Engraved Furniture

Three Antique Hawaii Engravings – Hula Dance, Native Ceremony & Lamentation, 1836 Description: This set of three original 19th-century engravings illustrates scenes of traditional l...

This map covers the northwestern coast of Greece and part of present-day Albania. The map was drawn by Johannes Wilhelm Laurenberg, a mathematician and historian who produced several...

Signed Sergio Bustamante Sterling Silver & Vermeil Sun and Moon Link Bracelet, 7.75", 27g A stunning and clearly signed bracelet by renowne...

Stunning and stylish Victorian period green glass lantern or ceiling lamp. This all handcrafted, practical size and great looking ceiling lamp is another one of our recent great fin...

Knight of the Illustrious Order of Saint Januarius in Ceremonial Robes Description: This hand-colored engraving depicts a distinguished Knight of the Illustrious Order of Saint Janu...

Exquisite Georg Jensen sterling silver table lighter in pattern 203A with small engraving on the body. A great gift and addition to one's...

On offer is an Indo-Persian Kulah Khud (or Khula Khud) helmet. This traditional head armor originated in Central Asia and was widely used across Persia and the Mughal Empire of India...

Southern India Map, Deccan & Malabar, Nicolas Sanson, 1683 This engraved map depicts the Indian Peninsula, extending from Gujarat and the Bay of Bengal in the north to Cape Como...

Satirical German Military Engraving of Napoleon as the Little Corporal, c1835 This 19th-century German engraving presents a humorous encounter between a marching soldier and Napoleon Bonaparte, referred to here by his well-known nickname “the Little Corporal.” The guard refuses to let Napoleon pass, replying firmly: “Man passirt nicht — Und wär’ Ihr der kleine Corporal selbst; ich sage Euch man passirt nicht” (“One does not pass — and even if you were the Little Corporal himself, I tell you one does not pass”). The composition gently satirizes Napoleon’s legendary status, contrasting the anonymous authority of a common soldier with the figure who once ruled Europe. Produced around 1830–1850, likely in a German or Austrian print workshop, the engraving reflects the wave of post-Napoleonic satire that circulated widely in Central Europe. The artist captures the exchange with strong facial expressions, detailed uniforms and a richly rendered woodland setting. Prints of this type remain popular among collectors of Napoleonic history, military art and European caricature, while the crisp impression and large sheet size make it appealing as decorative wall art as well. A charming and historically engaging image from the early 19th century, combining humour, military history and well-executed engraving work. Condition: Strong impression; light age toning; minor handling marks; margins clean with no major tears or repairs. Suitable for immediate framing. Framing: Looks best floated on off-white or pale cream museum board in a thin black, dark walnut or antiqued gold frame. Museum glass recommended to preserve contrast and period detail. Keywords: Napoleon engraving...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

1720 Albin Butterfly & Host Plant Plate – Dedicated to William Byrd of Virginia This finely hand-colored copper engraving was published in London in 1720 as part of A Natural Histor...

Mid-Century Elegance: Rectangular Guilloché Enamel Frame by Renato Salimbeni This refined rectangular photo frame is an exquisite example of the Salimbeni atelier’s mastery, blendin...

Hand-Colored Botanical Lithograph of Madder, Buckthorn, and Cleavers, Calwer, 1854 This finely crafted botanical lithograph is from Carl Georg Calwer’s *Deutschlands Technische P...

Title: Österreichisch-Ungarische Länderwappen – Imperial Coats of Arms of Austria-Hungary, c.1880 This finely detailed chromolithograph, titled Österreichisch-Ungarische Länderwappe...

Rectangular table box with concave corners in 925/1000 sterling silver with translucent fired enamel on guilloché, also on the sides and fine hand engravings in baroque style. With l...

These Beautiful Italian 18th Century Black & White Engravings on Laid Paper Feature the Portrait of Female Statues, these pieces have been professionally Framed using all new Mat...

Franklin Valley, Great Basin Nevada – Beckwith Survey Engraving, c.1855 A highly evocative mid-19th-century American landscape engraving titled Franklin Valley, produced as part of ...

Antique engraving, Edward the Confessor tomb Westminster Abbey London This refined eighteenth-century copperplate engraving by George Vertue (1684–1756) depicts the monumental shrin...

French Art Nouveau Style Figural Silverplate & Cristallerie Lorraine Claret Jug  This exquisite French Art Nouveau-style figural claret jug stands 10 inches high, 7.5 inches wide, a...

Title: Italian Courtship Scene with Nobles in Vibrant 14th-Century Dress, 1845 This beautifully hand-colored engraving from the 1845 publication Costumes Historiques des XIIIe, XIVe...

Humboldt Pass, Great Basin Nevada – Beckwith Survey Engraving, c.1855 A finely executed mid-19th-century American landscape engraving titled Humboldt Pass, created as part of the U....

Set of 6 Antique Classical Antiquities Engravings, Sculpture & Medals, 18th C. The map is offered unframed, giving flexibility to select a frame that best suits the intended interio...

Roman Sculptures and Portrait Heads, Composite Antiquities Plate, Montfaucon 1721 Description: This finely engraved composite plate originates from the first English edition of Bern...

Presenting an extremely rare first edition hardback copy of The Seven Seas by Rudyard Kipling from 1897. This rare book is in fair to good condition for ...

19th century English bone shoe horn and button hook most likely for high button shoes in the Victorian period. There is a monogram which appears to be the letters S H. Wonderful de...

Title: Detailed 1805 Engraving of Ancient Statues and Deities from Bertuch’s Work Description: This captivating engraving, sourced from Friedrich Justin Bertuch’s *Porte-Feuille des Enfants* (Children's Portfolio), published in 1805, presents a series of ancient statues and deities from various cultures. Each figure is rendered with remarkable precision, offering a glimpse into historical artistic representations of mythological and religious iconography. The plate features: - Fig. 1: A standing Egyptian deity or pharaoh, showcasing the characteristic style of ancient Egyptian sculpture...

Holy Land Map of the Twelve Tribes of Israel – Sanson, Hand Colored, 1696 Description: This impressive and richly hand-colored map of the Holy Land depicts the biblical territories ...

Stunning Pair 18th C Louis XVI French Bronze Recumbent Sphinx Chenets France, circa 1790  A stunning pair of 18th-century Louis XVI French bronze chenets featuring recumbent sphinxes...

Antique 1743 Map – Travels of Jesus Christ & Apostles by Seutter This is an original antique map titled “Carte des Voyages de Notre Seigneur Jesus-Christ et des Actes des Apotres St...

This limited luxury edition has a issue of 200 copies, this set is number 98. Each book has a handcolored frontispiece, with tissue guards, each volumen averages 300 or more pages, ...

Set of "Thistles" glasses and decanter made in cut crystal and gold engraving by Saint Louis. All the pieces are signed under the foot. Set for 6 people including 28 pieces: - 6 cha...

Grand Master of the Maltese Order: 1791 Hand-Colored Engraving in Ceremonial Robes This finely detailed hand-colored engraving, titled "Grossmeister des Maltheser-Ordens" (Grand M...

18th Century Engraving of Mahomet (Prophet Muhammad), Published by Daumont Paris Description: This antique French engraving depicts Mahomet (Muhammad), described here as the founder...

Title: Renaissance Anatolia Map, Natolia Nuova Tavola, Italian Atlas c.1598 A refined and highly decorative Renaissance map of Asia Minor, titled *Natolia Nuova Tavola*, presenting ...

Restoration period mahogany veneered boat-shaped bed with a slightly overturned bedside. The front is soberly dressed with an ormolu plaque with scrolls and flowers framing a female face with antique...

Antique Camphor Botanical Print, Laurus Camphora, Hand Colored, c.1831 This botanical engraving depicts Laurus Camphora, the camphor tree, valued for its aromatic resin and medicina...

Egyptian Dallah Coffee Pot: A Symbol of Hospitality and Cultural Richness. - Object: A dallah (Arabic: دلة) is a traditional Arab coffee pot used to prepare and serve coffee in the...

Stunning Adams Style Carved & Painted Satinwood Engraved mirror England, 1925 A fine example of an early 20th century English Adam style mirror...

Antique Cut Glass And Silver Plated Claret Jug with a lift up lid and quality shaped ornate handle, bulbous shaped cut glass centre with flower decoration raised on an ornate silver ...

Sterling silver bi-color chessboard and chess game in "Florence" style. The chessboard is in molten silver with red jasper and white color marble The work was engraved with the anc...

Octagonal, notched photo frame in 925/1000 sterling silver gold plated with fine Baroque-style engraving and fire-enameled finish. External dimensions 8 x 11 cm, oval interior 4.7 x ...

Antique Javanese Prints – Gamelan Instruments & Wayang Puppets – c.1860 This pair of finely hand-colored lithographs presents two central elements of Javanese performing arts: the m...

Rectangular Venetian mirror with delicate decoration, France 1930s The object is classic in form and design. The inner mirror has a 2 cm wide facet around the edge. The 9.5 cm wide ...

French Ormolu Cartouche Box with Miniature Portrait of Princess de Lamballe, Signed, Paris, circa 1900 This refined French ormolu cartouche-shaped box dates to the Belle Époque, cir...

Holy Land, Twelve Tribes of Israel – After Nicolas Sanson, De Vaugondy / Delamarche, c.1798 Description: Holy Land. De Vaugondy (G. R.), Carte de la Terre des Hébreux ou Israélites,...

A refined mid-century modern brass and copper martini table or drinks pedestal. The slender table combines an engraved octagonal shaped copper tray top decorated with a Chinoiserie s...

Place this elegant antique Louis Philippe mirror above a commode, mantel, console, or in a refined powder room to instantly introduce warmth and period authenticity to a space. Craft...

Habit of a Moorish Slave, North African Costume Engraving, 1749 Description: A compelling and historically evocative hand-colored engraving titled “Habit of a Moorish Slave, in 1568...

California Quail Pair – Male and Female Partridge of California, Antique Bird Print This fine early ornithological engraving depicts a male and female California quail, here titled ...

1960s coffee or side table which is perfect for serving afternoon coffee or tea because of its height. Made in Hong Kong which is stamped on the back of the brass circular removable ...

Ancient Asia Minor Map — Classical Anatolia & Pontus, Wilkinson London 1815 This finely engraved and original hand-colored antique map titled Asia Minor Antiqua depicts the ancient geography of Anatolia — modern-day Turkey — as understood through classical Greek and Roman sources. Published in London in 1815 by Robert Wilkinson, the map forms part of his celebrated historical atlas reconstructing the ancient world for early nineteenth-century scholars and collectors. The composition stretches from the Aegean Sea to Mesopotamia and from the Black Sea (Pontus Euxinus) southward to the Mediterranean, presenting a richly detailed vision of classical Asia Minor. Ancient regions including Bithynia, Galatia, Cappadocia, Lycia, Caria, Lydia, Phrygia, Pontus, and Cilicia are clearly delineated in delicate pastel hand coloring, allowing the viewer to visualize political and cultural divisions described by ancient historians. Cities central to antiquity — such as Ephesus, Smyrna, Troy, Sardis, and Antioch — appear alongside rivers, mountain chains, and coastal settlements engraved with remarkable precision. Cyprus is prominently included at the lower center, reinforcing the map’s importance as a representation of eastern Mediterranean geography during the classical era. Wilkinson’s historical maps were produced during a period of intense European fascination with classical civilization, archaeology, and ancient literature. Rather than depicting contemporary political borders, these maps sought to recreate the world of antiquity itself, blending Enlightenment scholarship with elegant decorative cartography. The refined engraving, balanced layout, and restrained coloring give the map both intellectual depth and strong aesthetic presence. Today, examples from the Wilkinson atlas are especially valued for their harmonious combination of academic clarity and decorative sophistication, making them ideal for collectors of classical history as well as interior designers seeking timeless historical imagery. Condition: Good antique condition overall. Light age-related toning with scattered spotting and minor handling wear confined mainly to the margins. Plate mark visible. Framing tips: Beautifully suited to a dark walnut or ebonized frame with an ivory mount. A wide mat enhances the subtle pastel coloring and creates a museum-style presentation ideal for study or library interiors. Technique: Copperplate engraving with original hand color Maker: Robert Wilkinson, London, 1818 Keywords: Asia Minor Antiqua, Anatolia antique map, Pontus Euxinus, Cappadocia, Galatia, Bithynia, Phrygia, Lydia, Caria, Lycia, Cilicia, Troas, Troy, Ephesus, Smyrna, Sardis, Antioch, Cyprus antique map...

Pair of Classical Mythological Engravings – Montfaucon Antiquity Explained 1721 A refined pair of classical engravings depicting mythological figures after ancient Roman sculpture, ...

Large abalone and mother of pearl icon depicting the Last Supper Jerusalem, Late 19th Century Icon: Height 78cm, width 75cm, depth 13cm Case: Heig...

Ottomanorum Principum Effigies – Complete Ottoman Rulers Table, Rome c.1700 This impressive and complete multi-sheet engraving set titled “Ottomanorum Principum Effigies” presents a learned dynastic overview of the Ottoman rulers, conceived as a single monumental composition rather than as independent portraits. Engraved in Rome around 1700, the series was designed for assembly into a large rectangular genealogical table, following the architectural framework and paired medallion structure visible across the sheets. The set traces the Ottoman dynasty from its founder, Osman I, through successive sultans to the reigning rulers of the early eighteenth century. Each medallion contains a finely engraved portrait accompanied by a Latin historical summary, reflecting the European scholarly tradition of universal history and comparative imperial studies. Several medallions intentionally remain blank, an original and significant feature indicating that the table was conceived as an open-ended genealogy, allowing for future rulers to be added. Their presence confirms completeness rather than loss. The engravings are executed with refined burin work, dense concentric backgrounds, and architectural framing characteristic of Roman engraving at the turn of the eighteenth century. The composition closely relates to contemporary genealogical tables of emperors, popes, and royal houses produced for an international learned audience. The sheets are printed on high-quality Italian laid paper bearing the watermark of Pietro Meliani of Fabriano, one of the most important papermakers of the late seventeenth and early eighteenth centuries. Fabriano paper was widely favored by Roman engravers for its durability, clarity of impression, and prestige, and the presence of this watermark further supports the Roman origin and period of the set. When assembled as intended, the sheets form a visually powerful rectangular wall table, equally suited to a library, study, or institutional collection. Surviving complete sets of this series are scarce; most examples encountered on the market are fragmentary or broken up into individual sheets. Offered here is a full, intact set as issued, making it a strong object for collectors of Ottoman history, early modern genealogy, or large-scale historical prints with both intellectual and decorative authority. Condition report: Complete six-sheet set. Overall good, honest condition. Light age toning, scattered staining and watermarks, mainly in margins. Plates clean and well printed. No losses to engraved image areas. Blank medallions original to the design. Keywords: Ottoman Empire, Ottoman Sultans, Ottoman genealogy, Islamic rulers, Turkish history, Roman engraving, early modern history, dynastic table, genealogical chart, wall table, library wall art, scholarly print, Fabriano paper, Pietro Meliani watermark, Nicolas Dorigny, Rome engraving...

Large Art Nouveau glass cologne bottle with engraved silver overlay. Made by Gorham in Providence, ca 1900. Globular with short neck and everted rim in silver collar. Ball stopper. O...

Black Rock New York Harbor Lighthouse – Antique Steel Engraving c.1850 This dramatic mid-19th century steel engraving depicts the harbor entrance a...

Antique Map Russia in Europe, Bartholomew for Black’s General Atlas 1884 Description: This detailed map titled “Russia in Europe” was published in the New and Revised Edition of Bla...

Comparative Head Studies and Cobra, Egypt, Antique Engraving, c.1802 This refined engraved plate presents a series of comparative figural studies associated with early nineteenth-ce...

A wonderful French faceted cut crystal casket with engraved scroll bronze ormolu mountings with wreath draped keyhole. Measures: 5.25&quo...

Italian tea and coffee service and tray made entirely by hand in the 40s of the 20th century. The service is round and each piece has 4 cast feet for support. The body is embossed ...