Art by Medium: Aquatint

Artist: Yannick Ballif, French (1927 - ) Title: Untitled - Abstract II Year: 1973 Medium: Aquatint Etching with Carborundum, signed and dated Size: 22 x 30 inches

Joe Durante - Lunar. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 11.25 x 17.75 inche...

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

This artwork titled "Landscape XI' c.2000 is an original color etching with aquatint by Hungarian/American artist Theodora Varnay Jones, b.1942. It is hand signed, titled and numbered 18/50 in pencil by the artist. The image (plate mark) size is 14.75 x 17.65 inches, framed size is 28.25 x 30 inches. Custom framed in a silver and brown patina frame, with white matting. It is in excellent condition. About the artist: Theodora Varnay Jones, printmaker, sculptor, installation and digital artist, lecturer, and teacher, was born in Budapest, Hungary on 26 February 1942. She graduated from the Hámán Kató Leány Gimnázium before beginning her studies at the Academy of Fine Arts, Budapest where she earned her B.F.A. and, in 1971, her M.F.A. She moved to the United States in the early 1970s and married Monty Jones on 9 September 1972 in Reno. On 27 September 1984 she became a naturalized citizen of the United States. Her creativity seems unlimited and her work has been featured in exhibitions too numerous to enumerate. She is a member of the KALA Art Gallery in Berkeley, California and teaches classes there. SOLO EXHIBITIONS 2018 "Dialectics:angles of cognition, in the orbit of photography" Don Soker Gallery, San Francisco, CA 2016 "Fugue" Don Soker Gallery, San Francisco, CA 2015 "Resonances" Stanford Art Spaces, Stanford University, CA "Appearances" Lena & Roselli Galeria, Budapest, Hungary 2011 "Theodora Varnay Jones: Prints & Drawings: Selected Archival Work” Baczek Gallery, Berkeley, CA 09/10 "Manifold", (survey) ICA, San Jose, CA 2009 "Reflections", (survey) Don Soker Gallery, San Francisco, CA 2008 "Translucent Phenomena", Fresno Art Museum, Fresno, CA 2007 "Structures" Don Soker Gallery, San Francisco, CA 2005 "Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Undercurrents", Don Soker Gallery, San Francisco, CA 2003 "Theodora Varnay Jones", Gallery Hirawata, Fujisawa, Kanagawa, J a p a n "Theodora Varnay Jones", Gallery Naufu, Gifu City, J a p a n "Dialectica", Don Soker Gallery, San Francisco, CA 2001 "Transparentia", Don Soker Gallery, San Francisco, CA " Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Mixed Media Works", Shasta College Art Gallery, Redding, CA SFMOMA Artists Gallery, San Francisco, CA 2000 " Microcosmos" invited to represent the US, Schleswig-Holstein Music Festival, Bad Segeberg, G e r m a n y "Microcosmos" Kieler Kloster, Kiel, G e r m a n y 1999 Don Soker Gallery, San Francisco, CA 1998 Don Soker Gallery, San Francisco, CA 1997 Plaza Gallery, Tokyo, J a p a n 1996 "Theodora Varnay Jones" (survey), Vasarely Museum, Budapest, H u n g a r y 1995 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n 1994 Collectors Gallery, The Oakland Museum, CA 1993 Don Soker Gallery, San Francisco, CA 1992 "Theodora Varnay Jones", Concourse Gallery, Bank of America World Headquarters, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n "Theodora Varnay Jones", Chicashige Gallery, Okayama, J a p a n 1991 Collectors Gallery, The Oakland Museum, CA 1990 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Art Forum Yanaka, Tokyo, J a p a n Tamura Gallery, Tokyo, J a p a n Gallery 88, Sendai, J a p a n Heian Gallery, Kyoto, J a p a n 1989 Richard Hanson Fine Arts, Fresno, CA 1988 Don Soker Gallery, San Francisco, CA 1985 "Theodora Varnay Jones", Taller Galleria Fort, Cadaques, S p a i n 1984 Rorick Gallery, San Francisco, CA 1978 "Theodora Varnay Jones", Richmond Art Center, Richmond, CA TWO AND THRE PERSON EXHIBITIONS 2010 "Interdepencia/Interdependence; Theodora Varnay Jones, Francesca Pastine and Marta Sanchez-Vasquez" Consulate General of Mexico, San Francisco, CA 2007 "Theodora Varnay Jones and Tom Bills", Pacifica Center for the Arts, CA 2004 "Between"; Theodora Varnay Jones and Dee Hibbert-Jones Memorial Union Art Gallery, UC Davis 2002 "Theodora Varnay Jones and Lee Imonen", Campbell Hall Gallery, Western Oregon University 2001 "Traces" ; Theodora Varnay Jones, Christel Dillbohner and Mary Ijichi, Palo Alto Art Center, CA 2000 "Theodora Varnay Jones and Hoh Yin Ping", Kassenarztliche Vereinigung, Bremen, G e r m a n y 1988 "Theodora Varnay Jones and Kazuko Watanabe", Hastings College of the Law, San Francisco, CA 1985 "From a Different Perspective"; Theodora Varnay Jones and Peter Baczek, The Art Corridor, Menlo Park, CA 1981 "Theodora Varnay Jones and Vicki Ann Scuri", Rorick Gallery, San Francisco, CA SELECTED GROUP EXHIBITIONS 2021 "50th Anniversary Survey Exhibition" Don Soker Gallery at Carriage House Annex, San Francisco, CA "Art in the Time of Corona" NUMU New Museum Los Gatos, CA 2020 "Echoes of Bauhaus Photography Cast Long Shadows" curated by Hanna Regev, Ruth's Table Gallery, San Francisco, CA 2019 "Hardly Strictly Mini" Bolinas Art Museum, CA "The Artists' Annual" Kala Art Institute Gallery, Berkeley, CA "Annual Members Exhibition" Berkeley Art Center, CA 2018 "Surprise: New Acquisitions" The Janet Turner...

The single letter "U", from the alphabet, depends on phonics for the "ewe" to qualify for "U". All letters are available, and the full set of 27 etchings in folio box is available fo...

Medium: mezzotint with aquatint Year: 2015 Edition: 35 copies, signed in pencil. Image Size: 10.25 x 8.66 inches The surreal illusions and reflections in Sietins prints often bring ...

Medium: Etching with aquatint Year: 2021 Edition: 45 Image Size: 35.5 x 23.75 inches A Birds-eye view of a sea gull sailing over the California surf. Werger has received over 250 a...

Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...

This artwork titled "Un Longue Apres Midi" 1984 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It ...

Hank Laventhol, American (1927 - 2001) - Strawberry, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 16.5 x 23.5 inc...

Le Sculpteur au Travail by Pablo Picasso offers a fascinating glimpse into the act of creation, focusing on a sculptor immersed in his work. The composition captures the figure in a ...

Lo Mismo en otras partes is an original artwork realizedb by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los Desastres de...

An iconic image by the master of Surrealism, Rene Magritte. L 'Art de Vivre, created as an original etching and aquatint in colors in 1968, is stamp-signed and annotated "E.A." (art...

Signed, titled and numbered from the edtion of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect th...

Image of a young woman, eyes closed, with a crystal ball. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony rel...

Hank Laventhol, American (1927 - 2001) - Ripe Sky, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, Image Size: 16 x 24 inches, Size: 22 ...

Origin-Beginning-6 presents one of the most vertically structured compositions in the series. Elongated clusters of pale forms rise through the center, flanked by darker shapes that ...

Aquatint, 1932, edition unknown. Signed, dated, and titled in pencil. Image size 7 3/8 x 6 3/8 inches (187 x 162 mm); sheet size 12 1/4 x 11 3/8 inches (311 x 289 mm). A fine impression, in rich sepia ink, on cream wove paper, with wide margins (2 3/8 to 2 1/2 inches); in excellent condition. Scarce. A beautifully composed cubist work depicting urban Rumba revelers, possibly inspired by a New Orleans Rumba Night scene. Little biographical information is available about E. P. Marquié. The artist created numerous miniature-format etchings of New York...

La obra va firmada a mano por el artista y con justificante, que en este caso es el número 3 sobre un tiraje de 99 ejemplares Se presenta enmarcada la obra (se enviará sin cristal p...

The Temple of Women is a print realized by Massimo Campigli in the 1970/1971s. Etching on paper. This artwork it is part of a series of works created in the last period of the arti...

This thought-provoking 1996 etching by Mel Chin exemplifies Contemporary Conceptual Art’s engagement with environmental themes and ecological awareness. Chin’s intricate composition ...

Diana Gonzalez Gandolfi, Argentine/American (1951 - ) - Bridge in Merida II, Year: 1986, Medium: Etching with Aquatint on BFK Rives, signed, ...

Henri Matisse Nadia au visage rond 1948 Aquatint on Marais wove paper, Edition of 25 Paper Size: 60.2 x 46.4 cms (23 3/4 x 18 1/4 ins) Image Size: 44.4 x 34.7 cms (17 1/2 x 13 5/8 in...

Artist: Gilou Brillant, French (1935 - ) Title: untitled 30 Year: circa 1974 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 58/110 Size: 30 x 22 in. (76.2 x 55...

An original etching by Takesada Matsutani, a Japanese contemporary mixed-media artist who was a member of the Gutai group from 1963 to the dissolution of the group in 1972. The print...

Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...

Artist: Manuel Robbe (French, 1872-1936) Title: Marins et Femmes de Pecheurs Bretons sur les Quais Year: c.1930 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark...

"Voices VI (A)" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Natalie d'Arbeloff, British/American (1929 - ) - Juke Box Tune 2, Year: 1989, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 32/150, Image S...

Signed, titled, and numbered from the edition of 15. Japanese women with ice cream cones. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense o...

New York in 1835 from the bay near Bellows Island Raoul Varin ( 1856 - 1943 ) Hand-colored aquatint 1931 paper size 24.50 x 35 image size 17 x 22.75 cond...

Signed, titled and numbered, edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photograph...

Sergio Hernández (Mexico, 1957) 'La burra no era arisca', 2015 sugar aquatint on paper Guarro Biblos 250g. 29.2 x 29.2 in. (74 x 74 cm.) Edition of 30 Unframed ...

An ex libris print featuring the fantasy figure of an alchemist in her laboratory working with imaginary creatures looking on. Roman Sustov's prints often provide a fantastic blend of classic technique combined with images from the vast worlds of surrealism, eroticism, fantasy and fairy tales. Signed in pencil artists proof from the edition of 100. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Andres Nagel Tejada (Spain, 1947) Las partes del mundo I, 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) ...

Jacqueline De Butler, French (1928 - ) - Green and Yellow Composition, Year: circa 1968, Medium: Etching with Aquatint on Arches, signed and num...

Original Hand Signed and Numbered Etching with Aquatint on Arches Wove Paper Paper size: 66 x 50 cm. / 26 x 19.7 in. Additional Information: This etching is hand signed in pencil ...

"Nelson Dominguez (Cuba, 1947) 'La dama de Elche', 2005 sugar aquatint on paper Velin Arches 300 g. 47.5 x 20.7 in. (120.5 x 52.5 cm.) Edition of 40 ID: DOM-105"

Created with a sensitive attention to color and value, this work is one of many floral motifs Braque depicted in his lifetime. Deeply saturated tones of ochre and brown express a subdued mood, while the hints of highlights convey to the viewer a sense of brightness and energy. A cluster of yellow daisies emerge from a simple ochre vase...

John Beerman, American (1958 - ) - Two Rocks, Year: 1987, Medium: Color Etching Aquatint, signed and numbered in pencil, Edition: Working Proof, Image Size: 18 x 22 inches, Size:...

Pastoral is an abstract drypoint with aquatint by Christian Bozon, composed of layered fields of color that evoke a simplified landscape. A warm band of rust and ochre rests above a ...

Hand signed and numbered. Edition of 35 prints. Rare and precious artwork by Chagall, in excellent conditions. Ref. Cat. Cramer, n. 32 Image dimensions : 30.5 x 24 cm

Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...

"Voices XII" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Sibyl and the Border is an original etching and aquatint realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the a...

Artist: Terry Winters, American (1949 - ) Title: untitled 5 from Album Year: 1988 Medium: Etching with Aquatint, signed and numbered in pencil Edition: HC 2/2 Image: 20 x 16 inches S...

Like Seeing Fallen Brightly Away is a portfolio of three etchings by artist David Urban made in collaboration with Durham Press in 1998. Moving away from ...

Joan Miro, Spanish (1893 - 1983) - Bagatelles Vegetales (D 111), Year: 1956, Medium: Etching with Aquatint On Richard de Bas, Edition: 300, Size: 9.5 x 7.25 in. (24.13 x 18.42 cm), ...

Fille dite de joie (They Call Her Daughter of Joy) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922-1927 Unsigned (as issued) From: Miserere (Have Mercy), 58 plate...

Moongazers [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Ple...

Signed, titled and numbered in pencil from the edition of 30. Portrait of a young cowboy. Viramontes was the subject of a 1-hour documentary Xavier Viramontes, A Life in Print which...

Artist: Yutaka Yoshinaga – Japanese (1948- ) Title: 96-C-1 Year: 1996 Medium: Color spit bite aquatint with drypoint and hard ground etching. Image si...

The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Cosmicstrip I by Roberto Matta, Chilean (1911–2002) Date: 1959 Etching, signed and numbered in pencil Edition of 21/50 Image Size: 14.75 x 19.25 inches Frame Size: 23.75 x 28 inches ...

Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...

Color etching and aquatint with gaufrage on paper, edited in 1967. Limited edition of 170 copies, numbered as 95/170 in lower left corner. Hand-signed in pencil by artist in lower ri...

Artist: James Rosenquist, American (1933 - ) Title: Hot Lake (2nd State) Year: 1978 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 78 Size: 23 in. x 40 in. (58.42 c...

The single letter "U", from the alphabet, depends on phonics for the "ewe" to qualify for "U". All letters are available, and the full set of 27 etchings in folio box is available fo...

Extrana Devocion is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los Desa...

Al Conde Palatino is an original etching realized by Francisco Goya and published in 1799. Original etching on wove paper. This beautiful Etching belongs to the Third Edition of th...