18th Century Wall Decorations

A fine example of an 18th-century botanical engraving. Created by Carlo Antonini between 1777 and 1790, it showcases a detailed depiction of a flower in full bloom. The illustration is highly detailed, with individual petals, stamens, and shading rendered with precision, indicating a high level of craftsmanship and attention to detail that was characteristic of botanical illustrations of the period. The image is likely part of a larger work, perhaps a botanical compendium or study, which would have been used for both scientific study and artistic appreciation. The text at the bottom of the print, "Rarone Antico nel Foro di Nerva," analysed: The phrase "Rosone Antico nel Foro di Nerva" could potentially be translated as "Ancient Rosette in the Forum of Nerva." Breaking down the phrase: - "Rosone" typically refers to a "rose window," a large circular window with mullions and tracery radiating in a form suggestive of a rose, commonly found in Gothic architecture. However, in this context, without the surrounding content, it might refer to a specific design or feature that is described as "antique" or ancient. - "Antico" means "ancient" or "antique," indicating that the item or feature referred to as "Rosone" is of historical significance or from a past era. - "Foro di Nerva" refers to the Forum of Nerva, which is one of the Imperial Forums in Rome. Therefore, the phrase seems to describe an ancient or historically significant rosette (or possibly a design or feature similar to a rose window) located in the Forum of Nerva. This might be referencing a specific architectural detail or decorative element that was part of the forum's structure or adornment. For a detailed analysis or historical context, you would typically need to consult historical texts, architectural studies, or archaeological reports related to the Forum of Nerva. The style of the print suggests that it was created using engraving techniques that involve incising a design onto a hard surface (like a copper plate), which was then inked and used to produce the image on paper. This method allowed for reproductions of the design and was commonly used for scientific illustrations because it could capture intricate details with great accuracy. Such prints would have been important in the 18th century for the dissemination of botanical knowledge, contributing to the fields of botany, horticulture, and medicine. They also reflect the Enlightenment's value on reason and empirical evidence, where plants were not only appreciated for their beauty but also studied for their structure and utility. Carlo Antonini's notable work includes a series of 85 etchings that were published in Rome in 1780, dedicated to Count Stanislao Potocki. This collection, titled "Serie di LXXXV disegni in varie grandezze composti dal celebre pittore Salvator Rosa publicati ed incisi da Carlo Antonini," consists of reproductions of Salvator Rosa's 'Figurine' series and other prints. It includes various pieces like a title-page with a coat of arms, a dedication, a preface, and several other individual works ranging from small prints to larger ones, such as depictions of mythical and historical scenes. The etchings were printed in sanguine ink, indicative of the period's artistic preferences for printmaking. These works are an example of Antonini's precision in reproducing another artist's work and are recognized for their faithfulness to Rosa's original designs. Additionally, Antonini is associated with other works such as the "Manuale di varj ornamenti componenti la serie de' vasi antichi," a collection that includes designs and engravings of ancient vases, and prints dedicated to the Duomo Di Orvieto. Another significant piece is his engraving titled "Prospetto degli Orti Farnesiani sul Monte Palatino," which was created in collaboration with Francesco Panini...

An engraved portrait of Henry IV, King of England. Henry IV was the first English monarch from the Lancastrian branch of the Plantagenets and came to power after deposing his cousin Richard II in 1399. His reign was marked by the start of the 15-year civil strife known as the Wars of the Roses, numerous rebellions, and efforts to consolidate his power and legitimize his somewhat tenuous claim to the throne. The text mentions that the portrait is based on a picture at Hampton Court, which is a royal palace in the London Borough of Richmond upon Thames. Published as the act directs on June 18th, 1787, this engraving is part of the collection for "Harrington's Edition of Rapin's History of England." Henry IV's reign is notable for the rebellion led by the famous knight Henry Percy...

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

Title: "Architectural Grandeur: Van der Horst's Baroque Ornaments" Description: This collection of six engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE" show...

This composite image features three separate engravings from Tieleman van der Horst's "THEATRUM MACHINARUM UNIVERSALE," a pivotal work in the field of architectural design published ...

An original antique engraved portrait from Harrington's edition of "Rapin's History of England." The text identifies the subject as Edward the VI, King of England, France, and Irel...

This image is an original architectural print depicting a rosette, a decorative motif fashioned after a stylized rose, commonly found in ...

Crafts of Comfort and Style: Upholstery and Furniture Design in the 1760s from Diderot's Encyclopédie This original hand-colored antique engraving is from the "Encyclopédie, ou Dict...

The image is an ornate botanical and ornithological illustration from one of Johann Michael Seligmann's collections, which were based on George Edwards's natural history studies. Th...

A beautiful hand-colored engraving from Johann Michael Seligmann's collection, which was based on the earlier works of George Edwards. The text on this image is in German, Latin, a...

The image is a colored print depicting a "Lady of Quality in Burgundy in 1577," as indicated by the title below the illustration. The lady is dressed in a fashion typical of the late...

This original antique print is labeled "Rosone Antico nell'Arco degli Argentari," which can be translated as "Ancient Rosette in the Arch of the Silversmiths." The phrase "Rosone An...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

Set of 3 antique hand-colored bird engravings by Martinet, of Toucan, Calau, and Petit Kakatoes (French), Late 18th Century. Nicely matted and framed. Art: 10" H x 8" W; Frame: 17" ...

This is a hand-colored engraving from Johann Michael Seligmann's work, depicting a butterfly and a two-headed snake. Below is the transcription and translation of the text: - "Di...

This is an 18th-century hand-colored engraving from Johann Michael Seligmann's collection, displaying a parrot species. Here’s the transcription and translation of the visible text: ...

Title: "Classical Profiles: Raphael's Vision by Nicolas Pigné, 1740" This is an original engraving from 1740 by Nicolas Pigné, after a painting by Raffaello Sanzio da Urbino, known ...

Original antique engraving of a Comparative Anatomy of Primate Skulls Description: This detailed print by Carl Johann Georg Reuss, an illustrious illustrator, features a striking il...

This is the frontispiece of the first volume of "Delle antichità di Ercolano" (The Antiquities of Herculaneum), published in 1757 by the Royal Printing House of Naples, Italy. The ...

"Rosone Antico nel Tempio di Giove Statore." A breakdown of the title: - "Rosone" typically refers to an architectural term for a rose window, which is a circular window with a dec...

This engraving, titled "Rosone preso da Frammenti Antichi," presents a detailed rosette that draws inspiration from classical motifs found in ancient fragments. The intricate design ...

This exquisite engraving, dating back to around 1780, presents a masterfully crafted rosette, a decorative motif that captures the elegance and refined aesthetic of the neoclassical ...

The Amboinese Cabinet of Curiosities was a work by Georg Eberhard Rumphius, and included many engravings of sea shells and crustaceans. The German edition of the book was financed ...

This hand-colored engraving, part of Johann Michael Seligmann's collection, is a precise and vibrant representation of wildlife, based on the works of George Edwards. It showcases an...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

The illustration showcases the American Goldfinch (Spinus tristis), formerly known as Carduelis Americanus, perched gracefully upon a leafy branch. It is a detailed 18th-century re...

An American Revolutionary war bond from the State of Connecticut from circa 1782 in custom black frame under glass. Step into the pages of history with this authentic American Revolu...

This engraving is from the Johann Michael Seligmann's collection, based on the works of George Edwards that was published in 1743. The text in the image is in both German and Latin...

This engraving features Anthony Madox, an English performer known for his dexterity and contortion skills. He was active in the 18th century and was renowned enough to perform before...

The engraving features two cherubic faces, each blowing an object that is not fully visible, which may be a wind instrument, giving life to an unseen melody. The cherubs, with their ...

Our extraordinary paintings, attributed to Franz Xavier Karl Palko (1724-1767) depict Christ in the house of Simon the Pharisee, and Christ and the children of Zebedee. Stretchers 1...

This image is an illustration from a natural history work, a collection titled "Getreue Abbildungen naturhistorischer Gegenstände in Hinsicht auf Bechsteins kurzgefasste gemeinnützi...

This engraving by Nicolas Pigné, part of the "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres" collection, shows a stark contrast between two figures. On the left, ...

Title: "Villa d'Este Tivoli Rosette, Plate 21" Description: This 18th-century engraving, titled "Da frammenti Antichi nella Villa d'Este in Tivoli," portrays...

This engraving showcases two striking male profiles, each rendered with remarkable detail, characteristic of the "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres." ...

The engraving, attributed to the "Recueil de XC Têtes" series, displays two male profiles with distinctive expressions and hairstyles, characteristic of Renaissance portraiture. The ...

Beautiful oil painting on canvas dating back to the Piedmontese school of the early 18th century. The work depicts the Madonna with the Baby Jesus in her arms and next to them is the...

This is a hand-colored atnique print, this time depicting the "Habit of the Lady Mayoress of London, in 1640." It's a historical costume illustration showing the fashion of a high-ra...

The illustration is indicative of the works that emerged from the collaborations and influences of the 18th-century naturalists like George Edwards and Johann Michael Seligmann. Geor...

The engraving by D. Beauvais, part of the "Recueil de XC Têtes" series, presents a compelling juxtaposition of two heads: an elder, bearded man on the left, and a youthful, cherubic ...

This engraving by C. Dupuis, part of the "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," features two contrasting profiles. On the left is a serene and contempla...

Sanguine on Paper by Jean Robert Ango (1710-1773), XVIIIth Century. Sanguine, drawing of a woman with her child on framed paper from the 18th century by Jean Robert Ango . Drawing:...

These set of original antique engravings are from Bernard de Montfaucon's "L'Antiquité expliquée et représentée en figures" (Antiquity Explained and Represented in Figures), which is a comprehensive collection of engravings illustrating various aspects of ancient life. This work was a significant contribution to the study of antiquity in the early 18th century. The specific volume these images are taken from likely deals with artifacts such as lamps, which were common in burial practices and other rituals of ancient cultures. This collage features two pages from the 18th-century publication just mentioned, displaying a series of intricately detailed engravings of ancient lamps...

Painting, Sanguine on Paper by Jean Robert Ango (1710-1773), XVIIIth Century. Sanguine, drawing on paper of a notable man of the town, framed from the XVIIIth century by Jean Robert...

Sanguine on Paper by Jean Robert Ango (1710-1773), XVIIIth Century. Sanguine, drawing of a woman with a bouquet of flowers, on framed paper from the 18th century by Jean Robert Ango...

The engraving presented here exhibits two male figures, each bearing a unique expression and hairstyle, likely echoing the artistic style of Raphael's Renaissance works. On the left,...

This engraving is part of the ambitious project overseen by Sir Nicolas Dorigny, "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," which translates to "Collection ...

This engraving depicts two contrasting profiles. On the left is a male figure adorned with a detailed, patterned cap, his features marked by a hooked nose and a small, tightly curled...

ITALIAN SCHOOL "TOBIAS AND THE ARCHANGEL RAFAEL" 18TH CENTURY Oil on canvas made in the 18th century, It represents the moment in which the archangel Raphael instructs a young Tobit...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793, specifically from the section 'Rec...

Pretty oil on canvas animated by fishermen bringing their net to the shore, under the gaze of a young woman and her child. In the background, various buildings and the sea can be see...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The plate is dedicated to "Chass...

This engraving a compelling piece featuring two distinct profiles: one of a youthful figure with soft, flowing hair and the other of an older, bearded individual whose face is marked...

This original antique engraving is part of the collection "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," and showcases two male profiles in a classical style. ...

This rather large original antique engraving on strong paper depicts two images: one of a weasel in its natural habitat and another of its skeletal structure. The German title "Das...

18th Century Spanish Hand-Painted Wooden Panel with Religious Scenes. Birth of Christ

Diosma. Upper Right: Pl. CXXIV. Lower Left: R. Lancake delin. Lower Center: Publish'd according to Act of Parliament by P. Miller Octr. 24:1756. Lower Right: I. S. Miller Sculp. Auth...

These antique engravings are illustrations from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. These plates are particularly v...