Art by Medium: Aquatint

Artist: Henri Goetz, French/American (1909 - 1989) Title: Untitled II Medium: Aquatint Etching, Signed and numbered in pencil Edition: 30/40 Image Size: 6.5 x 8 inches Size: 14 in. x...

Alexander Calder (1898-1976) Presenza Grafica, 1972 The aquatint in colors Hand signed lower right Numbered 38/90 lower left Sheet size 37.25 x 37.5 inches

Original artist proof engraving, aquatint, intaglio on archival paper by the Russian/American artist, Nahum Tschacbasov. Signed in pencil lower right and dated 1947. Condition: good...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 98/150 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came ...

Acrobats is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in chi...

Robert Cottingham Blues (The Original), 1989 Color aquatint on wove paper Edition 31/45 Pencil signed and numbered 31/45 by Robert Cottingham on the front Framed This is the original...

Skein Flock, by Kelvin Mann Medium: Woodblock with silk screen and flock fibers Image size: 29.5 x 29 inches Edition of 50 Kelvin Mann's "Flock" prints are made by screen printing ...

Joan Miro (1893-1983) - Règne végétal (Plant Kingdom) Aquatint with carborundum from 1981. The edition of 64/75 on Arches paper. Dimensions of work: 74.3 x 57.7 cm. Hand signed. ...

Cosmicstrip III by Roberto Matta, Chilean (1911–2002) Date: 1959 Etching, signed and numbered in pencil Edition of 21/50 Image Size: 14.75 x 19.25 inches Frame Size: 23.75 x 28 inche...

An original etching, aquatint, dry-point and carborundum by Joan Miro, 1969. It is hand signed and numbered H.C. aside the edition of 75 copies on Arches, plus some H.C. copies. The...

The original aquatint "Le manège ou la Place Blanche à Paris" by Manuel Robbe is a captivating representation of early 20th-century Parisian life. This artwork, created by the renowned French artist Manuel Robbe, beautifully captures the bustling charm and vibrant atmosphere of Place Blanche, a well-known square in Paris. Robbe, celebrated for his mastery in the aquatint technique, employs delicate tones and intricate details to bring this lively Parisian scene to life. The piece portrays a merry-go-round (manège) situated in the heart of Place Blanche, surrounded by a lively crowd of Parisians. The use of aquatint allows for a rich gradation of colors and textures, enhancing the overall depth and realism of the scene. The artwork reflects Robbe's keen eye for detail and his ability to depict the nuances of everyday life in Paris. The merry-go-round, with its whimsical horses...

Andre Masson, French (1896 - 1987) - Dragon vert, Medium: Etching and aquatint, signed and numbered in pecnil, Edition: 14/50, Image Size: 10.5 x 8 inches, Size: 16.25 x 13 in. (41....

Los Ensacados - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 8 from ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Pensioner of Trinity College, Cambridge, Masters of Arts, and Sizer (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a pensioner of Trinity College, Masters of Arts, and a sizer (that is, an undergraduate who received some form of assistance such as meals, lower fees or lodging during his period of study, in some cases in return for doing a defined job) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, possibly to a graduation ceremony. At Cambridge, a sizar was originally an undergraduate student who financed his studies by undertaking more or less menial tasks within his college but, as time went on, was increasingly likely to receive small grants from the college. Certain colleges, including St John's and Trinity, distinguished between two categories of sizar: there were specific endowments for specific numbers of sizars who were called "proper sizars"; those who were not so endowed, but who were maintained by fellow-commoners and fellows were called subsizars. Isaac Newton matriculated as subsizar at Trinity College. Richard S. Westfall noted that sizars were considerably more successful in gaining degrees than the gentlemen who entered Cambridge in the seventeenth century. Pensioners, on the other hand, paid a fixed annual fee in order to study. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

This elegant and iconic original print, created by Jasper Johns in 1981 as a lightly colored etching, Untitled (Red Yellow Blue) is hand-signed, dated,...

Debout les morts is an original etching, drypoint, burnisher and roulette realized by Georges Rouault in 1948, signed in plate, watermark Ambroise Vollard, plate 54 from “Miserere”, edition 450 copies. Included a frame. In very good conditions. The artwork demonstrates three skeletons that are scared and in miserable expression, two of them in the fear of third one, who stands with a hand upward in the air. Georges Henri Rouault (1871-1958) was a French painter, print maker artist, his artworks are often associated with Fauvism and Expressionism. He is well known for paintings dedicated to courts, clowns and prostitutes. He was inspired by spirituality and knowledge of medieval stained glass...

Picasso captures these ordinary, everyday objects of his surroundings with vibrancy, contrast, and character. The picturesque setting is a seamless fusion of naturalism and cubism; t...

Signed, titled and numbered by the artist. Image size: 4.75 x 4.5 inches Medium: aquatint and drypoint Year: 2014 Edition size: 50 Abstract image invoking scenery of the Mediterrane...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Untitled, Planche 3 (Plate 3)" [Set of 2] Portfolio: Unité *Signed by Le Corbusier in pencil lower ...

Signed and numbered from the edition of 50. Oraison du soir (Evening Prayer) is an abstract aquatint by Christian Bozon, composed of a luminous ochre field set against a deep, irreg...

The mist settling over a mountain lake. Based on a view of Diablo Lake in the North Cascades National Park, WA. Signed and numbered etching with aquatin...

The scholar is an original etching on paper, realized by the french artist Jules-Edmond Cuisinier (1857–1917). Hand-signed in pencil on the lower. In good conditions with foxing.

L'Aieule (The Grandmother) Etching and aquatint printed in colors, 1904 Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo) Edition: 100 (81/100) Reference: Arwas 202 iv/IV IFF 98 Condition: Excellent, the sheet aged as usual Image size: 14 1/4 x 18 5/8" Sheet size: 16 15/16 x 24 1/4" Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

Moon Cycle - State V by Jean Richardson, American (1940) Date: 1990 Aquatint Etching, Signed and numbered in pencil Edition of 1/50 Size: 47.5 in. x 31.5 in...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman with chocolate and marshmallow figures...

Brice Marden (American, b. 1938) Etching for Parkett, 1986 Medium: Sugar lift and aquatint on Rives BFK, bound in Parkett journal no. 7 Dimensions: 25.5 x 21 cm Edition of 100: Hand-...

Signed, titled and numbered in pencil by the artist. Edition size: 50. Abstract landscape. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art Sch...

Artist: Barbara Kwasniewska, Polish (1931 - ) Title: Oiseau Moqueur Year: 1973 Medium: Aquatint Etching, signed and numbered in ink Edition: 75, EA Size: 34.5 in. x 29.5 in. (87.63 c...

This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

The single letter "M", from the alphabet, illustrated by mischievous monkeys . All letters from Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in foli...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Abstract Composition is an original woodcut print realized in 1952 by Jean Bertholle (1909-1996). Good Conditions. Numbered. Edition, 19/20 The artwork is depicted through soft st...

Sans Titre buy Jacqueline Debutler, French (1928) Date: circa 1968 Aquatint Etching, Signed and numbered in pencil Edition of 114/120 Size: 29 in. ...

Desert Stockings Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 21.5 x 28 inches Size: 28 x 35 in. (71.12 x 88....

The Fall of Sibyl is an original etching and aquatint realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35) Dated and signed by the auth...

Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America (Havell Edition) Year: 1835 Medium: Original H...

Jane Dickson (b. 1952) hand signed; Edition HC 1/1; dated 1991 aquatint printed in black Title: "Reveler Tooting Her Own Horn." Provenance: Brooke Alexander Gallery, New York, New ...

Medium: hard ground etching and aquatint, with hand-coloring Image size: 7.5" x 5.5" Paper size: 13" x 11" Printing element: 1 copperplate Edition Size: 135 Beautiful etching and aq...

Artist: Pierre Augustin Massé (French, 1880-?) Title: "Portrait de Femme (Portrait of a Woman)" Portfolio: Gazette des Beaux-Arts Year: 1898 Medium: Or...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (29), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 20 x 28 in. (50.8 x 71.12 cm)

Linda Plotkin, American (1938 - ) - Calvaire de Pierre, Year: circa 1965, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 64/75, Image Size...

Two’s Company C, 2002 – 03 Howard Hodgkin Sugarlift-ground etching with aquatint and carborundum printed in colours, extensively hand-coloured in acrylic, on Two Rivers wove Initia...

Escalier de la Fiuration is a beautiful original etching and aquatint on paper, realized by the French artist Charles Pierre Renouard (1845 -1924). A superb artist proof, the plate 9, from the album "Le Nouvel...

Disparate claro - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 15 fr...

John McNulty, Irish/American (1949 - ) - Horizon I, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 200, Size: 19 x 22 in. (48.26 x 55.88 cm)

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Image dimensions: 42 x 32 cm. Phosphorus and Flower is an artwork realized by Kanō Mitsuo in 1959. Original etching and aquatint. Artist proof, "Ep. d'...

"Granada", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. Very nice B/W Aquatint, representing a View of Granada, from the East, which was perhaps t...

Lucio Fontana Concetto spaziale, ca. 1970 Signed and numbered front right of sheet Aquatint in green with cutting 60 x 47.5 cm 23.6 x 18.7 inches Edition 26 of 99 H. Ruhé, C. Rigo "L...

Orchard III by David Smith-Harrison is a richly layered etching and aquatint that merges landscape, architecture, and memory. A leafless orchard stretches across the upper portion of...

Signed, titled and numbered in pencil, edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite p...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Jules Olitski (1922-1977) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th-century American abstraction. Possibly one of ...

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. This print is a slight departure from other ser...

An original etching by Takesada Matsutani, a Japanese contemporary mixed-media artist who was a member of the Gutai group from 1963 to the dissolution of the group in 1972. The print...

Artist: Karl Fred Dahmen Title: Semiotische Komposition Year: 1977 Medium: Aquatint Etching, signed, numbered, dated, and titled in pencil Edition: 49/75 Image Size: 27.5 x 21.5 inc...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (31), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: HC X/X, Size: 20 in. x 28 in. (50.8 cm ...

water front scene on a foggy morning, calm and meditative. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Francisco ...

Paralax VI Barry Nelson, British/American (1937) Date: 1980 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of 28/30 Image Size: 20.25 x 29.5 in...