Art by Medium: Aquatint

This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...

Disparate de Carnaval - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. ...

Artist: Jacques Villon, After, French (1875 - 1963) Title: Composition Year: 1927 (printed circa 1965) Medium: Aquatint Etching, Signed and dated '27' in the plate Image: 19 x 13.5 i...

Signed, titled and numbered by the artist. Image size: 4.75 x 4.5 inches Medium: aquatint and drypoint Year: 2014 Edition size: 50 Abstract image invoking scenery of the Mediterrane...

Lucio Fontana Concetto spaziale, ca. 1970 Signed and numbered front right of sheet Aquatint in green with cutting 60 x 47.5 cm 23.6 x 18.7 inches Edition 26 of 99 H. Ruhé, C. Rigo "L...

Jean Sariano, Algerian/American (1943 - ) - Good Night, Year: 1979, Medium: Intaglio Etching and Aquatint, signed and numbered in pencil, Edition: 300, Size: 31 in. x 22 in. (78....

Signed and numbered from the edition of 50. Oraison du soir (Evening Prayer) is an abstract aquatint by Christian Bozon, composed of a luminous ochre field set against a deep, irreg...

George Condo is a New York-based artist known for his psychologically charged paintings and drawings that combine traditional art references with cartoonish distortions. His work is ...

Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...

Akio Wakasa Miyakawa - Primitive Lineage, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 4/20, Image Size: 11.75 x 19.5 inches, Size: 15 x ...

French abstract aquatint etching of robed figure and aircraft, 1978. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Archival plastic slee...

Artist Georges Rouault (1871, France - 1958, France) Main title "Des ongles et du bec" Etching and aquatint on wove paper. Creation date 1926 / 1948 Publisher: Etoile Filante, P...

Joan Miro Escalade de la butte 1976 Original etching and aquatint in colors on BFK Rives paper Hand signed in pencil and numbered 35/50 from the edition of 50 Published by Atelier La...

A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) and JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875 - 1963 Paris (French) Tit...

Typical of Joan Miró, L' Exile Vert (The Green Exile), 1969, combines bold colors and playful dots and lines to create a character of the imagination. At once, viewers are drawn to t...

Joan Miro, Spanish (1893 - 1983) - Bagatelles Vegetales, Year: 1956, Medium: Etching with Aquatint and Carborundum, on Richard de Bas, Edition: 300, Size: 9.25 x 14.5 in. (23.5 x 36...

Minami, Keiko (Japanese, 1911-2004) DEUX OISEAUX SUR L'ARBRE. Etching and aquatint in colors, 1979. Signed and Numbered 98/100. 11 1/8 x 14 3/8 inches (plate),c. 14 x17 inches (shee...

Jack Sonenberg (Canadian/American, 1925-2012), "Dimensions VI (C)", Color aquatint , full margins , numbered edition signed in pencil lower right, titled in pencil lower left, n...

125.5 x 135.5 cms (49.41 x 53.35 ins) Edition of 58 Signed in pencil, inscribed 'Bon a tirer'. Published by 2RC Edizioni d'Arte, Rome Printed by Vigna Antoniniana, Rome, with t...

Pierre Alechinsky (1927) - Autour de chute Etching and aquatint from 1979. The edition of 23/60. Dimensions of work: 60 x 98 cm. Hand signed. Another example of this etching wit...

Aquatint in colours with sugar lift "Serpentine" (blue) by Georg Baselitz from 2022/23. The edition on Somerset White Satin comprises 50 copies in blue / 50 copies in green. The ...

Marie LAURENCIN Rider and dancer, 1949 Color etching Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11in) INFORMATION : Created by Laurencin and engraved by Lo...

This artwork titled "Arch of Septimius, Rome" 1923, is a color etching and aquatint on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by t...

Considered a major force in the Op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Medium: Aquatint Dimensions: 12 x 9 inches (image) Signature: Signed Date finished: 2018 Edition: of 100 Fall colors on Chuckanut Drive, south of Bellingham, WA Born in Berkeley, ...

Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...

Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...

Color etching and aquatint, 1958. Signed by the artist in pencil, lower right Numbered IV/15 in pencil, lower left. Printed by Crommelynck and Dutrou, Paris. Published by GLM, Par...

Etching and aquatint on paper, edited in 1975. Limited edition of 100 copies, numbered as 30/100 in lower left corner. Signed in pencil by artist in lower right corner. Plate size 3...

JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...

in Beneath the Surface: Dissolve, Werger captures a fleeting, immersive moment of swimmers beneath the rippling surface of a swimming pool. Echoing the iconic swimming pool paintings...

Bronzino presents a sun-dappled afternoon scene in which a woman in a floral bikini reclines on a striped towel beside her dog. The play of filtered sunlight through tree branches cr...

Ruth Kerkovius (Latvian/American 1921-1970) "Village in Southern Italy" Edition 10/30, Landscape Etching/Drypoint/Aquatint signed and numbered in Pencil, 16.25 x 24.75, Late 20th Century, 1967 Colors: Black, Brown, Blue, White, Red She was born in Latvia in 1921. She received her early training in Munich, Germany, working in theatre Costume History and Design, and in painting before she came to America. Once in New York she studied at the Art Students League, the School of Visual Arts, the Pratt Graphic Art Center under Frasconi, and then continued at Pratt on a fellowship to work under Michael Ponce de Leon...

Disparate fúnebre - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 18 ...

Terry Haass, 'Quintet', etching and aquatint, edition 20, c. 1948. Signed, titled, and numbered '12/20' in pencil. A superb, richly-inked impression, on off-white wove paper, with fu...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman contemplating small plants and animals...

John Harris after Harry Hall The Merry Beaglers c. 1845 48x65cm Aquatint with hand colouring The most famous beagling print there is, after the 1845 pa...

Louis Icart, French (1888 - 1950) - Black Fan, Year: 1931, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16 x 20.75 inches, Frame Size: 25.75 x 30 inches, P...

Stanley WIlliam (Bill) Hayter Meduse, 1958 High Viscosity Etching & Engraving Pencil signed, titled and numbered from the edition of 50 (10/50) on the front Catalogue Raisonne Bl...

Signed, titled and numbered in pencil from the edition of 30. Portrait of a young cowboy. Viramontes was the subject of a 1-hour documentary Xavier Viramontes, A Life in Print which...

This artwork "City Children Playing" c.1970 is an original colors etching with aquatint on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbe...

A fine etching by Charles Hunt (1803-1877) and coloured using aquatint by C. Simpson after a painting by John Frederick Herring (1795-1865). It depicts The Baron, a Thoroughbred race...

Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America (Havell Edition) Year: 1835 Medium: Original H...

This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...

Put Out All Flags, created by Robert Motherwell in 1980, is an extraordinary color etching and aquatint characterized by vibrant color, gestural marks, and a signature red-and-black ...

This artwork titled "Partir Avant la Pleine Mer" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-200...

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aqua...

This 3‑plate color piece beautifully captures the delicate interplay of raindrops rippling across water surfaces, giving rise to abstract reflections that evoke both movement and tra...

Senza Titolo 11 by Victor Pasmore, 1989 Additional information: Medium: etching with aquatint 40 x 57 cm 15 3/4 x 22 1/2 in signed with initials, dated and numbered 78/90 in pencil ...

Signed lower right, "Edinah L. Jewett", inscribed lower left, "1/2" and titled "Ballerina and Friend". A substantial sugar-lift aquatint and etching showing a young woman in coral ...

Signed and numbered etching and aquatint, signed, titled, and numbered from the edition of 200. Featuring one of the prominent features along the Big Sur Coast - Point Sur. Born in...

Allà Và Eso from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquat...

This artwork "Untitled, Abstract Landscape" c.1960, is an original colors etching and aquatint on Wove paper by noted Belgian artist Rene Marcel Carcan, 1927-1993. It is hand signed ...

Etching with drypoint, mezzotint and aquatint on Copperplate Deluxe paper, 1973 20-1/2 x 27-1/4 inches (52.1 x 69.2 cm) (image) Ed. 18/28 Signed, numbered, and dated in pencil along ...

Paris: Gazette des Beaux Arts, 1896. Etching with aquatint on cream laid paper, 7 7/8 x 4 7/8 (200 x 125 mm), full margins. Edition of roughly 750. In good condition with uniform ton...

Signed, titled and numbered from the edition of 15. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more...

Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...

A very good, richly-inked impression of this scarce color aquatint on Arches Cover. Initialed and numbered 15/28 in pencil by Motherwell. Printed by Catherine Mosley at the artist's ...