Art by Medium: Etching

Le Guib is an etching realized in 1771 by Louis Legrand (1723-1807). The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...

The Curly Coated Retriever 1887 Etching

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Shower (Blue) Rainer Fetting, German (1949) Date: 1984 Color Etching, signed in pencil Edition of Color Proof Image Size: 23 x 36 inches Size: 27.5 x 39...

Artist: Henri Matisse (French, 1869-1954) Title: "Figure Endormie dans un Intérieur (Interior with Sleeping Figure)" *Signed and numbered by Matisse in...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

Don Quixote Funeral is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good condi...

Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lowe...

Brodie Standing by Helen Fay [08] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number edition size 75 Image size: H:30.5 cm x W:51 cm Complete Size of Unframed Work: H:45 cm x W:64 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This is a handmade and hand printed etching. An old friend of mine, Brodie the Scottish Terrier. He was a regular at the shows and a wonderful character. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon...

Pablo PICASSO Carmen, The Man Behind the Mask, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - ...

Oceani Borealis is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: c...

Nude is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good conditions. Édouard Chimot (26 November 1880 – 7 June...

Mare Atlanticum is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: c...

By French post-war artist James Coignard (1925-2008).

Secret Writing / Poe Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, signed and numbered in pencil Edition of 99 Image Size: 1...

This artwork titled "Sunspot" c.1980 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed, titled, and numbered 3/30 in pencil by the ...

Artist/Designer; Manufacturer: Karel Appel (Dutch, 1921-2006) Marking(s); notes: signed; ed. 35/50; 1975 Materials: etching and aquatint with carborundum on paper Dimensions (H, W, D...

Leonardo da Vinci, After by Amand Durand, Italian (1452 - 1519) - Quatre Etudes pour une Figure Equestre, Year: circa 1878, Medium: Heliogravure, Size: 11.75 x 8.5 in. (29.85 x 21...

Papion is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière a...

Artist: Donald Saff Title: Year: 1980 Medium: Etching with Aquatint, Hand signed and numbered in pencil Edition: 150 30 in. x 22.5 in. (76.2 cm x 55.88 cm) bears publishers blindst...

"Military" is a beautiful print in the etching technique, realized by Anselmo Bucci (1887-1955). In good conditions except for diffused stains and consumed margins. Hand-signed. I...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...

Owls is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgart ...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: Mauna Loa II Year: 1969 Medium: Color Etching on BFK Rives paper, signed and numbered in pencil Edition...

Nude is an original print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through confid...

Dead Christ is an original Etching realized by Adolphe Marie Beaufrère in early 20th Century. Good condition on a plastic base. Hand-signed and numbered by the artist with pancil. Adolphe Beaufrère...

Artist: Hirst, Damien Title: Spin me right round Series: In a Spin Volume 1 Date: 2002 Medium: Etching on 350gsm Hahnmuhle paper Unframed Dimensions: 35.875" x 28" Framed Dim...

Angels is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing and aged margins. Signed in the plate. The etching was ...

Houston Artist Margarita Urquiza’s Greek-themed etching done on arches paper. Printed by Hare and Hound Press in a unique impression. The work is signed, numbered and dated in pencil...

Girl at the Window is an original Etching realized by Benn (Bencjon Rabinowicz) in the Mid-20th Century. Hand signed on the lower right margin Go...

Interior of Animals is an etching realized by Marcel Gaillard in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet ...

Artist: Alfonso Ossorio (Filipino, 1916-1990) Title: Untitled VII Year: 1984 Medium: Etching, signed and numbered in pencil Edition: PP Image Size: 24 x 17.75 inches Paper Size...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le cercle visceral du Cosmos from La Conquete du Cosmos Year: 1974 Medium: Etching with Litho...

Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 and 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Perimeter Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP Size: 36 x 29.5 in. (9...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good condit...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Three Heads of Women, Year: of original: 1637, Medium: Etching, Size: 12 in. x 10 in. (30.48 cm x 25.4 cm), Printer:...

Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur, from « 347 Series » Aquatint on paper. Hand signed and numbered by the artist. Bloch 1715. Edition of 50. ...

Guitar Player is an original print, realized in 1861 by the French artist François Bonvin. Black and white etching on paper. The artwork is attached o...

Fountain with Castle is an excellent Modern artwork realized by the German artist Augusto Wolf (Weinheim, 1842 - Venice, 1915) in the 1890s. Original Watercolored Etching. Hand-s...

The Boundary is an original etching print realized by Leo Guida in the 1970s. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and historic...

A very good impression of this color aquatint and etching with strong colors. Signed and numbered 59/75 in black crayon by Tamayo. Published by Polígrafa, Barcelona. From "Rufino Tam...

From very small edition of 15 on handmade mould made paper, with Jewish star Magen David watermark. From the deluxe boxed portfolio edition. Hand signed in pencil. János Kass (December 26, 1927 – March 29, 2010) was a Hungarian illustrator, printmaker, graphic designer, postage stamp designer, animated film director and teacher. Hungary's foremost graphic artist and book illustrator. Born in Szeged, he was the storyboard artist for the first fully digital animated film. This is done in a manner reminiscent of Saul Raskin, Tully Filmus and William Gropper, this is a modern take on a classic judaic subject matter, similar in style and tone to Abram Krol, Jakob Steinhardt, Josef Budko and Hermann Struck. Beginning his artistic studies at the Applied Art Academy, Kass finished in 1951 at the Academy of Fine Arts, a student of Gyula Hincz, György Kádár and György Konecsni. From 1956 to 1959 he held the Derkovits scholarship. From 1961 to 1962, he was assistant professor at the Book-Art Academy in Leipzig, Germany. Kass regularly took part in every major national exhibition at home and abroad. He had one-man shows in Italy (1963), Australia (1970) and Switzerland (1976). He participated in the Venice Biennial (1960), the Youth Biennial in Paris (1961), and Biennials in Lugano, Tokyo, Ljubljana, São Paulo and Buenos Aires, along with "Intergrafik" exhibitions in Berlin. He made many friends within the British graphic art fraternity while spending some months in London during 1980, working on one of the earliest, fully digitized computer-animated films, Dilemma, with John Halas. He had already won recognition with his illustrations and book designs. At the 1973 Leipzig book fair, his work was awarded the title of best illustrated book at the fair. This accolade was repeated at the Frankfurt fair in 1999. The 11-minute Dilemma was nominated at that year's Cannes Film Festival for the Golden Palm for Best Short Film, and is considered the first fully digital animated film. Kass was also a background artist for the "So Beautiful and So Dangerous" segment of Ivan Reitman Productions' 1981 animated feature film Heavy Metal. Kass' drawings, etchings and silk-screen prints were exhibited in the Fitzwilliam Museum in Cambridge in 1989 and in 1990 at London Olympia. He later held a one-man show in Edinburgh. He illustrated something like 400 books, classical novels and children's stories, among them an elegant edition of Imre Madách's 19th-century drama The Tragedy of Man, published in Iain MacLeod's translation by Edinburgh's Canongate press in 1993. He won Hungary's highest artistic award, the Kossuth prize, and was an elected member of the Széchenyi academy. János Kass’ s numerous works can be found in the Hungarian National Gallery. Since 1985, the János Kass Gallery...

Limited edition of 90 prints, numbered and hand signed.

Couple is an original etching realized by Louis Jou in the Early 20th Century. Good conditions. Specimen before the lettering. Louis Jou (Gracia, 1882 - Baux, 1968), the twentieth-century etcher and wood engraver, was a prolific illustrator of a large number of books in France, authored by big names like Andre Gide...

Demain (Tomorrow) is an original modern artwork realized in 1980s by the Belgian illustrator Jean Michel Folon (1934-2005). Original etching and aquatint. Hand signed and numbere...

Deluxe edition of only 23 copies including 40 original etchings by L. Marcoussis, including the title and a portrait of Apollinaire. One of the 20 copies on vélin d'Arches numbered i...

Louise Bourgeois (1911-2010) Landscape with a Mountain Lake Original etching with aquatint Unsigned On vellum 60.5 × 73.5 cm (c. 24 x 29 in) Authenticated with the blind stamp of C...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lowe...

Don Quixote Galloping is an etching and drypoint print on ivory-colored Japanese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good c...

Une place vide is an original etching realized by Tobias "Toby" Edward Rosenthal ( 1848 - 1917 ). Hand signed on the lower right. Is not dated but we can attribute the period late 19...

L'Ours Brun is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Piazza Colona Etching, 1752 From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 22 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Signed in the plate lower left Condition: Excellent Image/Plate size: 8 1/4 x 12 11/16 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...

The Arch of Constantine and the Colosseum Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo From: "Vedute di Roma" (Roman Views), part II An early Paris edition,...

A very good impression of this extremely scarce color aquatint and etching on cream wove paper. Signed and numbered 6/20 in pencil by Nevelson.

Pablo PICASSO Métarmorphoses d'Ovide, The Girls of Minyas, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES : ...

Lionne à l'affût is a wonderful etching on cream-colored laid paper, realized in 1900 by Evert Van Muyden (1853-1922). Signed and dated on plate on the lower left margin, this beaut...

Don Quixote in Battle is an etching and drypoint print on ivory-colored Japanese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good c...

Don Quixote is an etching and drypoint print on ivory-colored Japanese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good conditions....