Engraved Furniture

O/7821 - interesting French book that I saved from ruin: they are usually dismembered to make prints to sell individually. This one is intact, with its 24 printed plates. Nice to ...

A striker made in Birmingham by B. H. Britton & Sons. This is a very beautiful antique striker created in Birmingham England by B. H. Britton &...

This antique print, titled "Cardamomum majus arborescens," illustrates the Cardamom plant, known for its aromatic seeds, which are commonly used as a spice in both culinary and medic...

Set of 12 American Aesthetic Movement Silverplate & Goldwashed Lotus Open Salts Meriden Britannia Company, circa 1875–1890 Dimensions: 2" W × 1.75" D × 1.5" H (each) Bowl: 1.25" dia...

Germany, Bohemia & Hungary – Enlightenment Map by Rigobert Bonne, c.1780 This finely engraved late-18th-century map depicts Germany, Bohemia, Hungary, and adjoining parts of Central and Eastern Europe, engraved circa 1780 by Rigobert Bonne, one of the most important figures in Enlightenment-era French cartography. The map encompasses much of the Holy Roman Empire, Prussia, Poland, Austria, and the northern Balkans, presenting a clear and methodical geographic vision at a time of profound political and scientific transformation in Europe. Bonne served as Ingénieur-Hydrographe de la Marine and chief cartographer at the Dépôt de la Marine in Paris, where he succeeded Jacques-Nicolas Bellin. Under Bonne’s direction, French mapmaking moved decisively away from decorative excess toward scientific rigor, privileging accurate measurement, standardized projection, and the synthesis of the latest geographic intelligence. His maps were widely disseminated through influential French atlases and became reference points for both scholars and administrators across Europe. This map is characteristic of Bonne’s mature style: precise engraving, balanced composition, and exceptional legibility. Major political entities such as Prussia, Bohemia, Hungary, Poland, and the German states are clearly delineated, while rivers including the Rhine, Danube, Elbe, and Vistula structure the geography with clarity. Important cities such as Vienna, Prague, Berlin, Munich, Frankfurt, and Cologne are prominently shown, reflecting their political and commercial significance within the late 18th-century European landscape. Visually restrained and intellectually grounded, the map has strong decorative appeal for contemporary interiors. The calm tonal range, dense yet orderly detail, and generous margins make it particularly effective when framed, either as a standalone statement piece or as part of a wider European map grouping. It appeals equally to collectors of Enlightenment cartography and interior designers seeking historically meaningful works with architectural presence. Condition report: Good antique condition. Light age toning and minor handling wear consistent with 18th-century copperplate engraving. Original centerfold as issued. Clear impression with strong detail throughout; margins ample for framing. Framing tips: Works beautifully in a dark walnut or ebonized frame with a generous ivory or soft off-white mat. Museum glass recommended to preserve detail and enhance contrast. Suitable for both classic and contemporary interiors. Technique: Copperplate engraving Maker: Rigobert Bonne, France, circa 1780 Keyword: Germany antique map, Allemagne antique map, Holy Roman Empire map...

Pair of Italian coffee tables, engraved cooper tray.

Acts of the Apostles – The Trials, Deliverance, and Witness of the Early Church Pieter Mortier, Amsterdam, circa 1700 Description: This horizontal sequence brings together four larg...

Wooden Nutcracker, Mid-Century French Folk Art, Carved Geometric Motifs, 1960s Elegant and sculptural Nutcracker, a nice example of French Folk Art ! Both sides are engraved with f...

Empire Ormolu Portrait Sculpture of Napoleon Bonaparte, Circa 1875 Presenting a distinguished Empire Ormolu Portrait Sculpture of Napoleon Bonaparte, dating to circa 1875. Standing ...

Antique map titled 'Nieuwe kaart van Choromandel ende Malabar.' Original antique map of Southern India documenting the VOC's areas of influence. Included is Kerala, Tamil Nadu...

Antique Dromedary Camel Engraving, Buffon Hand-Coloured Print Amsterdam 1769 This beautifully hand-coloured 18th-century engraving of the dromedary camel, titled Le Dromadaire, comes from the Dutch edition of Buffon’s influential Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate IX in Tome XI, this elegant image was drawn by Jacques de Sève, Buffon’s primary illustrator, and engraved by C.J. Fritsch. It is one of the most graceful and sought-after camel plates...

Chest of Drawers Jewelry Box Apprentice Chest Brass Engraved Solid brass apprentice chest of drawers, chest with 5 working drawers all with stylized...

Title: 1806 Engraving: Parachiven's Fierce Divinity in Hindu Mythology Description: This powerful antique print, titled "Parachiven," depicts the Hindu deity Parashiva, a fierce for...

Bust of Diana the Huntress French Louis XVI Bronze 19th Century - Artist Houdon Bronze sculpture representing Diana the huntress after Jean-Antoine Houdon (1741-1828). In Roman myth...

An exceptional example of the European pewter tradition, this ceremonial charger plate from France dates to the year 1735 and depicts an exchange between the Saints Peter and Paul th...

Pair of straw marquetry sconces, designed and entirely made by a talented French artist, using ancient technics of straw marquetry and innovating methods. Totally non flammable of co...

American Brilliant Period Cut Glass and Gorham Sterling Silver Yacht Humidor, Dated July 4th, 1906 – “Issaquena” A rare and evocative example of American decorative arts, this super...

Antique Crystal CEILING LAMP, Pendant Light Long Hollywood Regency Chandelier There is space for five bulbs with small and large prisms. Length: 48c...

Lovely custom framed 19th century botanical engravings from "Sowerby's English Botany, or, Coloured Figures of British Plants". Sowerby was a famous English naturalist, illustrator a...

Set of 3 Biblical Engravings – Adoration, Flight to Egypt & Christ’s Baptism (1735) This refined set of three antique engravings, published in 1735, brings to life foundational even...

Set of 3 backlit mirrored panels with coat hangers, 1960s. Engraved with nice floral decors.

Plan of Leeds – Large Scale Victorian City Map, George W. Bacon, Ordnance Atlas, 1885 This finely engraved large-scale plan of Leeds was published in 1885 by the London cartographer...

Ancient Egyptian Temple & Tomb Ground Plans – Thebes, c.1790 Engravings Description: This pair of antique engravings presents meticulously detailed architectural ground plans of an...

East African Coast – French Map by Bellin, Zanzibar to Arabia, 1740 This important French map depicts the eastern coast of Africa from Mozambique and Zanzibar northward to the Horn ...

Table centrepiece made of hand-worked iron in art nouveau style The piece is in Good condition and a real beauty! With original patina on all parts We prefer to sell our items in ...

Large oval table jewelry box with shapes, Baroque style, in gold-plated 925/1000 sterling silver, with fine hand-engravings around green spaces enameled at high temperature and a lar...

Antique Almond Botanical Print, Amygdalus Communis, Hand Colored, c.1831 Description: This finely balanced botanical engraving illustrates Amygdalus Communis, the almond tree, shown...

Title: "ORNITHOLOGY. Div'n. Land Birds – Order 4 PICE.A. Plate VI" Description: This 19th-century ornithological print, intended as a scientific reference, features a variety of lan...

New Mexico & Northern New Spain – Enlightenment Map by Rigobert Bonne, c.1780 Description This finely engraved late-18th-century map depicts New Mexico and the northern regions of New Spain, titled Le Nouveau Mexique avec la Partie Septentrionale de l’Ancien, ou de la Nouvelle Espagne, engraved circa 1780 by Rigobert Bonne, one of the leading figures of Enlightenment-era French cartography. The map covers a vast swath of what is now the southwestern United States and northern Mexico, including New Mexico, Texas, Louisiana, northern Mexico, and the Gulf Coast, offering a clear European scientific view of Spain’s northern colonial frontier. Bonne served as Ingénieur-Hydrographe de la Marine and chief cartographer at the Dépôt de la Marine in Paris, where he succeeded Jacques-Nicolas Bellin. His work marked a decisive transition in French mapmaking toward scientific accuracy, standardized projection, and the systematic integration of contemporary geographic intelligence. This map exemplifies Bonne’s mature style, combining dense geographic information with remarkable clarity and restraint. The map shows Spanish provinces, Indigenous regions, river systems, and emerging colonial settlements with precision. Major features such as the Rio Grande, Mississippi River, Gulf of Mexico, and Pacific coastline anchor the composition, while regions including New Mexico, Texas, Louisiana, Yucatán, and northern New Spain are clearly delineated. References to Indigenous territories, missions, and colonial routes reflect late-18th-century European understanding of the region’s political and cultural complexity. Visually calm yet expansive, the map’s wide horizontal format, fine engraving, and balanced density give it strong architectural presence. It functions equally well as a scholarly historical document and as a refined decorative piece for a study, library, or contemporary interior. Collectors of early American cartography and interior designers alike value Bonne’s work for its intellectual authority and understated elegance. Condition report: Good antique condition. Light age toning and minor handling wear consistent with 18th-century copperplate engraving. Original centerfold as issued. Clean impression with strong legibility; margins ample for framing. Framing tips: Best presented in a dark walnut or ebonized frame with a generous ivory or warm off-white mat. Museum glass recommended to preserve detail and enhance contrast. Particularly effective as a wide-format statement piece. SEO keywords: New Mexico antique map, Northern New Spain map, Nouvelle Espagne antique map, Nouveau Mexique map, Texas antique map, Louisiana antique...

This culinary masterpiece, designed for the preparation of rice, transcends its utilitarian purpose and becomes a work of art in its own right. The entire surface of the rice pan is adorned with intricately engraved calligraphy, adding a touch of elegance and cultural significance. The brass rice pan is substantial, reflecting its purpose as a tool for large-scale cooking. Its sheer size and sturdy construction make it a standout piece in any kitchen or culinary setting. The brass material provides a warm and lustrous backdrop for the detailed engravings that grace its surface. The calligraphy on the rice pan is a testament to the artistry and precision of the craftsman. Delicate Arabic or Persian script, characterized by flowing lines and elegant curves, covers the entire exterior of the pan. The calligraphy may feature verses from poetry, blessings, or traditional sayings related to food, hospitality, and prosperity. Each inscription is meticulously engraved, creating a visually striking contrast between the polished brass and the finely detailed letters. The combination of the monumental size, brass material, and engraved calligraphy transforms this rice pan into a cultural artifact that goes beyond its culinary function. It becomes a symbol of tradition, craftsmanship, and the importance of communal gatherings around food. Whether displayed as a piece of art or used in the preparation of meals, this monumental brass rice pan stands...

Pregnancy & Fetal Position – Antique Obstetric Engravings, Van Deventer, 1734 This matched pair of copper engravings illustrates fetal position within the womb and originates from O...

This original copper engraving, extracted from the scarce German edition of Arnoldus Montanus' "Die Unbekante Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes", ...

Egypt Temple Ruins with Architectural Plan – Denon Voyage Egypt Engraving 1802 This finely engraved plate originates from Voyage dans la Basse et la Haute Égypte, published in Paris...

Title: Naval Encounter between the Dutch and Javanese Fleets near Bantam, from Pontanus’ Rerum et urbis Amstelodamensium historia, 1611 This remarkable early 17th-century engraving ...

1823 Hand-Coloured Engraving - Gaucho Hunting Ostrich with Bolas in the Pampas Description: This 1823 hand-coloured copperplate engraving by Theodore Goetz is from Friedrich Johann...

The brass Mughal hookah features a beautifully engraved brass base adorned with intricate floral-geometric motifs. The base is a work of art, showcasing ...

A small hand-engraved container for tea, tobacco, betel nut, pills etc. Intricate details depicting a hunting-scene all around its outside. The lid features a soldier on an head-dres...

Title: Napoleon Receives the Keys of Vienna, Antique French Engraving, circa 1840 Description: This 19th-century French engraving depicts Napoleon Bonaparte receiving the keys of th...

Chrono-Genealogical Chart of the Ante-Diluvian Patriarchs — Biblical Timeline Chart, Wilkinson 1823 This finely engraved and delicately hand-colored chrono-genealogical chart titled...

Map of Persia and Surrounding Regions – “Nieuwe Kaart van 't Ryck van Persie” by Isaak Tirion, Amsterdam, c. 1730 This finely detailed copperplate map titled “Nieuwe Kaart van 't Ry...

Aegyptus Antiqua — Ancient Egypt Classical Map of the Nile, Wilkinson 1823 This finely engraved and delicately hand-colored antique map titled Aegyptus Antiqua depicts ancient Egypt...

The Dominions of Solomon — Biblical Map of the Ancient Near East and Egypt, London 1827 This finely engraved and delicately hand-colored biblical map titled “The Dominions of Solomo...

Chrono-Genealogical Chart Fourth Age of the World — Wilkinson 1807 This finely engraved and delicately hand-colored chrono-genealogical chart titled “Chrono-Genealogical Chart of th...

Succession of Bishops & English Dioceses Timeline Chart — Wilkinson 1823 This rare and visually striking chronological chart illustrating the succession of bishops and the evolu...

Chrono-Genealogical Chart Third Age of the World — Israelites Exodus, 1823 This finely engraved and delicately hand-colored chrono-genealogical chart titled “Chrono-Genealogical Cha...

Antique Map Southern United States — Carolina & Georgia, Bonne c.1780 This finely engraved eighteenth-century map by Rigobert Bonne depicts the southern portion of the early United States, focusing on the Carolinas, Georgia, and adjacent southeastern territories during the Enlightenment era. Engraved circa 1780, the map reflects Bonne’s influential position as Ingénieur-Hydrographe de la Marine and chief cartographer at the Dépôt de la Marine in Paris, where he succeeded Jacques-Nicolas Bellin and helped redefine European cartography through clarity, scientific precision, and systematic geographic representation. Titled “Carte de la Partie Sud des États Unis de l’Amérique Septentrionale,” the composition illustrates the southeastern Atlantic seaboard, extending from Virginia southward through North Carolina, South Carolina, and Georgia. Coastal features, navigational inlets, and maritime approaches are carefully delineated, highlighting the strategic importance of this region for colonial trade and naval activity. Major settlements, rivers, and geographic features appear throughout, alongside references to indigenous territories and frontier regions, reflecting contemporary European geographic knowledge in the years surrounding the American Revolution. Bonne’s engraving style emphasizes clarity and balance rather than decorative excess. Delicate linework and restrained hachuring suggest terrain, while the structured grid system reinforces scientific accuracy and legibility. Coastal bays, barrier islands, and river systems are rendered with precision, underscoring the maritime orientation of Enlightenment cartography and the importance of accurate coastal charts for navigation and colonial administration. Produced during a transformative period in North American history, this map offers insight into how European cartographers interpreted the newly emerging United States and its southern frontier. As part of Bonne’s mature output, it combines scholarly significance with strong decorative appeal, making it desirable both for collectors of early American cartography and for refined interior display. Condition report: Good antique condition with age-related toning, visible central fold as issued, light scattered spotting, and minor handling wear consistent with eighteenth-century paper; margins remain suitable for framing. Framing tips: Particularly effective in a dark walnut or black frame with an ivory or warm off-white mat; the wide horizontal format works well above desks or consoles and pairs nicely with related Bonne maps of North America for a cohesive historical presentation. Technique: Copperplate engraving Maker: Rigobert Bonne, France, circa 1780 Keyword block: Southern United States antique map, Carolina Georgia antique map, Rigobert Bonne map, early USA cartography, Enlightenment era America map, Dépôt de la Marine map, Virginia Carolina Georgia map antique, Atlantic coast historical map, American Revolution era cartography, French cartography United States, 18th century American map engraving, colonial southeastern USA map, antique nautical chart...

Great Lakes Antique Map — Canada, Midwest USA, Enlightenment Era, Bonne c.1780 This finely engraved eighteenth-century map by Rigobert Bonne presents a detailed depiction of the western part of Canada centered on the Great Lakes region, including Lakes Superior, Michigan, Huron, Erie, and Ontario together with surrounding territories and indigenous lands. Engraved circa 1780, the map reflects Bonne’s influential position as Ingénieur-Hydrographe de la Marine and chief cartographer at the Dépôt de la Marine in Paris, where he succeeded Jacques-Nicolas Bellin and helped define Enlightenment-era cartography through scientific precision, clarity of layout, and systematic geographic representation. Titled “Partie Occidentale du Canada, contenant les cinq Grands Lacs avec les Pays Circonvoisins,” the map illustrates the strategic and geographic importance of the Great Lakes basin during the late eighteenth century. The interconnected lake system is rendered with remarkable clarity, showing major waterways, portages, settlements, and indigenous territories. Numerous tribal and regional names appear across the landscape, reflecting contemporary European knowledge derived from exploration, trade networks, and colonial mapping efforts. River systems connecting the interior to the St. Lawrence basin and Mississippi watershed are carefully delineated, underscoring the importance of these routes for fur trade commerce, military movement, and geographic exploration. Bonne’s restrained engraving style is evident throughout. Delicate linework and subtle hachuring convey relief without excessive ornamentation, while grid lines and structured typography emphasize scientific readability. The wide horizontal composition allows viewers to grasp the vast geographic relationships between the Great Lakes, inland territories, and surrounding regions. Produced during a period of shifting colonial control following the Seven Years’ War, the map offers valuable insight into European understanding of North American geography during a transformative historical era. Highly sought after for both historical and decorative qualities, Bonne’s maps combine scholarly credibility with elegant visual balance. This example appeals equally to collectors of early North American cartography and to interior designers seeking refined historical wall pieces with strong geographic presence. Condition report: Good antique condition with age-related toning, visible central fold as issued, light scattered spotting, and minor handling wear consistent with eighteenth-century paper; margins remain adequate for framing. Framing tips: Particularly effective in a dark walnut or black frame with an ivory or warm off-white mat; the panoramic horizontal format makes it ideal for placement above desks, consoles, or as part of a coordinated gallery wall featuring related North American or exploration maps. Technique: Copperplate engraving Maker: Rigobert Bonne, France, circa 1780 Keyword block: Great Lakes antique map, Rigobert Bonne map, Canada antique map, Lake Superior Lake Michigan map, Lake Huron Erie Ontario map, Enlightenment cartography North America, French hydrographic chart Canada, Dépôt de la Marine map, 18th century Great Lakes engraving, early Midwest USA map, indigenous territories map antique, fur trade routes map, historical Canada USA borderlands map, antique French cartography, North American exploration map, Bonne engraving map, colonial North America cartography, antique navigation...

Antique Map Guadeloupe & Marie Galante, Rigobert Bonne Caribbean Chart c1780 This finely engraved eighteenth-century map of Guadeloupe and its surrounding islands represents the work of Rigobert Bonne, one of the most important Enlightenment-era French cartographers and a central figure in the modernization of geographic science. Engraved circa 1780 during Bonne’s tenure as Ingénieur-Hydrographe de la Marine and chief cartographer at the Dépôt de la Marine in Paris, the map reflects the period’s shift toward clarity, measured accuracy, and scientifically grounded cartography. Bonne succeeded Jacques-Nicolas Bellin and continued the French hydrographic tradition while introducing a cleaner aesthetic, reducing excessive ornamentation in favor of legibility and practical geographic information. The composition depicts “Les Isles de la Guadeloupe” including Basse-Terre and Grande-Terre, together with Marie-Galante, La Désirade, and the Îles des Saintes. Coastal outlines are rendered with crisp precision, while interior relief is suggested through restrained hachuring, maintaining the balance between decorative engraving and navigational usefulness characteristic of Bonne’s mature work. Numerous place names, anchorages, coastal features, and administrative divisions reflect contemporary French colonial organization in the Caribbean during the late eighteenth century, offering insight into the strategic and economic importance of Guadeloupe within the Antilles. The map’s engraving style exemplifies Enlightenment cartographic ideals: a refined typographic hierarchy, elegant yet minimalistic border framing, and carefully proportioned spatial relationships that create a visually harmonious presentation. Unlike earlier baroque maps that emphasized allegorical cartouches, Bonne’s approach prioritizes geographic accuracy and clear communication, making his maps especially appealing to collectors interested in the scientific evolution of mapping as well as decorative interior display. Historically, this chart captures Guadeloupe at a significant moment when European colonial powers competed intensely in the Caribbean, and accurate mapping was essential for navigation, trade, and military planning. Today, Bonne’s maps are sought after for their combination of historical relevance, aesthetic restraint, and scholarly credibility. The clean engraving and balanced composition allow the map to function equally well as a collector’s piece or as a refined decorative statement in both classical and contemporary interiors. Condition report: Good antique condition with age-related toning and light paper wear consistent with eighteenth-century prints; visible central fold as issued; minor scattered spotting typical for the period; margins remain generous and suitable for framing. Framing tips: Particularly effective in a dark walnut or black frame with an ivory or warm off-white mat to emphasize the delicate engraving lines; museum-style float mounting can highlight the plate impression and historical paper tone. Technique: Copperplate engraving Maker: Rigobert Bonne, France, circa 1780 Keyword block: Guadeloupe antique map, Marie Galante map, La Désirade Caribbean chart, Îles des Saintes map, Rigobert Bonne map, French colonial Caribbean, Antilles cartography, Dépôt de la Marine, Enlightenment cartography, 18th century Caribbean map, French hydrographic map, Basse-Terre Grande-Terre map, historical Caribbean islands map, antique French engraving, West Indies...

Antique Map North Africa Barbary Coast Morocco Algeria Tunisia by Rigobert Bonne, c1780 This finely engraved eighteenth-century map of North Africa, titled “Carte de la Partie Septe...

Perfect condition and in a vivant colour this beautiful little elephant. Decor: Rimini Blue

A refined mid-century modern brass and copper martini table or drinks pedestal. The slender table combines an engraved octagonal shaped copper tray top decorated with a Chinoiserie s...

Piranesi 2 engravings "Frontals of Trajan's column pedestal" XVIII

A very pretty Italian mid century religious triptych depicting Raphael’s Madonna of the Chair. Label on the back. Made in Italy, Florence. Measurements: Closed 12cm. Open 24cm Heigh...

Set of 6 Antique Insect and Dragonfly Prints from Sumatra c.1880 This fine set of six antique lithographs depicts various dragonfly species (Odonata) and insects from the Dutch natu...

Gorgeous set of 4 Italian vintage black and white copper engravings featuring a muscular male form. Beautifully framed and matted. Makes a great accessory!

English Moths on Hawthorn – Hand-Colored Insect Engraving, Eleazar Albin 1720 This hand-colored copper engraving was published in London in 1720 as part of A Natural History of English Insects by Eleazar Albin, one of the foundational works of British entomology. The plate depicts moths and caterpillars shown in different stages of development, arranged around a hawthorn branch. Albin’s method of illustrating insects in direct relationship to their host plants was innovative for its time and places this work among the earliest systematic studies of English insects. The engraving is dedicated “To Mr. Bovey of Flaxley,” a member of the English gentry and an early supporter of scientific publishing. Such dedications reflect the subscription-based patronage system that enabled the production of natural history works in early Georgian England and link the plate directly to its contemporary social context. The insects shown are moths and their larvae associated with hedgerow environments, likely early observations of species now classified within the geometrid and noctuid moth families. The host plant depicted is hawthorn (Crataegus), rendered with botanical clarity and decorative balance. The restrained palette of soft greens and warm browns, combined with generous use of open paper, gives the engraving a calm and refined presence that works equally well as a collector’s piece and as decorative wall art. This is an original 18th-century engraving with its original hand coloring, applied under Albin’s supervision. It is not a later reproduction. Condition Light to moderate, even age-related toning consistent with early 18th-century paper. Minor edge wear from original binding. Original hand coloring remains clear and well preserved. Framing tips This engraving frames beautifully in dark walnut or ebonized wood with a generous ivory or soft cream mat, enhancing the warmth of the aged paper. For a lighter, contemporary interior, a pale oak or natural wood frame with a museum-white mat works particularly well. UV-protective glazing is recommended to preserve the original hand coloring. The print is sold unframed, allowing full flexibility for custom presentation. Keywords Eleazar Albin, English insects, antique insect print, entomology engraving, hand colored engraving, Georgian natural history, 18th century print, British insects, moth engraving, caterpillar illustration, hawthorn leaves, Crataegus, hedgerow insects, botanical entomology, antique scientific illustration...

Antique Imperial Hall of Audience Beijing Print — Chinese Architecture, Ferrario 1815 This finely hand-colored copperplate engraving depicts the Imperial Hall of Audience in Beijing...

Chinese Canton House Architectural Elevation and Floor Plan, Ferrario 1815 This finely hand-colored copperplate engraving depicts a traditional Chinese house, presented through a sophisticated architectural composition combining elevation, sectional perspective, and detailed floor plan. Published in the early nineteenth century as part of Giulio Ferrario’s monumental work *Il Costume Antico e Moderno di Tutti i Popoli del Mondo* (Italy, circa 1815), the print reflects Europe’s growing fascination with Asian architecture and decorative culture during the height of the Chinoiserie movement. The engraving offers both artistic appeal and documentary value. The upper section presents the architectural façade, showing characteristic Chinese rooflines with sweeping eaves, structural red columns, and balanced symmetry typical of traditional design principles. Below, a carefully rendered floor plan reveals the functional organization of the building, illustrating spaces such as an interior courtyard, domestic quarters, service areas, and a shopfront facing the street. This combination of exterior and interior views provides insight into spatial planning and daily life, making the print particularly compelling for collectors interested in architectural history or cross-cultural design exchange. Ferrario’s publication aimed to create a visual encyclopedia of world cultures, combining ethnographic curiosity with artistic refinement. European audiences of the period were deeply fascinated by China’s architectural traditions, and such plates served as both educational material and sources of decorative inspiration. Today, the engraving stands as an important example of early nineteenth-century European interpretations of Chinese architecture, blending scholarly observation with the aesthetic sensibilities of the Enlightenment era. The print also holds strong decorative appeal. Its structured layout, balanced composition, and refined hand coloring make it ideal for display within sophisticated interiors. It pairs especially well with Asian-inspired or contemporary luxury settings, including hotel-style interiors or curated gallery walls, where architectural imagery provides both visual depth and intellectual interest. Condition: Very good antique condition consistent with age. Light age toning to the margins, minor spotting and handling marks visible. Plate mark present. Original embossed blind stamp visible as issued. Framing tips: A dark walnut, black lacquer, or deep-toned frame with a generous ivory or warm off-white mat enhances the architectural symmetry and emphasizes the detailed plan. Museum glass is recommended to preserve the hand coloring and reduce reflections. Technique: Hand-colored copperplate engraving Maker: Giulio Ferrario (publisher/author), Italy, circa 1815 Keywords: Chinese architecture print, Canton house engraving, Guangzhou architecture antique, Ferrario Il Costume Antico e Moderno, Giulio Ferrario engraving, Chinese house floor plan, antique architectural engraving, chinoiserie print, Chinese interior architecture, Qing dynasty architecture illustration, antique China print, hand coloured copperplate engraving, early 19th century engraving, Italian published engraving 1815, architectural elevation drawing, historic Chinese dwelling illustration, antique architectural plan...

Street in Nanjing (Nanking), China — Architectural View with Banners, Ferrario 1815 This finely hand-colored copperplate engraving presents an atmospheric street view of Nanjing (hi...

Antique Chinese Porcelain Design Print — Vases & Teapots, Ferrario 1815 Description: This finely hand-colored copperplate engraving by Andrea Bernieri originates from Giulio Ferrari...