Dining Room Sets

We are delighted to offer for sale this Kindel furniture cherrywood gold giltwood dining table. This table is vintage 1950s, an extendable table with three extra boards, so you ch...

Amazing dining set designed by Jørgen Høj for Niels Vitsøe in 1962. Featuring a round ‘Model 54’ table with brushed aluminum cross-legs. Extendable from ø 115cm to a whopping ø 175cm...

This mid-century dining set comes complete with four Brno style armchairs and a square chrome table with thick glass top. The cantilever base chairs feature wrap around chrome arms t...

Italian Avant Garde Art Deco Style Dining Room Set Exceptional, rare, Italian avant garde Art Deco style dining room set. It was created by an extraor...

Introducing a stunning Mid-Century dining room set from the renowned Irwin Collection by Paul McCobb for Calvin Furniture. This exceptional set features six dining chairs, two of whi...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisitely designed, hand made in England occasional dining table with Celtic design top and three Geo...

- Four dining chairs, two armchairs, adjustable dining table, coffee table - Dimension of chairs: 78 x 42 x 43, dining table: 78 x 120-170 x 80, coffee table: 58 x 105 x 50 - Made ...

Dining room set containing Børge Mogensen for Fredericia Stolefabrik set of six dining chairs with Angelo Mangiarotti for Skipper 'Eros' dining table Børge Mogensen for Fredericia ...

Edward Barnsley for the Rural Industries Bureau. A Walnut dining table and eight matching chairs with cross band inlay to the edges of the shaped...

A beautifully grained walnut dining table with leather wrapped feet. Designed by Edward Wormley for Dunbar. Table measures 60" diameter and has a 20" leaf.

Dining Room Table, Stools and Bench by Charlotte Perriand for Les Arcs, Set of 5 Additional information: Materials: Wood Color: Blonde Design Period: 1960 to 1969 Year: 1962 Creator...

Set of 6 Home Dining Room Set from Maison Regain, 1960s Vintage Design Home dining room REGAIN Table/Chairs from 1960s. In perfect condition. Additional information: Material: Elm ...

Set of 3 Meribel Chairs and Stool by Charlotte Perriand, 1960s Vintage Design Chairs and stools of the first Méribel model drawn by Charlotte Perriand in the 1950s to furnish the sk...

Vintage Dining Set, Drop Leaf Table, Six Chairs, Mid Century, MCM, Laminate, Wood, Unique, Kitchen Vintage from the 1960s Measurements: Table:: Open: 57.5" L x 41.75" W x 30" H Leav...

A keen proponent of sustainability, John Brevard’s handcrafted sculptural furniture aims to celebrate materials natural to our earth. Made from sustainably harvested teak wood from the PT Perhutani forestry reserve in Indonesia, this beautiful, unique dining set is hand carved by skilled artisans and joined together to form Brevard’s signature parametric designs. This illusion table...

Vladimir Kagan (American, 1927-2016) Eva Dining Room Set, Vladimir Kagan Designs, Inc., USA, circa 1983 Pieces can be purchased separately. Please inquire for separate pricing. Provenance: Property from the Personal Collection of Vladimir Kagan Birdseye maple veneer, painted and lacquered wood, Fully Refinished Table...

Very rare dining room set by Gaetano Pesce featuring 6x chairs model Dalila and a table model Sansone I. Made by Polyurethane and urethane resin, pre -...

The Teoca Dinning table is part of ADN Studio´s Volcan Collection. This Collection seeks to go back to basics. It is a subtle and refined interpretation of the archetypical Modern ...

Artek table model DL82 and four chairs model 65, designed by Alvar Aalto. Both the table and chairs have light blue linoleum top. The set is from 1950s, is in good condition and has ...

This gorgeous dining set is produced by Glostrup Mobler from Denmark. The chairs are beautiful sculptured. The back of the chair and the joints has some beautiful details. It´s solid oiled scandinavian pine wood. The dining table has an ellipse shape. Unfortunately the extension top is missed so you can´t use the extension, only the normal measures. It contents 4x dining chairs...

Fully intact vintage Split Reed dining set, including bamboo table base, glass top, and four newly reupholstered chairs. Chair backs are designed...

Ensemble exceptionnel de salle-à-manger composé d’une grande table à manger rectangulaire vintage des années 60 70, en bois de chêne massif, dans le goût de Charlotte Perriand, Pierr...

Art Deco, Hollywood Regency and Mid-Century Modern design elements have combined to create what is arguably the most sublime patio dinette set ever. Gilt gold and black glam of this ...

This is a handsome oiled-walnut dining set designed by Bertha Schaefer for M. Singer & Sons in 1952 and produced in Italy for the Singer Modern collection. The set includes a large o...

Danish Modern, rosewood dining set by Niels Koefoed, Hornslet Møbelfabrik features a 43 inch round dining table that extends up to 83 inches with two 20 inch leaves and 4 elegant, high ladder back...

studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs original top glass of 0.6 inches tickness table measue 48 inches diamet...

A very fine quality period French Art Deco dining room set consisting of a table and eight chairs. (Six sides and two armchairs) dini...

Offered: this beautiful Art Deco set consisting of a dining table and 4 dining chairs by Schuitema from the Decoforma series. This elegant Art Deco design dining table and chairs are...

On trend vintage Italian Mid Century Modern dining set Eight Effezeta chairs surround the sleek dining table Very comfortable to sit at, chairs are on m...

Antique Art Deco Dining Table with 6 Chairs (circa 1935) Description: This exquisite dining set, consisting of a table and six chairs, embodies the elegance and craftsmanship of th...

Baroque Ferrarese burl walnut with neoclassical references , Art Decò age, table with six chairs of the early twentieth century, in solid blond walnut. Shaped oval shaped table, wit...

Martin Eisler created this original table in the 1950s to take advantage of space, assuming two positions: in the normal position, it serves as a dining table for up to six people; i...

Exquisite set of 4 Charles Rennie Mackintosh “309 Ingram” dining chairs for Cassina in stained cherry and black leather. The 309 Ingram dining chairs, designed by Charles Rennie Ma...

Rectangular table in Brazilian rosewood satin finish with Italian walnut inlay top with 2 extension of cm. 48 (19”) each. Brushed steel accents on the base. Art Deco Size 78’’ ½ W ...

Vintage Salterini Style Wrought Iron Small Garden Patio Bistro Dining Set - 3 pc. Listing includes (1) small round dining table, (2) dining side chairs, pierced fretwork design to ta...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspiration from the serene landscape of A...

Designed by Ashley Yeates, 'The Modern Hepburn,' handcrafted in California using FSC-certified wood and non-toxic finishes. COM/COL The Grant Dining Table brings refined presence a...

Danke Galerie is pleased to present the latest creation from cabinetmaker Vincent Vincent, a round table in burnt solid wood, entirely handmade in Lyon. ...

A beautifully ebonized mahogany and rose marble dining table by Arredamenti Borsani Varedo,whit original label, Italy, circa 1950. The wonderf...

This sought after dining set from Pacific Green Furniture Co. in Fiji is handcrafted and hand finished using 100 year old palm trees that have exceeded their fruit production years. ...

400 Volta Rectangular Dining Table by Wentz Dimensions: D 120 x W 400 x H 75 cm Materials: Wood, Plywood, MDF, Natural Wood Veneer, Steel. Also available in different colors: Oak, Wa...

Beautiful woven wicker, rattan, and bamboo dining set. Created from bentwood, this patio set includes four chairs and a pedestal table base with a round glass top. Each chair feature...

This is a beautiful trestle dining table with matching benches by Gerald McCabe for Orange Crate Modern. This table retains its original finish over soli...

Dining table designed by Alvar Aalto, circa 1960 Special commission, unique piece of measure: 246 x 140 x73 cm Wood legs and structure. In original condition, with minor wear consi...

A rare dining set by Søren Nissen & Ebbe Gehl for French Ebénisterie Seltz, a small family-run wood workshop. The set consists of 4 chairs and a dining table, manufactured in solid b...

Kaare Klint dinning table in mahogany. Executed by Rud. Rasmussen. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/45 NØRREBROGAD/KØBENHAVN, pencilled serial nu...

The Teoca Dinning table is part of ADN Studio´s Volcan Collection. This Collection seeks to go back to basics. It is a subtle and refined interpretation of the archetypical Modern ...

Set of six Mid-Century Modern Dining Chairs, Milo Baughman style, Chrome, Fabric Set of six Mid-Century Modern dining room chairs comprised of four side chairs and a pair of arm chairs...

Designed by Daniel Barbera, the 'Bronze' square table is a Minimalist table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged cast...

This striking Mid Century Modern dining set includes an expandable ebonized dining table and a matching set of four dining chairs. The table features a dramatic spider leg base and a...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Set Of 5 Corian Steel Dining Table And Seating by Pol Quadens Limited Edition Of 8+4 Pieces. Dimensions: D 76 x W 250 x H 74 cm. Materials: Lacquered steel. Pol Quadens was born in...

320 Volta Rectangular Dining Table by Wentz Dimensions: D 120 x W 320 x H 75 cm Materials: Wood, Plywood, MDF, Natural Wood Veneer, Steel. Also available in different colors: Oak, Wa...

This classic American Craftsman design dining table / breakfast table is built to order. It is shown here in a 56" x 48" size. Because each table is bench-made in our own Los Angel...

Available in single slab diameters of over six feet, the Harvest dining table by Taylor Donsker creates a visual anchor for any dining room or dining nook....

A Bohemian Curved Bamboo & Cane Three Piece Dining Set from Italy, 1950s Wonderful addition to a contemporary or period garden room, with stow away seats ...

1950s Dunbar, designer Edward Wormley extention dining table with 2 leaves model 5462 with 6 chairs model 5480. Rare Mid-Century Modern 1950s Edward Wormley extension dining table...

Rare set of 1960s Italian table and six chairs with elaborately detailed backs, in the design of a sheaf of wheat. Raised on gorgeous slim legs with X-stretchers, Classic Italian gil...

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished with leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us about using the material rationally, having the design as a tool to avoid waste. Aesthetically, the patchwork explores the different tones of the Brazilian rosewood beautifully, achieving a unique result. At the time, the Guanabara table was presented as a dynamic piece that could be used in the corporate spaces (as a meeting...