Plastic Tables

"Mock-epic - Highway Odyssey" utilizes industrial components to reconfigure urban places and non-places with common objects in motion or at rest, reimagining them superimposed on a n...

Alessandro Albrizzi lucite glass and heavy chromed metal coffee table Only the base can be shipped for much less expensive shipping Very good condition

Ness, outdoor center table The Ness coffee table combines the lightness of acrylic with the richness of marble and the sophistication of metal, c...

Mushroom is one of Eero’s oldest designs and in its fibreglass form is part of the same design family that includes the Ball Chair, Pastil and Tomato. It can be used as a stool or a ...

This piece is a rare signed "Lion In Frost" table that lights up a room literally and figuratively. The base is a massive sculptural piece of lucite atop a chrome and brass foundati...

Moon Dining Table The Moon dining table is a bold piece designed to transform any outdoor dining space. With elegant lines and an oval marble top, it evokes the serenity of the Moo...

Mid-Century Space Age Bowls and Tray Set from Emsa, 1960s, Set of 7, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional information: Mater...

Sleek coffee table executed in Lucite and solid brass designed in the 1970s by the Lucite icon, Charles Hollis Jones. The table is part of Charles Hollis Jones "Waterfall" line which...

Designed by Eero Aarnio, 1991 Eero’s approach to Industrial Design has often seen simple and hidden forms become real and visible objects. Screws are used...

Vintage Hex Bolt Side Table/Stool in Brown Featuring eclectic piece of furniture, the Hex Bolt Side Table/Stool crafted into a realistic hex bolt shape, ...

Ness, outdoor center table The Ness coffee table combines the lightness of acrylic with the richness of marble and the sophistication of metal, c...

The "scacchi" are parallelepipeds in self-skinning polyurethane. finishing technique used for car dashboards. The result is that of solids soft to the touch that can be freely combin...

This stunning vintage table in the style of Karl Springer features thick Lucite posts connected with chrome X-style frame which adds stability and style to the piece. Thick beveled g...

Sisyphean coffee table by Panorammma Materials: wood, tempered glass, silicone holdings. Dimensions: 32.6 x 100 x 100 cm Panorammma is a furniture design atelier based in Mexico...

This is a Round TA.42G.36 Ribbon Coffee Table, initially designed by Nicos Zographos in 1960. This particular piece was produced by Zographos Designs Limited in the USA in the 1960s....

Houdini Outdoor Side Table The Houdini side table is a bold, modern piece designed to be the focal point of any lounge area. With its acrylic top and durable metal base, it effortlessly complements any style. More than just a visual statement, this side table combines striking design with practicality, making it an unforgettable addition to outdoor spaces. The whole design of this contemporary outdoor side table was developed according to the following structure: - Structure: white lacquered stainless steel; - Top: Clear Acrylic; - Rods: Clear Acrylic; - Metallic Details: Gold plated stainless steel; All Myface materials are from premium suppliers, engineered to offer the best performance possible outdoors. Water, Mold, Mildew, UV and Fading resistance are some of the characteristics that you can expect from both materials, that are available in a wide array of colors and patterns. Houdini side table was designed to bring magic and sophistication to any outdoor environment. Acrylic lights and shadows blended with gold-plated details make the Houdini side table the last touch to your outdoor decor...

Trink Walnut Bar Cart by Kann Design Dimensions: D 54 x W 100 x H 75 cm. Materials: Steel frame, walnut solid wood, wood veneer, rubber wheel, aluminum. With the Trink bar cart, the...

The Dawn Bar Table features a simple, contemporary look, adding a touch of elegance to any outdoor space. The Dawn bar table adapts effortlessly to a variety of environments, ensuring a refined atmosphere for every occasion. Its contemporary aesthetic and durable composition provide both beauty and functionality, offering a stylish setting for drinks or intimate gatherings. The whole design of this contemporary outdoor bar...

Lucite and Brass Sliding Coffee Table, 1980s

Vintage Ikea modulair side table by Richards Brill en A. Williams

The artisanal process of creating our Column Square Coffee Table gives each piece an individual soul and patina, as the temperature, humidity and hands at work all contribute to its ...

Eleanor Rectangular Dining Table The Eleanor rectangular dining table captivates with its fluid curves and refined silhouette. Its rectangular top makes it ideal for hosting several...

Belgo Chrom, serving table, brass, lucite, glass, Belgium, 1980s. This sculptural serving table features a smoked glass table top. This top is aligned with a geometrical double br...

This beautiful Mid Century Fiberglass Dining Table Styled After Eero Saarinen features a round white wooden top with a cast iron metal base to support ...

Italian plastic trolley or work station art cart designed by Giovanni Pelis for Stile Neolt, made from white ABS plastic. Three drawers and lots of storage. Wheels roll smooth. Over...

1970s Spanish rectangular side table base imitating woven wicker.

Designed and made in Italy, this three-tiered bar cart features outstanding practicality, quality, and looks. Made entirely of metal and glass, there isn't a single bit of plastic to...

MOD Italian Memphis Progetti bistro table and chair set. A unique, modern style table set perfect for a nook or a cozy well covered outdoor spa...

Capitol inaugurates a new collection of studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. It is an ironic but fun...

The Dawn Lounge Table The Dawn dining table is the epitome of contemporary elegance, offering a stunning centerpiece for any outdoor space. Designed with high-quality materials, ...

Well crafted, artisan-made, industrial coffee table or bench features a patinated steel base with natural, marine plywood and black acrylic top.

Du.o table by Imperfettolab 2021 Designer: Verter Turroni Dimensions: Ø 90 x H 90 cm Materials: Fiberglass Available in black - raw Material and white- raw Material. Two disc...

Designed by Eero Aarnio 1991 Eero’s approach to industrial design has often seen simple and hidden forms become real and visible objects. Screws are used in most pieces of furniture – but the Screw table...

Charles Hollis Jones Mid Century Lucite Infinity Coffee Table This coffee table measures: 52 wide x 36 deep x 15.5 inches high We take our photos in a controlled lighting studio to...

Mid-Century Wooden Tray, 1960s, in Very Good conditions. Designed 1960 to 1969 Additional information: Materials: Plastic, Wood Style: Mid-Century Modern Color: Brown Item Type: Vin...

c. 1970s. Italy. Red plastic construction with square design. Could be used as a game table or card table as well.

This striking 1970s coffee table by Sandro Petti for Angelo Metalarte is pure Italian mid-century glamour. The bold combination of a thick lucite leg and sleek steel frame creates a ...

Matching Coffee Table for Garden Egg, designed by Peter Ghyczy from the 60s. A design classic of the 60s. Better known is the corresponding egg-shaped folding chair, the Senftenberg...

Simple coffee table from the Profilsystem collection from Flötotto. A very simple and functional design that is broken up by the gray table surface. The table comes from the profile...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

This is Carnevale Studio’s acrylic collection of tables. Shown first on 1stdibs. This collection consist of a coffee table, side table & bedside table. Jessica had been working...

With its sleek and modern design, Stons is a true statement piece that seamlessly blends into any indoor or outdoor setting. Available in a range of captivating color options, Stons ...

A modernistic large and low sofa table from the Saturn (Saturnus) series by one of the most celebrated contemporary Finnish designers Yrjö Kukkapuro, aka The Grand Old Man of Finnish...

Large Canvas Table by Philipp Aduatz Unique Dimensions: D 90 x W 120 x H 43 cm Materials: Different resins, Fiberglass, oil paint, steel, clear coating...

Spectacular vintage acrylic and brass coffee table designed by Charles Hollis Jones. Originally from the 1970’s. This beautiful coffee ta...

for Disform c. 1983, Spain. The four black supports feature rubber globes that gently cushion the glass - they can also be adjusted to fit any shape. This piece is in vintage conditi...

Charles Hollis Jones designed this exceptional Mid-Century modernist Lucite and brass coffee or side table. The round Directoire-style pedestal table is crafted from clear Lucite and...

The mosaiced coffee-table COBOGÓ is made of two Brazilian woods Muiracatiara and Freijo, resin and acrylic. The shape of the 16 table legs made of transparent acrylic recall the pal...

Unique, faux-horn, wall-mounted, semi-circular, console table with new matte black finish. Excellent structural condition; flaking and cracked finish. Dimensions 29ʺW × 16ʺD × 31.5ʺH

Zanotta Blanco Table in Cristalplant Top and Frame by Jacopo Zibardi Base and top in Cristalplant®, composite material based on polyester and acrylic resins, loaded with minerals ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Super stylish coffee table with sliding top and hidden bar which is manufactured by E. Pedersen & Son a-s, Denmark 1960. This coffee table has a sliding top which opens the bar part ...

The artist is inspired by tree branches that seem to emerge from the floor. The organic structure of the branches, which are washed to the surface, can support an oval glass plate up...

Italian black plastic Gli Scacchi tables by Mario Bellini for B&B Italia 1971. Modular coffee table composed of two twin Gli Scacchi tower-shaped tab...

Even Side Table The Even coffee table features a strong design with faceted corners that add sophistication to any space. With the option to choose between marble or fiberglass, it ...

Italian modern Game table in green fabric, black leather and chromed steel, 1970s. Game table with square top with rounded corners: in the center it has a square of green fabric and black leather on the edges. At the four corners 4 round steel ashtrays inserted into the table. Below these there are 4 removable round shelves...

Colored plexiglass coffee table Pop Licorice model with six steel legs from the Candy Collection designed by Studio Superego with the collaboration of Concetta Lorenzo for Superego E...

A highly unusual modern console table with cartoon decoration injecting humor and character into any interior The semi-circular top sitting a...

Inspired by the Brooklyn Bridge Shape, the New Yorker Coffee table combines opulent metal options with a pristine 2" clear acrylic top. Bespoke sizes upon request. 100% Made in the US

Coffee table Glacialis azure small version designed by Marco Pettinari for Superego Editions. This sculpture/coffee table made from a transparent Plexiglas block, it made by hand and...