Art by Medium: Aquatint

Origin-Beginning-6 presents one of the most vertically structured compositions in the series. Elongated clusters of pale forms rise through the center, flanked by darker shapes that ...

Signed, titled and numbered aquatint print. Summer light infuses the Live Oaks in a park near the town of Sonoma, CA. Wheat colored grasses rustle lightly in the brease. This is a g...

Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...

Aquatint and etching on Japon paper from Historia de Don Quixote de la Mancha. Hand signed lower right by Salvador Dali. Hand numbered 4/150 lower left. Sheet size: 29.875 x 22.12...

De trace de pas de trace de… Color etching with aquatint, 1966 From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images) Edition: 85 portfolios in the...

Etching and aquatint, 1965 Edition : 48/75 Publisher : Maeght (Paris) Printer : Maeght (Levallois-Perret) Catalog : [Dupin 394, page 68] 89.50 cm. x 63.50 cm. 35.24 in. x 25 in. (pa...

Martin Barooshian, American (1929 - 2022) - Mother Goose (Red), Year: circa 1979, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: HC, Ima...

This artwork titled "Montagne Ocre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 28 x 38.5 inches, framed size is 48 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...

James Rosenquist (1933 - 2017) Swing Screen, 1979 Etching and aquatint (two state) Sight: 17 1/2 x 35 1/2 in. (image) Framed: 30 1/2 x 59 1/2 x 1 1/2 in. Edition 21/78 Inscribed, signed, numbered bottom James Rosenquist was born in 1933 at Grand Forks, North Dakota. His family moved to Minneapolis in 1944. In 1948, he began his studies of art at the Minneapolis Art Institute. In 1953, he continued his studies of painting at the University of Minnesota. In 1955 he had a scholarship to go to the Art Students' League, New York, where he met Robert Indiana. During this period, he painted small format abstract paintings and worked part-time as a driver. In 1957 he met Jasper Johns and Robert Rauschenberg. In 1959 he was at the same drawing class as Claes Oldenburg and was made "head painter" by the Artcraft Strauss Corporation. He married the textile designer Mary Lou Adams. During the election he produced the picture President Elect in which John F. Kennedy's face is combined in a kind of collage with sex and automobile imagery. His first one-man exhibition in the Green Gallery, in 1962, was sold out. In 1963 he worked on several sculptures, had a number of exhibitions at the Galerie Ileana Sonnabend, showed his work at the Dwan Gallery...

Pierre Soulages Eau Forte XVIII, 1962 Edition number: 69/100 Etching and aquatint in colors, signed in pencil by the artist. 1 Plate on Velin d'Arches paper Printed by Lacouriere, Pa...

Jacques VILLON Young Girl with the Cats (Minne et les chats buvant), 1907 Original etching Handsigned in pencil Limited to 30 copies On linen...

Arnoldi, Charles (American, born 1946). UNTITLED. Etching and aquatint in colors, 1982. Edition of 5, printed at Teaberry Press, San Francisco, with their blindstamps, lower left and...

Signed, titled and numbered by the artist. Edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satelli...

Robert MOTHERWELL Abstract Composition Original etching and aquatint Unsigned On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) Published by Lazar Vernet in 1967 and limited to 200 ...

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. This print is a slight departure from other ser...

Etching, aquatint and drypoint. Not Signed and not Numbered as issued. Edition of 226 pieces. Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86). Printed by Lacourièr...

Brice Marden Tiles, 1979 Etching with aquatint, on Somerset satin paper Edition 5 / 50 lower left Hang signed and dated lower right Image size 20 x 20 cm Sheet size 75 x 57 cm Refer...

Considered a major force in the Op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Date: 1974 Etching, Aquatint, and Intaglio on Guarro paper, signed and numbered in pencil Edition of 21/75 Size: 22 x 30 in. (55.88 x 76.2 cm) Frame Size: 26 x 34 inches Publisher: E...

This artwork "Personages with Lambs" 1924 is an original colors aquatint by noted French artist Felix Roy A.K.A Sylvain Sauvage, 1888-1948. It is hand signed and numbered 88/350 in pencil by the artist. The image size is 13 x 9.5 inches, framed is 20 16 inches. Published and printed by La Societe Des Graveurs Modernes, Paris. Custom framed in a wooden gold frame. It is in excellent condition, especially considering the age of this artwork About the artist. Félix Roy, said Sylvain Sauvage (born in Baume-les-Messieurs ( Jura ) on May 8 , 1888 and died in Paris in January 1948 ) is an illustrator and technician of the French book. He was an exhibitor at the Salon des Artistes Décorateurs and Director of École Estienne . He illustrated many books of the French classic literature. The work of Sylvain Sauvage is held in numerous private collections in France and Europe. Selected books illustrated by the artist. L'Ingénue de Voltaire, Kieffer, 1922 La fille aux yeux d'or de Balzac, G. Crès, 1923 Monsieur Nicolas ou le cœur humain dévoilé. Mémoires intimes de Restif de la Bretonne, illustrés par Sylvain Sauvage de Restif de la Bretonne, Henri Jonquières, 1924 Les Belles Dames de Paris, historiettes de Tallemant de Réaux, coll. « Le livre du lettré », 1924 (avec une préface de Gérard Bauër) Anatole France, Les sept femmes de la Barbe Bleue et autres contes merveilleux, A.&G. Mornay, Paris, 1925 Marquis de Sade, Ernestine, Cabinet du Livre / Jean Fort Éditeur, Paris, 1926 : 10 eaux-fortes Casanova (J. de, Seigneur de Seingalt.), Une aventure de Casanova, Histoire complète de ses amours avec la belle C. C. et la religieuse de Muran. Compositions de Sylvain Sauvage gravées avec la collaboration de E. Feltesse. Paris, [chez l'artiste], 1926. Candide de Voltaire, chez l'Artiste (imprimé chez Frazier-Soye et Haasen), 1928 Les Dieux ont soif de Anatole France, Éditions du Nord, 1928 Le Bon Plaisir d’Henri de Régnier, La Roseraie, 1929 : 20 eaux-fortes en couleurs et vingt bois gravés La Troisième Jeunesse de madame Prune de Pierre Loti, Calmann-Levy, 1936 Les Romanesques ; Les Deux Pierrots ; La Dernière Nuit de Don Juan d’Edmond Rostand, éditions Pierre Laffitte, 1939 ; illustrations de Auguste Leroux...

A mountain cabin obscured by mist on a snowy mountain top surrounded by trees. Based on a view of Heather Meadows, Mt Baker Ski Area, WA. Signed titled and numbered in pencil from th...

A contemporary monochrome print of a Quiver Tree. Signed in graphite below plate lines. Titled to the lower margin and edition A/P (Artist Proof). Mounted in a fine black frame. On w...

Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman with chocolate and marshmallow figures...

This artwork titled "Ile" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, d...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Cosmicstrip I by Roberto Matta, Chilean (1911–2002) Date: 1959 Etching, signed and numbered in pencil Edition of 21/50 Image Size: 14.75 x 19.25 inches Frame Size: 23.75 x 28 inches ...

Owl is an original black and white etching realized in 1972 by Leo Guida. Hand-signed and dated by the artist on the lower margin. Edition of 11/30. Includes frame: 80 x 2.5 x 59 ...

Donald Baechler, Szechuan Garden, 2003: Medium: Aquatint and soft-ground etching. Sheet size: 27 x 34 inches. Edition of 35 (30 + 5 artists proofs). Hand-signed, dated and numbered on bottom of sheet. Printed on Hanhnemuhle paper. Unframed. Acquired directly from publisher. Artist Biography: Donald Baechler, a member of the East Village art scene in 1980s New York, is known for his painting-collage-drawing works depicting of childhood imagery and nostalgic ephemera like grammar school primers, old maps, and children’s drawings...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

¿De qué mal morirá? from the first edition of Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the First Edition of "Los Caprichos" published by the Calcografia Nacional for the Real Academia of Madrid. Plate N. 40. Numbered on the upper right corner, with very fresh inking and sheet in good condition. Titled on the lower central margin " ¿De qué mal morirá? " (What's going to happen?). Good conditions. Dimensions of plate: 2 x 3.4 cm. Assez bonnes marges. A scene that makes us reflect upon the condition of poor people during the Spanish court...

Signed, titled and numbered by the artist. Edition of 10. Abstract patterns implying air currents and topography. Rosalyn Richards has been a member of the Bucknell University art ...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XXI Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in ...

Ira Moskowitz, Polish/American (1912 - 2001) - Dancing Group, Year: circa 1960, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 3/150, Image Size: 11.75 x 13...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Untitled, Planche 15 (Plate 15)" [Set of 2] Portfolio: Unité *Signed by Le Corbusier in pencil lowe...

Arthur B. Davies, Up-Rising, soft ground etching and aquatint on a cream laid paper, 1919, signed in pencil lower right margin. Reference: Czestochowski 78, second state (of 3). In g...

Qui ne se grime pas? (Who does not wear a mask?) Aquatint, roulette, drypoint, acid bite, and scorper, 1923 Signed in the plate loweer left (see photo) Dated in pencil Series: Miser...

This original etching and aquatint is hand signed in white pencil by the artist "Miró" in the lower right image. It is also hand numbered in pencil from the edition of 50, at the low...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

Joe Durante - Odyssey. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.75 x 17.5 inche...

Julian Trevelyan 1910-1988 Chiswick Eyot, 1971 etching and aquatint 58.4 x 78.1 cm 23 x 30 3/4 in signed, titled and numbered from the edition of 75 in pencil Julian Trevelyan was a...

Artist: Keiko Minami, Japanese (1911 - 2004) Title: Castle Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 120 Image Size: 12 x 11 inches Size: 22 ...

Julian Trevelyan 1910-1988 Windsor, from the Thames Suite, 1969 etching and aquatint 59 x 77.5 cm 23 1/4 x 30 1/2 in signed, inscribed and titled in pencil, edition of 75 + 15 AP Th...

Katz, Alex Serena 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Mitsuo Miura (Japan, 1946) Hako III, 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) series number: 5/25 I...

Mary Anne Watson, American - Net, Year: 1967, Medium: Etching and Aquatint, signed, titled, numbered and dated, Edition: 3/25, Image Size: 12 x 12 inches, Size: 18.5 x 18 in. (46.9...

Pablo Picasso’s 1968 etching and aquatint Théâtre ou télévision: cape et épée belongs to the artist’s late period, a time when he reflected intensely on the themes of performance, sp...

Brice Marden (American, b. 1938) Etching for Parkett, 1986 Medium: Sugar lift and aquatint on Rives BFK, bound in Parkett journal no. 7 Dimensions: 25.5 x 21 cm Edition of 100: Hand-...

Colored engraving with mixed technique of etching and aquatint, on copper plate, on Magnani-Pescia paper. Paper size 50cm x70cm.  Enrico Benaglia was born in 1938 in Rome, where he ...

Disparate alegre - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 12 ...

Abstract print with fall colors, from a series inspired by ground cover and vegetation. Signed, titled and numbered from the edition of 10. Charles Eckart was born in Oakland, Calif...

Disparate furioso - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 6 from of the second edition of t...

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...

This original etching is hand signed in pencil by the artist “Andre Masson” at the lower right margin. It is numbered in pencil 55 from the limited edition of 99 impressions at the l...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Donald Baechler, Sea World, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aqu...

David Hockney (British, b. 1937) He Tore Himself To Pieces, 1969 Series: Rumpelstilzchen (Six Fairy Tales from the Brothers Grimm) Medium: Etching and aquatint on handmade paper Dime...

Disparate de Carnaval - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. ...

An Etching with Hand Coloring on paper, signed, numbered and dated in pencil by Argentinian/American artist, Diana Gandolfi.

Hank Laventhol, American (1927 - 2001) - Mountain Village, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 16.5 x 24...