Art by Medium: Aquatint

The two women is an print realized by Massimo Campigli in the 1970/1971s. Beautiful etching and drypoint on paper. This artwork it is part of a series of works created in the last ...

The Visionary Tree  is an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970s. The artwork is  an aquatint and etching on paper. Hand signed on the left corner. Editio...

Roberto Antonio (Echaurren) Matta (1911 - 2002) "Driote Liberees" Etching & Aquatint on Japon Nacré Paper. Signed in pencil and numbered 73/100. Published and printed by Georges Visa...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Hombre sentado con pipa, maja y Celestina', 1968 aquatint, etching on paper 9.7 x 12.9 in. (24.5 x 32.7 cm.) Edition of 50 Unframed ID: PIC2001-008 Hand-signed by author The work is documented in the catalog raisonné Picasso Suite 347...

Salvador DALI (1904-1989) Don Quijote : Off to Battle, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authentic...

Born in Paris, France in 1871, Georges Rouault’s early apprenticeship under a stained glass maker had a strong influence on his mature painting style. Rouault attended Ecole des Art...

The Imaginary Boats  is an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970 s. The artwork is  an aquatint and etching on paper. Hand signed on the left corner. Edit...

The Imaginary Men is an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970s. Aquatint and etching on paper. Hand signed on the left corner. Edition of 75, numbered, 71...

Salvador DALI (1904-1989) Don Quijote : The Legacy, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authenticate...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by t...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

The Young Couple (Cole 141), 1971 Color etching and aquatint. Signed. Titled. Numbered Pencil signed, titled and numbered from the limited edition of 225 on the front Unframed Will B...

Francisco De Goya (Spain, 1746-1828) 'Ni asi la distingue (Caprichos. Estampa 06)', ca.1797-1799 etching, aquatint, dry point on laid paper 12.4 x ...

Duke of Wellington by Vladislav Khristenko Size of the image - 25 x 15 cm Size of the list - 34 x 22.5 cm Size in frame - 42 x 32 cm Etching and aquatint on paper #15 from edition ...

Medium: etching and aquatint Image size: Paper size: Printing element: 1 copperplate Edition Size: Beautiful etching and aquatint from an artist know for his depictions of trees ...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman with chocolate and marshmallow figures...

"Fruits" is a watercolor painting on canvas by Maestro Marina Dobrovolskaya About the artwork: TECHNIQUE: oil painting, aquatint, pastels STYLE: Realist, Contemporary Edition : Un...

Brice Marden The Fungoid Rock 1996-97 Etching and sugarlift aquatint on vintage Richard de Bas paper 19 1/4 x 15 3/4 inches; 50 x 40 cm Edition of 45 Signed, dated, and numbered in g...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Richard Haas Manhattan View, Governor's Island (Szoke 87, 89), 1999 Aquatint & Photo Etching in Colors on Arches Cover Paper with full margins Pencil signed from the limited edition ...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Salvador Dali (Spain, 1904-1989) 'Le Singe et le Léopard', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.8 x 22.7 in. (78 x 57.5 cm.) Edition of 25...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2019 Fall colors in Lithia Park, Ashland OR Born in Berkeley, California, ...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman contemplating small plants and animals...

Salvador Dali (Spain, 1904-1989) 'Les Animaux Malades de la Peste', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.4 in. (58 x 77 cm.) Editio...

Salvador Dali (Spain, 1904-1989) 'La Cour du Lion', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.7 in. (77.5 x 57.5 cm.) Edition of 250 Unframed ID: DAL2001-007 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 J. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Antonio Lorenzo Carrión (Spain, 1922) Piloto de Pruebas IV, 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Salvador Dali (Spain, 1904-1989) 'L’Elephant et le singe de Jupiter', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.8 in. (58 x 78 cm.) Edition of 250 Unframed ID: DAL2001-006 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 B. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Visitante con nariz borbónica en casa de la Celestina', 1968 aquatint, sugarlift on oiled plate, dry point on paper 9.7 x 12.9 in. (24.6 x 32.6 cm.) Edition of 50 Conservation: The paper and the beards have been recently restored Unframed ID: PIC2001-007 Hand-signed by author The work is documented in the catalog raisonné Picasso Suite 347...

Rouault, Georges (French, 1871-1958). IL A ETE MALTRAITE ET OPPRIME ET IL N'A PAS OUVERT LA BOUCHE " (He was oppressed, and he was afflicted, yet he opened not his mouth). Aquatint, ...

Salvador Dali (Spain, 1904-1989) 'La Cour du Lion', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.8 x 22.9 in. (78 x 58 cm.) Edition of 250 Unframed ID: DAL2001-008 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 C. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

A very good impression of this color aquatint and etching. Artist's proof, aside from the edition of 75. Signed and inscribed "PA" in pencil. Printed by Labryrinth, Florence. Publish...

Salvador Dali (Spain, 1904-1989) 'La Chêne et le Roseau', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.9 x 22.7 in. (78.4 x 57.5 cm.) Edition of 2...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Reitre raptando a una mujer por encargo de un caballero', 1968 aquatint, etching on paper 9.9 x 13 in. (25.1 x 32.8 cm.) Unframed ID: PIC2001-006 Hand-signed by author The work is documented in the catalog raisonné Picasso Suite 347...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Sueño y mentira de Franco I', 1937 aquatint, etching on paper 15.2 x 22.4 in. (38.5 x 56.7 cm.) Editio...

Francisco De Goya (Spain, 1746-1828) ¨Si quebró el Cantaro¨'Tal para cual¨ Serie Caprichos. Estampa 05, ca.1797-1799 etching, aquatint, dry point on laid paper 12.4 x 8.7 in. (31.3 ...

"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...

Johnny Gotthard Friedlaender (German, 1912-1992) 'Cadran Solair' (Sun Dial) Titled verso Aquatint etching in colors on wove paper Pencil signed lower right, edition EA (épreuve d'ar...

Medium: Intaglio and Chine Colle Year: 2020 Image Size: 18 x 12 inches Edition of 15 Signed, titled and numbered by the artist. A young woman with traditional Japanese fan in front ...

The Imaginary Animalis an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970s. The artwork is  an aquatint and etching on paper. Hand signed on the left corner. Editio...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Francisco De Goya (Spain, 1746-1828) ¨Muchachos al avío¨ Series Caprichos. Estampa 11, ca.1797-1799 etching, aquatint, dry point on laid paper 12.4 x 8.7 in. (31.3 x 22 cm.) 1st Edi...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Medium: Etching, aquatint & roulette Year: 1991 Image Size: 24.63 X 39.63 inches Edition Size: 90 Signed and numbered in pencil by the artist Image of a Paris apartment, showing t...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Viejo payaso con una persona encantadora', 1968 aquatint, sugarlift on paper 12.9 x 10 in. (32.7 x 25.2 cm.) Edition of 50 Unframed ID: PIC2001-004 Hand-signed by author It is documented in the catalog raisonné Picasso Suite 347...

Medium: Intaglio and Chine Colle Year: 2019 Image Size: 12 x 9 inches Edition of 20 Signed, titled and numbered by the artist. A young woman with a bonsai tree. While the images hav...

Antonio Lorenzo Carrión (Spain, 1922) Piloto de Pruebas I, 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet ...

Antoni Tapies (Spain, 1923-2012) 'Oval i blanc', 1982 etching, aquatint, carborundum on paper Guarro Biblos 250g. 22.1 x 30 in. (56 x 76 cm.) Edition of 99 Unframed ID: TAP1162-018 H...

"Z is for zoo, with a lion, monkey, rhinoceros and giraffe illustrating the letter "Z", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in folio...

Francisco De Goya (Spain, 1746-1828) ¨Si quebró el Cantaro¨ Series Caprichos. Estampa 25, ca.1797-1799 etching, aquatint, dry point on laid paper 11.6 x 8.1 in. (29.3 x 20.5 cm.) 1st...

A very good impression of this color aquatint, etching and lithograph. With the artist's signature ink stamp and numbered 26/65 in pencil. With the artist's estate ink stamp and sign...

Color etching and aquatint on wove paper. Signed, titled and numbered 56/100 in pencil. This etching is made after the painting of the same subject "Woman in Yellow Dress...

Eduardo Chillida (Spain, 1924-2002) 'Estampa V', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqua...