traditionally crafted in China, most likely in the early Twentieth C...

These shallow bowls feature stylized floral and wave motifs rendered in fluid cobalt brushwork beneath a clear glaze. The slightly everted rims and neatly cut foot rings are characteristic of export wares produced in southern kilns during the Ming period. Marine encrustations and glaze degradation attest to prolonged submersion in a maritime context, offering valuable insight into historical trade routes and overseas demand for Chinese ceramics. Period: Late Ming Dynasty Type: Bowl Medium : Blue and White Condition : Good(Marine encrustation is attached on one bowl and it's crack) Provenance : Presumably from the shipwrecked Binh Thuan...

A Chinese stoneware day bed model circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offering objects. Pottery models of daily life necess...

Description Very happy with this new arrival. Arita plate with a scholar carrying books Condition 24.5cm. Perfect Condition

Pair of jarlet from the late Ming dynasty cargo. An identical piece is included on page 145 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Cera...

The first figure wears a short cap and takes a posture as if carrying something on the shoulder, possibly symbolizing a servant or a messenger. The second figure wears a tall hat and...

Magnificent Lady Guanyin Bodhisattva seated in Royal Relaxation pose hand-carved in Gilded Wood with traces of paint still visible. This expressi...

EYE-CATCHER! QING DYNASTY TRIANGLE ARM CHAIR! RED ENAMEL & SILK EARLY TWENTIETH CENTURY DIMENSIONS: APPROX. 28" TALL BY 20" WIDE This phenomenally rare Qing dynasty styled palace arm chair is simply superb! The epitome of dramatic ornamental design for the style conscious interior! One can't take ones eyes off this beautiful red triangle shaped chair! This would be wonderful in an Asian themed setting or as a style break in almost any decor. As a stand alone piece it has the necessary drama to work additional interest and detail into any open space. The condition is very fine vintage. Upholstery tacks...

A fine set of a six court attendants as in the Forbidden City of Beijing, elegantly dressed in a Green & Red Daopao – a traditional men’s formal attire from the Ming Dynasty dated 1368-1643 A.D. – with glazed robes and Red Pigment remains in their hat and belts. They stand in an honorary posture atop a red plinth, some with orifices in their hands, where spirit objects were placed to comfort or satisfy the deceased. The heads are detachable, as often seen on the larger figures from this period. They are accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - a leading authority specialized in Far East Archaeology from the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...

Statues of East Asian horse rider, featuring glazes in green, are set on rectangular base. Period: Ming Dynasty Medium: Green-glazed Pottery Type: Figure Condition : Good Provenance : Acquired in early 2000s from Hongkong * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed...

Modeled after wooden architectural forms, this miniature gate is constructed with two vertical posts and three horizontal crossbars, set on footed bases with projecting support brack...

The table bearing pig head, rice cakes, dishes of meat, fish and fruit. Known as Mingqi, these terracotta models were customarily included in Chinese burial practices, particularly among the affluent, to aid the deceased in their journey through the afterlife. This tradition extends back to the Neolithic Period. A unique terracotta funeral table...

Custom made beautiful modern linen decorative pillow. Ming Trail fabric in green color on white. Ming Trail is a popular pattern in the Dynasty collection. Ming Trail is a modern, ba...

A very nicely potted and painted blue and white Kosometsuke plate of a desirable cobalt blue! Stunning piece with design of Turkish style Arabesque pattern and central a Lingzhi Fung...

A group of three glazed terracotta musician figures, depicting a central performer holding a looped wind instrument accompanied by two attendant musicians. Each figure stands on a rectangular base and is covered with richly applied green and blue glazes. Such figural representations of musicians are comparatively uncommon, making this ensemble particularly notable within its category. Period: Ming Dynasty Medium: Green and Blue glazed Pottery Type: Figure Provenance : Acquired in early 2000s from Hongkong Reference : 1) V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

This Ming-dynasty (1368-1644) bowl is attributed to the kilns of Yunnan province, painted in dark cobalt underglaze with floral motifs and sweeping brushstrokes. Dated to the 15th/16...

Exquisitely decorated set of plates, dating back to around 1500, from the Hongzhi or Zhengde period. Intricately adorned with a raised, moulded goldfish design. The goldfish, painted in a orange-red enamel, are set amidst water plants depicted in rich cobalt blue. These plates enjoyed widespread popularity, not only in the local markets of China but also overseas in countries. This style of plate played a significant role in the daily life of the Sengoku period in Japan, as evidenced by several similar flat bowls excavated from the Ichijodani Asakura Ruins in Fukui Prefecture, Japan, along with other ceramic artifacts...

Accentuate your space with our Vintage Boho Gilt tipped European Trope Character Bracket. This unique piece features gilt detailing and characterful design, blending Bohemian charm w...

A fabulous vintage Boho Glazed ceramic vase. A classic Ming style in a black high gloss finish. Rests on a wooden plinth. Acquired from a Palm Beach estate.

The minimalist effect achieved by this Chinese carpet is very much favoured by decorators outfitting many of today’s most stylish interiors. The field is decorated by a subtle tone o...

This petite ceramic bottle is a Ming-dynasty (1368-1644) vessel originally used for serving rice wine or spirits. The gracefully curved form is known as a yuhuchunping, or pear-shape...

One side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. There are similar types and decoration but varying in shape, resembling a pear, all from the same era and crafted in celadon, often referred to as 'fu shou' vases. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer Provenance : Acquired in late 1990s from Hongkong Reference 1) British Museum - Museum number 1931,1118.5 (Type : Closely related) 2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105 (Price realised : 9,450 USD / Type : Related) 3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172 (Price range : 15,000 USD - 20,000 USD / Type : Related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Breathtaking pair of Chinese blue and white porcelain urns Double gourd form with intricate hand painted arabesques and motifs Classy pair ready to add light and oomph to any room Pl...

This elegant ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing oil or sauces. Dated to the 15th/16th century, the small bottle has a gracefully curved f...

A near pair of Ming Dynasty style vintage wedding armchairs from the mid-20th century, with woven rattan seats, curving armrests and natural wood patina. This near pair of Ming dynas...

This elegant ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing oil or sauces. Dated to the 15th/16th century, the bottle has a gracefully curved form kn...

This petite ceramic bottle is a Ming-dynasty (1368-1644) vessel originally used for serving rice wine or spirits. The gracefully curved form is known as a yuhuchunping, or pear-shape...

The circular domed cover moulded with a brown glaze that falls short of the straight foot. The pattern on the left features a central circular design with simple shapes and lines car...

Lovely plate great scene of a monk Marked at base. Condition 1 line to rim and some rimfritting/mushikui. 2 firing flaws in base, 1 next to rim and 1 in circle. Size: 188 x 23...

A large Chinese Ming Dynasty polychrome porcelain dish, circa 1620. Late Ming Dynasty. Painted in turquoise, black and red enamels with a central 'Split Pagoda' pattern scene, the cavetto with four landscape vignettes alternating with stylised seals. Many Mid-Century studio potters were inspired by the shapes and designs of ancient Chinese and Ming pottery. We believe this dish is a good example of this, which is why it will fit with both antique and modern interiors, making it the perfect cross-collecting piece. See Bonhams Lot 168 from Asian Art sale...

The figure stands on a rectangular base. The horse is depicted in a poised stance, with strong, muscular legs and a slightly bowed head. The mane is carefully sculpted with deep, flowing grooves, adding a dynamic texture to the piece. The head features expressive details, including a well-defined muzzle, flared nostrils. The bridle and harness are delicately painted in faded green, contrasting against the creamy beige body. The saddle is adorned with intricate details, including decorative tassels and a textured pattern, indicative of the elaborate tack used in the Ming period. Traces of original polychrome pigments in green, black, and ochre remain on the surface, hinting at the sculpture’s once-vibrant appearance. The weathered patina and areas of flaking paint add to its historical authenticity, reflecting centuries of age. The overall craftsmanship and detailing exemplify the Ming Dynasty’s refined ceramic artistry, making this piece a remarkable representation of of asian culture during this period. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Condition : Good(chips on the upper saddle.) Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Vietnamese covered boxes with representative scenary designs. Both are made of cream-colored base and blue designs, typical of Annamese pottery. These shared characteristics highligh...

Chinese blue and white porcelain vase with an octagonal, faceted shape wrapped in blue bands featuring white iconography at the base and concave top, framing a center area that alter...

Teacup from the late Ming dynasty shipwreck. An identical piece is included on page 141 of the Bin Thuan catalog titled Asian Ceramic Found along Maritime Si...

A gorgeous rare pair of large blonde Chinese bent-arm Horseshoe-back armchairs in lovely antique condition. Almost certainly made in Shandong Province in 19th Century China, these ex...

The pair of Blue White Porcelain Vases with Gilt Silver Phoenix Dragons, dating from the 20th century, is an exquisite examples of decorative art, blending traditional Chinese porcel...

A pair of exceptional small patinated bronze castings of a male and female Chinese Deities or Gods possibly representing Shouxing God of Longevity Immortality and Good Fortune, and G...

Sharing new arrival. An amazing Blue and white porcelain dish, Kosometsuke for the Japanese Market. Very interesting. China, Ming dynasty. ⁠ Decorated in the centre with a river lan...

Beautiful serving dish in blue and white with central a reverse decorated floral lotus scene, the walls with branches and the border with geometric design. The base has a six charact...