South Korea

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made ...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

The tone shelf is inspired by the traditional colors of Korea, especially "Hanbok," which is a traditional Korean dress for formal occasions. Here, those traditional colors are made into art furniture with a modern sensibility, in Korean jade and sky blue. The tone of the blue gives an elegant and dreamy vibe. As artisans dye each piece of acrylic by hand, the tone in this piece is completely different from that of a mass-produced product, and as such, has its own value as a limited artwork. Wide spaces between the shelves can fit large...

The Tone Table is inspired by the traditional colors of Korea, especially "Hanbok," which is traditional Korean dress for formal occasions. Here, those traditional colors are made in...

Proportions Of Stone Armchair in Stainless Steel & Natural Stone by Lee Sisan Dimensions: D 52 x W 82 x H 82,5 cm Materials: Stainless steel and natural stone. Each piece is made to...

Qingbai porcelain incense stands of elegant baluster form, flanked by scroll-shaped handles and raised on an openwork square base. Covered overall in a soft bluish-white glaze, the p...

Bal is a tapestry crafted from traditional Korean knots of cotton ropes and adorned with the Chil-bo (cloisonné) technique, a traditional method for decorating metal objects. This p...

This olive-brown celadon ewer features an octagonal lobed body, a tall curved spout, loop handle, and a domed cover with a bud-shaped finial. The olive glaze is suffused with fine cr...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

This vase features a traditional vase coated with a clear and rich green celadon glaze. A fine network of crazing covers the surface. The neck is adorned with raised vine motifs, whi...

The jar features a round body with well-proportioned four distinct tiers and a short, stable foot. The surface is coated in a deep green Longquan celadon glaze, showcasing the sprout...

This vessel is an exceptionally rare example believed to represent a Cong-shaped ceramic attributable to the Jin Dynasty, and it may be the only known ceramic work of this form from the period. While certain formal similarities have led some scholars to tentatively associate it with the Song Dynasty or later, the present work is more convincingly attributed to the Western Jin Dynasty (3rd–4th century CE). The vessel is constructed with a cylindrical inner structure and a square outer profile, conforming to the characteristic geometry of the ancient Cong (琮) form. Its surface is decorated with restrained geometric incised patterns. This structural concept is directly derived from ancient jade Cong (玉琮), which represent the earliest and most authoritative prototypes of the form. Jade Congs...

This vase is sturdily potted with a robust ovoid body that rises from a short, spreading foot to a gently tapering neck, finishing with a lipped mouth rim. The exterior is decorated ...

This dish features a rockwork design that was popular during the Mid to Late Ming dynasties. The blue-and-white underglaze effectively captures the vibrant tones typical of the late ...

The jar is of globular shape and is decorated to the body with a geometric design band of lozenge-shaped motifs in blue, green, ochre and cream below a plain ochre everted mouth rim,...

Potted in a balanced baluster form with a gently flared mouth and a stable foot, this vase presents a calm and harmonious silhouette. Animal-form handles holding looped rings add scu...

Proportions of stone shelf 01 by Lee Sisan Dimensions: W 110 x D 35 x H 150 cm Materials: Stainless steel, natural stone Each piece is made to order a...

Console Table 03 by Saerom Yoon Limited Edition No. 09 of 10 + 2AP Dimensions: D 43 x W 110 x H 85 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent i...

The vase is delicately potted featuring a pear-shaped body that rests on a slightly flared foot and extends upward into a trumpet-shaped neck. Its exterior showcases a dynamic, three...

Well potted with shallow sides rising from a short foot, the interior molded with a single chrysanthemum surrounded by peony blossoms picked out in yellow and with green leaves again...

Proportions of stone table by Lee Sisan 2019 Dimensions: W 140 x D 60 x H 55 cm Materials: Stainless steel, natural stone Each piece is mad...

The central design features botanical motifs, with fully bloomed flowers and branches intricately depicted. The rim of the lid is encircled by a decorative band resembling a twisted ...

Each side pencil-painted with stylized chrysanthemum, lotus or daisy sprays issuing from rockwork. This blue and white square vase with rounded sides has a flaring mouth and a long neck. This shape can be traced back to Chinese bronzes. It is decorated with floral motifs on four sides in underglaze blue. This piece was originally part of a pair, but the other has already been sold. Period : Qing Dynasty, Kangxi Period(1690-1699) Origin : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues below 1) Christies Amsterdam 1992 - Vung Tau Cargo...

This dish is covered in a rich green glaze, with a central medallion depicting a sinuous dragon in high relief, surrounded by a continuous band of floral scrolls. The dragon’s scales...

This pillow was produced by applying a white slip over a refined clay body and subsequently carving the decorative motifs. The floral design incised on the surface is symmetrically c...

Loop Series Chain Champagne Glass in Borosilicate Glass by Studio-Chacha Dimensions: Ø 10 x H 33 cm. Materials: Borosilicate glass. Cha Shin-sil is a Seoul-based designer and founde...

White tooth chair by Dongwook Choi Dimensions: 70 x 37 x 45 cm Materials: EPS, plaster It is a chair made with the motif of tooth shape. After the ureth...

Vietnamese stoneware crab boxes. Light blue glaze. This is one of the representative types of miniature works of Hoi An ships. Dates : 15th century Le Dyn...

Famous annamese cream glazed ceramic ewer covered with a cream glaze. Traces of excavation are clearly visible in the glaze. Dates : Presumably Ly Dynasty (11-13th century) Region ...

This piece is a small ceramic vessel with a distinctive silhouette modeled after a pomegranate, notable for its full, well-balanced curves. The mouth, reminiscent of the fruit’s caly...

The design features a central medallion surrounded by eight panels, each intricately painted with traditional Chinese botanical and floral motifs. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

Jjirasi Vase explores the intertwined narratives of South Korea's urban landscapes and his own experiences, reflecting on how future generations might engage with traditional art and...

Rug and stool combination inspired by an old Korean phrase “When the tiger used to smoke” meaning “once upon a time”, and humor from folk paintings of bunnies holding the pipe for the tiger in horror. Jasoo – Korean embroidery...

Two standing court figures modeled in pottery with slender proportions and simplified facial features. A thin straw-toned glaze is applied over the surfaces, with areas of exposed bu...

Table made with Hanji and discarded paper fibers from a paper company by using dochim method, which is pounding finished paper sheets to compact fibers. Hanji is the name of a tradit...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

Statues of attendants crafted from terracotta, featuring glazes in green, Set on rectangular bases. Period: Ming Dynasty Medium: Glazed Pottery Type: Figure Condition : Excellent(It has soil on it, which is presumed to be evidence of excavation) Provenance : Acquired in late 1990s from Hongkong Reference : V&A Museum - Accession number C.1501913 (Type : Closely related) * Ming Dynasty Glazed Pottery Figures Ming Dynasty glazed pottery figures are renowned for their bold color palette, intricate detailing, and lifelike forms, distinguishing them from earlier traditions. These figures, which depict officials, warriors, animals, and mythical creatures, are characterized by high-gloss lead-based glazes in green, amber, ochre, and sancai (three-color) combinations. The thickly applied glaze pools in recesses, creating depth and enhancing sculptural details. With dynamic postures, expressive facial features, and meticulously rendered drapery, these figures reflect the period’s advancement in ceramic craftsmanship, offering a greater sense of movement and realism compared to the rigid and stylized forms of earlier dynasties. A defining characteristic of Ming glazed pottery is its elaborate surface detailing, often achieved through raised relief elements and contrasting glazes. Equestrian figures, for example, feature carefully sculpted saddles, harnesses, and decorative embellishments, while human figures are adorned with intricate robes and headdresses. The large scale of these tomb figures, often more imposing than those from previous periods, underscores the increasing importance of funerary art during the Ming era. Unlike later Qing Dynasty figures...

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

A matched pair of small circular covered boxes (蓋盒) in Swatow (漳州窯) ware, decorated in Famille Verte enamels of iron-red and copper-green on a white ground. One cover painted with a ...

Fine-grained, buff-colored clay. Potted thin. Upper part of body painted with symbolic patterns in black and chocolate brown. Majiayao culture, Banshan type, 3rd millennium BC Peri...

The Tone table's palette was inspired by the traditional colors of Korea, especially those used in the traditional formal dress called "Hanbok." Here, those traditional colors are ma...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 33 x W 33 x H 45 cm. Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose p...

Table 06 by Saerom Yoon Limited Edition No. 04 of 10 + 2AP Dimensions: D 75 x W 120 x H 32 cm. Materials: Acrylic. My oldest childhood memories go back to the time I spent in the Ph...

The "twin fish" dishes, emblematic of fertility and marital joy, are also recognized as one of the Eight Buddhist symbols. These dishes were prominently produced by the Longquan kiln...

HUI tiles and furniture are crafted from recycled oyster shells. By powdering and mixing discarded shells sourced from Korea’s oceans, they create robust materials that are transform...

This cylindrical cloisonné vessel is made with a brass body filled with turquoise-toned enamels that are fired to create a vivid, multi-colored surface. The exterior is densely decor...

This profound series serves as a powerful artistic examination of the tension and harmony between structure and freedom. The artist constructs each piece by employing two distinctly...

Proportions Of Stone Low Table in Natural Stone, Glass & Aluminum by Lee Sisan Dimensions: L 92 x H 140 cm Materials: Glass, aluminum, and natural stone. Dimensions may vary. Pl...

The Glitch series is a contemporary reimagining of Goryeo celadon aesthetics, where the vase serves as a canvas for the vibrant fragmentation akin to digital glitches, embodying the ...

This artwork, acquired in Hong Kong during the 1990s, is presumed to have been produced in the same kiln from the Han dynasty, based on the head of the Sotheby's reference piece, which also originated from Hong Kong. Furthermore, given its almost identical shape to the piece from the Artemis Gallery...

The Boshan incense burner is particularly notable among Han dynasty incense burners for its unique shape. Designed to resemble a mountain or even a mythical mountain, it is characterized by its pointed peaks that rise upwards. These peaks often function as vents for the smoke, creating an effect reminiscent of a volcanic eruption. The body of the incense burner is typically round, with multiple small peaks surrounding a central, larger peak. The material used is mainly ceramic, although there are instances where they were made of bronze. It is presumed that this incense burner was used for religious or ceremonial purposes during its time. The colors of these burners are usually in shades of pale green or greyish brown, with the application of glaze to achieve a variety of colors on occasion. Such incense burners are often found in tombs or ritual sites, and their purpose was to burn incense for purification of space or to produce pleasant aromas. The Boshan incense burner also represents a significant cultural heritage, showcasing the craftsmanship and artistic values of the period. Today, it is considered a quintessential example of ancient Chinese art. Period : Han-Jin Dynasty Type : Incense Burner Medium : Yue celadon...

The dish has a scalloped rim, which gives it a flower-like appearance. The wavy edges were often inspired by nature. It has a pale, almost translucent blue-green glaze, typical of Qi...

Proportions Of Stone Low Table in Natural Stone, Glass & Aluminum by Lee Sisan Dimensions: D 150 x W 150 x H 33 cm Materials: Clear glass, cast aluminum, and natural stone. Each pie...

Statues of horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green and Amber-glazed Pottery Type: Figure Provenance : ...

Fragment Side Table in Resin & Marble by Fict Studio Dimensions: D 31 x W 47 x H 90 cm Materials: Resin and marble. Jang Hea-Kyoung is a Seoul-based artist and designer whose pr...

When Tiger Used to Smoke: Collection implies the idea of long-term sustainability by working with masters of each field who deserve much more recognition and incorporating modern fur...

The serene landscape and leisure activity of fishing are meticulously captured in cobalt blue on the porcelain's white surface, suggesting the value placed on harmony with the natura...

Hanji is the name of a traditional handmade paper from Korea. Hanji is made from the inner bark of paper mulberry, a tree native to Korea. Traditional hanji is made in laminated shee...

Beomjong light is inspired by a traditional Korean bell that has more than 1000 years of history. Bells play a crucial role in a variety of Buddhist servic...

This cloisonné ewer features a brass body covered with turquoise-toned enamel and densely arranged lotus and floral motifs. The spout and handle are shaped in the form of a phoenix o...