Art by Medium: Aquatint

Graham Sutherland
 Apollinaire, Le Bestiaire, 1979 Etching and aquatint Numbered 56/75
 Signature in pencil lower right 
 Image Size: 11 x 8 cm Sheet Size: 30 x 21 cm
 Edition of 75...

'14,829 East 14th Street' Hand Colored Aquatint Etching 2015 image size 10” x 15” with the paper being larger. Edition of 3' (one of three) Hand Colored...

"Irregular Arcs from Four Sides" colorful, geometric abstract etching with aquatint in colors on Somerset paper with full margins. Signed and numbered PP 2/3 in pencil on front lower...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An interior engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Robert Mangold (b. 1937) A Set of Four Prints from Five Aquatints Sheet size: 22.8 x 22.8 cm (each) Overall: 50.8 x 50.8 cm 69 x 69 x 4 cm (framed) This set of four aquatints is a q...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Augustus Charles Pugin (1762 - 1832) All Souls...

Etching and aquatint on Guarro paper from the ‘Série Mallorca’, edited in 1973. Limited edition, numbered 17/50 in the lower left corner. Hand-signed in pencil by the artist in the l...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Etching and aquatint on paper, edited in 2001. Limited edition, numbered “p.a.” (prova d’artista) (artist’s proof) in the lower left corner. Hand-signed in pencil by the artist in th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

'Elizabeth's Cone', Aquatint Etching with the plate (image itself) 15 x 22 inches. On a larger sheet of archival paper. An iconic still life image featuring the “tragedy” of a drop...

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Jacques HEROLD (French, 1910-1987) Lady with a Lilac Necklace, 1975 Original etching and aquatint Handsigned in pencil Numbered /49 Justified "E.A" (Ar...

Jacques HEROLD (French, 1910-1987) Surrealists Seaweeds, 1975 Original etching and aquatint Handsigned in pencil Numbered /49 Justified "E.A" (Artist's...

Donald Baechler, Red + Blue Cup Cakes, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etch...

Etching and aquatint in black on Auvergne paper Image Size: 13 x 10 cm Sheet Size: 32 x 25 cm Framed 48.7 x 41 cm Edition of 50 hand-signed and numbered by the artist.

La obra va firmada en la parte inferior por el artista "Frank Adams" El estado de la obra es bueno Se presenta bien enmarcada la obra Medidas de la obra: 67 cm altura x 47 cm anch...

Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

Samuel Howitt (1765-1822) after Thomas Williamson (1758-1817) Exhibition of a Battle between a Buffalo & a Tiger' from Oriental Field Sports (1819) Hand-coloured aquatint 35 x 47 cm Captain Thomas...

Max Papart — “Blue Enchanted Bird” Original Lithograph • Pencil‑Signed & Numbered 4/50 Very Limited Edition • 37 × 55 in. • Circa 1981 This impressive large-format lithograph, Blu...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Salvador Dalí L'Alchimiste (The Alchemist) , 1975 Etching and aquatint with stencil hand-colouring, on Arches paper, with full margins. It was published under two contracts; one in 1...

An excellent impression of this large color aquatint. Numbered in pencil 99/175. Printed by Lacourière, Paris. Published by Vollard, Paris. Catalogue reference: Chapon/Rouault 141; ...

A very good impression of this large, scarce print, color aquatint on white wove Fabriano paper. Artist's proof, aside from the edition of 35. Signed and inscribed "artist's proof" ...

Sloan, John. BARBER SHOP. Etching and aquatint, 1915, (Morse 173), 3rd (final) state, Only 35 were printed, by Sloan. Signed in pancil, lower right. 10 x 12 inches (256 x 308 mm (pl...

Dorothy J. Krueger (1926-2011) Austin Artist Image Size: 14 1/2 x 7 1/2 Frame Size: 19 x 12 Medium: Etching Mid Century Modern Ancient Oracle Biog...

Bumbeck, David (American, born 1940). WINDOW II. Etching and aquatint, 1966. An Artist's Proof aside from the edition of 35. Ttiled, inscribed "Artist's Proof," and signed and dated,...

This ltd edition print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial...

Zao Wou-ki - Moments - Original Aquatint Edition of 130 Dimensions: 34.2 x 30.5 cm Vellum paper BFK Rives 1996 Bibliography: Jørgen Ågerup, Zao Wou-Ki: The Graphic Work, A Catalogue ...

Edgar DEGAS (after) Whorehouse Scene : Champagne Before Love Etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the great art se...

Edgar DEGAS (after) Whorehouse Scene : A Group of Prostitutes Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the g...

Edgar DEGAS (after) Whorehouse Scene : Blond Hair Girl Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the great art...

Paul-Adrien BOUROUX London Tower Bridge Viewed from the Thames Original etching with aquatint Printed signature in the plate On Japan paper 28 x 19 cm (c. 11 x 8 inch) Excellent co...

Elisabeth Frink English, 1930-1993 Lammergeier, from Birds of Prey, 1974 etching with aquatint 92.1 x 65.1 cm 36 1/4 x 25 5/8 in signed and numbered in pencil Dame Elisabeth Jean Fr...

John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right, inscribed in pencil “For John Quinn, Esq. – John Sloan” lower left margin, (also signed ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Bumbeck, David. DANCER. Etching and aquatint, 1983. Edition of 65, titled, numbered, signed and dated in pencil. 8 5/8 x 9 5/8 inches, 220 x 245 mm. In excellent condition, and nicely framed. Born in 1940, David Bumbeck received his B.F.A. from the Rhode Island School of Design and a M.F.A. from Syracuse University. For the last 20 years, he has been a professor at Middlebury College...

A very good impression of this color aquatint on Arches. Signed and numbered 3/48 in pencil by Chamberlain. Published by Novak Graphics, Toronto, with the black ink stamp, verso, and...

Mily POSSOZ Back from the bakery MEDIUM : Etching and aquatint SIGNATURE : Handsigned LIMITED : 75 copies PAPER : BFK Rives vellum SIZE : 22 x 15" INFORMATIONS : Bears the blind st...

17M2G-2017 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contribu...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

An eye-catchingly colourful modernist print. Inscribed 'E.A.' meaning 'épreuve d'artiste' or artist's proof. Dated and indistinctly signed in graphite to the lower right. Smartly pre...

An eye-catchingly colourful modernist print. Inscribed 'E.A.' meaning 'épreuve d'artiste' or artist's proof. Dated and indistinctly signed in graphite to the lower right. Smartly pre...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

13F5G-2013 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contribu...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...