Art by Medium: Aquatint

Bright colorful abstract circus scene with balloons. Born in 1941 in Sanandaj, Iran and immigrated to Israel at the age of 17. Elie Abrahami began his study of art at the Avni School...

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Signed, titled and numbered in pencil, edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite p...

L’Ane is an original lithograph, realized by Georges Rouault in 1927, hand signed, Ambroise Vollard's stamp, trial proof of the first state, printed in 10 copies. Included a frame. In very good conditions. The artwork demonstrates a man-donkey creature dressed in suit formally and with a glasses. Georges Henri Rouault (1871-1958) was a French painter, print-maker artist, his artworks are often associated with Fauvism and Expressionism. He is well-known for paintings dedicated to courts, clowns and prostitutes. He was inspired by spirituality and knowledge of medieval stained glass...

Henri Matisse Visage de jeune femme 1948 Aquatint on BFK Rives paper, signed in pencil and numbered 4/25. Paper size: 55.5 x 38 cms (21 7/8 x 15 ins) Image si...

An ex libris print featuring the fantasy figures and musicians in surreal M.C. Escher style building. Roman Sustov's prints often provide a fantastic blend of classic technique combined with images from the vast worlds of surrealism, eroticism, fantasy and fairy tales. Signed in pencil artists proof from the edition of 100. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Amor, Tod und Jenseits, (Cupid, death and afterlife) is an original etching and aquatint on paper Chine collé, realized by Max Klinger in 1881, plate XII from “Intermezzi” Opus IV,...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman contemplating small plants and animals...

Minami, Keiko (Japanese, 1911-2004) DEUX OISEAUX SUR L'ARBRE. Etching and aquatint in colors, 1979. Signed and Numbered 98/100. 11 1/8 x 14 3/8 inches (plate),c. 14 x17 inches (shee...

Medium: etching and aquatint Image size: 18 × 11.875 Edition: 10 Year: 2021 Abstracted image with references totopographical maps or satellite imagery. Rosalyn Richards has been a ...

Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...

Abstract Lithograph of The Louve with I.M. Pei Glass Pyramids Limited edition lithograph of an abstracted urban landscape, with fractured yellow and green color fields, by Bu King (...

Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aqua...

Etching and aquatint in colours on wove paper Edition 73 of 250 + 30 AP's 73.7 x 106 cm (29 x 41.7 in) Excellent. Only visible on the reverse of the print under studio lighting, mino...

Bright abstract French aquatint in red tones by artist Lilly Elroy, titled "Hamed", 1990. Numbered 1/1 HC lower left. Signed and dated lower right. Original artwork on paper display...

Jack Sonenberg (Canadian/American, 1925-2012), "Dimensions VI (C)", Color aquatint , full margins , numbered edition signed in pencil lower right, titled in pencil lower left, n...

Pablo Picasso’s 1968 etching and aquatint Théâtre ou télévision: cape et épée belongs to the artist’s late period, a time when he reflected intensely on the themes of performance, sp...

Rare, original hand colored etching (Aquatint) from the Poetical Sketches of Scarborough titled “A Tro to Scarbro’”. Condition is good. Executed in 1813. Under glass. The etching ...

Etching and aquatint in colors by Italian artist Marino Marini (1901–1980), titled "Shakespeare II," created in 1977. This impression is numbered XVIII from the deluxe Roman numeral ...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 112] A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Like Seeing Fallen Brightly Away is a portfolio of three etchings by artist David Urban made in collaboration with Durham Press in 1998. Moving away from ...

Thomas Nozkowski Untitled #2, 2008 Color etching with aquatint on Hahnemühle paper Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reve...

Los Caprichos . Plate n.79, No One Has Seen Us. Third Edition. Goya derides the monks, showing them as “devotos de la bota”. These religious men have...

Away, 2000 – 02 Howard Hodgkin Sugarlift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, on Two Rivers wove Initialled, dated and inscribed 'P...

This artwork titled "Pomegranates" c.1970 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXII/LXXV in White pencil by the artist. The Size is 22 x 29.25 inches. Printed to the edge. It is in excellent condition, some hanging tape remaining on the back from a previous framing. About the artist: Born (Kaikobad Motiwalla) in Bombay, India on December 15, 1921, Moti was first educated at the Bombay School of Fine Arts but his talent led him onwards to study at the University College in London (on scholarship) and at the Slade School of Fine Arts, London, where he received a Master's degree in Painting and Sculpture. While still in London he studied under MacWilliam and Reginald Butler. Eventually moving to Paris in 1950, Moti attended the Academie de la Grand Chaumiere, Atelier Zadkine, to pursue his love of sculpture but lack of space soon compelled him to turn his attention to working on copper plates and he studied engraving with William Stanley Hayter...

Juan Genovés (Spain, 1930-2020) 'Untitled', 1996 engraving, aquatint on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: GEN1205-005-1 Hand-signed by author ___________________...

Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before th...

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

John McNulty, Irish/American (1949 - ) - Eagles I, Year: 1983, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x 3...

In Waterwings, Art Werger captures the ever-shifting surface of a swimming pool as a young child is seen seen from above, the child’s blond hair glows in the sun, with red swim trunk...

Pablo Picasso (1881-1973) - Peintre et modèle au fume-cigarette Etching and aquatint from 1968. The edition of 35/50. Dimensions of work: 41.9 x 50.5 cm. Hand signed. Publisher:...

Pablo Picasso Untitled from Le Cocu Magnifique, 1966 Etching with aquatint Hand signed lower right Numbered 12 / 30 mage size: 22.5 × 32.5 cm Frame size: 50.5 x 58 x 2 cm Published ...

Morning Meditation is a contemplative landscape by Stephen McMillan, created using etching and aquatint. The composition depicts a quiet December morning...

Donald Sultan Playing Card Prints - Artist Proofs (APs) We are excited to offer a rare collection of Artist Proof (AP) prints from Donald Sultan's acclaimed playing card series. Lim...

'Michel Grove, Seat of Thomas Walker Esq'. Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape. Published by Rudo...

A set of three monumental etchings by Italian contemporary artist, Mimmo Paladino. Each nicely framed in black. Artist: Mimmo Paladino Title: Si...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches portrait of a seemingly disgruntled owl in a nocturnal setting, by Franco-Iranian artist Marjan S...

Harry McCormick, American (1942 - ) - Young Boy, Year: circa 1980, Medium: Etching and Aquatint on BFK Rives, signed and numbered in pencil, Edition: AP, Image Size: 4 x 5.25 inc...

Plate 23 – From Liber Veritatis Aquatint on Copper, Imag. Dim: cm 33x47.5, Dim: cm 21x27, Beautiful Artist’s Proof, representing a shepherd with his herd pastouring at the shore o...

This piece titled "Space Oddity" is a limited edition piece by Kate VanVliet and is made from hand-colored intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece ...

Hand Signed. Edition of 50 copies plus 15 artist's proofs. Aquatint and drypoint. Image dimensions: 32 x 46 cm Reference: Bloch 1219; Baer 1201.

Alison Saar (1956 - ) - Tatoo, Year: 1994, Medium: Softground etching and aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 20, EP, Image Size: 22 x 13 inche...

'Turtle Catching on Land' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'...

Ribera is an abstract drypoint and aquatint by Christian Bozon, dominated by a dense field of saturated blue framed by rough, irregular edges of ochre and pale cream. The composition...

Meduse Etching and aquatint printed in colors, 1958 Signed, titled, numbered and dated in pencil (see photos) Edition: 50 (25/50) Etching and aquatint printed in colors ...

Essex: c1899. Etching with aquatint on cream wove paper, 7 1/2 x 12 1/4 inches (190 x 310 mm), full margins. Signed and titled in pencil in the lower margin. In very good condition w...

'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...

Medium:  Aquatint, Drypoint, Etching Year: 2010 Image Size:  9.84 x 7.9 inches Edition Size: 85 A dramatic canyon landscape with cascading light breakin...

Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. The work is an etching and aquat...

Brussels: J. Bouwens, 1867. Etching with aquatint and engraving on laid Japan paper, 9 3/4 x 6 1/2 inches (247 x 163 mm), full margins. Fifth state (of 5). Scattered moderate foxing....

This artwork titled "Partir Avant la Pleine Mer" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-200...

Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...

Colour aquatint after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Joan Miro, Spanish (1893 - 1983) - Bagatelles Vegetales, Year: 1956, Medium: Etching with Aquatint and Carborundum, on Richard de Bas, Edition: 300, Size: 9.25 x 14.5 in. (23.5 x 36...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Perimeter Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP Size: 36 x 29.5 in. (9...

Jacqueline De Butler, French (1928 - ) - Oed de Chat, Year: circa 1968, Medium: Etching with Aquatint on Arches, signed and numbered in pencil, ...

Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...

Philip Pearlstein (1924-2022) View Over Soho, Lower Manhattan, 1977 Aquatint in colors on wove paper Edition 7/41 Signed, editioned and titled in pencil lower left Printed by the Orl...