Brazilian Wall Decorations

Brazilian Modern wall art tapestry of two colorful birds on branches by Eila Ampula, Brazil 2002.

Brazilian Kayapó Tribe Indigenous Feather Headdress/"Cocar" from the Amazon Offered for sale is an original Brazilian ritualistic feather Indigenous headdress, known in Portuguese ...

Eila Ampula fiber art floral tapestry handcrafted in Brazil, 1980s. Eila Ampula was a well-known Brazilian artist who specialized in tapestry design. Her work has been exhibited in ...

Brazilian Signed Wall-Mounted Wall Sculptures by Artist Leonardo Bueno Offered for sale is a set of 2 individually crafted wall sculpture components that when hung are structured an...

Tadashi Kaminagai (1899–1982) Casario do Rio de Janeiro, 1958 Oil on panel Signed lower right and on the reverse This rare painting by Tadashi Kaminagai, titled Casario do Rio de Jan...

Chains series represents a particular look into a rough object, which is often strictly associated to its functional purpose. The piece propose a reflection on mass production...

A large stunning painting from the legendary Amazonian artist Moacir Andrade "A Lenda Do Pacu" (The legend of the Pacu) Acrylic on canvas depicting a central Pacu which is a lar...

Kennedy Bahia (1929-2005) Patrick Maderos Kennedy took the professional pseudonym of Kennedy Bahia as his artwork related to the flora and fauna area of the Amazonian jungle of Ba...

Jolie tapisserie par Kennedy Bahia

One-of-a-kind ML1701 mosaic part of the collection “Voos” (flights) by contemporary artist Mariana Lloyd. About the collection: "In early 2020, the Covid-19 (SARS-Cov-2) began t...

Original vintage travel poster for Brazil in South America featuring a scenic view from the Christ the Redeemer statue on Mount Corcovado towards Sugarloaf Mountain in Guanabara Bay ...

Woven wall tapestry by Brazilian textile artist Kennedy Bahia circa 1980. Hummingbird, butterflies and flowers. “Known nationally and internatio...

Tapestry Genaro Antônio Dantas de Carvalho Brazilian artist 1960 Upholsterers, painter, designer. Genaro Antonio Dantas de Carvalho began his painting studies with his father. In 1944, he went to Rio de Janeiro and studied drawing with Henrique Cavalleiro at the Brazilian Society of Fine Arts. He is considered one of the main activists for the renewal of art in Bahia, along with Carlos Bastos, Caribé and Mario Cravo...

Wall Decoration Amazon Headdress traditional headdress of an aboriginal tribe from the Amazon made up of strands of natural straw, and dehydrated ca...

Despite its formidable appearance and size, the Dobradura sculpture, shown here, is made of resin making it both lightweight and easy to install. Whether hung horizontal or vertical...

An oil and pastel painting on canvas in a custom walnut frame. "Everything that is solid dissipates in the air" The painting is a sneak preview of an exclusive upcoming exhibit at A...

Eila Ampula fiber art floral tapestry handcrafted in Brazil, 1980s. Eila Ampula was a well-known Brazilian artist who specialized in tapestry design. Her ...

Mid-Century Brazilian modern hanging wall art tapestry made of natural fiber circa 1970s. Artist unknown. Ships from Brazil.

Kennedy Bahia (1929–2005) Wall Tapestry, c. 1960 This vibrant wool tapestry by Kennedy Bahia, signed at the bottom left, features the artist’s iconic Jardin Onirique (Dream Garden) t...

Kennedy Bahia (1929-2005) Patrick Maderos Kennedy took the professional pseudonym of Kennedy Bahia as his artwork related to the flora and fauna area of the Amazonian jungle of Ba...

Brazilian Artist Carlos Frederico Bastos Fine Wall Art Tapestry Signed 71 w x 53.5 h Original vintage preowned condition Please refer to...

Made up of a cross section of Brazilian timbers, Teia Wall Panel is a subtle juxtaposition of colour and shape comprised of an Art Deco inspired form combined with varied and natural tones of wood. Installation is via two screw slots on the rear. Handmade using Brazilian hardwoods Freijó, Sucupira, Muirapiranga and Caxeta. Knót Artesanal...

Jolie tapisserie par VAC : Valdivino Alves da Conceição.

Original vintage South America travel poster for Rio Brasil / Brazil featuring a fun design depicting a smiling man smoking a pipe and wearing a brown and black checkered flat cap an...

Vintage Bondage Gay Interest Photograph After Mapplethorpe, Framed Plexiglass Offered for sale is a framed photograph under plexiglass of a sadomasoch...

This contemporary styled partition screen or room divider is made of sucupira hardwood. Named the Conogó, this partition screen is art–furniture. The...

Wonderful painting on wood by Brazilian artist Alayde Lacerda. The painting features a villa set back in a valley with the mountains in the background. In front of the house is a gro...

This piece is crafted by Angelica Aoki and Rafael Tortella for Bar Design. It's made of wood, sculptured to produce a wave from effect. Each individual piece is crafted to fit perfec...

One-of-a-kind ML2909 mosaic part of the collection “Voos” (flights) by contemporary artist Mariana Lloyd. About the collection: "In early 2020, the Covid-19 (SARS-Cov-2) began to s...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

Meninos is a contemporary wall sculpture by Brazilian artist Leonardo Bueno, composed of two independent sculptural forms that together create a single harmonious composition. Handc...

Tapestry Design Renot Brazilian artist 1980 The tapestry is restored. Sign: Renot 1980 Bahia Brazil original Atelier Studio Renot Salvador- ...

A piece from the 'Delta' abstract sculpture series by James Rowland made from Brazilian wood Caxeta dyed with watercolor paint. Scottish Artist and fu...

Brazilian Art by R. Aragão this Watercolor on Cardboard Painting, Abstract Stick Figures in Black and White and framed in Giltwood behind glass. Artist is ...

Rare textile art tapestry by Brazilian artist Kennedy Bahia. This piece had remained rolled up for over 50 years prior to pictures being taken for this listing. It is flawless with b...

Valdivino Alves da Conceição (born in 1955) Tapestry in Square and Circle, c. 1970 Wool and pigments / Wool and pigments Dimensions: 95 x 135 cm (37 2/5 x 53 3/20 in) This remarkabl...

Contemporary Handmade Tile Mosaic by Brazilian Artist Katharina Welper, 2015 Using very small pieces of tiles (Tesseras ceramic), Welper creates mosaics that shine in the lights. Th...

Selma Daffre (b. 1951), listed Brazilian artist. Collograph on paper. "Linhas". Numbered 9/9. Dated 1997. Visible dimensions: 25 x 20 cm. Total di...

Giant Leaf, Naturally Dyed Felted Wool Sculpture by Inês Schertel, Brazil Ines Schertel's primary material is sheep's wool. As a practitioner of Slow Design, the artist takes a ho...

Joaquim Tenreiro / Large Wall Shelf Rosewood / Brazil, 1960s This rosewood wall shelf combines a clean geometric structure with slender proportions that create visual lightness. The...

Tarô Tapestry, c. 1970 Signed "Tarô" at the bottom right. Artisanal natural fiber tapestry Measures: 76 x 102 x 2 cm. Beautiful rectangular wall tapestry with central geometri...

Monumental Abstract Painting by Brazilian Artist BB Schmitt, Signed Rio 2014-2015 Offered for sale is a mixed-media abstract painting o...

A piece from the 'Delta' abstract sculpture series by James Rowland made from Brazilian hard wood with brass inlay. Scottish Artist and furniture Design...

Selma Daffre (b. 1951), listed Brazilian artist. Collograph on paper. "Linhas". Numbered 8/9. Dated 1997. Visible dimensions: 25 x 20 cm. Total di...

A piece from the 'Delta' abstract sculpture series by James Rowland made from Brazilian hard wood with brass inlay. Scottish Artist and furniture Designer-Maker James Rowland of K...

Selma Daffre (b. 1951), listed Brazilian artist. Collograph on paper. "Linhas". Numbered 6/9. Dated 1997. Measures: Visible dimensions: 25 x 20 cm...

A piece from the 'Delta' abstract sculpture series by James Rowland made from Brazilian hard wood with brass inlay. Scottish Artist and furniture Designer-Maker James Rowland of K...

Kennedy Bahia (1929–2005) Wall Tapestry "Multicolored Foliage", c. 1960 This vibrant wool tapestry by Kennedy Bahia, signed at the bottom left, is a joyful example of the artist’s si...

Pair of horse and rider lithographs by Marino Marini, from the Marino Marini portfolio, printed by Carl Schunemann, Germany, circa 1968. They have been framed in clean lined black la...

Yugen means a deep inner feeling, an expression of depth, the untranslated mystery, the incomprehensible and the abstract in all artistic activities. According to the Japanese, Yugen...

Joao Galvao red wood artwork, signed by the artist, 1995, Rio.

Johannes Wilhelmus Van Dartelen copper art fossilized stone signed Brazil made and presented for the crew of the Pan American. This is a one of a kind piece of art by Johannes...

Artist: Armarinhos Teixeira Nebulares series (no title) Unique piece Brazil 2018 Materials: polyester, copper and leather The sculpture is hanging on by a leather cord Dimensions Variable Exhibited - São Paulo, Brazil, Legado Arte...

Selma Daffre (b. 1951), listed Brazilian artist. Collograph on paper. "Linhas". Numbered 4/9. Dated 1997. Visible dimensions: 25 x 20 cm. Total di...

A piece from the 'Ripples' abstract sculpture series by James Rowland made from solid hard wood Sucupira. Scottish Artist and furniture Designer-Maker J...

Brazilian modern woven wall tapestry using natural fibers from the 1980s. Signed MARY.

This contemporary wooden sculpture, titled Risk, was created by Brazilian artist Leonardo Bueno in 2015. Hand-carved from natural wood, the piece reflects the artist’s exploration of...

"ROSA" contemporary wood oratory Imbuia, Pau Ferro or Freijo wood.

Incredible brazilian baroque portal in gold-plated wood circa 1800. Fantastic. Original.

D33 - bookcase by Cultivado Em Casa Dimensions: 70 x 40 x 80 cm Materials: D33 foam, acrylic paint, acrylic resin, carbon steel. Also available: different colors The D33 coll...