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Art by Medium: Aquatint

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Medium: Aquatint
Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)
Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)

Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)

By George Brookshaw

Located in Saint Augustine, FL

Artist: George Brookshaw (English, 1751-1823) Title: "Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)" (Plate LXXIX - 79) Portfolio: Pomona Britannica, or A Collection of the Most Esteemed Fruits Year: 1808 (First edition) Medium: Original Aquatint and Stipple Engraving with Printed and Hand-Coloring on wove paper Limited edition: Unknown Printer: T. Bensley, London, UK Publisher: George Brookshaw, London, UK Framing: Recently framed in a wood and gold moulding with 100% cotton rag matting and Museum Glass Framed size: 28.5" x 24.44" Sheet size: approx. 22.25" x 17.5" Image size: 16.25" x 12.25" Reference: Dunthorne No. 50; "Great Flower Books" - No. 81; Nissen BBI No. 244; "An Oak Spring Pomona" No. 40a; Prideaux No. 295 Condition: Some minor scuffing to image. In excellent condition Rare Notes: Provenance: private collection - Orlando, FL; acquired from The Old Print Shop, New York, NY retaining their original gallery label upper center on verso. Comes from Brookshaw's famous book volume "Pomona Britannica", (1804-1812) which consists of 90 aquatint engravings some with stipple printed...

Category

Early 1800s Victorian Art by Medium: Aquatint

Materials

Watercolor, Engraving, Aquatint

LA PARISIENNE

LA PARISIENNE

By Jacques Villon

Located in Portland, ME

Villon, Jacques (1875-1963). LA PARISIENNE (TOURNEE A GAUCHE, PETITE PLANCHE). G PE93. Etching and aquatint in colors, 1904. Edition of 100 Printed on cr...

Category

Early 1900s Art by Medium: Aquatint

Materials

Etching, Aquatint

Vivian Stanshall, British, etching 'Lorenzo’s ghost from Isabella by John Keats'
Vivian Stanshall, British, etching 'Lorenzo’s ghost from Isabella by John Keats'

Vivian Stanshall, British, etching 'Lorenzo’s ghost from Isabella by John Keats'

Located in Petworth, West Sussex

Vivian Stanshall (1943–1995) Lorenzo’s Ghost (from Isabella by John Keats) Etching and aquatint with printed text Signed ‘Vivian’ on the reverse This compelling etching and aquatint...

Category

20th Century Modern Art by Medium: Aquatint

Materials

Etching, Aquatint

Judgment Hour

Judgment Hour

By Robert Flemming & Mizin Shin

Located in Buffalo, NY

An original mixed media, Photo Etching, Aquatint, Drypoint on paper by the collaboration of two artists, Robert Flemming and Mizin Shin. This piece entitled Judgment Hour measure ...

Category

2010s Expressionist Art by Medium: Aquatint

Materials

Paper, Mixed Media, Drypoint, Etching, Aquatint, Photogram

Etching No. 187, from: The Skin of Things - Chinese French Lyrical Abstraction
Etching No. 187, from: The Skin of Things - Chinese French Lyrical Abstraction

Etching No. 187, from: The Skin of Things - Chinese French Lyrical Abstraction

By Zao Wou-Ki

Located in London, GB

This original etching and aquatint in colours is hand signed in pencil by the artist in Chinese and Pinyin at the lower right margin and dated in pencil next to the signature '693’ [1968]. It is also hand numbered in pencil from the edition of 114, at the lower left margin. This etching and aquatint was printed by Imprimerie Arte, Paris and published in a limited edition of 114 signed and numbered impressions by Jean-Robert Arnaud, Paris. Note: This subject is one of ten published in the folio ‘La peau des choses’ [The Skin of Things] in 1968. The folio also included works by Huguette-Arthur Bertrand, Cesar, Émile Gilioli, James Guitet...

Category

1960s Abstract Art by Medium: Aquatint

Materials

Etching, Aquatint

Sainte Anne
Sainte Anne

Sainte Anne

By Salvador Dalí­

Located in New York, NY

Drypoint, aquatint and heliogravure, 1965. Signed by the artist and dated in pencil, lower right margin. Numbered 42/150 in pencil, lower left margin. Printed by Robbe, Paris. Pub...

Category

1960s Surrealist Art by Medium: Aquatint

Materials

Drypoint, Aquatint

Wifredo Lam: Lames de Lam Plate I

Wifredo Lam: Lames de Lam Plate I

By Wifredo Lam

Located in Miami, FL

Wifredo Lam Lames de Lam Plate I, 1977 Etching and aquatint in colors Ed 7 of 99 13 x 15 in

Category

1970s Surrealist Art by Medium: Aquatint

Materials

Etching, Aquatint

La Luna
La Luna

La Luna

Located in New York, NY

G.Sils, "La Luna", Abstract Drypoint/Etching/Aquatint Prints signed on Paper, 8.50 x 8.50 (In Frame 13.75 x 13.75), Mid to Late 20th Century, 1969 Colors: Bro...

Category

1960s Abstract Art by Medium: Aquatint

Materials

Drypoint, Etching, Aquatint

Westminster Abbey St Erasmus' Chapel 1812 print by John Bluck for Ackermann
Westminster Abbey St Erasmus' Chapel 1812 print by John Bluck for Ackermann

Westminster Abbey St Erasmus' Chapel 1812 print by John Bluck for Ackermann

By Rudolph Ackermann

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck after Frederick Mackenzie (1788 - 1854) East Side of St Erasmus' Chapel, Westminster Abbey (1812) Hand-coloured aquatint 28 x 19 cm Published by Rudolph Ackermann...

Category

1810s Realist Art by Medium: Aquatint

Materials

Aquatint

Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art

Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Reference: Upcott III, page 1330 Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Aquatint

Materials

Laid Paper, Engraving, Intaglio, Etching, Aquatint

Portrait of Woman with a Hat - Original Bay Area Aquatint
Portrait of Woman with a Hat - Original Bay Area Aquatint

Portrait of Woman with a Hat - Original Bay Area Aquatint

By Maria Bennett

Located in Soquel, CA

Portrait of Woman with a Hat - Original Bay Area Aquatint Elegant portrait of a woman wearing a large hat and beaded necklaces by Maria Bennett (American, 20th century.) The woman s...

Category

Late 20th Century Contemporary Art by Medium: Aquatint

Materials

Paper, Ink, Drypoint, Aquatint

Fruit Juice Bottles II, State II
Fruit Juice Bottles II, State II

Fruit Juice Bottles II, State II

By Tony Cragg

Located in Saint Louis, MO

Tony Cragg Fruit Juice Bottles II, State 2, 1990 Color aquatint with spit bite aquatint 13 x 15 inches (33 x 38.1 cm) Edition of 25

Category

1990s Contemporary Art by Medium: Aquatint

Materials

Archival Paper, Aquatint

14829 East 14th Street

14829 East 14th Street

By James Torlakson

Located in Burlingame, CA

'14,829 East 14th Street' Hand Colored Aquatint Etching 2015 image size 10” x 15” with the paper being larger. Edition of 3' (one of three) Hand Colored...

Category

21st Century and Contemporary American Realist Art by Medium: Aquatint

Materials

Watercolor, Etching, Aquatint

Vesuvs im Winter (Vesuvius in Winter) /// Mount Vesuvius Volcano Campania Italy
Vesuvs im Winter (Vesuvius in Winter) /// Mount Vesuvius Volcano Campania Italy

Vesuvs im Winter (Vesuvius in Winter) /// Mount Vesuvius Volcano Campania Italy

Located in Saint Augustine, FL

Artist: (after) Pierre-Jacques Volaire (French, 1729-1799) Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9) *Issued unsigned, though signed by Richter in the plate (printed s...

Category

1790s Old Masters Art by Medium: Aquatint

Materials

Laid Paper, Etching, Aquatint

The Manager and his Dog /// Caricature Cartoonist British Humor Satire Etching
The Manager and his Dog /// Caricature Cartoonist British Humor Satire Etching

The Manager and his Dog /// Caricature Cartoonist British Humor Satire Etching

Located in Saint Augustine, FL

Artist: James Sayers (English, 1748-1823) Title: "The Manager and his Dog - or - A New Way to Keep One's Head above Water" *Issued unsigned, though monogram signed by Sayers in the p...

Category

Early 1800s Old Masters Art by Medium: Aquatint

Materials

Aquatint, Etching

The Razor's Edge

The Razor's Edge

By Robert Motherwell

Located in New York, NY

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

Category

1980s Abstract Expressionist Art by Medium: Aquatint

Materials

Color, Etching, Aquatint

Donald Baechler Blue Spruce 2005 (Donald Baechler prints)
Donald Baechler Blue Spruce 2005 (Donald Baechler prints)

Donald Baechler Blue Spruce 2005 (Donald Baechler prints)

By Donald Baechler

Located in NEW YORK, NY

Donald Baechler, Blue Spruce, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint, on ...

Category

Early 2000s Contemporary Art by Medium: Aquatint

Materials

Drypoint, Aquatint

COUPLE DE PAYSANS
COUPLE DE PAYSANS

COUPLE DE PAYSANS

By Camille Pissarro

Located in Portland, ME

Pissarro, Camille. COUPLE DE PAYSANS. D.125. Etching and aquatint on laid paper. Unsigned. From the posthumous edition of 10 printed in 1923. 4 3/4 x 3 1/8 inches, 118 x 78 mm. (plat...

Category

1920s Art by Medium: Aquatint

Materials

Etching, Aquatint

Elizabeth's Cone

Elizabeth's Cone

By James Torlakson

Located in Burlingame, CA

'Elizabeth's Cone', Aquatint Etching with the plate (image itself) 15 x 22 inches. On a larger sheet of archival paper. An iconic still life image featuring the “tragedy” of a drop...

Category

21st Century and Contemporary American Realist Art by Medium: Aquatint

Materials

Etching, Aquatint

20J3G-2020 (Abstract print)
20J3G-2020 (Abstract print)

20J3G-2020 (Abstract print)

By Alain Clément

Located in London, GB

20J1G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 30. Image size: 35.2 x 124.5 cm / 13.8 x 49 in Paper size: 46 x 135 cm / 18.1 x 53.1 in Clément's wo...

Category

2010s Abstract Art by Medium: Aquatint

Materials

Paper, Aquatint

Australian Stone - Modern, Expressionism, Collage, Aquatint, Red, Abstract

Australian Stone - Modern, Expressionism, Collage, Aquatint, Red, Abstract

By Robert Motherwell

Located in Köln, DE

Aquatint in colours and collage "Australian Stone" by Robert Motherwell from 1983-1984. The edition on Hawthorne comprises 67 copies. This present copy is signed, inscribed and n...

Category

1980s Abstract Expressionist Art by Medium: Aquatint

Materials

Mixed Media, Color, Aquatint, Etching

21S1G-2021 (Abstract print)
21S1G-2021 (Abstract print)

21S1G-2021 (Abstract print)

By Alain Clément

Located in London, GB

21S1G-2021 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 19. Image size: 39.5 x 54.5 / 15.5 x 21.5 in Paper size: 50 x 65 cm / 19.7 x 25.6 in Clément's work...

Category

2010s Abstract Art by Medium: Aquatint

Materials

Paper, Aquatint

20JU2G-2020 (Abstract print)
20JU2G-2020 (Abstract print)

20JU2G-2020 (Abstract print)

By Alain Clément

Located in London, GB

20JU2G-2020 (Abstract print) Aquatinte on Arches paper - Unframed. Edition of 19. Image size: 39.6 x 54.1 cm / 15.6 x 21.3 Paper size: 50.2 x 66.5 cm / 19.8 x 26.2 in Clément's wor...

Category

2010s Abstract Art by Medium: Aquatint

Materials

Paper, Aquatint

20J2G-2020 (Abstract print)
20J2G-2020 (Abstract print)

20J2G-2020 (Abstract print)

By Alain Clément

Located in London, GB

20J1G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 30. Image size: 35.2 x 124.5 cm / 13.8 x 49 in Paper size: 46 x 135 cm / 18.1 x 53.1 in Clément's wo...

Category

2010s Abstract Art by Medium: Aquatint

Materials

Paper, Aquatint

"The Game of Transformation. Butterflies"
"The Game of Transformation. Butterflies"

"The Game of Transformation. Butterflies"

By Elena Shichko

Located in Zofingen, AG

The etching "The Game of Transformation. Butterflies" is an artist's play with meanings and associations. In this work, modern girls are presented in the form of glamorous fluttering...

Category

2010s Aesthetic Movement Art by Medium: Aquatint

Materials

Paper, Mulberry Paper, Mezzotint, Etching, Aquatint

"From Album Twin, " Color Aquatint, Etching, & Collage signed by James Coignard
"From Album Twin, " Color Aquatint, Etching, & Collage signed by James Coignard

"From Album Twin, " Color Aquatint, Etching, & Collage signed by James Coignard

By James Coignard

Located in Milwaukee, WI

"From Album Twin" is an original signed color aquatint, etching, carborundum, and collage piece by James Coignard. it depicts two figures in the bottom corners among letters and numb...

Category

1970s Art by Medium: Aquatint

Materials

Etching, Aquatint, Carbon Pigment

Hell Hole

Hell Hole

By John Sloan

Located in New York, NY

John Sloan (1871-1951), Hell Hole, 1917, etching and aquatint, signed bottom right, titled bottom center, and inscribed “100 proofs”. Reference: Morse 186, second state (of 2). From ...

Category

1910s American Realist Art by Medium: Aquatint

Materials

Etching, Aquatint

Rolling Stock Series (For Trish)
Rolling Stock Series (For Trish)

Rolling Stock Series (For Trish)

By Robert Cottingham

Located in New York, NY

Robert Cottingham's Rolling Stock series is a significant part of his artistic portfolio, focusing on railroad imagery. The series features hand-colored etchings, collographs, and mo...

Category

1990s Contemporary Art by Medium: Aquatint

Materials

Aquatint

St John's College, Cambridge Library engraving by the Havells for Ackermann
St John's College, Cambridge Library engraving by the Havells for Ackermann

St John's College, Cambridge Library engraving by the Havells for Ackermann

By Rudolph Ackermann

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. D Havell (1785 - 1822) after William Westall (1781 - 1850) The Library of St John's College, Cambridge (1815) Hand-coloured aquatint 24 x 29.5 cm Published by Rudolph Ackermann...

Category

1810s Realist Art by Medium: Aquatint

Materials

Aquatint

Untitled
Untitled

Untitled

Located in Los Angeles, CA

Aquatint portrait signed by French artist George Pierrot (1871-1958). In a painted and gilded frame, with matting and glass cover.   Rouault first came to prominence in 1905, when ...

Category

20th Century Art by Medium: Aquatint

Materials

Aquatint

Waiting for a Client - Original etching
Waiting for a Client - Original etching

Waiting for a Client - Original etching

By (after) Edgar Degas

Located in Paris, IDF

Edgar DEGAS (after) Waiting for a client Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the great art seller, edito...

Category

1930s Modern Art by Medium: Aquatint

Materials

Etching, Aquatint

The Other Side of the Wall - Original Handsigned Etching - 150ex
The Other Side of the Wall - Original Handsigned Etching - 150ex

The Other Side of the Wall - Original Handsigned Etching - 150ex

By Lars Bo

Located in Paris, IDF

Lars BO The other side of the wall Original etching with aquatint Hnadsigned in pencil Numbered / 150 ex On vellum 50 x 65 cm (c. 20 x 26 inch) Very good condition, right margin li...

Category

Late 20th Century Surrealist Art by Medium: Aquatint

Materials

Etching, Aquatint

Flying Man
Flying Man

Flying Man

By Jose Esteban Martinez

Located in San Francisco, CA

This artwork "Flying Man" c.1990, is an original colors etching with aquatint on Wove paper by noted Mexican artist Jose Esteban Martinez, b.1951. It is hand signed in pencil by the ...

Category

Late 20th Century Other Art Style Art by Medium: Aquatint

Materials

Etching, Aquatint

Back from the bakery - Etching and aquatint, Handsigned
Back from the bakery - Etching and aquatint, Handsigned

Back from the bakery - Etching and aquatint, Handsigned

By Mily Possoz

Located in Paris, IDF

Mily POSSOZ Back from the bakery MEDIUM : Etching and aquatint SIGNATURE : Handsigned LIMITED : 75 copies PAPER : BFK Rives vellum SIZE : 22 x 15" INFORMATIONS : Bears the blind st...

Category

Early 20th Century Modern Art by Medium: Aquatint

Materials

Etching, Aquatint

Julian Trevelyan, Holland, etching and aquatint
Julian Trevelyan, Holland, etching and aquatint

Julian Trevelyan, Holland, etching and aquatint

By Julian Trevelyan

Located in London, GB

Julian Trevelyan (1910-1988) Holland Etching and aquatint, signed, numbered 30/52 35 x 48 cm Nephew of the historian G M Trevelyan, he was educated at Bedales and Trinity College,...

Category

1960s Modern Art by Medium: Aquatint

Materials

Etching, Aquatint

Satellite, by Rosalyn Richards
Satellite, by Rosalyn Richards

Satellite, by Rosalyn Richards

By Rosalyn Richards

Located in Palm Springs, CA

Medium: etching and aquatint Image size: 13.18 × 11.88 Edition: 12 Year: 2014 Abstracted image, planets, and satellite over rocky terrain. Rosalyn Richards has been a member of the...

Category

21st Century and Contemporary Abstract Art by Medium: Aquatint

Materials

Etching, Aquatint

Past Light, by Rosalyn Richards
Past Light, by Rosalyn Richards

Past Light, by Rosalyn Richards

By Rosalyn Richards

Located in Palm Springs, CA

Signed, titled and numbered in pencil by the artist. Image size: 8 x 6.5 inches Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from par...

Category

Early 2000s Contemporary Art by Medium: Aquatint

Materials

Etching, Aquatint

Beauregard
Beauregard

Beauregard

By Zao Wou-Ki

Located in Paris, FR

Etching and aquatint, 1981 Edition : 31/40 Publisher : Maeght (Paris) Printer : Atelier Lacourière et Frélaut (Paris) Catalog : [Agerup 310] 38.00 cm. x 28.00 cm. 14.96 in. x 11.02 ...

Category

1980s Abstract Art by Medium: Aquatint

Materials

Etching, Aquatint

Trinity College, Cambridge Library engraving by Stadler after Westall
Trinity College, Cambridge Library engraving by Stadler after Westall

Trinity College, Cambridge Library engraving by Stadler after Westall

By Joseph Constantine Stadler

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Trinity Library...

Category

1810s Realist Art by Medium: Aquatint

Materials

Aquatint

St Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann
St Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann

St Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann

By Rudolph Ackermann

Located in London, GB

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An interior engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Category

1810s Art by Medium: Aquatint

Materials

Aquatint

Moise Kisling -- NU AU TURBAN
Moise Kisling -- NU AU TURBAN

Moise Kisling -- NU AU TURBAN

Located in BRUCE, ACT

Moise Kisling NU AU TURBAN, 1952 Color aquatint Signed low right Numbered 86/100 low left Image size 54 x 39.3 cm Sheet size 75.2 x 55.7 cm It is framed with the aluminium frame, th...

Category

1950s Art by Medium: Aquatint

Materials

Aquatint

Man Ray (1890–1976) - Aquatint and soft ground on paper - 1970

Man Ray (1890–1976) - Aquatint and soft ground on paper - 1970

By Man Ray

Located in Varese, IT

Aquatint and soft ground on paper, edited in 1970
 Limited edition, numbered in lower left corner.
 Hand signed by artist in pencil in the lower right corner.
 Very good conditions. ...

Category

1970s Abstract Art by Medium: Aquatint

Materials

Aquatint

Acuarela sobre Papel, Templo Ruso, Signed, Circa 1972, 70x76 cm
Acuarela sobre Papel, Templo Ruso, Signed, Circa 1972, 70x76 cm

Acuarela sobre Papel, Templo Ruso, Signed, Circa 1972, 70x76 cm

Located in Sant Celoni, ES

La obra va firmada por el artista en la parte inferior y fechada del año 1972 En la parte trasera, va nuevamente firmada, fechada y titulada Se presenta sin enmarcar, solo con un p...

Category

1970s Other Art Style Art by Medium: Aquatint

Materials

Aquatint

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