Art by Medium: Aquatint

This artwork titled "Juges" from the suite "Les Fleurs du Mal" created in 1937/38, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958....

Hank Laventhol, American (1927 - 2001) - Ripe Sky, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, Image Size: 16 x 24 inches, Size: 22 ...

Disparate volante - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 5 from of the second edition of ...

Signed, titled and numbered from the edtion of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect th...

An ex libris print featuring the fantasy figures and musicians in surreal M.C. Escher style building. Roman Sustov's prints often provide a fantastic blend of classic technique combined with images from the vast worlds of surrealism, eroticism, fantasy and fairy tales. Signed in pencil artists proof from the edition of 100. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Medium: Silkscreen Year: 2025 Image Size: 11.4 x 7.87 inches Edition Size: 30 Lavinia by Stephen Lawlor is a contemplative figurative color silkscreen featuring a solitary female f...

Like Seeing Fallen Brightly Away is a portfolio of three etchings by artist David Urban made in collaboration with Durham Press in 1998. Moving away from ...

Image of a young woman, pondering a question over a cup of coffee. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and i...

Away, 2000 – 02 Howard Hodgkin Sugarlift-ground etching with aquatint printed in colours, extensively hand-coloured in acrylic, on Two Rivers wove Initialled, dated and inscribed 'P...

A young female angel contemplating thorny rose.Signed, titled and numbered from the edition of 10. While the images have some resemblance to traditional Japanese Ukiyo-e prints, thei...

Nancy Graves Calibrate, 1981 16 color etching, aquatint, engraving and lithograph. Printed from 5 copper plates, 1 zinc plate and 1 stone Hand signed, numbered 12/30 dated on the fro...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Monogram signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etc...

Untitled is an original artwork realized in 1989 by Sam Francis. Etching, Aquatint and monotype in colors on BFK Rives Edition including 18 color variations, this one is signed and...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Signed in pencil Numbered 16/50 Chagall worked extensively in etching and aquatint during the later decades of his career, producing numerous independent compositions and illustr...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

12 colour-printed drypoint etchings Edited in 1975. Limited edition of 75 copies, numbered 19/75 in lower left corner. Hand-signed by artist in pencil in the lower right margin. Pap...

Akio Wakasa Miyakawa - The Primitive Toy C, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 4/20, Image Size: 12.75 x 17.75 inches, Size: 15...

Victor Pasmore British, 1908-1998 Images on the Wall B (Lynton G72b), 1992 etching with aquatint 56.5 x 49.5 cm 22 1/4 x 19 1/2 in signed with initials and dated in pencil, printer’s...

Artist: Gilou Brillant, French (1935 - ) Title: untitled 30 Year: circa 1974 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 58/110 Size: 30 x 22 in. (76.2 x 55...

Joan Miro, Spanish (1893 - 1983) - Bagatelles Vegetales (D 111), Year: 1956, Medium: Etching with Aquatint On Richard de Bas, Edition: 300, Size: 9.5 x 7.25 in. (24.13 x 18.42 cm), ...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

Medium: Etching with aquatint Year: 2021 Edition: 45 Image Size: 35.5 x 23.75 inches A Birds-eye view of a sea gull sailing over the California surf. Werger has received over 250 a...

Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...

A large aquatint print after a pen and watercolour drawing by Richard Westall (1785-1836), which is held by the National Gallery of Art in Washington. The work depicts a Romantic sce...

Foggy scene in a forest, inspired by landscape near Bellingham, WA. Signed and numbered etching and aquatint, signed, titled and numbered from the edition of 120. Born in Berkeley, ...

'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...

Composition is a woodcut print realized in the mid-20th Century after Wassily Kandinsky (1886-1944). Good condition on a white cardboard. Monogrammed by the artist on the lower lef...

Artist: Jose Luis Cuevas, Mexican (1934 - 2017) Title: Justine y el Marquez de Sade from the Intolerance Portfolio Year: 1989 Medium: Etching, signed and numbered in ink Edition: 50...

Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Dominguin I', 2005 etching, aquatint, sugarlift on paper 21.3 x 27.4 in. (54 x 69.5 cm.) Edition of 20 Unframed ID: VAL-129 Hand-signed by...

Dine, Jim (American, born 1935). THE BROWN COAT. D'Oench/Feinberg 3 Color etching, soft-ground etching, aquatint, drypoint and electric tools, 1977. Edition of 50. Printed on Copperp...

"Roberto Fabelo (Cuba, 1950) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: FAB-301"

'Derwent Water with Lowdore Waterfall' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher ...

This artwork titled "SWing Screen" 1979 is an original colors etching with aquatint on Pescia Italia paper by renown American artist James Rosenquist, 1933-2017. It is hand signed, d...

John Beerman, American (1958 - ) - Blue Hour, Year: 1994, Medium: Color Etching Aquatint, signed and numbered in pencil, Edition: 1/45, Image Size: 15.5 x 25.5, Size: 22 x 31.5 ...

Diana Gonzalez Gandolfi, Argentine/American (1951 - ) - Bridge in Merida II, Year: 1986, Medium: Etching with Aquatint on BFK Rives, signed, ...

This artwork titled "Rotterdam, Maashaven" 1958, is an original color etching with aquatint by noted Dutch artist Hendrikus Elias Roodenburg, 1895-1987. It is hand signed and titled ...

Henri Matisse Visage de jeune femme 1948 Aquatint on BFK Rives paper, signed in pencil and numbered 4/25. Paper size: 55.5 x 38 cms (21 7/8 x 15 ins) Image si...

Guadalmar by Christian Bozon is a restrained, atmospheric abstract composition that evokes landscape through color, surface, and horizon. A deep field of saturated blue dominates the...

Minami, Keiko (Japanese, 1911-2004) DEUX ARBRES. Etching and aquatint in colors, 1981. Signed and Numbered 98/100. (plate), framed to 14 X 14 inches . In excellent condfition.

Pelicans by Stephen McMillan is a serene two-plate aquatint etching depicting a line of pelicans gliding across an expansive sky. Soft tonal gradations and layered blues create a sen...

Los Ensacados - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 8 from ...

Alan Shields Untitled mixed media geometric abstraction collage, ca. 1979 Etching and aquatint in colors with collage Pencil signed and numbered 15...

This artwork "Untitled" 1982 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dat...

Aquatint, 1932, edition unknown. Signed, dated, and titled in pencil. Image size 7 3/8 x 6 3/8 inches (187 x 162 mm); sheet size 12 1/4 x 11 3/8 inches (311 x 289 mm). A fine impression, in rich sepia ink, on cream wove paper, with wide margins (2 3/8 to 2 1/2 inches); in excellent condition. Scarce. A beautifully composed cubist work depicting urban Rumba revelers, possibly inspired by a New Orleans Rumba Night scene. Little biographical information is available about E. P. Marquié. The artist created numerous miniature-format etchings of New York...

This artwork titled "Sombre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 38.5 x 28 inches, framed size is 48.25 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...

La Promenade Etching, soft-ground, aquatint & drypoint, Signed in pencil lower left Published by Edmund Sagot, Paris Edition of 50 in black only, aside from the edition of 50 in co...

The English dance of death - The dance of life is an original pair of rare and fine books written by William Combe (25 March 1742 – 19 June 1823) and illustrated by Thomas Rowlandson (13 July 1757 – 21 April 1827) in 1816/1817. Original First Edition. Published by Ackermann, London. Format: in 8°. The dimensions of the book are indicative. The book includes 3 volumes with 295 + 299 + 285 pages. 2 frontispieces and 96 handcolored etchings. 252 pages and 26 handcolored aquatints. Good conditions. Thomas Rowlandson (13 July 1757 – 21 April 1827), he was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte. William Combe (25 March 1742 – 19 June 1823) was a British miscellaneous writer. His early life was that of an adventurer, his later was passed chiefly within the "rules" of the King's Bench Prison. He is chiefly remembered as the author of The Three Tours of Doctor Syntax...

Abstract Lithograph of The Louve with I.M. Pei Glass Pyramids Limited edition lithograph of an abstracted urban landscape, with fractured yellow and green color fields, by Bu King (...

Vibrant hues of red, green, yellow and blue intersect against bold black curves in Joan Miró The Playful Ogre (L’Ogre Enjoue), 1969. This lively and commanding artwork is appropriate...

Correccion is an original artwork realized by Francisco Goya and published for the first time in 1799. Etching on wove paper. This artwork belongs to the Third Edition published in...

Edgar DEGAS (after) Whorehouse Scene : The Yellow Saloon Original etching and aquatint On Japan paper 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the great ar...

Skein Flock, by Kelvin Mann Medium: Woodblock with silk screen and flock fibers Image size: 29.5 x 29 inches Edition of 50 Kelvin Mann's "Flock" prints are made by screen printing ...

This artwork, Untitled #1 is an original color aquatint on Wove paper by noted Mexican artist Luis Lopez Loza, b.1939. It is hand signed and numbered 4/50 i...

Steve Sorman has had over 80 solo artist exhibitions throughout the United States . I have included, just for reference, some images of his museum show so that you can see the body...

The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

James Rosenquist (1933-2017) Just Desert (2nd State) (1979, 1979 Etching and aquatint on Pescia Italia paper Printed by Aripeka, Ltd., Aripeka. Published by Multiples, Inc., New York...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Pink Series is an artwork realized by Lucio Fontana in 1966. Etching and Aquatint on BFK Rives. cm 75,5x56, one of the biggest graphic works ever created by Fontana, and a conceptu...

Goya, Francisco (Spanish, 1746-1828). MUCHACHOS AL AVIO (LADS MAKING READY). Harris 46, State iii. Etching, aquatint, and engraving, 1799. Plate 11 from the First Edition of Los Capr...