Ming Furniture

A rare example of Ningxia Chinese throne back cover of Imperial quality in pristine condition. A true gem distinguished by a plethora of shades of red, ...

A rare and unusual Chinese rug decorated with an all-over pattern of eight-petalled rosettes, joined together to form a lattice in the negative of which is the longevity motif, that ...

A very nicely decorated plate with a scene flowers. Very rare and very modern design. Domestic market or Japanese market from Jingdezhen. Late Ming Wanli or Tianqi. Top Quality 28...

A very finely woven antique Chinese rug woven in the Imperial workshops of Peking. Distinguished by an elegant pattern of scrolling lotus flowers on an indigo background, this type r...

Chinese Art. A large wooden lacquered box decorated with birds and vegetal motif China, Ming dynasty, 17th century. 36cm x 6.5cm. Condition see more...

Characterised by the delicate drawing which distinguishes the weavings of the short and noble Yongzheng period (1723-1735), it has a beautifully drawn...

A Pair of Chinese Enameled Sancai Glazed Pottery Attendant Figures Representing Dignitaries. Ming Dynasty Period. Circa 1600AD Dimensions; 23 x 5.5 x 5.25 inches (58.4 x 13.7 x 13.3 ...

Antique Chinese Guangcai (Late 19th Century) export porcelain shallow, centerpiece bowl decorated with blue and orange patterned panels swirling around a center scene of a koi fish s...

Chinese blue and white porcelain vase with an octagonal, faceted shape wrapped in blue bands featuring white iconography at the base and concave top, framing a center area that alter...

A Chinese Deep Brown Glazed Footed Bowl, 15th Century Provenance: The Collection of Dr. John Yu AC Dimension: Height: 7.3 cm. Dimension: 15.5 cm Dr. Yu was the Founding Chair of V...

Antique Chinese, Ningxia rug, size: 10'4" x 15'6".

A hand-carved stone pillar on a wood stand. Hunan, China, circa 1560. Not unlike the smaller Scholar's rocks, this stone pillar was placed in gardens as...

The figure stands on a rectangular base. The horse is depicted in a poised stance, with strong, muscular legs and a slightly bowed head. The mane is carefully sculpted with deep, flowing grooves, adding a dynamic texture to the piece. The head features expressive details, including a well-defined muzzle, flared nostrils. The bridle and harness are delicately painted in faded green, contrasting against the creamy beige body. The saddle is adorned with intricate details, including decorative tassels and a textured pattern, indicative of the elaborate tack used in the Ming period. Traces of original polychrome pigments in green, black, and ochre remain on the surface, hinting at the sculpture’s once-vibrant appearance. The weathered patina and areas of flaking paint add to its historical authenticity, reflecting centuries of age. The overall craftsmanship and detailing exemplify the Ming Dynasty’s refined ceramic artistry, making this piece a remarkable representation of of asian culture during this period. Period: Ming Dynasty Medium: Green, black, and ochre glazed Pottery Type: Figure Condition : Good(chips on the upper saddle.) Provenance : Acquired in late 1990s from Hongkong Reference : Asian Civilisations Museum - Accession No. C-1384 / 1994-00441 - Ming Dynasty Figure of Horse (Type : Closely Related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Created over 400 years ago, this low table from the late Ming/early Qing dynasty was carved by hand from a single block of limestone. The table has aprons carved with interlocking rings...

This Longquan celadon figure is defined by a composed frontal presence: half-lidded eyes, a calm oval face, and a hooded mantle that reads as a single, clean silhouette. The robe is modeled with restrained but deep folds—glaze pools in the recesses into a richer olive tone, while the raised edges fire thinner and lighter, sharpening the relief and giving the carving real definition. The color shifts naturally from jade-like grey-green to mossy depths, with fine peppered speckling and subtle kiln character on the surface—an understated, materially convincing piece where form and glaze do the work. Period: Ming Dynasty (1368-1644) Region: Longquan, China Medium: Stoneware - Celadon glazed, with a range from heavy grey to almost white porcelain-like material Type: Sculpture Height : 24.5 cm Provenance : Acquired in 1999, Hongkong * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

Breathtaking pair of Chinese blue and white porcelain urns Double gourd form with intricate hand painted arabesques and motifs Classy pair ready to add light and oomph to any room Pl...

Accentuate your space with our Vintage Boho Gilt tipped European Trope Character Bracket. This unique piece features gilt detailing and characterful design, blending Bohemian charm w...

Statues of Chinese horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glaze...

Daoist sage, official, or possibly a Buddhist acolyte. A large, thick and heavy cast iron statue of a head. Custom vintage carved hardwood stand finishes off this outstanding and decorative bust, circa 10th...

Exquisitely decorated set of plates, dating back to around 1500, from the Hongzhi or Zhengde period. Intricately adorned with a raised, moulded goldfish design. The goldfish, painted in a orange-red enamel, are set amidst water plants depicted in rich cobalt blue. These plates enjoyed widespread popularity, not only in the local markets of China but also overseas in countries. This style of plate played a significant role in the daily life of the Sengoku period in Japan, as evidenced by several similar flat bowls excavated from the Ichijodani Asakura Ruins in Fukui Prefecture, Japan, along with other ceramic artifacts...

Cast seated wearing a simple robe with his right hand resting on the hilt of a snake-entwined sword, the left hand held aloft, his face with meditative expre...

A Chinese Fahua glazed pottery figure of Songzi Guanyin with child. A rare yellow, turquoise and green glazed statue of Guanyin with downward gaze h...

A pair of Chinese stoneware horseshoe cross chairs circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offeri...

A carved wood Budda from the Shanxi region, made during the Ming Dynasty. The carved figure has an ancient polychrome finish.

The three figurines in the back exhibit the typical form of attendants, wearing conical red hats and adopting poses where their right hands are either held in front of their chests o...

17th century Ming dynasty Chinese Zitan libation cup silver inlaid, of deep oval form , the exterior carved in high relief and undercut around the sides and base with gnarled branche...

The Ming period or Great Ming Period is the last Han ruled dynasty in Chinese history. Considers a high mark culturally and influenced by great events at ho...

Small green-glazed boxes from the late Ming dynasty cargo. Identical pieces are included on page 142, 143 of the Bin Thuan catalog titled 'The Age of Discove...

Beautiful antique drum for sale. From Asia, and well cared for. Has leather tops on both end, and still has the original rings on both ends. It's made of solid oak with a walnut fini...

The first figure wears a short cap and takes a posture as if carrying something on the shoulder, possibly symbolizing a servant or a messenger. The second figure wears a tall hat and...

Chinese Jin Dynasty 12th Century Cizhou Ware Crouching Tiger Pottery Pillow .Tiger pillow, Jin dynasty, 12th century (circa 1150) The pillow is assembled ...

A Chinese blue and white porcelain Dish of beautiful shape and design. With a stunning waterfall scene. Early 17th century, marked at base. Condition kintsugi restored spot at rima...

A large Chinese Ming Dynasty polychrome porcelain dish, circa 1620. Late Ming Dynasty. Painted in turquoise, black and red enamels with a central 'Split Pagoda' pattern scene, the cavetto with four landscape vignettes alternating with stylised seals. Many Mid-Century studio potters were inspired by the shapes and designs of ancient Chinese and Ming pottery. We believe this dish is a good example of this, which is why it will fit with both antique and modern interiors, making it the perfect cross-collecting piece. See Bonhams Lot 168 from Asian Art sale...

A very nicely potted and painted blue and white Kosometsuke plate of a desirable cobalt blue! Stunning piece with design of Turkish style Arabesque pattern and central a Lingzhi Fung...

Custom made beautiful modern linen decorative pillow. Ming Trail fabric in green color on white. Ming Trail is a popular pattern in the Dynasty collection. Ming Trail is a modern, ba...

This Ming-dynasty (1368-1644) bowl is attributed to the kilns of Yunnan province, painted in dark cobalt underglaze with floral motifs and sweeping brushstrokes. Dated to the 15th/16...

This petite ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing cooking oil or condiments. Dated to the 15th/16th century, the bottle has a gracefully cur...

A group of three glazed terracotta musician figures, depicting a central performer holding a looped wind instrument accompanied by two attendant musicians. Each figure stands on a rectangular base and is covered with richly applied green and blue glazes. Such figural representations of musicians are comparatively uncommon, making this ensemble particularly notable within its category. Period: Ming Dynasty Medium: Green and Blue glazed Pottery Type: Figure Provenance : Acquired in early 2000s from Hongkong Reference : 1) V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

Sharing with you this nice Chinese porcelain dish from the early 17th century. Once again Jingdezhen made but for the Japanese market, Kosomets...

A very nicely potted and painted blue and white Kosometsuke Kaiseki dish plate of a desirable cobalt blue! Stunning piece with design of a landscape in the style of the yuan painter ...

This statue is made of a casted composite. It depicts a Chinese warrior. It has a nicely aged patina.

Stoneware painted with underglaze cobalt blue and remnants of overglaze enamel. This work has been presented as a centerpiece in the Annamese gallery of the Asian Art Museum of San Francisco, underscoring its significant artistic and historical standing. Year/Period : 15th century Region : North Vietnam, Vietnam Type : Ewer Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Phoenix Art Museum - OBJECT NUMBER 2000.108.1 2) Asian Art Museum of San Francisco - Annamese Collection 3) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Impressive Funeral Ensamble of 10 Terracotta Glazed Figures in green and caramel colors depicting a votive procession with a palanquin, his four carriers, a horse, a stableman, two musicians, and an offering carrier. This ensemble is accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - Specialist in Asian Arts for the CEDEA (The European Confederation of Art Experts). Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years (1368–1644 AD). Founded by Chu Yuan-chang, the rebel leader that was successful in removing the mongols from the throne. Chinese control was re-asserted in China and eastern Asia. Literature became more important, schools were created, and the justice system was reformed. The Ming dynasty is described by some as "one of the greatest eras of orderly government and social stability in human history,” was the last imperial dynasty in China ruled by ethnic Han Chinese. The practice of burying ceramic objects with the deceased went into decline from the 10th to the 14th Century AD. There was a revival in placing miniature representations of glazed terracotta objects such a furniture, food offerings, horses, miniature statues...

Inspired by the Ming Dynasty, this elegant statue of Guanyin, Goddess of Compassion, was hand carved in the 20th century. The artist captures the timeless and spiritual aura of Guany...

A stoneware figure depicting a seated armored warrior with a striking pose circa 15th-17th century. He is likely one of the four heavenly kings, th...

Pair of jarlet from the late Ming dynasty cargo. An identical piece is included on page 145 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Cera...

This elegant ceramic vessel is a Ming-dynasty (1368-1644) bottle originally used for storing oil or sauces. Dated to the 15th/16th century, the small bottle has a gracefully curved f...

The minimalist effect achieved by this Chinese carpet is very much favoured by decorators outfitting many of today’s most stylish interiors. The field is decorated by a subtle tone o...

Statues of attendant crafted from terracotta, dressed in a black coat-like garment with a vest adorned with swirling patterns. Set on rectangular bases. Period: Ming Dynasty Medium...

Early Ming standing carved wood Bodhisattva Avalokiteśvara (Guanyin), China 1368-1644. This massive Bodhisattva Guanyin is depicted here in the...

Vietnamese covered boxes with representative scenary designs. Both are made of cream-colored base and blue designs, typical of Annamese pottery. These shared characteristics highligh...

Vintage brass Ming style table lamp. The lamp is in good vintage condition with visible wear due to age and use. Lampshade in not included, circa 1980...

The table bearing pig head, rice cakes, dishes of meat, fish and fruit. Known as Mingqi, these terracotta models were customarily included in Chinese burial practices, particularly among the affluent, to aid the deceased in their journey through the afterlife. This tradition extends back to the Neolithic Period. A unique terracotta funeral table...

This Annamese ceramic dish features a central lotus motif, enclosed by a thin circular border. The rim is adorned with intertwining vine patterns and swirling motifs. The dish has a gently curved form with a well-proportioned depth and a neatly finished rim. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Dish Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : Double checked with reference to the original catalogue Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Lovely plate great scene of a monk Marked at base. Condition 1 line to rim and some rimfritting/mushikui. 2 firing flaws in base, 1 next to rim and 1 in circle. Size: 188 x 23...

A gorgeous rare pair of large blonde Chinese bent-arm Horseshoe-back armchairs in lovely antique condition. Almost certainly made in Shandong Province in 19th Century China, these ex...

A magnificent pair of male and female courtiers from the Ming Dynasty (1368-1644 CE) in excellent condition. They are wearing traditional Daopao robes in green and black garments wit...

A fabulous vintage Boho Glazed ceramic vase. A classic Ming style in a black high gloss finish. Rests on a wooden plinth. Acquired from a Palm Beach estate.

Teacup from the late Ming dynasty shipwreck. An identical piece is included on page 141 of the Bin Thuan catalog titled Asian Ceramic Found along Maritime Si...

Statues of East Asian horse rider, featuring glazes in green, are set on rectangular base. Period: Ming Dynasty Medium: Green-glazed Pottery Type: Figure Condition : Good Provenance : Acquired in early 2000s from Hongkong * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed...