18th Century Wall Decorations

Sanguine on Paper by Jean Robert Ango (1710-1773), XVIIIth Century. Sanguine, drawing of a woman with her child on framed paper from the 18th century by Jean Robert Ango . Drawing:...

Sanguine on Paper by Jean Robert Ango (1710-1773), XVIIIth Century. Sanguine, drawing of a woman with a bouquet of flowers, on framed paper from the 18th century by Jean Robert Ango...

Painting, Sanguine on Paper by Jean Robert Ango (1710-1773), XVIIIth Century. Sanguine, drawing on paper of a notable man of the town, framed from the XVIIIth century by Jean Robert...

A miniature Indo Persian Mughal Art watercolor painting on antique manuscript leaf depicting a portrait of a Royal person, probably Jahangir, the f...

This engraving is part of the ambitious project overseen by Sir Nicolas Dorigny, "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," which translates to "Collection ...

This engraving depicts two contrasting profiles. On the left is a male figure adorned with a detailed, patterned cap, his features marked by a hooked nose and a small, tightly curled...

The engraving presented here exhibits two male figures, each bearing a unique expression and hairstyle, likely echoing the artistic style of Raphael's Renaissance works. On the left,...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The plate is dedicated to "Chass...

18th Century Spanish Hand-Painted Wooden Panel with Religious Scenes. Birth of Christ

This engraving a compelling piece featuring two distinct profiles: one of a youthful figure with soft, flowing hair and the other of an older, bearded individual whose face is marked...

This original antique engraving is part of the collection "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," and showcases two male profiles in a classical style. ...

From Metamorphosis Insectorum Surinamensium, first published 1705 Engravings by J. Mulder, P. Sluyter (Sluiter) and D. Stoopendaal after Maria Sybilla Merian. This plate is part of a comprehensive collection comprising 17 plates. Check out other listings to view the entire series. 1964 Hoffman and Campe Verlag, Hamburg Complete production Mladinska Knjiga, Ljubljana/Yugoslavia. This 1964 official reproduction table come from the editions: Dissertation sur la génération et les transformations des insectes de Surinam, The Hague, Pierre Gosse, 1726, and Over de Voortteeling en Wonderbaerlyke Veranderingen der Surinaamsche insects, Amsterdam, Jean Frederic Bernard, 1730. PEPPERS AND MOTIVES Paprika, from the night damage family, a gift from the New to the Old World, a pleasant one like tomatoes and potatoes, like corn and beans, not a dangerous one like tobacco. You can no longer imagine our, especially the Mediterranean cuisine of the pre-Columbian period, both received such enrichment from America, potatoes, corn, beans as substances, tomatoes and peppers as spices and flavors, foreign, from far away , adding a new dimension to our dishes. The pepper has become the strongest source of vitamins in our latitudes, an indispensable medicine in our often denatured food. The varieties we grow belong to the species Capsicum annuum, the plant drawn by the painter is Capsicum sinense, of which two or three fruit shapes and different stages of ripeness were combined on one branch. The ripe fruit bodies are visible on the eye of the tongue: anyone who looks at them will taste the peppery spiciness after a while. The leaf is a triangle, it thins from the lower broad solidity of the capsule area up to the lightness of the buds and flowers. Diversity also in the fact that the fruits are of different lengths, different colors, harmony between the dark green and red shapes, relief-like articulation of the pod surfaces. Butterfly, chrysalis and caterpillar cannot be precisely defined; they are hawkmoths from a group that counts seventy species in tropical America. A close relative of the strong-snouted Cocytius antarus - the pupa's beak is also noticeable here. (Original plate no. 55) ____________________________________ Maria Sibylla...

This rather large original antique engraving on strong paper depicts two images: one of a weasel in its natural habitat and another of its skeletal structure. The German title "Das...

Pretty oil on canvas animated by fishermen bringing their net to the shore, under the gaze of a young woman and her child. In the background, various buildings and the sea can be see...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793, specifically from the section 'Rec...

These antique engravings are illustrations from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. These plates are particularly v...

These set of original antique engravings are from Bernard de Montfaucon's "L'Antiquité expliquée et représentée en figures" (Antiquity Explained and Represented in Figures), which is a comprehensive collection of engravings illustrating various aspects of ancient life. This work was a significant contribution to the study of antiquity in the early 18th century. The specific volume these images are taken from likely deals with artifacts such as lamps, which were common in burial practices and other rituals of ancient cultures. This collage showcases three pages from Bernard de Montfaucon's seminal work "L'Antiquité expliquée et représentée en figures." Each page features detailed engravings of ancient lamps...

This original engraving depicts a woman and a young black boy from the 18th century, and was published between the years 1757 and 1772, likely in 1757. The woman is identified as t...

Beautiful oil painting on canvas depicting a gentleman belonging to the ancient chivalric order of Saints Maurice and Lazarus, founded in 1572 by the House of Savoy. The protagonist ...

These two extraordinary 18th century oil on canvas paintings are done in the style of the French painter Jean-Honoré Fragonard whose late Rococo manner is renowned. Depicting landcap...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The image is an antique plate il...

"Exquisite 18th-century French needlepoint tapestry fragment ! This beautiful and historic piece features a floral and foliage design in vibrant blue, green, orange, pink, and yellow...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793, specifically from the section 'Rec...

This 1722 engraving portrays an ancient lamp, intricately designed with the scene of tauroctony, which is a depiction of Mithras slaying a bull, a central...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The image depicts a plate from t...

This hand-colored print is labeled "Habit of Rubens Wife, in 1620." It depicts a woman dressed in the style that would have been fashionable among the upper echelons of society in th...

The engravings are a stunning representation of Baroque ironwork designs, a testament to the intricate artistry of the 18th century. Created in 1767, the works of Charpentier and Huq...

Title: "Canis Cruciger: The Cross-Bearing Canine" The text on the print refers to the creators of the image: - "D. Hermann Fil. pinx Argent" likely indicates "D. Hermann Fil. (Fili...

Original Hand-Colored engraving with the specific species mentioned as: "Vespertilio Serotinus Buff" (the Asian parti-colored bat), indicate the types of bats documented in Schreber...

The prints depict two different bat species, both intricately illustrated with a level of detail that suggests they come from Johann Christian Daniel von Schreber's "Die Säugthiere i...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. This engraving is part of the "...

The image features an 18th-century engraving from Bernard de Montfaucon's "L'Antiquité expliquée et représentée en figures." It depicts a classical lamp in the form of a mounted ride...

Title: "Elegance in Black and White: Viverra Mephitis Linn." Description: This hand-colored print, meticulously drawn by J. Hle and engraved by J. Beck, features 'Viverra Mephitis L...

This Huge Unique French Oil Painting features a captivating scene of Saint Matthias in bold coloured hues. Measuring 2m x 1.5m in size, this canvas mural is the perfect addition to a...

Vitex. Upper Right: CCLXXV. Lower Left: I. Miller. Delin. et. Sculp. Lower Center: Publish'd according to Act by Parliament by P. Miller. December 22, 1758. Author: Philip Miller Sou...

An original antique hand-colored print of a woman in an elaborate dress, which is described as the "Habit of a Lady of Quality in France." This suggests that the attire represented is that of an affluent or noble woman from France, possibly from the 18th century given the style of the dress and the method of printmaking. The dress itself features a rich blue gown with gold accents and what appears to be an underskirt or petticoat of a contrasting color, potentially gold or yellow. The woman is wearing a headdress, which also fits with the fashion of the European upper class of the period. Such prints were often part of fashion plates or costume books that depicted the latest styles and were used by tailors, dressmakers, and the fashion-conscious elite to stay up-to-date with the latest trends from various European courts and cities. It's a detailed representation of historical clothing...

Engraving on laid paper of the Piazza Navona in Rome. The view is expansive, with the Fontana del Moro in the foreground, the Fiumi Fountain in the center of the piazza, and the dome...

Page 8 from Issac Ware's book "A Complete Body Of Architecture, Adorned With Plans and Elevations, From Original Designs, By Isaac Ware, Esq. Of His Majesty's B...

An original and finely hand-colored print of a Cardinal bird, signed by William Hayes with a reference to the year 1780 (or 1786). This particular print is titled 'Cardinals', whic...

Original antique hand-colored engraving of the Norway Lemming, originating from "Die Säugethiere in Abbildungen nach der Natur mit Beschreibungen," which translates to "The Mammals...

From Metamorphosis Insectorum Surinamensium, first published 1705 Engravings by J. Mulder, P. Sluyter (Sluiter) and D. Stoopendaal after Maria Sybilla Merian...

This is an original antique architectural design for a pulpit in baroque style with archway and balustrade dating approximately between 1740 and 1760. The artist responsible for th...

Architectural design with the central elements depicted in the engraving: the Baroque design of the pulpit, the inclusion of a Corinthian column which suggests a classical influence, and the presence of a staircase plan indicating the approach to the pulpit. Dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Habermann, and it was published by Johann Georg Hertel I in Augsburg. The design shows a richly decorated pulpit and archway, typical of the Rococo style, which is known for its elaborate ornamentation, asymmetry, and curves. This image is one of four numbered plates related to this work. The detail in the engraving is meticulous, showcasing the elaborate aesthetic that characterized much of the European art and architecture during the mid-18th century. Franz Xaver Habermann (1721–1796) was a German engraver and etcher who was active during the 18th century, a period marked by the Rococo style. Although not as widely known as some of his contemporaries, Habermann contributed significantly to the graphic arts during his time. Habermann's work often featured architectural designs, such as the intricate pulpit depicted in the image you've provided. He was skilled in creating prints that detailed elaborate decorative schemes and architectural fantasies, which were popular during the Rococo period. His creations were known for their intricate details and the fluidity of their lines, capturing the lightness and ornamental excesses that characterized Rococo design. Johann Georg Hertel I, who published Habermann's work, was part of a notable family of engravers and publishers in Augsburg, a city that was an important center for publishing in Europe at the time. The Hertel family played a significant role in disseminating artistic and architectural designs through their publications. While specific details about Habermann’s life and training may not be as well-documented as those of major artists of his time, his surviving works suggest that he was a highly skilled engraver who had mastered the Rococo style, contributing to the spread of this aesthetic through his printed works. His designs would have influenced the tastes of the period, both within Germany and across Europe, where the appetite for such elaborate designs was significant. More in detail about this engraving: This engraving features a detailed representation of a Baroque-style preacher's pulpit, intricately designed and placed upon a Corinthian column, demonstrating the grandeur of religious architecture during the Baroque period. The pulpit is richly adorned with elaborate scrollwork, acanthus leaves, and possibly religious iconography, all common elements in Baroque ecclesiastical design. A significant feature of this print is the inclusion of architectural details such as the Corinthian column base, known for its ornate capital with acanthus leaves and scrolls, which supports the pulpit above. This classical element signifies stability and order, providing a stark contrast to the exuberant decoration of the pulpit itself. To the right of the pulpit, there's a tall, slender window filled with panes that could either be clear or stained glass, framed by an ornate window arch...

This is an original antique architectural design for a rococo pulpit dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Habermann, an...

This is an original antique architectural design for a pulpit in baroque style dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Hab...

The image is an original antique handcolored plate from "A Natural History of English Insects" published in 1749 by Eleazar Albin. Albin, likely of German origin and known initially ...

From Metamorphosis Insectorum Surinamensium, first published 1705 Engravings by J. Mulder, P. Sluyter (Sluiter) and D. Stoopendaal after Maria Sybilla Merian...

Given the engraver's name, G. Vogel, and the visual style and content of the print, it is quite likely that this engraving is from Johann Christian Daniel von Schreber's "Die Säugeth...

This illustration is from Eleazar Albin's work, as indicated by the signature "E. Albin del.", meaning "drawn by Eleazar Albin". It is a plate from his series on natural history, spe...

This vintage poster was printed in 1971 in Germany, to celebrate another year of summer camp in England for their youth. This summer camp was dedicated to teaching young children the meaning of service and education. We can imagine the joy within the children when they got the news about summer camp being back in season. It is a heartwarming feeling to see art directed towards the growth of our youth. It has a classic block print style to it, and has aged nicely for the vintage look. It is sandwiched in plexiglass with a board supporting the back of it. This would look great inside of a library, school, or home. Dimensions: 27.5"H x 19.75"W We do local delivery close or in Los Angeles. Will calculate shipping...

From Metamorphosis Insectorum Surinamensium, first published 1705 Engravings by J. Mulder, P. Sluyter (Sluiter) and D. Stoopendaal after Maria Sybilla Merian. This plate is part of a comprehensive collection comprising 17 plates. Check out other listings to view the entire series. 1964 Hoffman and Campe Verlag, Hamburg Complete production Mladinska Knjiga, Ljubljana/Yugoslavia. This 1964 official reproduction table come from the editions: Dissertation sur la génération et les transformations des insectes de Surinam, The Hague, Pierre Gosse, 1726, and Over de Voortteeling en Wonderbaerlyke Veranderingen der Surinaamsche insects, Amsterdam, Jean Frederic Bernard, 1730. CORAL TREE AND SILK MOTH The plant is Erythrina glanca, the blue-green coral tree, easily recognized as a legume by its fruits, called Koffiemama by the Surinamese Dutch because it is used as a shade tree in coffee and cocoa plantations. Both crops do not tolerate the direct rays of the tropical sun well. Erythrina is also called pallisade booms because the Indians split the logs and build huts and walls from the boards. The inflorescences are so heavy that the branches are pulled against the ground and only stand up again when the petals fall off. The ripe fruit cluster has pods like a broom and also serves this purpose among the natives. If the sheet with the pomegranate (original plate no. 9) lived in the tension of red and blue, one can speak less of tension here, one must speak of a moving fullness of life, which is expressed in green, yellow and brown along the two diagonals is formed by the branch, the other by the opposition of the two butterflies, the upper female and the lower male. The butterfly is Arsenura cassandra from the family Syssphingidae, from the family group of silk moths. This species creates interest through the molting of the caterpillars. Those that have just hatched from the egg are striped black and yellow and have thorns on the front and back. Over the course of five molts, the animals turn orange with a black spot on each limb, the thorns wither and finally disappear completely before pupation. Here, too, the author of the composition has made a sacrifice of accuracy: the caterpillar pupates in the ground or on the surface in leaves and mulch, but not at the top of the tree. (Original plate no. 11) ____________________________________ Maria Sibylla...

Hippocrepis. Upper Right: Pl. CCLXXVII. Lower Left: R. Lancake delin. Lower Center: Publish'd according to Act of Parliament by P. Miller January 26, 1759. Lower Right: I. Miller scu...

Hand painted architectural painting from an 18th century boiserie room.

The collage of original antique engravings a compilation of three prints from the "Encyclopédie" by Diderot and d'Alembert. Each print showcases various furnishings and decorative elements relating to beds and upholstery from the 18th century. The collection presents a visual guide to the design and craftsmanship of the period. In the first print, we see two types of beds with canopies, known as "Lit à colonnes" and "Lit à la Duchesse," accompanied by different fabric patterns that might be used for the bed drapery or other upholstery within a room. The second print continues with illustrations of beds, including "Lit à double tombeau" and "Lit à tombeau simple," a camp bed or "Lit de camp à l'Angloise," as well as a folding screen ("Paravent"), a fire screen ("Ecran"), and a type of swing door ("Porte-Batante"). The third print features a more elaborate "Lit à la Polonaise...

This image is a botanical illustration by Eleazar Albin, from "A Natural History of English Insects." The dedication at the bottom reads: "To the most Noble Mary Preston Dutchess of...

This image is an antique colored etching from a botanical work by J.W. Weinmann, titled "Duidelyke vertoning eeniger duizend in alle vier waerelds deelen wassende bomen, stammen, kru...

Set of Three Hand Colored Copper Wheel Engraved Floral Prints by John Hill c1756. One print signed in the plate, "I Hill." Published in England and hand colored. From an edition of 6...

Echinops. Upper Right: Pl. CXXX. Lower Left: R. Lancake delin. Lower Center: Publish'd according to Act of Parliament by P. Miller Novem. the 30th 1756. Lower Right: I. S. Miller Scu...