Art by Medium: Aquatint

The frontispiece for Hockney’s Six Fairy Tales from the Brothers Grimm portfolio and book features Catherina Dorothea Viehmann, the elderly German woman who recounted fairy tales to ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Jesus College...

Aquatint from the beginning of the 19's century Illegible signature gold frame with glass, total size with frame: 38x48x3 cm

This artwork titled "Desert Series B" c.1990, is an original colors monoprint aquatint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numb...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Aquatint and etching with decorative embossing printed in colors on white wove paper with an unknown watermark and a deckle edge, 18 1/2 x 15 inches (470 x 380 mm); sheet 27 x 19 1/2...

water front scene on a foggy morning, calm and meditative. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Francisco ...

Etching, aquatint and drypoint. Not Signed and not Numbered as issued. Edition of 226 pieces. Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86). Printed by Lacourièr...

Joan Miro (1893-1983) - Espriu - Miró II Etching and aquatint with carborundum from 1975. The edition of 15/50 on on Guarro paper with Sala Gaspar watermark. Dimensions of work: 70.3 x 85.7 cm. Hand signed. Publisher: Sala Gaspar, Barcelona. Reference: Dupin 870; Cramer 197. The work is in Good condition. -- Joan Miró’s Espriu...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

This artwork titled "Arch of Septimius, Rome" 1923, is a color etching and aquatint on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by t...

Jack Bilander (Polish/Amercan 1919-2008) , "View From Bridge" , Abstract Colored Etching/ Aquatint, 19.25 x 10.75, Mid-Late 20th Century, 1958 Colors: Black, White, Red Jack Biland...

Signed, titled and numbered in pencil, edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite p...

Linda Plotkin, American (1938 - ) - Calvaire de Pierre, Year: circa 1965, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 64/75, Image Size...

This piece titled "Timesteps" is an limited edition piece by Kate VanVliet and is made from two-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an editio...

Jim DINE (1935) Nancy outside in july XIV (Wrestling with Spirits), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 19 / 30 On BFK Rives vellum ...

Marc Chagall Fables : The Goats and the Lion, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gal...

Hiroshi ASADA Zen : Water Drops on the Sand Original etching and aquatint Handsigned in pencil Numbered / 200 On Arches vellum 16.5 x 21 cm (c. 6.5 x 8 in...

GEORGES ROUAULT (1871-1958) MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927 ( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...

In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...

Etching and Aquatint on Montval paper. Hand Signed. Edition of 260 prints (not numbered and generally not signed). Plate 24 from "La Suite Vollard". Catalogue Bloch no. 227; Baer 44...

This refined 1930 aquatint by Jules Pascin, titled Salomé dansant devant le roi Hérode, offers a poetic and dream-like interpretation of the biblical scene of Salome before King Hero...

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Medium: Aquatint Dimensions: 12 x 9 inches (image) Signature: Signed Date finished: 2018 Edition: of 100 Fall colors on Chuckanut Drive, south of Bellingham, WA Born in Berkeley, ...

Etching and aquatint printed in brown and black with embossing, 15 x 11 3/4 (381 x 298); sheet 20 1/2 x 16 3/4 inches (521 x 426 mm), full margins. Signed, tited and numbered 3/25 in...

An ex libris print featuring an elaborate structurewith figures at work on creation. Roman Sustov's prints often provide a fantastic blend of classic technique combined with images from the vast worlds of surrealism, eroticism, fantasy and fairy tales. Signed in pencil artists proof from the edition of 100. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Sans Titre is an etching and aquatint on paper, realized in November 1960 by the French burin master Louis-René Berge. Signed and dated in black ink on the lower left margin. With ...

Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...

New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...

This original etching and aquatint in colours is hand signed in pencil by the artist "Miró" in the lower right margin. It is dated ‘1953’ beneath the signature. It is also hand numbe...

Salvador DALI Méditation orogénique Original etching and aquatint Handsigned in pencil Limited to 80 copies On mandeure vellum 44,5 x 44 cm This etching is part of serie ...

John McNulty, Irish/American (1949 - ) - Waves, Year: 1984, Medium: Aquatint Etching, signed and titled in pencil, Edition: 175, Image Size: 18 x 24 i...

Akio Wakasa Miyakawa - Primitive Lineage, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 4/20, Image Size: 11.75 x 19.5 inches, Size: 15 x ...

Minami, Keiko (Japanese, 1911-2004) DEUX ARBRES. Etching and aquatint in colors, 1981. Signed and Numbered 98/100. (plate), framed to 14 X 14 inches . In excellent condfition.

La obra va firmada por el artista en la parte inferior y fechada del año 1976 En la parte trasera, va nuevamente firmada, fechada y titulada Se presenta sin enmarcar, solo con un p...

Welliver, Neil. BROWN TROUT. Etching and aquatint, 1978. Edition of 50. Signed and numbered 16/50, and signed in pencil. 26 1/2 x 36 13/16 inches (sheet). ...

atmospheric diptych by celebrated Latvian printmaker Guntars Sietiņš, executed in mezzotint and aquatint. This richly dark composition juxtaposes a dense field of smoke or vapor wit...

A fine etching by Charles Hunt (1803-1877) and coloured using aquatint by C. Simpson after a painting by John Frederick Herring (1795-1865). It depicts The Baron, a Thoroughbred race...

This original etching and aquatint is hand signed in pencil by the artist "Miró" at the lower right margin. It is also hand numbered 50 in pencil from the edition of 50, at the lower...

Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...

Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...

Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Dominguin I', 2005 etching, aquatint, sugarlift on paper 21.3 x 27.4 in. (54 x 69.5 cm.) Edition of 20 Unframed ID: VAL-129 Hand-signed by...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 113]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

This is a hand-colored aquatint and engraving entitled "Principal Square in Grand Cairo, with Murad Bey's Palace", published in London by R. Bowyer in 1801. The print was created by ...

Brussels: J. Bouwens, 1867. Etching with aquatint and engraving on laid Japan paper, 9 3/4 x 6 1/2 inches (247 x 163 mm), full margins. Fifth state (of 5). Scattered moderate foxing....

Morning Meditation is a contemplative landscape by Stephen McMillan, created using etching and aquatint. The composition depicts a quiet December morning...

An atmospheric view of the Charles Bridge and Old Town Bridge Tower. Dresden: Max Sinz, 1928. Etching and aquatint in colors on cream wove paper, 11 1/2 x 9 inches (292 x 227 mm) f...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

Signed, titled and numbered from the edtion of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect th...

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Frank Stella The Whale-Watch, 1993 is first installment in the artist’s Moby Dick Deckle Edges Series of 1993. This work is made using two sheets of irregularly shaped paper adhered ...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Owlphabet is an original intaglio print by Irish artist Kelvin Mann, depicting a magnificent owl perched on a horizontal beam, its penetrating gaze directed straight at the viewer. O...

"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Perimeter Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP Size: 36 x 29.5 in. (9...

This is a fine aquatint etching by British artist Percival Gaskell. The title is: The Lonely Tower, Roman Campagna, it was created and printed in 1924 in an edition of 150. The ima...

American is a print realized by Giosetta Fioroni (Rome 1932) in the late 20th century. Aquatint and drypoint print Hand-signed and numbered, edition of 31/55 prints. The artwork i...

Pink Composition is an original artwork realized by Mark Tobey in 1972. Mixed colored aquatint and etching on paper paper. Hand signed and dated on the Lower right. Numbered on th...