Art by Medium: Etching

Clown is an original contemporary artwork realized by Miguel Angel Ibarz (Barcelona, 1958) in the 1970s. Original etching on paper. Hand-signed by the artist on the lower right co...

Lost in the Nature is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind",...

Sibyl and the Border is an original etching realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Hand-signed and dateb by the artist. ...

Obsequio a el Maestro is an original artwork realized by Francisco Goya and published for the first time in 1799. Etching on wove paper. This artwork belongs to the Third Edition p...

Composition is an original colored etching artwork on cardboard realized by Leo Guida in 1971. Hand-signed in pencil and dated on the lower left, titled on the lower right. The sta...

Charlie Davies From the depths Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Free Shipping...

Signed, titled, and numbered from the edition of 15. Image of a young girl i Kimono. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whi...

Black and white etching on wire rod paper, representing the Greek myth of the nymph Echo. Wonderful plate with fresh impression and a beautiful use of chiaroscuro, from the volume “...

Painter is an original etching on paper realized by Gian Paolo Berto in 1974. Good conditions . Hand-signed and numbered, edition: 30/40. Sheet dimension: 61 x 49.5 cm. Image Dime...

Signals is an original Contemporary artwork realized in 1986 by the italian artist Leo Guida. Original Colored Etching on paper. Hand-signed, numbered and dated in pencil on the l...

Joe Durante - Odyssey. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.75 x 17.5 inche...

Artist: Gilou Brillant (1935- ) Title: Untitled 23 Year: 1975 Medium: Aquatint Etching with Carborundum, signed in pencil Size: 22 x 14.5 in. (55.88 x 36.83 cm) Frame Size: 29 x 21....

Carnival is a beautiful etching, realized in 1964 by the German painter and engraver Bernard Schultze (1915–2005) a leading exponent of abstract painting and an enormously prolific artist. Hand-signed on the lower right. Good conditions. The artwork represents a spirit of carnival through intrigued lines in which figures are combined, the strongness of strokes makes a unique feeling of the carnival scene, the chaotic carnival sounds visualized through aesthetic features, by the sharp imagination of the artist. Bernard Schultze (1915–2005) was one of the largest German painters of the Abstraction in the middle of the 20th century. a painter who co-founded the Quadriga group of artists along with Karl Otto...

Image dimensions: 33.5 x 25 cm. Il Diavolo (The Devil) is an original artwork realized by Luigi Bartolini. Signed on plate on the lower right "L. Bartolini". Hand-signed in pencil ...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

The Sibyl is an original Contemporary artwork realized in the 1972 by the Italian artist Leo Guida. Original Etching on paper. Numbered, titled and dated on the lower margin in pe...

Color etching and aquatint, 1974. Signed by the artist in pencil, lower right margin. Numbered 51/75 in pencil, lower left margin. Printed by Il Cigno, Rome. Published by Albra, T...

Trees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...

Jacques Rigaud (c. 1671/91-1754) The Tuileries Palace : A Royal Residence Original etching Signed in the plate On Arches vellum 38 x 56.5 cm (14.9 x 22.2 inch) INFORMATION : Publis...

The Fight Leonor Fini, Argentine/French (1918–1996) Etching on BFK Rives, signed and numbered in pencil Edition of XVII/XXV Image Size: 11.25 x 8 inches Size: 16.25 x 12.75 in. (41.2...

Composition is an original colored etching artwork on cardboard realized by Leo Guida in 1971. Hand-signed in pencil and dated on the lower left, titled on the lower right. The sta...

Bat Embossed color aquatint and etching on Arches paper, 1976 Signed by the artist in pencil lower right (See photo) The Print Club of Cleveland stamp verso Edition: 261 The Print Cl...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Plan from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed and number...

John McNulty, Irish/American (1949 - ) - Waves, Year: 1984, Medium: Aquatint Etching, signed and titled in pencil, Edition: 175, Image Size: 18 x 24 i...

Signed, titled and numbered by the artist. Chicano artist Xavier Viramontes is known for both political subject matter, initmate family scenes and the humor found in this series of d...

Escalier de la Fiuration is a beautiful original etching and aquatint on paper, realized by the French artist Charles Pierre Renouard (1845 -1924). A superb artist proof, the plate 9, from the album "Le Nouvel...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Jewish Bride, Fig B 341, Year: of Original: 1635, Medium: Etching, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), P...

Mielatz, Charles. IN THE BOWERY. Etching, 1891. Edition size not known. Signed and dated in the plate. 9 7/8 x 7 inches. In excellent condition. Mielatz, taught etching at the Nation...

The intricate density of the forest floor transforms into a rich tapestry of pattern and texture. Through the combination of hardground and softground etching, Eckart captures the en...

Guadalmar by Christian Bozon is a restrained, atmospheric abstract composition that evokes landscape through color, surface, and horizon. A deep field of saturated blue dominates the...

"Figure by the Cottage in Forest" is an original etching by John Thomas Smith. The miniature landscape shows a pair of cottages in the woods, nestled back into the trees. A river flo...

ARTIST: Salvador Dali TITLE: La Tauromachie Individuelle MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet EDITION NUMBER: XXV/C MEASUREMENTS: 25.5" x 20" YEAR: ...

Frantisek Kupka, Czech (1871 -1957) - Figure Below Stained Glass, Year: circa 1912, Medium: Etching, stamp signed, Image Size: 9 x 6 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), ...

Contemporary artist Peter Milton created this etching and engraving entitled "Interiors VI: Soundings" in 1989. The printed image size is 29 7/8 x 23 13/16 and paper size is 36 x 29 inches. This impression is signed, dated, and titled in pencil and inscribed “93/175” – the 93 impression of 175. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul." – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...

Image dimensions: 25.5 x 18 cm. How the American indigenous deals with Death is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original prin...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Glass Tower II from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching o...

French Village with Church is an artwork realized in the first half of the 20th century by Eugène Corneau. Etching and drypoint on paper. Monogrammed in pencil by the artist on the ...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes The Angel of Alchemy MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISH...

Hayter, Stanley William. PERSONNAGE VIRTUEL. BM182. Engraving, soft-ground etching and scorper, 1947. Edition of 70, signed, dated, and numbered 42/70, all in pencil. 11 3/4 x 8 7/8...

Julian Trevelyan 1910-1988 Windsor, from the Thames Suite, 1969 etching and aquatint 59 x 77.5 cm 23 1/4 x 30 1/2 in signed, inscribed and titled in pencil, edition of 75 + 15 AP Th...

Man, Wife and Child Etching, 1905 Signed and titled in pencil by the artist below image (see photo) Annotated in pencil by the artist "100 proofs" Signed and dated in the plate lower...

Artist: Gilou Brillant, French (1935 - ) Title: untitled 30 Year: circa 1974 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 58/110 Size: 30 x 22 in. (76.2 x 55...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Agapanthus [2021] Limited Edition Flowers Soft Etching Edition number 100 Image size: H:29.5 cm x W:29.5 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:0.1cm Sold Unframed ...

Etching, 1973 Handsigned by the artist in pencil Edition : XIV Publisher : Gustavo Gili (Barcelone) Printer : Editorial Gustavo Gili (Barcelone) Catalog : Dupin 589 56.00 cm. x 75.5...

André Masson, French (1896 -1987) - L'oeuf Cosmique, Year: circa 1946, Medium: Etching, numbered in pencil, Edition: Epreuve d'Artiste, Image Size: 9.75 x 8 inches, Size: 14.5 x...

The Academy of Plato Plato and His Disciples Etching and drypoint c. 1662, printed c. 1710 Signed in the plate lower left Inscribed lower left: 'In villa ab Academo attributa sua[m]...

The painting is being offered with a work and authenticity certificate

Salvador Dali - Woman with a Whip - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : Fiel...

Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum, the Univ...

"Voices IV" Aquatint Etching Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/3 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

"Voices XII" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Pensioner of Trinity College, Cambridge, Masters of Arts, and Sizer (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a pensioner of Trinity College, Masters of Arts, and a sizer (that is, an undergraduate who received some form of assistance such as meals, lower fees or lodging during his period of study, in some cases in return for doing a defined job) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, possibly to a graduation ceremony. At Cambridge, a sizar was originally an undergraduate student who financed his studies by undertaking more or less menial tasks within his college but, as time went on, was increasingly likely to receive small grants from the college. Certain colleges, including St John's and Trinity, distinguished between two categories of sizar: there were specific endowments for specific numbers of sizars who were called "proper sizars"; those who were not so endowed, but who were maintained by fellow-commoners and fellows were called subsizars. Isaac Newton matriculated as subsizar at Trinity College. Richard S. Westfall noted that sizars were considerably more successful in gaining degrees than the gentlemen who entered Cambridge in the seventeenth century. Pensioners, on the other hand, paid a fixed annual fee in order to study. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Proofed and editioned by Peter Kosowicz at Thumbprint Editions Ltd, London, published by Paragon Press. Edition 2/115 The large-scale pop-art 'Grey Spots' Etching with Aquatint is a...

Artist: Pablo Picasso Title: Square Head of a Woman with Full Lips Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition Size: 289 Framed Size: 18 3/4" x 16 3/4"...

Kota Ezawa recreates animated sequences from television, cinema, and art history. He uses basic digital drawing and animation software to create slide projections, light boxes, collages, and prints. In the vein of Warhol, his highly stylized facsimiles of familiar and often infamous images emphasize the distance between the viewer and the depicted figures that feature so prominently in America’s collective memory. His work is included in the permanent collections of the Museum of Modern Art, New York, The Metropolitan Museum of Art, New York and the San Francisco Museum of Art, California among others. The artist is represented by the Cheryl Haines Gallery...

Monochromatic abstract figurative etching by Spanish painter Jorge Castillo. The piece depicts an abstract landscape overlooking an empty view from what appears to be a cave. Figures...

A great rare piece from Raymond's exhibition 'One More Line'. Etching with hand water-colored thumbnail. 60/75

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers II, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x 1...

Paralax VI Barry Nelson, British/American (1937) Date: 1980 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of 28/30 Image Size: 20.25 x 29.5 in...