Parchment Paper Contemporary Art

Title: ‘Into the unknown’ Spectacular Artwork by Lawrence Kwakye from his imprint paper series. This represents the abstract world of the unknown. A place of dematerialisation a...

In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette. Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious. This work has been shown for the first time in October 2021 at Galeria Tambien...

Contemporary Chinese decorative lace like design created from thick pieces of white paper cutout and mounted on a black background. Newly framed in a neu...

C. Dianne Zweig is a Contemporary Mixed Media artist, educator and author. Her works are known for exemplifying inspired, colorful, intuitive, spontaneous and playful mid century art...

In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette. Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious. This work has been shown for the first time in October 2021 at Galeria Tambien...

In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette. Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious. This work has been shown for the first time in October 2021 at Galeria Tambien...

In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette. Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious. This work has been shown for the first time in October 2021 at Galeria Tambien...

Contemporary Chinese decorative lace like design created from thick pieces of white paper cutout and mounted on a black background Newly framed Two availa...

A wonderful set of lithographs after drawings by Agnes Martin on vellum parchment. Newly framed using archival materials. Originally published i...

Artist’s Bio Purvis Young: Born: February 4, 1943, Liberty City, Miami, FL Died: April 21, 2010 Overtown, Miami, FL In the award winning, feature-length documentary, Purvis of Overtown, famed actress and collector, Jane Fonda, describes her reaction to Purvis Young’s art in these words: “All I knew was that there’s something really powerful and profound going on here. But the first thing that struck me was the hopefulness of the work.” In 2006, when the movie was released, hopefulness was in short supply for Purvis Young. Ironically, just as international fame was coming his way, he was on the losing end of ten-year battle with diabetes. The artist was surviving thanks to dialysis sessions three times a week. Despite the fatigue induced by the treatments, he kept working. A kidney transplant gave him a reprieve and he painted unceasingly until his death in 2010. “ Everyday, “ Young confided to his exclusive New York dealer, Daniel Aubry, “ I prays to be great….” “I thought he’d be painting into his eighties and nineties like Picasso and Matisse,” says Aubry, “ just getting better all the time.” Young’s greatness is increasingly acknowledged by a once skeptical art world. In November, 2006, he was the subject of a major retrospective at the Boca Raton Museum. In January, 2007, he was the Director’s Choice artist of Art Miami and a monumental archway of his work greeted visitors to the Miami Convention center. A steady stream of articles, publications, and solo exhibitions followed, including recent shows at the Merton D. Simpson Gallery in New York (2014), the Museum of Contemporary Art in North Miami (2015), and the Rubell Collection’s Thirty Americans show in Miami (2015). And the attention continues to grow. In a November, 2015 article in the New York Times, Randy Kennedy notes “ After decades of spotty acquisitions, undernourished scholarship and token exhibitions, American museums are rewriting the history of 20th-century art to include black artists in a more visible and meaningful way than ever before, playing historical catch-up at full tilt, followed by collectors who are rushing to find the most significant works before they are out of reach.” Purvis lived his entire life in Overtown, Miami’s black ghetto. For over thirty-five years, he painted in a series of abandoned, rat-infested warehouses. Previously a prosperous black community, Overtown was once billed as the “Harlem of the South”. In the 1960s, it was largely destroyed by the building of Highway I-95 and now has one of the highest drug-use and crime rates in Florida. Adjoining the compound where Young lives with his common law wife is an alley called “ Bucket of Blood“ with the highest incidence of murder in the greater Miami area. Interestingly, nobody bothered Purvis, the local icon. Everyone respectfully called him “Mr. Young“. In a community virtually without hope, he was the singular example of someone who “broke out“. Even though Purvis Young’s work is in over sixty museums, including the Smithsonian and the Corcoran, and innumerable collections such as the Rubell Family Collection, Purvis never thought of leaving Overtown. “I paint what I sees…I paint the problems of the world.“ said Young and in public he wore dark glasses to “hide his tears” at the injustice and sadness he witnessed every day. Because he could never afford canvas, Purvis painted on every surface available to him –- discarded plywood and cardboard, refrigerator doors, table tops, scraps of fabric and metal trays– mostly brought to him by scavengers in his neighborhood. He creatively “recycled” long before it was fashionable or profitable. Though until recently Purvis was confined to a ghetto of another sort- that of “Outsider Art “ – his highly expressionistic work can best be described as “magical realism“. His paintings are populated with angels who watch over turbulent cityscapes, faces reminiscent of an imagined Zulu past, and symbols of freedom and escape – wild horses, trucks, and the flimsy craft of Haitian boat people plowing through shark-infested waters to journey to these shores. “I look at the wildlife” says Young, referring to the National Geographic channel which he watches on T.V. while painting, “in alternation with the History channel”. “I see the Monarch Butterfly go from here to Mexico and the wild geese go from here to South America. I look at stuff like that and I say that’s the way I want to be, you know. I want to be free.” Three years in prison will do that to a man, which is the time Purvis spent in jail for breaking and entering in his late teens. “When I was in my cell one night, “ Purvis remembers,” I woke up and the angels came to me and I told ‘em, you know, hey man this is not my life – and they said they were gonna make a way for me, you know…” That way was Art. If any man bears witness to the value of the Public Library system, it’s Purvis Young. “He’s like a kind of Rocky figure, “ says Barbara Young...

Artist: Alexander Calder Title: "Friendship Rings" from The Flying Colors Collection, 1975 for Braniff Airlines Year: 1974 Signed in plate Dimens...

Striking Pop Art Collage in green, red and yellow, 1965, hand signed by the artist with an illegible signature and dated 1965, framed by simple stylish unobtrusive brushed aluminum f...

Mid-Century Modernist William Pye abstract collage in shades of blue and orange, 1967, hand signed by the artist and dated 1967. Attractively framed by a gallery style 24-karat partially giltwood frame. Measures: 22.75" H X 31" W. This striking abstract collage depicting a blue Silhouette dancing against an orange flame. William Pye (born 1938, London) is a British sculptor known particularly for his water sculptures. Pye is the son of Sir David Randall Pye FRS, a mechanical engineer and academic administrator. He attended the Dragon School in Oxford. He subsequently studied at Wimbledon School of Art (1958–61) and the Royal College of Art (1961–65)] He became known for his sculptures in metal, stone and especially water. In the 1960s, Pye's sculptures were abstract using metal and stone. In the 1970s, he produced abstract geometrical works using stainless steel, sometimes including Kinetic aspects. He has undertaken major commissions including: "Jet Stream" and "Slipstream"’ water sculptures at the North Terminal at Gatwick Airport, England (1987). A 13×70m wall of water and entrance at the British Pavilion of the Seville Expo '92 at Seville, Spain (1992). "Tetra Trellis", a tetrahedron-shaped water sculpture in stainless steel water sculpture...

A 20th century woodblock print by American artist, Jim Tanaka (1917-2008), titled Clausland Mountain. The woodblock depicts a mountain surrounded by flora and fauna including a deer, dragonfly, fish, frog, hummingbird, and cricket as well as water, rocks, grass, leaves, flowers, and a tree all beneath a large red sun. Jim Tanaka studied under Fumio Kitaoka...