Art by Medium: Aquatint

Katz, Alex Rudy 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Annabel 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Alain, 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Victor Guadalajara (Mexico, 1965) 'Luna Roja ', 2020 etching, aquatint, silkscreen on paper Intaglio 300 g. 37.8 x 56 in. (96 x 142 cm.) Edition of 10 Unframed ID: GUA-109 Hand-signe...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Pensioner of Trinity College, Cambridge, Masters of Arts, and Sizer (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a pensioner of Trinity College, Masters of Arts, and a sizer (that is, an undergraduate who received some form of assistance such as meals, lower fees or lodging during his period of study, in some cases in return for doing a defined job) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, possibly to a graduation ceremony. At Cambridge, a sizar was originally an undergraduate student who financed his studies by undertaking more or less menial tasks within his college but, as time went on, was increasingly likely to receive small grants from the college. Certain colleges, including St John's and Trinity, distinguished between two categories of sizar: there were specific endowments for specific numbers of sizars who were called "proper sizars"; those who were not so endowed, but who were maintained by fellow-commoners and fellows were called subsizars. Isaac Newton matriculated as subsizar at Trinity College. Richard S. Westfall noted that sizars were considerably more successful in gaining degrees than the gentlemen who entered Cambridge in the seventeenth century. Pensioners, on the other hand, paid a fixed annual fee in order to study. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Priscila Vergara (Mexico, 1974) 'Trazos de atardecer ', 2013 sugar aquatint on paper Guarro Biblos 250g. 22.5 x 21.3 in. (57 x 54 cm.) Edition of 75 ID: VER-101 Unframed

Ricardo Sanabria (Mexico, 1983) 'La resilencia', 2017 etching, sugar aquatint on paper Guarro Biblos 250g. 21.3 x 29.8 in. (54 x 75.5 cm.) Edition of 20 ID: SAB-101 Unframed

Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...

Enrique Gallart (Mexico, 1948) 'Amigos', 2012 collagraph on paper Guarro Biblos 250g. 28.6 x 20.9 in. (72.5 x 53 cm.) Edition of 20 ID: GAL-101 Unframed

Marco Lamoyi (Mexico, 1957) 'Untitled', 2010 sugar aquatint on paper Guarro Super Alpha 250g. 29.2 x 21.6 in. (74 x 54.7 cm.) ID: LAO-101 Unframed

Yovani Bauta (Cuba, 1957) 'Vendedor de ilusiones', 2011 engraving on paper 24.1 x 18.2 in. (61 x 46 cm.) Edition of 10 ID: BAU-101 Unframed

Carlos Rene Aguilera (Cuba, 1965) 'Alistando la expedición', 2001 etching, aquatint on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 30 ID: AGC-101 Unframed

Ever Fonseca (Cuba, 1938) 'Lagartijo de luna', 2002 silkscreen on paper Guarro Biblos 250g. 39.4 x 30 in. (100 x 76 cm.) Edition of 100 ID: FON-102 Unframed

Fille dite de joie (They Call Her Daughter of Joy) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922-1927 Unsigned (as issued) From: Miserere (Have Mercy), 58 plate...

Rigoberto Mena (Cuba, 1961) 'Abstraccion Lirica', 2003 pastel, sugarlift on paper Guarro Super Alpha 250g. 20.9 x 27.2 in. (53 x 69 cm.) Unframed ID: MER-103 Hand-signed by author

Vicente Rojo (Mexico, 1932-2021) 'Volcán Violeta', 2016 engraving, sugarlift, embossed on paper Guarro Biblos 250g. 17 x 13.8 in. (43 x 35 cm.) Edition of 40 Ref: ROJ-156

Vicente Rojo (Mexico, 1932-2021) 'Volcán Magenta', 2016 engraving, sugarlift, embossed on paper Guarro Biblos 250g. 17 x 13.8 in. (43 x 35 cm.) Edition of 40 Ref: ROJ-159

Vicente Rojo (Mexico, 1932-2021) 'Volcán Verde', 2016 engraving, sugarlift, embossed on paper Guarro Biblos 250g. 17 x 13.8 in. (43 x 35 cm.) Edition of 40 Ref: ROJ-155

Vicente Rojo (Mexico, 1932-2021) 'Novela', 2007 book, sugar aquatint on paper Guarro Biblos 250g. 4.8 x 4.4 in. (12 x 11 cm.) Edition of 50 ID: ROJ-124 Unframed

Vicente Rojo (Mexico, 1932-2021) 'Aforismo F', 2015 silkscreen on paper Deponte 300 g. 20.3 x 26.4 in. (51.5 x 67 cm.) Edition of 140 ID: ROJ-147 Unframed

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego III', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-120 Unfra...

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 2', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-103 Hand-signed by author

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 4', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-105 Hand-signed by author

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 1', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-102 Hand-signed by author

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 5', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-106 Hand-signed by author

Raul Anguiano (Mexico, 1915-2006) 'Salomé', 2003 Engraving, sugarlift on paper 22.1 x 14.8 in. (56 x 37.5 cm.) Edition of 100 ID: ANG-102

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

Tim Southall Kings Limited Edition Print Etching and Aquataint made on a Copper Plate (Please note that in situ images are purely an indication of how a p...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck after Frederick Mackenzie (1788 - 1854) East Side of St Erasmus' Chapel, Westminster Abbey (1812) Hand-coloured aquatint 28 x 19 cm Published by Rudolph Ackermann...

"Venice II L'Ombre du Coleone" is a Jean Michel Mathieux-Marie aquatint and etching of a Venetian scene. It is from an edition of 120. Mathieux-Marie was born in Paris in 1947. He...

Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences and the School of the Art Institute of Chicago. She received a MacArthur Foundation Fellows...

Pierre Alechinsky (1927) - Volcan de nuit Etching and aquatint from 1972. The edition 23/100. Dimensions of work: 64 x 89 cm. Hand signed. The work is in Excellent condition.

Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...

The single letter "Q", from the alphabet, illustrated by a quail. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and im...

Searching for a "PG rated" image - Xingu River ray, illustrates the letter "X", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in folio box...

The single letter "U", from the alphabet, depends on phonics for the "ewe" to qualify for "U". All letters are available, and the full set of 27 etchings in folio box is available fo...

An original mixed media, Photo Etching, Aquatint, Drypoint on paper by the collaboration of two artists, Robert Flemming and Mizin Shin. This piece entitled Judgment Hour measure ...

Jacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

This original etching and aquatint is hand signed and dated in pencil by the artist "Miró 1947" at the lower right. It is also hand numbered in pencil from t...

To see our other views of Oxford and Cambridge, or Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Etching, aquatint on paper, edited in 1941. Limited edition of 50 copies, numbered in lower left corner 41/50 Signed in pencil by artist in lower right corner. Paper size: 28 x 32 c...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Hand signed, dated, numbered and titled by the artist. Etching and aquatint on Pescia Italia paper. Edition of 78. Published by Multiples, Inc. Sheet size 23 x 40 inches. Frame si...

Samuel Howitt (1765-1822) after Thomas Williamson (1758-1817) Exhibition of a Battle between a Buffalo & a Tiger' from Oriental Field Sports (1819) Hand-coloured aquatint 35 x 47 cm Captain Thomas...

Jacquette, Yvonne. (American, 1934-2023). SKOWHEGAN II Aquatint, 1987. Editon of 35. Signed, dated and numbered 12/35, all in pencil. 20 1/2 x 15 7/8 inches (plate), 29 x 22 1/2 inch...

Dorothy J. Krueger (1926-2011) Austin Artist Image Size: 14 1/2 x 7 1/2 Frame Size: 19 x 12 Medium: Etching Mid Century Modern Ancient Oracle Biog...

Etching, drypoint and aquatint in 19 colours, edited in 1977. Limited edition of 75 copies, numbered as 69/75 in lower left corner. Hand signed by artist in pencil in the lower right...

Engraving, aquatint and mixed intaglio Signed, dated and annotated "AP" References And Exhibitions: Tschacbasov was a Russian/Amiercan artist who was widely exhibited and collecte...

15AV2G-2015 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contrib...

This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...

This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...

This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...

Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an ongoing exchange o...

Reed, Doel (American, 1894-1985) WEDDING PREPARATIONS.. Etching and Aquatint, 1973. Signed in pencil, lower right, and numbered 26/30. 12 x 17 1/2 inches (plate), 15 x 22 1/4 inches ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854) East End of South Aisle, Westminster Abbey (1812) Hand-coloured aquatint 31 x 24 cm Published by Rudolph Ackermann...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 98/150 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came ...