Aquatint Art

Soft-ground etching and aquatint from one copper plate printed in black, with hand colouring in black gouache. On buff Velin Arches mould-made paper Signed with initials and dated 1980 in red crayon...

Sam Francis Untitled (SFE-021), 1984 Aquatint in colors with Chine collé on Japanese paper Signed lower right Edition 10/10 lower left Image size: 91 × 45 cm Sheet size: 112 × 65 cm...

Colour aquatint with embossing ""Feuillage en couleurs" (Colourful Leaves) by Georges Braque from 1956. The edition on BFK RIVES cromprises approx. 80 copies. The present copy is ...

"Chandelier" is a recent work of German mid-career artist Melanie Richter. It is a color etching and aquatint work displaying a candle chandelier, which has both a decorative aspect...

This remarkable aquatint print handpainted and collaged with watercolor depicts dogs actively engaged in friendly play in a desert landscape. Leashes fly outside the square composit...

Aquatint and watercolor collage by Jenny Toth, mixed media artist, professor, graduate of Yale School of Art

Leon Kossoff Going Home 1984 Dry point etching and aquatint. Edition of 60 57.1 x 64.7 cms (22.5 x 25 1/2 ins) (paper size) 40.5 x 51.5 cms (15 15/16 x 20 1/4 ...

Author: Joan Miró Title: L'Otarie Savante Year: 1978 Technique: Etching, Aquatint and Carborundum. Signed and numbered by hand 46 of a print run of 50 copies. Certified by the Funda...

88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100

Fascinated by an experience in the Camargue bird sanctuary in 1955, the bird became a symbol of freedom and harmony for Georges Braque. ‘I now only draw birds, after my still lifes h...

Ross Bleckner (American, b. 1949), "Selection Sequence", Etching and Aquatint in Colors, 2002, marked "TPA" lower left, signed in pencil and dated lower right, unframed. Image: 26.75...

Etching, aquatint and chalcography on wove paper, 1989 Signed in pencil, numbered 17/40 Published by 2RC Edizioni d'Arte, Rome with their blindstamp, the full sheet Very Good condit...

Peterdi, Gabor (American, born Hungary, 1915-2001). ECLIPSE IV. Johnson 247) Aquatint in colors, 1966. Edition of 25, signed, dated, titled and numbered 9-25 in pencil. 36 x 24 inche...

Created with a sensitive attention to color and value, this work is one of many floral motifs Braque depicted in his lifetime. Deeply saturated tones of ochre and brown express a subdued mood, while the hints of highlights convey to the viewer a sense of brightness and energy. A cluster of yellow daisies emerge from a simple ochre vase...

Etching with Aquatint, white on black

Intaglio aquatint Print Sz: 12 1/4"H x 19 1/2"W Frame: 21"H x 27 3/4"W

Antoni Tàpies, 1976 “Deux et Trois”. Aquatint etching Hand signed and numbered P.A. Tàpies catalog vol.II - Galfetti 577

Mack, Harry F. POCKETS FOR POWDER IN THE MINE. Etching with aquatint, not dated, but circa 1930s. Titled and signed "H. F. Mack" in pencil. 7 7/8 x 6 inches (plate), 10 3/4 x 9 1/4 i...

Jack and Jill, 1989 Paula Rego Etching with aquatint, on Velin Arches wove Signed and inscribed ‘A/P’ One of fourteen artist’s proofs aside from the number...

Die Traumerin Etching and aquatint inch 9.8 x 6.2 Young Sicilian (Italy) painter, Simone Geraci was born in 1985 in Palermo, where he lives and works. In 2012, he graduated from Ac...

Ross Bleckner (American, b. 1949), "Selection Sequence", Etching and Aquatint in Colors on Paper, 2002, marked "AP4" lower left, signed in pencil and dated lower right, unframed. Ima...

This original etching and aquatint in colours is hand signed by the artist in pencil "Sam Francis" at the lower right margin. It is also hand inscribed in pencil “CTP” [Colour Trial...

Robert Motherwell The Poet's Eye 1990 Aquatint and carborundum in black and blue, on J. Whatman paper, Edition of 35 Image size: 45.1 x 60.3 cms (17 3/4 x 23 3/4 ins) Sheet size: 64....

Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...

Andre Masson (1896-1988), Blue Serpent, 1957, 2 plates, 1) etching and aquatint in colors, signed, dated (30/7/61) and  inscribed “pour Louis Broder epreuve d’artiste.” Reference: S...

Charles Dufresne (1876-1938), Chasseurs de Lion (The Lion Hunters), etching, aquatint and drypoint, 1921, signed in pencil lower right and numbered (40/40) lower left [also signed in the plate lower center]. Reference: Thomas Dufresne 39. In very good condition, with full margins, on an ivory/tan laid Arches paper, with a (partial) Arches watermark. 11 3/4 x 14 7/8k, the sheet 14 5/8 x 21 3/4 inches. Published by Editions Sagot, with the blindstamp of Edmund Sagot Lugt 2254) bottom margin. A fine rich impression, printed in a brownish/black ink, with substantial drypoint burr. The Lion Hunters is a tour de force of printmaking. Dufresne skillfully utilizes a range of techniques including etching, drypoint, aquatint and perhaps even soft-ground etching. Dufresne’s stunning composition in The Lion Hunters of course shows the influence of both cubism and Parisian School – after all he was born in France and studied at the Edole des Beaux Arts – but it also shows the influence of the years he spent in Africa, and his origins as part of a seafaring family. In 1910 he won the Prix de l’Afrique du Nord...

John Sloan (1871-1951), Hell Hole, 1917, etching and aquatint, signed bottom right, titled bottom center, and inscribed “100 proofs”. Reference: Morse 186, second state (of 2). From ...

La Poursuite by Orovida Pissarro (1893-1968) Etching with aquatint 17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches) Signed and dated lower right Orovida 1917 Inscribed lower left Final State Trial proof no. 1 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Peccarys and Tiger Pranks by Orovida Pissarro (1893-1968) Etching and aquatint 31.5 x 23 cm (12 ⅜ x 9 inches) Sig...

William Tillyer The Ruswarp Suite 3 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

"Hinting (With Chine Colle)" is an etching and an aquatint signed by Molly McKee. This complex print starts with a mass of black scribbles that are in the foreground near the upper left. The next piece is a woman's torso. Covered up slightly by the black marks, but still beautiful and graceful. Behind her is a golden rocket shaped object. Art: 12 x 8.88 in Frame: 24.88 x 17.5 in A Milwaukee...

"Equilebrista (Gymnast)" is an original etching and aquatint by Miguel Castro Leñero. The artist signed the piece lower right, titled it lower cen...

Ca. 1900. Original color aquatint. Very fine impression on cream laid Arches paper, signed in pencil lower right and numbered. No. 16 of 30 impressions. Full Margins. 17 1/2 x 12" Im...

Artist: Joan Miró Title: Series “Enrajolats” Year: 1979. Technique: Etching with aquatint on Arches paper, copy 26/30. Signed and numbered in pencil. The series “Enrajolats” consists...

"Still Life with Teapot, New Year's Edition" is an original aquatint by A. Antonni. This piece depicts a still life in gray. Antonni creates original aquatint prints, sometimes of a ...

Hand signed and numbered by the artist. Etching and aquatint on lana paper. Image size 19.3 x 14.9 in. Frame size approx 29 x 25 in. Edition of 95. Certificate of authenticity includ...

Fascinated by an experience in the Camargue bird sanctuary in 1955, the bird became a symbol of freedom and harmony for Georges Braque. ‘I now only draw birds, after my still lifes h...

An etching/aquatint by American artist James Rosenquist. This is #69 from the edition of 78. Signed lower right. Titled and numbered lower right. 17 3/4" x 35 3/4" art 29" x 46 1/4"...

Marino Marini (1901-1980) La Sorpresa II, from Personaggi (Guastalla A169), 1973 Etching and aquatint in colors, on wove paper, signed in pencil and numbered IV/XXV (there was also ...

Antoni Tàpies "El dit" 1987 Etching, aquatint and carborundum engraving in several inks, with relief Signed and numbered by hand, 48/99 Work reflected in Antoni Tàpies Catalogue vol...

Car-Travelling In The South Of Ireland In The Year 1856. Bianconi's Establishment Print Sz: 10 7/8"H x 14"W Frame Sz: 19"H x 23"W Published 1856 by Ackermann & Co Engraver: John...

"Tenderness" is a watercolor painting on canvas by Maestro Marina Dobrovolskaya About the artwork: TECHNIQUE: oil painting, aquatint, pastels STYLE: Realist, Contemporary Edition ...

"Fruits" is a watercolor painting on canvas by Maestro Marina Dobrovolskaya About the artwork: TECHNIQUE: oil painting, aquatint, pastels STYLE: Realist, Contemporary Edition : Un...

Hand signed, dated, numbered and titled by the artist. Etching and aquatint on Pescia Italia paper. Edition of 78. Published by Multiples, Inc. Sheet size 23 x 40 inches. Frame si...

William Tillyer The Ruswarp Suite 6 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

86.4 x 71.8 cms (34 x 28.25 ins) Edition of 17 Paper: Somerset Textured Proofs: 9 AP, I CTP (on handmade paper) Signed right, under image; numbered left, under image; publisher's chop lower right Publisher: The Litho Shop Inc., Santa Monica, California Printed by Jacob Samuel...

Color etching with carborundum by Antoni Clavé "Servando V", 1973 66 x 57 cm Copy Artist's Proof Edition of 95 Antoni Clavé (Barcelona 1913 - 2005 Sain...

Robert Motherwell Espana II 1983 Aquatint and lift-ground etching on Moulin du Gue Rives de Lin paper Edition of 40 31.8 x 26.7 cms (12.5 x 10.5 ins) RME9319

Perspex form, vacuum formed acrylic and spray painted black, 1970, signed and dated verso, from the edition of 106, although an edition of 750 was planned it was not fully executed, published by xartcollection, Zurich, 59 x 59 x 9.8 cm. (23.2 x 23.2 x 3.9 in.) In 1970 British-Pop artist Richard Hamilton was invited to produce an edition of 750 small-scale multiples of the Guggenheim. The intention was to produce vacuum-form reliefs in Perspex and offset the costs of expensive molds by creating a large edition. In the end, the project proved more technically difficult than anticipated. Of the three colours (black, white and chrome), only a total of 271 were realised, 117 in white. The xartcollection was created in 1968 in Zurich, Switzerland by Sandro Bocola...

still-life print of 2 plastic bottles soap ground and spit bite aquatints with aquatint edition of 25 signed in light pencil with edition number, titl...

Joan Miró, 1973 Etching and aquatint Signed and numbered by hand Certified by the Joan Miró Foundation on the back of the painting Copy 44 of 50 Catalogue raisonné Miro Engraver v...

TECHNICAL INFORMATION Richard Tuttle Type J 2003 Spit Bite Aquatint with Soft ground Etching Tarlatan Chine Colle 13 x 13 in. Edition of 15 Pencil signed & numbered Accom...

Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered 69th from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice ...

color etching and aquatint. Edition 1/100 Fantastical Surreal Fantasy

Stephen Buckley b. 1944 Untitled (Small Etching B), 1979 etching and aquatint 28 x 24.2 cm 11 x 9 1/2 in signed and dated verso, edition of 40 Stephen Buckley is a British abstract ...

Antoní Tàpies Tors. 1987 Etching and aquatint engraving exemplary Proof of workshop P.T. Signed and justified in pencil. Catalogue raisonné Tàpies vol. IV - pag.110/nº1203 90 x 63 cm

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Artist: Joan Miro Title: La Femme Arborescente Medium: Aquatint Etching Size: 43.5"h, 28.75"w; 55.5"h, 41"w Edition: X/50 Inscription: Signed “Max” in upper right Condition: Museum q...

Author: Joan Miró. Title: Personnage a la Flèche Noire Year: 1977. Technique: Etching and aquatint. Print run of 50 copies, signed and numbered by hand. Certified by the Fundació Joa...