Plastic Wall Decorations

Fabulous botanical abstract monotype painting by the artist Jennifer Bain. One-of-a-kind exceptional monotype in colors on wove paper. It is signed, dated, numbered, and titled by t...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then physically 3D-printed it into a new representation fit for the XX-st Century. Eduard Locota has been working with digital 3D modeling software for over 20 years now; and this is the first time he has combined his digital 3D skills with his physical skills to give birth to this radical new collection, representing the past, present and the future. With the aid of your smartphone, you can transcend the physical counterpart of mirrors/sculptures into the metaverse. Each of the sculptures/mirrors has a new life with the aid of our augmented reality solutions. DIMENSIONS: H 110 CM / W 90 CM / DEPTH 10CM MATERIALS: GLASS MIRROR, JESMONITE, PIGMENTS, FIBERGLASS REINFORCEMENT SIGNED ARTWORK, WITH A CERTIFICATE OF AUTHENTICITY SIGNED AND DATED BY THE ARTIST. THE WALL HANGING SYSTEM...

"Nidos" 2003 Felicidad Moreno Mixed technique of acrylic, enamel, varnish and acrylic spray on canvas.

Van Minnvejen, (?) probably, (American, 20th Century) Untitled, 1980, signed indistinctly, dated 80, l.l., acrylic on canvas 48 by 73 in. Condition Report Lacking frame piece to rig...

Fabulous Claudia Mengel original one-of-a-kind contemporary diptych abstract landscape acrylic painting on paper. Hand-signed by the artist in the lower right. This artwork is presen...

Fabulous 1989 Sally Brody one-of-a-kind framed purple path exceptional monotype painting, water-based inks on paper. Signed and dated by the artist in the lower right. This unique pa...

TOP OF THE LAKE Acrylic on canvas Measures: 12,9'' x 16,9'' Acrylic on canvas Vernon is a sculptor artist emerging from the French art scene. He began his training with the F...

‘The Seasons’ is a series of four Jacquard woven tapestries by contemporary fiber artist Tjitske Storm. The rich colorful compositions are composed of more than 100 elements of image...

Mixed media work on panel by Renato Volpini, 1970. Collage and tempera with circuits. Coming from the Volpini studio. Certification by Paola Perusco, Volpini's wife. Detailed informa...

Edward McHugh I'm In Touch With Your World, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard Measurements: 47 x 38 x 3 in

Edward McHugh Centerfold, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard 45.5 x 56.5 x 3 in

Edward McHugh The Bad Touch, 2020-21 Acrylic, ink, thread, polyester resin on double-refined fiberboard 3 x 56.5 x 45.5 in

Abstract painting on paper in turquois-black acrylic colors handmade frame (4.5cm) with white-gilt decorations, anti-reflecting glass Ricardo Santamaría – Biography Born 1920 in Zaragoza-Aragón (Spain) / died 2013...

A witty art-object piece by Mexican artist Cisco Jiménez. It's an Sayer Lack wood inks catalogue intervened by the artist with collage and acrylic. The piece resembles a cassette cat...

This unique woven painting was created in 2002 by David Svensson. Rather than applying pigment to a conventional support, Svensson constructs the image from the material itself. Thin...

The painting depicts a golden sea waves. The author of the work is Juraj Huliak, a very talented young artist from Slovakia. Technique acrylic on cardboard, framed.

The image depicts a sea waves. The author of the work is Juraj Huliak, a very talented young artist from Slovakia. Technique acrylic on cardboard, framed in ...

The painting depicts a man dressed in a waterproof coat standing in a rainy night illuminated by yellow light from the street. The author of the work i...

The painting depicts a man sitting in a theatre, watching a horror drama. The artist has incorporated several skulls depicting the atmosphere of the play. The author of the work is J...

Artwork by Juan Carlos Martinez Jiménez “Gibbiflora” Mexico 2008. C-Print on RC paper, foam and wooden frame. Edition 1/5. Juan Carlos Martinez´s work is all about recreating a spac...

Signed original acrylic by Urban Huchet (French, 1930-2014). This acrylic on canvas was painted in his Paris Studio. Au Cirque is a wonderful representat...

Jacques Lavigne was born in France in 1937. After a career as a geologist in North Africa, he moved to Paris in 1962. He discovered painting through Jean-Michel Meurice, one of the f...

Jacques Lavigne was born in France in 1937. After a career as a geologist in North Africa, he moved to Paris in 1962. He discovered painting through Jean-Michel Meurice, one of the f...

«Black Beauty» ist ein plakatives Wandobjekt auf schwarzer Jute. Die grossformatigen Blüten sind in fein abgestuften Weiss- und Grautönen gehalten und setzen einen kraftvollen, zugle...

“Nebula” is an original, one of a kind, blue, yellow, orange, purple, red, pink, cream, white, black, contemporary, acrylic on canvas abstract painting. Vibrant pops of color work in harmony to create this unique, contemporary work of art by Andrew...

“Por Una Cabeza Amor” is an original, one of a kind painting. Red, blue, green, black, yellow, gray, contemporary, acrylic on wood panel still life painting. Vibrant pops of color wo...

About the Artist: Cometabolism Studio is a design studio based in Shanghai, founded by Zhang Ning and Yang Yafei. Zhang Ning graduated from the designer maker program at Camberwell...

*Displayed price is per piece; we can provide discounted prices for multiple pieces acquired. The sculptural group “Abstract Isometry” has been gravitating around fragmentation, s...

16th Century Spanish gold gilded and polychromed Carved-wood sculpture of Our Lady of Mount Carmel. She depicts the Blessed Virgin Mary in her...

This wall-mounted composition by Lars Englund dates from the 1980s and reflects his sustained investigation into structure, repetition, and surface. Built...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Optical art by Marcos Marin Acrylic on Canvas who representing Mick Jagger With beautiful clear orange and black

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Erika Rothenberg (B. 1950) "7 Hours, 10 Minutes, a Day" Signed, titled and dated 'Erica Rothenberg 1987 7 hours, 10 minutes a day' (on the reverse) Acrylic on canvas: 50 x 66 i...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

18th Century Russian Orthodox icon of the prophet Zachariah painted on an ornate solid slab of wood with an incorporated gold gilded frame that has been c...

Pair of Large Knife & Fork Lithographs in Acrylic Frames Dimensions Height: 87" Width: 22" provenance: from the estate sale of Ozzy Osborne, Los Angel...

«Yellow Berries» wurde auf naturbelassener Jute in mehreren Schichten mit handgefertigten Schablonen und Acrylfarben aufgebaut. Die Rückseite ist - wie bei allen GLOORIS-Werken - mit...

Fornasetti panel, printed silk enclosed between 2 Plexiglas panels, Compagnia del Tabacco 1990. Below left the Fornasetti brand and Tobacco Company.  

«Dark Magnolia» entstand aus naturbelassener Jute und wurde in mehreren Schichten mit handgeschnittenen Schablonen und Acrylfarben bemalt. Die Rückseite ist mit goldfarbenen Metallbl...

Early 19th Century Italian carved-wood in high relief composed of various types of woods set into a marquetry panel with flat inlaid scrolling fruit tree foliage. The piece is compri...

Incredible acrylic painting by Ron Pelley, signed and dated 1979. Subject is a cold loggers gaze of satisfaction.  

Set of three oil on canvas paintings of saints: one full-length one of Saint Peter holding the keys to heaven and two smaller ones. Would make a fabu...

Clément Rosenthal (b. 1956) is a distinguished Paris-born artist whose profoundly evocative work sits at the vanguard of contemporary French abstraction. Raised in an environment ste...

Painted canvas, or decorative panel, representing a Japanese samurai on a stylized geometric background. French contemporary work of artists. Dimensions: H 160 x W 100 cm Referenc...

Title: Metaphysical Fractions of Unified Reality Size: 60''x60'' Medium: Acrylic and Mixed Media on Canvas Description: Immerse yourself in the intricate patterns and ethereal symbol...

Cubist portrait with very strong expression by French artist Emmanuel Godefroy. Mixed technique, black stone, charcoal and glycero paint on paper, fixed on a wooden panel with frame....

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

"Migration (Screw #4)", 2014, Financial newspaper collage, acrylic on canvas and board, 50 x 40 x 2.5cm by Gordon Cheung Screw Paintings Begun around 2014 they were originally throwaway byproducts from my paintings where I masked out areas for spray painting. Often I found the visual effects of screwed up newspaper fascinating and eventually was compelled to turn them into works of art. I came to understand them as a fascinating space to think about the actual and the virtual. Although I am too close to them to be able to see, some have told me that they look like aerial photographs of landscapes; a moonscape or perhaps the stargate sequence from Stanley Kubirck’s 2001. They are collaged newspapers...

"Castles Cascade to Sand (Screw #5)", 2014, Financial newspaper collage, acrylic on canvas and board, 50 x 40cm by Gordon Cheung Screw Paintings Begun around 2014 they were originally throwaway byproducts from my paintings where I masked out areas for spray painting. Often I found the visual effects of screwed up newspaper fascinating and eventually was compelled to turn them into works of art. I came to understand them as a fascinating space to think about the actual and the virtual. Although I am too close to them to be able to see, some have told me that they look like aerial photographs of landscapes; a moonscape or perhaps the stargate sequence from Stanley Kubirck’s 2001. They are collaged...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Painting "f/11/94" by Eduardo Jonquieres 1994, Paris. Technique: acrylic on canvas Title, signature and date and the Arte Struktura Milano label are on the back.

Great painting, very decorative piece. Signed, but signature unreadable. Circa 2010.