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Post-Modern Shadow Boxes

POSTMODERN STYLE

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

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Style: Post-Modern
Black Oak Wallie Wall Drawer by Amalie Skov Rahbæk
Located in Geneve, CH
Black oak Wallie wall drawer by Amalie Skov Rahbæk Materials: Oak, metal. Dimensions: D 22.5 x W 30 x H 10 cm Available in oak, black oak or walnut. ...
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2010s Danish Post-Modern Shadow Boxes

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Metal

Oak Wallie Wall Drawer by Amalie Skov Rahbæk
Located in Geneve, CH
Oak wallie wall drawer by Amalie Skov Rahbæk. Materials: oak, metal. Dimensions: D 22.5 x W 30 x H 10 cm. Available in oak, black oak or walnut. Amal...
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2010s Danish Post-Modern Shadow Boxes

Materials

Metal

Walnut Wallie Wall Drawer by Amalie Skov Rahbæk
Located in Geneve, CH
Walnut Wallie wall drawer by Amalie Skov Rahbæk Materials: Walnut, metal. Dimensions: D 22.5 x W 30 x H 10 cm Available in oak, black oak or walnut. ...
Category

2010s Danish Post-Modern Shadow Boxes

Materials

Metal

Francisco Franco Original Installation, 12 Pieces
Located in East Hampton, NY
This is a MONUMENTAL art installation comprised of 12 unique framed painted air filters in a continuous color formation by Spanish artist/painter, Francisco Franco. Completely versat...
Category

21st Century and Contemporary Spanish Post-Modern Shadow Boxes

Materials

Fiberglass, Paper, Glass, Acrylic, Wood

Modern Diorama "Area Above San Rafael Reef, Utah" Lloyd Brown, 1999, Painting
Located in Brooklyn, NY
Stunning diorama by American artist Lloyd Brown. “View of Area Above San Rafael Reef, Utah” 1999. Signed and dated with gallery tags. I Lloyd Brown has been fascinated with the viewer’s experience of panorama, particularly as it seems to negate the role of the artist, throughout his career. Tradition has it that the artist, whether painter or photographer etc is singularly responsible for framing a scene. Mr. Brown takes this task off the plate of the artist and thusly provides the viewer with not only more visual information but also the agency to see and understand what they might see and understand within the composition with their own eyes. For example, Imagine if this composition did not include the information to your far right. The work would have been framed as a vista, a landscape painting, a scene of the horizon, the great American West. But by expanding (or in essence, breaking open) the frame, the viewer also sees the world of the artist, or the visual context as part of the vision. He or she stands on the same stained concrete as the artist , is able to see though their eyes but at the same time retain their autonomy by looking away from the vista. He or she does not have to see through the artists eyes and therefore understands the moment, experiences the moment, unencumbered by the task of looking. Viewer and artist are equal. So one might ask, Is the scene about the grand vista? Is it a scene of the great American West as we expect it to be? Or is it a scene that although grand serves to accentuate the viewer’s sense of alienation or even isolation and smallness in the moment, during the experience of the painting and ultimately throughout life’s path? The coupling of the mountains, garbage bins...
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Late 20th Century American Post-Modern Shadow Boxes

Materials

Wood

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Post-modern shadow boxes for sale on 1stDibs.

Find a broad range of unique Post-Modern shadow boxes for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage shadow boxes created in this style to your space, the works available on 1stDibs include wall decorations and other home furnishings, frequently crafted with wood, metal and other materials. If you’re shopping for used Post-Modern shadow boxes made in a specific country, there are Europe, Denmark, and Scandinavia pieces for sale on 1stDibs. While there are many designers and brands associated with original shadow boxes, popular names associated with this style include and Francisco Franco. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for shadow boxes differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $255 and tops out at $18,000 while the average work can sell for $288.

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