Plastic Wall Decorations

Signed original acrylic by Urban Huchet (French, 1930-2014). This acrylic on canvas was painted in his Paris Studio. Au Cirque is a wonderful representat...

Plastic on plastic collage of this study for multiple. The work depicts an anthropomorphic element and fully reflects the characteristics of irony, playfulness and positivity that ar...

Painting "f/11/94" by Eduardo Jonquieres 1994, Paris. Technique: acrylic on canvas Title, signature and date and the Arte Struktura Milano label are on the back.

The painting depicts a golden sea waves. The author of the work is Juraj Huliak, a very talented young artist from Slovakia. Technique acrylic on cardboard, framed.

The painting depicts a man dressed in a waterproof coat standing in a rainy night illuminated by yellow light from the street. The author of the work i...

The painting depicts a man sitting in a theatre, watching a horror drama. The artist has incorporated several skulls depicting the atmosphere of the play. The author of the work is J...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Contemporary Oil on Canvas Painting in Wooden Frame 24K Gold Leaf 'Wounded Lion' An incredible and mystical collection of paintings, after a unique artist - “Travellers of Civilisat...

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

This wall-mounted composition by Lars Englund dates from the 1980s and reflects his sustained investigation into structure, repetition, and surface. Built...

Street Art - Photography - Santiago - Chile Signed - numbered 1/10 Nestled in the heart of San Miguel commune is a place called Museo a Cielo Abierto, or in other words, “Open Air Mu...

"Nidos" 2003 Felicidad Moreno Mixed technique of acrylic, enamel, varnish and acrylic spray on canvas.

Past, Present and Future are intertwined in a single expression that bears the signature of Eduard Locota. An innovative collection in which classical sculpture, contemporary design elements and augmented reality coexist. From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then physically 3D-printed it into a new representation fit for the XX-st Century. Eduard Locota has been working with digital 3D modeling software for over 20 years now; and this is the first time he has combined his digital 3D skills with his physical skills to give birth to this radical new collection, representing the past, present and the future. With the aid of your smartphone, you can transcend the physical counterpart of mirrors/sculptures into the metaverse. Each of the sculptures/mirrors has a new life with the aid of our augmented reality solutions. DIMENSIONS: H 145 CM / W 65 CM / DEPTH 5CM ( LIMITED EDITIONS OF 99+4AP ) MATERIALS: GLASS MIRROR, JESMONITE, PIGMENTS, FIBERGLASS REINFORCEMENT SIGNED ARTWORK, WITH A CERTIFICATE OF AUTHENTICITY SIGNED AND DATED BY THE ARTIST. THE WALL HANGING SYSTEM...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

TOP OF THE LAKE Acrylic on canvas Measures: 12,9'' x 16,9'' Acrylic on canvas Vernon is a sculptor artist emerging from the French art scene. He began his training with the F...

Volumetric piece We present you a one of a kind wall artwork, looking along the sea coastline length, “Aqua Blocks” can become a center piece to any interior. It’s fractured structu...

Title: Infinite Mirrors of the Unified Unconscious Medium: Acrylic and Mixed Media on Canvas Size: 152cm x 152cm Caption: Lose yourself in the infinite expanse of mirrored realities,...

Large-scale work by Peter Sutherland, "Welcome to Aberdeen". Perforated UV vinyl, ink, vinyl stickers, matte medium on panel. Signed verso, custom frame with UV acrylic. Excellent co...

Decorative lightning wood and fiberglass panel, 1980S.

This unique woven painting was created in 2002 by David Svensson. Rather than applying pigment to a conventional support, Svensson constructs the image from the material itself. Thin...

This painting forms part of 'Endless Wall', the most ambitious and conceptually significant project by Einar Höste, developed in 1986. Conceived as a monumental installation of 456 i...

Interested in collapsing the contradictions between form and formlessness, Daniele Albright's work focuses on the immaterial as the indeterminate and shifting space between perceptio...

Very cool modern abstract painting made of acrylic and hood lead signed by artists titled “Frenchy”.

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then...

Claude Viallat, Acrylic on wallpaper from 2001. There is the certificate of the workshop 103 x 53 cm 124 x 74 cm with frame

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Artist: Liu Xiaofang (Chinese, b. 1980) Title: I Remember II-02, 2012 Medium: Digital pigment print mounted on Acrylic Measurement: 39.25" x 39.25" Edition: 2/8 PROVENANCE: Purchased...

Title: Ethereal Equilibrium of Surreal Visions Medium: Acrylic and Mixed Media on Canvas Size: 152cm x 152cm Caption: Step into a realm where dreams and reality intertwine, as vivid ...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Title: Convergence of Dreams and Truth Size: 60"x60" Medium: acrylic and mixed media on canvas Caption: Convergence of dreams and truth unfolds in a mesmerizing display of ethereal b...

The Displacement Collection is a brand new long-term art program by Cometabolism Studio. As an expansion from the concept, mixing public and private spaces and blurring the boundary ...

HAROW 9mm, 2017 Plexiglass, 9mm bullet casings 75 x 43.5 x 2 in Edition 9 of 12

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Contemporary abstract painting on paper “ Blue Black Rose Series” by Ginny Sykes. 5 paintings available in this series. Signed. Framed professionally. Due to large size they need to ...

Abstract acrylic on canvas painting. Signed: Alexander Hecht, titled “Happy Camper” and dated 2012, backside of the canvas, canvas size 60" x 36" x 1.75" profile. Alexander's artwork...

Standing well over four feet tall, “Rosetta Stone I” by Douglas is a commanding fusion of abstraction, symbolism, and tactile luxuries. This one-of-a-kind, limited edition print tran...

Dawn Lamp The unique approach of Eduard Locota towards art, embrace the permeability between art and function. An unique lamp that is as much sculpture as it is design. By using coa...

At first glance this 2012 work by Yale-trained painter Jenna Pirello (American, b. 1988) appears to be spontaneous and expressive. Upon further inspection this painting is controlled...

Fornasetti panel, printed silk enclosed between 2 Plexiglas panels, Compagnia del Tabacco 1990. Below left the Fornasetti brand and Tobacco Company.  

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

With sinuous curves and elements of pink, this painting by noted New York artist Kevin Paulsen was created with tinted plaster and pigment on polystyrene, encased in a wooden shadowb...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then physically 3D-printed it into a new representation fit for the XX-st Century. Eduard Locota has been working with digital 3D modeling software for over 20 years now; and this is the first time he has combined his digital 3D skills with his physical skills to give birth to this radical new collection, representing the past, present and the future. With the aid of your smartphone, you can transcend the physical counterpart of mirrors/sculptures into the metaverse. Each of the sculptures/mirrors has a new life with the aid of our augmented reality solutions. SPECIFICATIONS: height 110 cm / wide 75 cm / depth 7 cm. 100% Handcrafted, dimensions may vary 1~2cm. Build time: 20-60 days. Signed artwork, with a certificate of authenticity signed and dated by the artist. The wall hanging system...

"Migration (Screw #4)", 2014, Financial newspaper collage, acrylic on canvas and board, 50 x 40 x 2.5cm by Gordon Cheung Screw Paintings Begun around 2014 they were originally throwaway byproducts from my paintings where I masked out areas for spray painting. Often I found the visual effects of screwed up newspaper fascinating and eventually was compelled to turn them into works of art. I came to understand them as a fascinating space to think about the actual and the virtual. Although I am too close to them to be able to see, some have told me that they look like aerial photographs of landscapes; a moonscape or perhaps the stargate sequence from Stanley Kubirck’s 2001. They are collaged newspapers...

"Castles Cascade to Sand (Screw #5)", 2014, Financial newspaper collage, acrylic on canvas and board, 50 x 40cm by Gordon Cheung Screw Paintings Begun around 2014 they were originally throwaway byproducts from my paintings where I masked out areas for spray painting. Often I found the visual effects of screwed up newspaper fascinating and eventually was compelled to turn them into works of art. I came to understand them as a fascinating space to think about the actual and the virtual. Although I am too close to them to be able to see, some have told me that they look like aerial photographs of landscapes; a moonscape or perhaps the stargate sequence from Stanley Kubirck’s 2001. They are collaged...

A wonderfully strange and surrealist painting of a single tree, almost a brutalist style of application of paint, with some medium mixed in for depth. Compellingly signed in red. C...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move -- the plié -- and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered -- a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor -- a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum -- the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity -- movement directed inward to the core of one’s self -- a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions -- an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself -- the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to -- or moreso an extension of -- his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat-induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments -- moments that denote a certain frailty -- the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction -- and also the reverse of this -- a unique anthropomorphization of varying states of movement -- that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person -- one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s -- one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

Raoul Morren, a self-taught artist and curator, explores a spectrum of artistic mediums, including collage, painting, photography, sculpture and video. Drawing profound inspiration f...

Set of three oil on canvas paintings of saints: one full-length one of Saint Peter holding the keys to heaven and two smaller ones. Would make a fabu...

Bruce Dorfman "Montalcino" 1998 mixed-media collage painting *Bruce Dorfman has had fifty-six solo exhibitions in New York, the United States and abroad. His most recent exhibition...

Assembly and collage encased in an acrylic box soliders "Assembleage" by Spanish artist Antoni Miralda born 1942. Very good condition. Dimensions: 4" depth x 39" W x 56" H. This piec...

Painting of flowers by James Antonie. Signed. Acrylic on paper. The painting is filled with exuberant color, light, vitality and life Framed in white wood with plexi-glass. Dim...

In this painting, the viewer is transported to a world where the past and future collide. At the center of the painting, we see a female medieval character, dressed in ornate armor a...

In this John Brevard painting, we see strange and surreal creatures that seems to inhabit a multidimensional world. The overall theme of the painting ...

Untitled - acrylic on canvas by artist and designer Michael Oates This work is signed and dated to verso 'Michael Oates 2021'