Art by Medium: Aquatint

The Sphinx Tighe O’Donoghue, American (1942–2023) Date: circa 1980 Etching, Signed in Pencil Image Size: 11 x 14 inches Size: 22 in. x 27 in. (55.88 cm x 68.58 cm)

Rendered in a deep black wash, Tighe O'Donoghue's vertical composition features a series of motifs in faded blue and red that accentuate the deep contrast of the work overall. Dial...

Illuminated with a glowing light, this mythical depiction of a knight on horseback holding a lance by Tighe O'Donoghue features the artist's signature delicate script and mathematica...

Tighe O'Donoghue's dynamic depiction of a fortified citadel features the artist's signature use of perspective and detail. From the grid-like background and textured earth to the dim...

Tighe O'Donoghue's fascinating composition incorporates elements of Surrealism and Metaphysical art that conjure mysticism and magic in an industrial and mechanical environment. An...

Vulcanus from the Celestial Meridian Suite Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of M 4/10 Size: 27 in. x 22 in. (68...

This detailed print by Tighe O'Donoghue features a series of script and symbols that create a magical, mystical atmosphere centered around Gaelic motifs and legends. All we are and...

Shah Mat Suite - Duncan Tighe O’Donoghue, American (1942–2023) Date: circa 1979 Etching with Aquatint, signed in pencil Edition of V Size: 22 in. x 15 in. (55.88 cm x 38.1 cm)

Tighe O'Donoghue's dimensional rendering of a sloping mountain surrounded by clouds above a series of the phases of the moon retains the same mystic elements as his other work while ...

Tighe O'Donoghue's detailed depiction of a flower is highly reminiscent of anatomical drawings and mathematical studies due to the careful linework, detailed shading, and soft colors...

Decorated with a black-and-white pattern, the conch shell in this print by Tighe O'Donaghue bears a striking peachy interior that contrasts deeply with the teal environment surroundi...

Tighe O'Donoghue's detailed depiction of a nautilus shell features delicate script and anatomical lines that add a sense of Magical Realism to the overall composition. Prince Tighe...

Moongazers by Rebecca Denton [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Wor...

'Russian Winter Fishery' Colour aquatint by Mathew Dubourg (1786-1838) after John Augustus Atkinson (1775 – after 1830). From Samuel Howitt's 'Foreign ...

'Seamen Killing a Polar Bear' Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field S...

The Chase Manhattan Band Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching and Aquatint, signed and numbered in pencil Edition of 300 Size: ...

Artist: Samuel Rush Meyrick (English, 1783-1848) Title: "John Duke of Somerset" (Vol. 2, Plate XLIX - 49) Portfolio: A Critical Inquiry into Antient Armour Year: 1824 (First edition)...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Joe Durante - Odyssey. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.75 x 17.5 inche...

After the Storm is a contemporary landscape print by Phil Greenwood. The serene combination of earthy green, blue and white tones gives the work a calming feel and Greenwood’s attent...

Etching and aquatint Edition : 130/150 85.00 cm. x 70.00 cm. 33.46 in. x 27.56 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (image) LCD3599

Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...

This colour etching is hand signed in pencil by the artist in Chinese and Pinyin at the lower right margin, and dated in pencil next to the signature '86 (1986). It is Hand Numbered...

The Magic Pencils Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 x 28 in. (88.9 x 71....

Joe Durante - Head over Heels. Year: 1976, Medium: Intaglio Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: ...

Joe Durante - City Lights. Year: 1983, Medium: Etching with Aquatint on Arches, signed, dated, numbered and titled in pencil, Edition: AP, Image Size: 15....

Artist: Barry Nelson, British/American (1937 - ) Title: Baronian I Year: 1983 Medium: Etching with Aquatint, signed in pencil Edition: AP Size: 29.5 in. x 41 in. (74.93 cm x 104.14 cm)

Kit Boyd The Tree Climber Etching and Aquatint on Hahnemuhle etching paper Hand printed by the artist in Prussian Blue. Edition of 50 signed copies. Image size 45x30cm this work is s...

La Grande Cascade de Saint Cloud Color aquatint on watermarked Arches J Perrigot paper, 1905 Signed by the artist in pencil lower right. (see photo) Edition: 100. Numbered "39" in ...

SALVADOR DALI (1904-1989) THE BELOVED FEEDS AMONG THE LILIES, 1971 Board for the series "The Song of Songs hymns" Aquatint and dry point on wove paper...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

Delightful and bright aquatint etching of a sweet faced sun rising over a red terrain by Mexican artist Lidoyne, 2009. Signed and dated lower right, titled lower center, numbered 1 o...

Barbara Jackson. Basement Gathering- this is an etching / aquatint with a print run of 40 plus 10 artist proofs. Each print is individually inked and passed through the press by the...

Melissa Meyer (American, b. 1946) 1984-1987, aquatint etching in black on wove paper, hand signed print, dated, and numbered from small edition of 10. Unframed. size: 9.75'' x 6'',...

This ltd edition hand made print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial...

Artist: Roberto De Lamonica, Brazil (1933 - 1995) Title: O Pensamiento Year: 1970 Medium: Aquatint Etching with Intaglio, signed and numbered in pencil Edi...

Still life 1986. 1/21. Paper, etching, aquatint, 31x40 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on October 24, 19...

Artist: Donald Saff Medium: Etching with Aquatint, Hand signed and numbered in pencil Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, sp...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Pensioner of Trinity College, Cambridge, Masters of Arts, and Sizer (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a pensioner of Trinity College, Masters of Arts, and a sizer (that is, an undergraduate who received some form of assistance such as meals, lower fees or lodging during his period of study, in some cases in return for doing a defined job) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, possibly to a graduation ceremony. At Cambridge, a sizar was originally an undergraduate student who financed his studies by undertaking more or less menial tasks within his college but, as time went on, was increasingly likely to receive small grants from the college. Certain colleges, including St John's and Trinity, distinguished between two categories of sizar: there were specific endowments for specific numbers of sizars who were called "proper sizars"; those who were not so endowed, but who were maintained by fellow-commoners and fellows were called subsizars. Isaac Newton matriculated as subsizar at Trinity College. Richard S. Westfall noted that sizars were considerably more successful in gaining degrees than the gentlemen who entered Cambridge in the seventeenth century. Pensioners, on the other hand, paid a fixed annual fee in order to study. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

A Hand is Not a Fist (Eine Hand Ist Keine Faust) IX, 2019 Georg Baselitz Etching with aquatint printed in black, on wove Signed, dated and numbered from the edition of 12 Published ...

Color etching and aquatint on wove paper. Signed, titled and numbered 56/100 in pencil. This etching is made after the painting of the same subject "Woman in Yellow Dress...

Artist: Jane Freilicher, American (1924 - 2014) Title: Peonies Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 25 Size: 29.5 x 22 in. (74.93 x 55.88 cm)

Artist: Saint Clair Cemin, Brazilian (1951 - ) Title: Priestess (Green) Year: 1980 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 75 Image Size: 9 x 11.5 inch...

Artist: Robert Cottingham, American (1935 - ) Title: Rolling Stock Series: For Armyn Year: 1992 Medium: Aquatint Etching, signed, numbered and titled in pencil Edition: 43/60 Im...

Pierre Alechinsky (1927) - 1815 Etching and aquatint from 1978. The edition 60 of 60. Dimensions of work: 59 x 78.5 cm. Hand signed. The work is in Good condition.

'East Side of the Chapel of St Paul' Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. Fro...

Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832). Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...

This original etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin. It is also inscribed “AP” [artist’s proof] and hand numbered IV ...

Marc Chagall (1887-1985) - La Thora Rouge Etching and aquatint from 1981. An unnumbered and unsigned copy outside from signed edition of 60. Dimensions of sheet: 49.5 x 32.5 cm D...

'Representation of Norman Pavers in the Possession of H Rooke Esq. FAS' Aquatint with original hand-colouring, 1802, by William Fowler (artist, engraver and publisher) (1761–1832). ...

From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...

An Etching with Hand Coloring on paper, signed, numbered and dated in pencil by Argentinian/American artist, Diana Gandolfi.

Sally Mara Sturman studied art at the University of Michigan, the Rhode Island School of Design, ands the École des Beaux Artes, Paris, France. She has exhibited widely in the Unite...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Artist: Bertram George Buchanan (English, 1873-1962) Titles: "The Seven Sisters", "Rye from the Hills", and "Pett Level" *Each work is signed by Buchanan in pencil lower right Circa ...

Merieanna Etching and aquatint, c. 1900 Signed by the artist in pencil lower right Titled in pencil lower right corner of sheet Annotated "4" lower left below image Publisher's dryst...

Artist: Louisa Chase, American (1951 - 2016) Title: Portfolio of Six Etchings Year: 1984 Medium: Six Drypoint Etchings with Aquatint, Signed and Numbered in Pencil Edition: 30 Paper...

Flight Susan Hall, American (1943) Date: 1978 Aquatint Etching, signed and numbered in pencil Edition of 78 Image Size: 21.5 x 28 inches Size: 28 in. x 35 in. (71.12 cm x 88.9 cm)

"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...

Artist: Terry Winters, American (1949 - ) Title: untitled 1 from Album Year: 1988 Medium: Etching with Aquatint, signed and numbered in pencil Edition: HC 2/2 Image: 20 x 16 inches S...