18th Century Wall Decorations

Original Antique Print of Exotic Insects, Lanternfly and Mantis, c. 1790 Original antique hand-colored engraving depicting a spectacular collection of exotic insects, including a la...

More information coming soon… A massive toile peinte, measuring over seven feet tall and about eight feet wide. Dating to the 1700s, the French painting depicts a stag hunt in the ...

Portuguese Equestrian Training Engravings — Baroque Horsemanship, 1790 This striking set of three antique copperplate engravings originates from the celebrated Portuguese equestrian...

This is a Dutch Old Master oil on canvas, measuring 130 inches tall by 119 wide (~10.8 Feet x 10 Feet). Known as a behangsel or large-scale room decoration commissioned for Dutch or ...

Luxurious art iron cast wall plate (Model 5001) based on a historical design by Karl Friedrich Schinkel. Made by Buderus Berlin, the folk saying calls those treasures ''Berlin Iron'...

We are pleased to present this 18th-century Italian oil on canvas painting. It is a charming still life with flowers and fruit. The painting depicts a rich composition: bunches of w...

Diana of Ephesus Antique Engraving, Montfaucon Antiquité Expliquée, 1721 This original eighteenth-century copper engraving titled “Diane d’Ephese” illustrates several sculptural representations of the celebrated cult statue of Artemis of Ephesus, one of antiquity’s most enigmatic and symbolically charged religious images. The plate originates from Bernard de Montfaucon’s landmark antiquarian publication L’antiquité expliquée et représentée en figures, published in Paris in 1721, a pioneering encyclopedic study that helped establish the scholarly foundations of archaeology and art history during the Enlightenment. Montfaucon’s ambitious project sought to systematically document the material culture of the ancient world through carefully researched engravings based on surviving sculptures, coins, reliefs, and historical sources. This plate presents multiple interpretations of the Ephesian goddess, comparing sculptural variants and medallion representations. The central figures stand rigidly frontal, crowned and richly adorned, their bodies covered with registers of animals, symbolic figures, and ritual ornamentation. Smaller circular images below further demonstrate how the goddess appeared on ancient coins and reliefs, reflecting Montfaucon’s analytical approach to classical imagery. Unlike the familiar Greek Artemis, goddess of the hunt, the Ephesian Diana represents an older Anatolian mother deity assimilated into Greco-Roman religion. Her distinctive iconography—tiered body coverings, animal motifs, and fertility symbolism—expresses abundance, cosmic order, and divine protection. During the eighteenth century, such images fascinated European scholars attempting to interpret ancient religions through comparative symbolism, making Montfaucon’s publication a cornerstone reference for collectors, antiquarians, and early museums. The engraving is executed with refined precision typical of Parisian copperplate work of the early 1700s, combining scientific clarity with strong decorative appeal. The balanced composition and graphic symmetry allow the print to function equally as a scholarly artifact and an elegant wall piece suited to both classical and contemporary interiors. This original antique engraving is offered unframed, providing flexibility to select a frame appropriate to the intended interior setting. Condition: Good antique condition with age-related toning and light paper discoloration consistent with early eighteenth-century prints...

18th-Century Brussels Manufactory Tapestry – In the Style of David Teniers – 220 × 200 cm This magnificent tapestry has undergone a thorough deep cleaning, as well as hand-lining wit...

An incredible group of three Antique French hand-painted oil on canvas panels likely dating to the late 18th Century. Reminiscent of the celebrated French artist Antoine Watteau, the...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Carved wood hand painted donation / offering ALM Box, Spain, 18th century. Polychromed carved wood church collection offering donation money box as wall decoration. This alms box is made of pine wood painted in shades of blue and gray with carved saint figures onamentations decorating the top. Wall hanging collection / donation money box. Originally used to collect donations at Christian churches/chapels. Interesting to be used as key box or key cabinet or as wall decoration Rare find. Provenance: Private collection. No key avaliable. Overall Measures: Saints Box: 33 cm H x 37 cm W x 14 cm D Poor...

A delightful pair of Dutch oil on panel framed paintings by Jan Evert Morel, (1777-1808), both signed lower left and dating from the late 18th Century. The paintings delightfully pr...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

Antique 18th century French Louis XVI / Neoclassical painted boudoir hand fan. White sticks pierced with foliate / floral designs as well as trumpets and sheets of music; gilded acce...

Title: "Kaart van 't Eyland Groot Java: Antique Map of Java, Indonesia" Description: This antique map, titled "Kaart van 't Eyland Groot Java," offers a rare and valuable depiction ...

The artistry and industry of Portuguese azulejos tiles is a tradition that dates back many centuries; as a practical, architectural surface to cover both interior and exterior walls ...

Antique map titled 'Diversa Orbis Terrae. Visu Incedente per Coluros Tropicorum, Ambos Ejus Polos, et Parciularis Sphaerae Zenith, in Planum Orthographica Projectio (..) Plat Ontwerp van verscheyde Aert-klooten (..)'. One of the earliest Dutch World Maps to focus on a more modern cartographic style, based on Carel Allard's map of 1696. This map represented a noteworthy shift from the traditional decorative Dutch 17th century maps where the margins would be full of classical mythological...

Antique print titled 'Beschryving van de vijf-jarige verschijning des Koninks van Arakan, die met groote pragt en heerlikheyt geschiet.' View of the 5 yearly appearance of the King of Arrakan, with great beauty and display. Arrakan, present day Burma in 1660. This print originates from 'Wouter Schoutens, Reys-Togten naar en door Oost-Indien (..)', 2nd. edition, published by Andries van Damme, Amsterdam, 1708. Artists and Engravers: Wouter Schouten (1638-1704) joined the Dutch VOC...

Title: Set of Three Hand-Colored Equestrian Engravings, circa 1727 Description: A decorative set of three antique hand-colored equestrian engravings showing riders on horseback in classical 18th-century manège poses. The plates are titled Le Courageux, Le Loyal, and L’Esperance, each depicting a finely dressed rider guiding a horse with elegance and control. These prints are from the celebrated equestrian tradition associated with Friedrich Wilhelm Baron d’Eisenberg’s Description du Manège Moderne, published in the early 18th century. The work is known for its refined depictions of classical horsemanship, riding-school movements, and noble equestrian presentation. The hand coloring adds warmth and decorative appeal, with rich tones in the riders’ coats, saddlery, and horses. The prints have an attractive aged surface and strong period character, making them especially suitable for an equestrian interior, library, study, country house, tack room, club room, or classic gallery wall. Included plates: Le Courageux, plate XXIV Le Loyal, plate XXV L’Esperance, plate X Condition: Fair antique condition. General age-related toning, staining, foxing, handling marks, creases, and wear to the paper. Some surface dirt and discoloration, particularly in the margins and background areas. Irregular sheet edges and small signs of age throughout. Tape remains on the reverse. The images remain decorative and suitable for framing. Please review all photos carefully. Details: Date: circa 1727 Artist / Author: After Friedrich Wilhelm Baron d’Eisenberg Medium: Hand-colored engraving on paper Subject: Horses, riding, classical dressage, equestrian training Style: 18th-century European equestrian Sold as: Set of three Framing: Sold unframed Please note: The framed and interior images are for presentation purposes only. The prints are sold unframed. Keywords: antique equestrian print...

A striking 18th-century Swedish Gustavian hanging cupboard, distinguished by its elegant arched bonnet and beautifully balanced paneled glass doors. The dark painted exterior lends t...

18th century dark wax butter mold with habsburg imperial coat of arms, diameter 20 cm with engraved inscription IG S and M S 1737. Good age related condition, this lovely Mittle-...

Antique print titled 'Vue Generale Perspective de l'Hôtel Royal des Invalides'. Bird's-eye view of Hôtel National des Invalides, Paris, France. Published, circa 1760.

Late 18th century Aubusson tapestry panel made in France. Measures: Height 9 feet 4 inches, width 7 feet 11 inches. Swans and ducks swimming in a lake...

Elegant 18th-century French petit point tapestry, beautifully hand-stitched with fine detail and rich colors. This charming piece depicts a lively pastoral scene with figures in peri...

Attributed to the Studio of Sir Joshua Reynolds, PRA, FRS, FRSA (British, 1723-1792)Portrait of Sir Abraham Hume, 2nd Bt (1749-1838) half length, wearing a red coat oil on canvas 68 ...

A luxurious 18th-century Aubusson tapestry, depicting a dog barking at fowl on a river, in a typically rural and architectural-themed landscape. Hand-woven in wool, in predominantly ...

This antique map, titled "Totius Americae Septentrionalis et Meridionalis," represents a significant cartographic piece from 1710 by Johann Baptist Homann. Here's a description of this remarkable map: - Title: Totius Americae Septentrionalis et Meridionalis (...) - Date: Published in 1710 by Johann Baptist Homann. Description: This map is a first edition of Johann Baptiste Homann's map of America, and it is notable for several cartographic features and historical representations: 1. California as an Island...

Plate 24 from "A General System of Horsemanship in All Its Branches," (La Methode et Invention nouvelle de Dresser les Chevaux). William Cavendish Duke of Newcastle's work on equestr...

An evocative 18th-century French maritime painting. Oil on canvas. The composition depicts a quiet coastal scene featuring a traditional sailing vessel, a fortified stone tower, and ...

Monumental 18th Century Aubusson Verdure Tapestry From the historical residence Chateau de Nernier, situated on the French side of Lake Geneva: A magnificent French verdure tapestry, woven in wool and silk at the renowned Aubusson workshops in the early 18th century. This richly detailed piece features a lush woodland landscape with delicate architectural elements and meandering waterways inhabited by elegant wading birds. The composition is framed by an intricately woven floral border that enhances the tapestry’s pastoral...

Antique 18th Century Spanish Colonial South American retablo, features Saint Camillus De Lellis (San Camilo), Patron Saint of The Sick, Peru, Cusco, circa 1760. This devotional retablo is sensitively painted on copper and housed in a gilt-wood frame. The painting depicts a scene of a recumbent figure, presumably Christ, attended by Saint Camillus De Lellis. Christ is wearing white linens, holding a white lit candle to depict the divine light. There is a skeletal figure to the left of Christ's head, symbolic of the presence of death. The vignette is complimented by the presence of the devil's workers lurking in the upper right quadrant and contained behind bars in the far right corner. The painting is clear and prominent. This very attractive antique Spanish Colonial retablo...

Beautiful original old print of a lioness and lion cubs. This print originates from Dr. Johann Schreber's 'Die Saugthiere in Abbildungen nach der Natur'(Mammals in Pictures after Nature). Drawn by Johann Elias Ridinger (1698–1767). Johann Christian Daniel von Schreber (1739–1810) was appointed professor of materia medica at the University of Erlangen in 1769. In 1774, he began writing a multivolume set of books entitled Die Säugethiere in Abbildungen nach der Natur mit Beschreibungen, which focused on the mammals of the world. Many of the animals included were given a scientific name for the first time, following the binomial system of Carl Linnaeus. From 1791 until his death in 1810, he was the president of the German Academy of Sciences Leopoldina. He was elected a member of the Royal Swedish...

Antique 18th-century Italian painting. A beautifully painted oil-on-canvas painting depicting a seascape with figures and architecture. This painting, which is a perfect size, would ...

The engraving depicts "Sir William Rowley's Dog Kennel at Tendring Hall, Suffolk." This artwork from around 1795 illustrates a building specifically designed for housing dogs, likely...

Antique French painting from 18th century. Oil on canvas framework depicting landscape with hunting dogs with partridges of good pictorial quality. Painting of great measure and impa...

Antique portrait titled 'Edward Montague Lord Kimbolton'. Edward Montagu, 2nd Earl of Manchester, KG, KB, FRS (1602 – 5 May 1671) was an important commander of Parliamentary forces in the First English Civil War, and for a time Oliver Cromwell's superior. This print originates from Thomas Birch...

After Nicolaes Pieterszoon Berchem (1620-1683), "A Journey" Oil on Canvas 21.13" by 17.13" An exquisite old master painting after the well known Dutch master Nicolaes Berchem, depi...

In the dimly lit private chapels and wunderkammern (cabinets of curiosities) of 18th-century Europe, art was often utilized as a visceral conduit for spiritual contemplation. This st...

A set of six original hand-colored engravings of rare and unusual moths. Plates from The Aurelian or Natural History of English Insects (1766) by Moses Harris. These engravings wer...

Antique Persian Costume Prints Set of 3, Hand-Colored Engravings, 1749 A refined and highly decorative set of three original 18th-century hand-colored engravings depicting Persian c...

G. Jouve (18th century) École Nord, France Oil on wooden panel. A dramatic interior composition depicting a rustic surgical procedure taking place in a dimly lit room. A seated man,...

This is a delightful antique Spanish oil on canvas painting after Bartolome' Esteban Murillo, depicting two peasant boys eating grapes and melon, Circa 1780 in date.  It features a ...

This 18th-century French Aubusson tapestry depicts a serene verdure landscape animated by birds, foliage, and pastoral scenery. Woven in wool and silk, the composition reflects the r...

Exceptionally fine 18th century Italian silk and silver metallic thread lampas brocade panel with nicely aged color. Red silk backing w/ attached strip of fabric for a hanging rod. ...

Hand-Painted Oil on Wood Religious Painting, Spain, S. XVIII Unknown painter Unframed, Unsigned Religious painting depicting a Saint dressed with a red tunic with a dark landscape ba...

Antique print titled 'Lamas Prêtres des Tartares - Prêtres Mendians de la Chine (..)'. Original antique print with two images on one plate. The first image shows Lamas, Tatarian prie...

An 18th-century oil painting on canvas depicting a still life. Italy. This painting, set against a dark background, features a cascade of white grapes at the top and, below them, var...

Frontispiece to volume one of 'Gallia Antiqua'. It shows an allegorical scene with Mercury standing at left beside a nymph painting the 'Bataille de Soissons'. Tragan's column behind...

Set of 6 Ottoman Costume Prints, Hand-Colored Engravings, 1767 Description: A highly decorative and cohesive set of six original hand-colored engravings depicting figures in Ottoman dress, published in London in 1767 by Thomas Jefferys, Geographer to His Royal Highness the Prince of Wales. These prints originate from the important 18th-century publication *A Collection of the Dresses of Different Nations, Ancient and Modern*, a work that reflects Europe’s growing fascination with global cultures and costume traditions. The engravings are based on designs after notable artists such as Holbein, Van Dyke, and Hollar, and combine ethnographic interest with refined decorative appeal. Each engraving presents a full-length figure in traditional Ottoman attire, rendered with clarity and elegance against a clean background. The garments—flowing robes, layered textiles, and distinctive headwear—are highlighted through delicate and well-preserved hand coloring. The set includes the following figures: Habit of the Greek Sultana, 1749 Habit of the White Sultana, 1749 Habit of the Black Sultana, 1749 Habit of a Turkish Lady of the Grand Seignior’s Seraglio, 1568 Habit of the Janesary Aga, or Chief Commandant of the Janissaries Habit of the Tchorbadgi, or Captain of the Janissaries, 1700 This grouping forms a harmonious and balanced composition, particularly suitable for a symmetrical wall display. With a consistent scale and palette, the set offers a refined decorative presence while retaining strong historical character. Such costume engravings are increasingly valued for their versatility in interior design, bridging 18th-century craftsmanship with contemporary decorative aesthetics. Interior mockups shown are for inspiration only. All prints are original antiques, not reproductions, and are sold unframed. Condition: Very good condition overall. Light age toning as expected. Occasional minor spotting in the margins. Strong impressions with original hand color. Plate marks visible. Framing tips: Best presented in identical dark walnut or ebonized frames with wide ivory mats. Hang as a symmetrical grid (3 × 2 or 2 × 3) for a refined and balanced wall composition. Technique: Engraving with original hand color Maker: Thomas Jefferys, London, 1767 Keywords: Ottoman prints, Ottoman costume, Turkish costume prints, Ottoman Empire art...

18th century needlepoint painting, Pétanque game - 57x70 cm - No. 1561 Framed by our Parisian artisan workshop Era: 18th century Condition: Perfect condition Material: Wool Width: 57...

Antique Prints of Red Gladiolus, Purple Gerbera Daisy, and Pink Canna Lily, 1799 This exquisite collection of handcolored copperplate engravings from 1799 features three vibrant bot...

Early 18th Century Antique Flemish Tapestry Fine Verdure Wool & Silk "This is a very fine Authentic Antique Flemish wool & silk Tapestry with an intricate verdure and bird...

A rare striking 18th century Tibetan Thangka depicting the Green Tara seated on a lotus throne ready to step down to offer comfort and pro...

A fine antique of the colony of Pennsylvania. Noted at the top of the sheet as a 'Map of the province of Pensilvania'. This undated and anonymous map is thought to be from the Gentleman's Magazine, London, circa 1775, although the general appearance could date it to the 1760's. The southern boundary reflects the Mason-Dixon survey (1768), the western boundary is placed just west of Pittsburgh, and the northern boundary is not marked. The map has a number of reference points that likely refer to companion text and appear to be connected to boundaries. The western and southern boundaries are marked Q, R, S, for example. A diagonal line runs from the Susquehanna R to the Lake Erie P. A broken line marked by many letters A, B, N, O, etc., appears in the east. There are no latitude or longitude markings, blank verso. Framed in a shaped contemporary gilt wooden frame and matted under a cream colored matte. Bearing an old Graham Arader Gallery...

Monument of King Edward IV – Antique Engraving of St George’s Chapel, Windsor, 1790 This finely detailed antique engraving shows the monument of King E...

Glorious set of 6 prints of English country houses and gardens Fine copper-plate engravings Published C.1790 Unframed. The measurement given is the paper size of one print. F...

Antique print titled 'William Cecil Lord Burleigh'. William Cecil, 1st Baron Burghley. Engraved by John Goldar (1729–1795) from an earlier portrait.

French Louis XV Gilt Carved Wood Wall Self with 14 Porcelain Stands . Moveable closing glass door at the bottom. Interior wood supports for future wood shelves or glass shelves to yo...

Venus Visiting Vulcan, Achilles - Brussels Tapestry, Atelier Van Der Borcht No. 1455 Artist: In the Taste of Jan Van Orley (1488 – 1541) Period: 18th century Style: mythological Cond...

Antique Scottish Sampler, 1793, by Anne Williamson. The sampler is worked in silk threads on a linen ground, in a variety of stitches. Intricately detailed meandering strawberry bord...