Art by Medium: Aquatint

"Equilebrista (Gymnast)" is an original etching and aquatint by Miguel Castro Leñero. The artist signed the piece lower right, titled it lower cen...

"Still Life with Teapot, New Year's Edition" is an original aquatint by A. Antonni. This piece depicts a still life in gray. Antonni creates original aquatint prints, sometimes of a ...

"Wounded Fruit" is an original color aquatint by Dan Mitchell Allison. It depicts a banana behind a window with an arrow through it. There are also color names written on the piece. It recalls Rene Magritte's early surreal explorations of objects and text. The artist signed the piece in the lower right. It is edition 39/40. 15 1/2" x 19 1/2" art 22 1/4" x 26" frame Born in Houston, Texas in 1953, the printmaker and painter continues to live and work there, still remaining an integral part of the lively Houston art scene while garnering attention throughout the United States, as well as overseas. Allison's prints are included in major museum and private collections throughout the world, including the U.S., Europe and Asia. He has gained renown for his innovative painting with the surface subtleties of printmaking and has established an international reputation for printmaking that places him in league with some of the most important late 20th century artists to have worked in the print medium. Achieving worldwide critical acclaim for his printmaking, Allison was the recipient of the prestigious 1987 Grand Prix award for the 17th Biennial of Graphic Art sponsored by the Ljubljana Museum of Modern Art in the former Republic of Yugoslavia. The artist's award winning, three panel collagraphic triptych, "Between Heaven and Earth," was selected from more than 1800 entries submitted from 57 countries. Past recipients of Ljubljana print award honors include Joan Miro, Karl Appel, Jasper Johns, Robert Rauschenberg, Frank Stella, James Rosenquist, David Hockney, Victor Vasarely, Antonio Berni...

"St. Sebastian in N.Y." is an original color aquating by dan Mitchell Allison. The artist signed the piece in the lower right. This piece depicts a heart/apple behind a window being assaulted by small arrows. Cactus-patterned curtains fly away from the windows and five words float in front of the entire image. This piece resembles Rene Magritte's early experiments with text-based surrealism. This piece is edition 38/40. 15 3/8" x 19 5/8" art 22 1/8" x 26 1/4" frame Born in Houston, Texas in 1953, the printmaker and painter continues to live and work there, still remaining an integral part of the lively Houston art scene while garnering attention throughout the United States, as well as overseas. Allison's prints are included in major museum and private collections throughout the world, including the U.S., Europe and Asia. He has gained renown for his innovative painting with the surface subtleties of printmaking and has established an international reputation for printmaking that places him in league with some of the most important late 20th century artists to have worked in the print medium. Achieving worldwide critical acclaim for his printmaking, Allison was the recipient of the prestigious 1987 Grand Prix award for the 17th Biennial of Graphic Art sponsored by the Ljubljana Museum of Modern Art in the former Republic of Yugoslavia. The artist's award winning, three panel collagraphic triptych, "Between Heaven and Earth," was selected from more than 1800 entries submitted from 57 countries. Past recipients of Ljubljana print award honors include Joan Miro, Karl Appel, Jasper Johns, Robert Rauschenberg, Frank Stella, James Rosenquist, David Hockney, Victor Vasarely, Antonio Berni...

TECHNICAL INFORMATION: Salvador Dali Masque De La Mort 1975 Etching Aquatint 26 x 19 3/4 in. Edition of 240 Pencil signed and numbered; certified authentic by Frank Hunter of the Sa...

"You Feel Like Home" is an original etching and aquatint signed by the artist Molly McKee. It is edition 3/10 and depicts a figure holding two babies and another tall figure to the l...

Aquatint, monoprint with chine collé 84.5 x 68.6 cms (33 1/4 x 27 ins) Edition of 22 variants

Antoni Tàpies, 1972 “Catalan Suite”. Etching Copy 3/75 Hand signed and numbered Tàpies Catalogue vol.I - Galfetti nº303

CR 168 Paper:Auvergne à la Main Richard de Bas handmade paper; offset-printed Roth Händle cigarette label Signature:Signed "RM" in pencil upper right Inscriptions:Numbered in pencil ...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Image Sz: 13 3/4"H x 19 1/4"W Frame Sz: 21"H x 26"W Extremely rare colour sporting aquatint engraving by James Pollard (1792-1867) depicting "Epsom The Race Over' published by Arth...

Artist: Joan Miró Title: Series “Enrajolats” Year: 1979. Technique: Etching with aquatint on Arches paper, copy 5/30. Signed and numbered in pencil. The series “Enrajolats” consists ...

Donald Baechler, Starfish, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aqu...

Donald Baechler, Potted Plant, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint on ...

Joseph Kosuth ( American, b. 1945) L’Essence de la rhétorique est dans l’allégorie IV, 1998 Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper Dimensions: each 4...

William Tillyer The Ruswarp Suite 3 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

Aquatint from three copper plates printed in black, red, and orange. On cream Velin Arches mould-made paper Signed, numbered, and dated 74 in pencil, lower right Published by Petersb...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

William Tillyer The Ruswarp Suite 5 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

Soft-ground etching and aquatint from one copper plate printed in black, with hand colouring in black gouache. On buff Velin Arches mould-made paper Signed with initials and dated 1980 in red crayon...

Peter Doig (born 1959 in Edinburgh) Untitled (Fisherman), 2005 Medium: Etching and aquatint in colors, on vellum Dimensions: 39.5 x 30 cm (57 x 45.5 cm) Edition of 35: Hand signed, d...

Sam Francis Mehrfarbige Spirale, 1970 Signed in pencil Edition A.P. (the edition was 40) Image size: 60.4 x 45.3 cm Sheet size: 85 x 68 cm Published by The Litho Shop, Inc., Californ...

Etching, aquatint and embossing on paper Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins) Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

74.6 x 43.2 cms (29 3/8 x 17 ins) Edition of 30 Plate: 60.3 x 25.1 cm (23 3/4 x 9 7/8 ins), Sheet: 74.6 x 43.2 cm (29 3/8 x 17 ins) Paper: Somerset Textured Edition of 30 Proofs: I BAT, 3 AP, 3 CTP Signed right, under image, numbered left, under image; publisher's chop lower right. Publisher: The Litho Shop, Inc., Santa Monica, California Printed by Jacob Samuel...

Aquatint in Black and White from "Series II" by Joan Miró. Aquatint etching from 1947, printed in 1952-1953 Edition of 13, in complete approx. 20 Exemplars. The present artwork i...

William Tillyer The Ruswarp Suite 1 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

This original etching and aquatint in colours is monogrammed in pencil by the artist “M" at lower right corner. It is also hand numbered in pencil 72 from the edition of 75, at the...

88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100

Aquatint and soft ground on paper, edited in 1970
 Limited edition, numbered in lower left corner.
 Hand signed by artist in pencil in the lower right corner.
 Very good conditions. ...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

ZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Etching No. 325, 1986 Technique: Original Hand Signed, Numbered and Dated Etching and Aquatint in Colours on G...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Eduardo Chillida 1996 "Sin Título" Grabado al Aguatinta Tirada de 100 ejemplares Numerado y firmado a mano (12/100) Koelen 96001 61 x 80 cm

Sam Francis Untitled 1989 Aquatint, Edition of 20 44.5 x 32.4 cms (17 1/2 x 12 3/4 ins) 22.9 x 15.2 cms (9 x 6 ins) SF15235

John Baldessari Rollercoaster 1989-90 Color aquatint and photogravure on Somerset paper 38 3/4 x 67 1/4 in. P.P. (Printer's Proof) Pencil signed and numbered

Aquatint and lift-ground etching on Georges Duchêne Hawthorne of Larroque handmade paper, Edition of 70 1983 90.2 x 46.4 cms (35 1/2 x 18 1/4 ins)

Etching, aquatint and embossing on paper Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins) Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)

Antoní Tàpies Tors. 1987 Etching and aquatint engraving exemplary Proof of workshop P.T. Signed and justified in pencil. Catalogue raisonné Tàpies vol. IV - pag.110/nº1203 90 x 63 cm

Colour soap ground and spit bite aquatints with photogravure and roulette. Published by Crown Point Press, 2007. Paper: Somerset Satin White

Black Triangle (State I) is an aquatint etching with pochoir on paper, 22.75 x 39.75 inches, signed 'James Rosenquist' and dated 1978 lower right; numbered 33/78 and titled lower le...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Etching in colours by Max Ernst. "Bonjour", 1966 66,5 x 50,1 cm Copy 7/99 Edition of 111 copies (approx.)

Robert Motherwell Espana II 1983 Aquatint and lift-ground etching on Moulin du Gue Rives de Lin paper Edition of 40 31.8 x 26.7 cms (12.5 x 10.5 ins) RME9319

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

Sam Francis Untitled 1984 Etching and aquatint in colours, edition of 30, this is a colour trial proof 74.6 x 43.2 cms (29 3/8 x 17 ins) SF15201

John Baldessari Life's Balance (with Money) 1989-90 Etching, aquatint and photogravure in colors, on irregularly shaped Somerset paper 51 x 42 3/4 in. Edition of 45 Pencil signed and...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8pm 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

Color etching with carborundum by Antoni Clavé "No Title", 1975 75,5 x 55,5 cm Copy 32/60 Edition of 60 (approx.). Antoni Clavé (Barcelona 1913 - 2005 ...

Color etching with carborundum by Antoni Clavé "Servando V", 1973 66 x 57 cm Copy Artist's Proof Edition of 95 Antoni Clavé (Barcelona 1913 - 2005 Sain...