Brazilian Wall Decorations

Woven wall tapestry by Brazilian textile artist Kennedy Bahia circa 1980. Fish with sea plants. “Known nationally and internationally, Kennedy ...

Chains series represents a particular look into a rough object, which is often strictly associated to its functional purpose. The piece propose a reflection on mass production...

Brazilian Artist Carlos Frederico Bastos Fine Wall Art Tapestry Signed 71 w x 53.5 h Original vintage preowned condition Please refer to...

Yugen means a deep inner feeling, an expression of depth, the untranslated mystery, the incomprehensible and the abstract in all artistic activities. According to the Japanese, Yugen...

Woven wall tapestry by Brazilian textile artist Kennedy Bahia circa 1980. Hummingbird, butterflies and flowers. “Known nationally and internatio...

Wall Decoration Amazon Headdress traditional headdress of an aboriginal tribe from the Amazon made up of strands of natural straw, and dehydrated ca...

A large colorful and very well crafted hand woven tapestry wall hanging depicting lush rich flowers , butterflies , plants and women in the marketplace . Celebrating the Afro - Baiana cultural heritage of the artists that craft these fine pieces . Signed MES and dated 1979 created in the manner of famous Brazilian...

Composed of wool, this tapestry presents a recurring theme of Kennedy Bahia's work, the Dream Garden. Stylized flowers in strong colors rub shoulders wi...

This impressive mid-20th century Yanomami gathering basket is a stunning example of indigenous craftsmanship. It features a large, woven form adorned with distinctive circles, each w...

Tapestry Design Renot Brazilian artist 1980 The tapestry is restored. Sign: Renot 1980 Bahia Brazil original Atelier Studio Renot Salvador- ...

Despite its formidable appearance and size, the Dobradura sculpture, shown here, is made of resin making it both lightweight and easy to install. Whether hung horizontal or vertical...

Made up of a cross section of Brazilian timbers, Teia Wall Panel is a subtle juxtaposition of colour and shape comprised of an Art Deco inspired form combined with varied and natural tones of wood. Installation is via two screw slots on the rear. Handmade using Brazilian hardwoods Freijó, Sucupira, Muirapiranga and Caxeta. Knót Artesanal...

Eila Ampula fiber art floral tapestry handcrafted in Brazil, 1980s. Eila Ampula was a well-known Brazilian artist who specialized in tapestry design. Her ...

Brazilian Modern wall art tapestry of a colorful Parrot by Eila Ampula, Brazil.

Rare textile art tapestry by Brazilian artist Kennedy Bahia. This piece had remained rolled up for over 50 years prior to pictures being taken for this listing. It is flawless with b...

Oil on Canvas by Maria Polo Signed MARIA POLO and dated 1968 Maria Polo (Venice, Italy, 1937 – Rio de Janeiro, Brazil, 1983). Painter, designer, engraver and vitralista. Studied at...

Eila Ampula fiber art floral tapestry handcrafted in Brazil, 1980s. Eila Ampula was a well-known Brazilian artist who specialized in tapestry design. Her ...

This contemporary styled partition screen or room divider is made of sucupira hardwood. Named the Conogó, this partition screen is art–furniture. The...

Landed on the wall like a butterfly, this hanger, besides being a beautiful decoration item, is always ready to hold clothes, bags and other objects from day to day. Models BO1, B...

Mid-Century Brazilian modern hanging wall art tapestry made of natural fiber circa 1970s. Artist unknown. Ships from Brazil.

Tapestry Genaro Antônio Dantas de Carvalho Brazilian artist 1960 Upholsterers, painter, designer. Genaro Antonio Dantas de Carvalho began his painting studies with his father. In 1944, he went to Rio de Janeiro and studied drawing with Henrique Cavalleiro at the Brazilian Society of Fine Arts. He is considered one of the main activists for the renewal of art in Bahia, along with Carlos Bastos, Caribé and Mario Cravo...

The tapestry entitled "Multicolor Fire" by Kennedy Bahia, made around 1960, is a captivating work. Measuring 95 x 65 cm, it is made of wool and has a bright red background. The work...

Valdivino Alves da Conceição (born in 1955) Tapestry in Square and Circle, c. 1970 Wool and pigments / Wool and pigments Dimensions: 95 x 135 cm (37 2/5 x 53 3/20 in) This remarkabl...

Chains series represents a particular look into a rough object, which is often strictly associated to its functional purpose. The piece propose a reflection on mass production...

Johannes Wilhelmus Van Dartelen copper art fossilized stone signed Brazil made and presented for the crew of the Pan American. This is a one of a kind piece of art by Johannes...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

Uncommon edition of this accurate map of part of Brazil, from San Salvador till Rio de Janeiro and S.Paulo. In lower right engraved "29b." Originates from 'Atlas Portatif pour servir...

Wonderful painting on wood by Brazilian artist Alayde Lacerda. The painting features a villa set back in a valley with the mountains in the background. In front of the house is a gro...

Ingres Speltri Modernist Op Art Abstract Geometric Painting, Brazil Offered for sale is a modernist painting created by the listed Brazilian artist Ingres Speltri (b. 1940). The so...

High relief, stylized figurative wall art panel in solid mahogany. Hand carved and crafted by Edison Luiz Fagundes de Castro AKA "Edison Lufaac". Born 1952, Brazil. Signed and dated ...

Chains series represents a particular look into a rough object, which is often strictly associated to its functional purpose. The piece propose a reflection on mass production...

Vertigem wall separating + Sculpture by Mameluca Material: Stainless Steel & Acrylic, Guitar strings Dimensions: D 130 x W 190 x H 50 cm The introduction of electric guitar in t...

A large stunning painting from the legendary Amazonian artist Moacir Andrade "A Lenda Do Pacu" (The legend of the Pacu) Acrylic on canvas depicting a central Pacu which is a lar...

Original vintage travel poster for Brazil in South America featuring a scenic view from the Christ the Redeemer statue on Mount Corcovado towards Sugarloaf Mountain in Guanabara Bay ...

1960's Brazilian woven tapestry by "LEAO". Measures 38" tall X 23" wide. It had remained rolled up for 50 plus years until photos were taken. Never hung and in Flawless condition.

Contemporary Photography "Vestígios de Adoração" (Traces of Worship) from the "Arqueologia de Futuras Ruínas" (Archeology of Future Ruins) Series by Brazilian Photographer Felipe Var...

Contemporary photography "Camadas" (Layers) from "Archeology of Future Ruins" collection by Brazilian Photographer Felipe Varanda. Edition: 1/8 Archival ink on Hahnemühle Photo R...

Rafael Triboli’s new collection synthesizes the foundational aspects of his practice, bringing together techniques and resources that have long inhabited his repertoire, but now achi...

Black Flora Wall Sculpture by Valeria Nascimento Dimensions: D 100 x H 10 cm. Materials: Black stained porcelain assembled onto a charred oak. Sta...

Selma Daffre (b. 1951), Brazilian artist. Collography printing plate. "Linhas". Dated 1997. Visible dimensions: 22 x 17 cm. Total dimensions: 36...

Vintage Bondage Gay Interest Photograph After Mapplethorpe, Framed Plexiglass Offered for sale is a framed photograph under plexiglass of a sadomasoch...

Contemporary photography "Toque 2" (Touch 2) by Brazilian Photographer Felipe Varanda. Edition: 2/8 Archival Ink on Hahnemühle Photo Rag Paper Measurements: 29 x 31 in Felipe Varan...

Giant Leaf, Naturally Dyed Felted Wool Sculpture by Inês Schertel, Brazil Ines Schertel's primary material is sheep's wool. As a practitioner of Slow Design, the artist takes a ho...

A set of four chromolithographs of Brazilian palm culture by Joao Barbosa Rodrigues custom framed in archival materials. Handmade unique frame...

This rustic wooden side corner cabinet is not just an authentic representation of 19th-century Brazilian craftsmanship, but a rare find, especially in such remarkable condition. It stands as a testament to the era's utilitarian design ethos, characterized by simplicity and functionality. Crafted from solid, rough-hewn wood, its raw and natural beauty is accentuated by visible signs of age and wear, alongside a patina that eloquently narrates its long history of use. What sets this piece apart is its exceptional preservation. The single-door design, adorned with traditional iron hardware including a decorative escutcheon and simple strap hinges, opens to reveal shelving that has withstood the test of time, offering not just a glimpse into the past but practical storage space. The cabinet's construction remains sturdy, with right angles and a straightforward form that is exemplary of 19th-century Brazilian interiors, likely the work of a local artisan. The cabinet’s feet...

Contemporary Photography "Vestígios de Fogo" (Traces of Fire) from the "Arqueologia de Futuras Ruínas" (Archeology of Future Ruins) Series by Brazilian Photographer Felipe Varanda. ...

Contemporary Photography "Adorno Vítreo" (Glassy Adornment) from the "Arqueologia de Futuras Ruínas" (Archeology of Future Ruins) Series by Brazilian Photographer Felipe Varanda. ...

The Danse Wall Hanger is part of a collection of pieces that reinterprets the work "La Danse" by Henri Matisse, one of the most innovative artists of the 20th century. It is believed...

Edival Ramosa was born in Brazil in 1940. From 1969-1973, he worked in the Polimero Arte workshops with 49 other Italian and foreign artists. Some were famous, such as Bai and Man R...

Eila Ampula fiber art floral tapestry handcrafted in Brazil, 1980s. Eila Ampula was a well-known Brazilian artist who specialized in tapestry design. Her work has been exhibited in ...

Sergio Rodrigues, Pair of shelves model “Georges Nelson” Manufactured by Oca Brasil, 1965 Jacaranda wood, chrome metal frame and leather From the archives of Side Gallery, Barce...

A piece from the 'Ripples' abstract sculpture series by James Rowland made from solid hard wood Sucupira. Scottish Artist and furniture Designer-Maker J...

Large format Contemporary Postmodern Chromogenic Photograph depicting a human heart stitched and bolted together. Verso signed, numbered, titled, and dated: "Ricardo Fasanello, (ed.)...

This is a large scale signed oil on canvas with a western theme. The artist is Brazilian, and his name was Vicente Carneiro. He was born in 1927, and he passed away in 2005.

Domingos Tótora has elected the recycled cardboard as the main material and medium of his work, creating textures that reflect the interplay between sh...

Symbiotic wall by Mameluca Material: Brazilian woods cedar, jequitibá rosa Dimensions: D 300 x W 200 x H 350 cm With this goal, we created an intersection line that 'separates' ...

This piece is crafted by Angelica Aoki and Rafael Tortella for Bar Design. It's made of wood, sculptured to produce a wave from effect. Each individual piece is crafted to fit perfec...

Contemporary photography from the "Amarração" (Mooring) collection by Brazilian Photographer Felipe Varanda. Edition: 2/8 Archival Ink on Hahnemühle Photo Rag Paper Measurements...