Art by Medium: Aquatint

Color aquatint and etching on Arches 19 1/2 x 15 in. (image size) 21 x 16 1/2 in. (sight size) Inscribed lower left: "E.A." Signed in pencil lower right: "Sonia Delaunay" Artist's pr...

DESCRIPTION aquatint and drypoint printed in colors, signed in pencil, dated, numbered 43/71 (total edition includes eight artist's proofs), on Magnani wove paper, with the blindstam...

Aquatint, 1966 Handsigned by the artist in pencil and numbered 47/75 Publisher : XXe siècle, Paris Printer : J. David, Paris Catalog : Schneider XXX 47.50 cm. x 64.50 cm. | 18.7 in. ...

GEORGES ROUAULT (1871 -1958) THE GOOD CANDIDATE, BOUDOUBADABOU, 1928 (Chapon & Rouault 10) Etching, aquatint and roulette. From “Reincarnations du Pere Ubu...

Created by Caio Fonseca in 2006, Three String Etchings Giallo is a color aquatint and etching with chine collé and hand-stamping on wove paper measuring 3...

Jasper Johns 0-9, 1975 Etching and aquatint Image: 4 1/2 x 9 1/4 inches Sheet: 17 x 13 5/8 inches Edition of XX AP

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Created in 1999, this etching with sugar lift aquatint on white Somerset textured paper is hand-signed by Sol LeWitt (Hartford, 1928 - New York, 2007) in pencil in the lower right ma...

Created in 2007, this color soft ground etching with aquatint on paper is hand-signed and dated by Robert Bechtle (San Francisco, 1932 - Berkeley, 2020)...

Created in 1999, this etching and aquatint on white Somerset Textured paper is hand-signed by Sol LeWitt (Hartford, 1928 - New York, 2007) in pencil in the lower right margin and is ...

Created in 2006, this etching and aquatint on wove paper is hand-signed by Edward Ruscha (1937, Nebraska - ) in pencil in the lower right margin and is numbered from the edition of 3...

The Sacramento River deltas and levees near Thiebaud’s studio became a source of inspiration starting in the mid-1990s where he would sketch en plein air and then work combined ideas...

Created in 2002, this Wayne Thiebaud Hill River, 2002 drypoint and aquatint in color on wove paper is hand signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the l...

Created in 1993, this color etching and aquatint is hand-signed by Christopher Brown (Camp Lejeune, 1951 - ) in pencil in the bottom right margin and is numbered from the edition of ...

Created in 1979, this etching and aquatint on Somerset paper is hand-signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the lower right margin and is numbered from...

A very good impression of this color aquatint. One of 15 numbered hors commerce impressions. Signed and numbered "HC 5/15" in black crayon by Tamayo. Printed and published by Edicion...

A beautiful and dynamic print from the esteemed Surrealist and Modernist painter Max Ernst, Born in Germany in 1891, then fled Germany in 1938 because of Anti Semitism and became a...

This large, dramatic and beautiful work has been thoughtfully executed, expressing the technical mastery and skill of Henri Matisse. Brightly colored and delicately composed, this wo...

Created in 1989, this aquatint and drypoint on paper is hand-signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the lower right margin. Numbered from the edition o...

Chuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is ...

Created in 1989-1990, this aquatint with lithographic crayon on Somerset paper is hand-signed by Alex Katz (Brooklyn, 1927 - ) in pencil in the lower left margin and is annotated as an artist proof in pencil in the lower left margin, aside from the numbered edition of 60. About the Framing: Framed to museum-grade, conservation standards, Alex Katz Red...

Part of Frank Stella’s Moby Dick series, this color etching aquatint features a wide array of geometric shapes splayed out across the page. A strong column-like shape takes center st...

LOT:20230708N02 Artist signed and numbered HC Edition XI/XXXV (11/35) Catalogue Raisonné: Dupin 546, Cramer no. 149 Provenance: Mallet Japan, Tokyo in September 2019 Gallery COA wil...

This work of art depicts a still life of fruit on a golden plate positioned an a white table.

This work of art depicts a still life of a giant clam positioned upward on a pedestal. The composition includes high contrasting tones of black and white.

This work of art is a moody still life etching with aquatint and sugarlift.

An abstraction of a god's eye view of the land below.

Scott Kahn Chrysler Building Signed lower right Etching and aquatint on paper Sheet: 21 1/2 x 18 inches Edition 18/40 Scott Kahn (born 1946 in Springfield, Massachusetts) is an Amer...

Francesco Clemente is a contemporary Italian artist known for his dreamlike paintings based on esoteric themes of sexuality and spirituality. Working across oil painting, installatio...

David Tremlett is an English contemporary sculptor, installation and graphic artist and photographer, born on February 13th, 1945, in Dartford, Kent, En...

These works express the influence of the collective subconscious icons, South American & popular culture, and psycho-sexuality. Their undeniable beauty keeps the eye engaged in visua...

Yellow Flags 4 - 21st Century, Alex Katz Landscape Print, Orange, Yellow, Flowers, "Yellow Flags 4" is one of Alex Katz's famous flower prints. His flowers are the most reduced form...

"Beauty 5" is from Alex Katz' Beauty series. The topic "beauty" is a very important one for Katz. His whole body of work is due to beauty and it is a reminiscence to his wife Ada, to...

Gabriel Macotela (Mexico, 1954) 'Untitled', 2019 etching, aquatint on paper Velin Arches 300 g. 28.6 x 43.2 in. (72.5 x 109.5 cm.) Edition of 30 ID: MAG-101 Unframed

Etching and aquatint, 1968 Handsigned by the artist in pencil and annotated EA Artist proof Edition : 75 ex. Publisher : XXe siècle, Paris Printer : J. David, Paris Catalog : [Schnei...

Etching and aquatint, 1964 Handsigned by the artist in pencil Publisher : La Rose des Vents (Paris) Printer : Jean Signovert (Paris) Catalog : [Schneider XXVI] 38.00 cm. x 28.00 cm....

Alpinist, 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of Authenticity In mint condition PLEASE NOTE: Images of edition number are example references only. The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. The pictures are only for illustrative reasons, the work is offered unframed. An avid winter sportsman, Peter Doig lived in Zermatt for six weeks in 2020 and for four months in 2021, working out of a studio on the mountain. With his inventive, painterly approach, the artist uses alpine imagery and traditional printmaking techniques to investigate landscape, material, and form. These diverse series of etchings reflects a self-referential process of experiment and innovation in which works continuously evolve into their final form. Together, this body of work pays homage to Doig’s passion for skiing and connection to Zermatt, while also referencing a rich tradition of alpine paintings...

Wall of Death, 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, chine colle, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of ...

Young Zermatt Skier, 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of Authent...

Gornergrat Yellow Sky, 2021 — Peter Doig, Contemporary, 21st Century, Etching in two colors, aquatint, spitbite, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of Authenticity In mint condition PLEASE NOTE: Images of edition number are example references only. The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. The pictures are only for illustrative reasons, the work is offered unframed. An avid winter sportsman, Peter Doig lived in Zermatt for six weeks in 2020 and for four months in 2021, working out of a studio on the mountain. With his inventive, painterly approach, the artist uses alpine imagery and traditional printmaking techniques to investigate landscape, material, and form. These diverse series of etchings reflects a self-referential process of experiment and innovation in which works continuously evolve into their final form. Together, this body of work pays homage to Doig’s passion for skiing and connection to Zermatt, while also referencing a rich tradition of alpine paintings...

Zermatt Street Scene D.W., 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, drypoint, softground, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of Authenticity In mint condition PLEASE NOTE: Images of edition number are example references only. The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. The pictures are only for illustrative reasons, the work is offered unframed. An avid winter sportsman, Peter Doig lived in Zermatt for six weeks in 2020 and for four months in 2021, working out of a studio on the mountain. With his inventive, painterly approach, the artist uses alpine imagery and traditional printmaking techniques to investigate landscape, material, and form. These diverse series of etchings reflects a self-referential process of experiment and innovation in which works continuously evolve into their final form. Together, this body of work pays homage to Doig’s passion for skiing and connection to Zermatt, while also referencing a rich tradition of alpine paintings...

Young Zermatt Skiers (night), 2021 — Peter Doig, Contemporary, 21st Century, Etching with hand dropped aquatint, Magic Realism Edition of 20 Signed recto in graphite, accompanied by ...

Gornergrat Sahara Dust, 2021 — Peter Doig, Contemporary, 21st Century, Etching in two colors, aquatint, spitbite, Magic Realism Edition of 20 Signed recto in graphite, accompanied by...

Chamois Cabin, 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of Aut...

Two whaling ships meet out at sea, one named after an Indigenous American tribe and the other after the first king of the northern Kingdom of Israel, the latter set upon by a malignant epidemic and a sailor gone mad with the belief that he is the Archangel Gabriel. Both ships are plagued, one by sickness and the other by obsession, and neither heeds the warnings of the mad prophet. Built out in layers of paper that have been printed using techniques like lithography and etching, this colossal print by Frank Stella employs careful color against warping black and white grids to give the impression of control slowly slipping and giving way to chaos. Photos don't give this piece proper justice; it is carefully collaged in purposeful layers that constantly pull the eye in every direction and the viewer closer and closer in. The Pequod Meets the Jeroboam: Her Story...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

Zermatt Street Scene P. D., 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, drypoint, Magic Realism Edition of 20 Signed recto in graphite, accompanie...

"Drawing in 3 sections #2". Original color aquatint, unknown year. Edition of 30 signed and numbered impressions on Arches paper. David Tremlett is an Englis...

Two Brothers (Red), 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, Magic Realism Edition of 20 Signed recto in graphite,...

Zermatt Street Scene C.P., 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certi...

Cat, Christ, Avalanche, 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certific...

"Drawing in 3 sections #1". Original color aquatint, unknown year. Edition of 30 signed and numbered impressions on Arches paper. David Tremlett is an Englis...

Jet Set, 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, chine colle, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of Authenticity In mint condition PLEASE NOTE: Images of edition number are example references only. The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. The pictures are only for illustrative reasons, the work is offered unframed. An avid winter sportsman, Peter Doig lived in Zermatt for six weeks in 2020 and for four months in 2021, working out of a studio on the mountain. With his inventive, painterly approach, the artist uses alpine imagery and traditional printmaking techniques to investigate landscape, material, and form. These diverse series of etchings reflects a self-referential process of experiment and innovation in which works continuously evolve into their final form. Together, this body of work pays homage to Doig’s passion for skiing and connection to Zermatt, while also referencing a rich tradition of alpine paintings...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the ...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Aquatint and burin on copper, 1964 Handsigned by the artist in pencil and numbered 66/75 Publisher : XXe siècle (Paris) Printer : S. Esmeraldo (Paris) Catalog : Schneider XV 75.00 cm...

Abstract color composition, 1959 aquatint lithograph "the Master and his Pupils". This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana...

Created by the Alex Katz in 2018, Laura x4 is a photoengraving and aquatint on Saunders Waterford paper. Hand-signed in pencil and numbered, the artwork measures 42 x 168 in. (107 x ...