Art by Medium: Handmade Paper

A fine and early state impression from an almost unparralled 19th century Parisian collection curated by Loys Delteil. Etching, drypoint, and roulette on buff laid Japon paper, 5 7/16 x 9 13/16 inches (137 × 249 mm) full margins. In very good condition with light and unobtrusive scattered foxing. Some pencil inscriptions in the margins, recto, as well as the Alfred Beurdeley collection stamp (Lugt 421) in black ink in the lower left margin on the recto. There are some light scattered inscriptions in pencil on the verso, as well as a numerical stamp in blue ink, which we believe is the lot number from part III of a well-known series of sales of Beurdeley's collection organized by Loys Delteil. This portion of the sale of Beurdeley's massive collection focused on Modern Prints, and took place on May 19 – 20, 1920, in Paris. In regard to the content of the sale, Fritz Lugt states "Meryon's work included all the beautiful pieces about Paris." A rich and tonal impression. [Delteil & Wright 9; Schneiderman 12]. A note on the provenance: Alfred Beurdeley (1847-1919) was the son of one of the first antique dealers in Paris...

London: A. Churchill & J. Knapton, 1754 Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...

Etching on antique cream laid paper with an "England" watermark; 13 7/8 x 8 5/8 inches (353 x 221 mm), full margins. Signed, dated, titled, numbered "III," and inscribed in pencil. O...

London: T. Bensley for R. Bowyer, 1810 Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...

London: Gebbie & Husson Co., 1879. Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margin...

Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...

Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony. Presented in a new off-white mat with foamcore backing. Mat size: 16"H x 20"W Paper size: 9.63"H x 14.5W" Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood on request. The title of this works is "From the Apollonian picto...

Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inc...

Wood engraving on extremely fine onion skin paper, signed in ink and numbered 13/35. 10 3/4 x 7 inches (272 x 177 mm), full margins. From the special ...

Black crayon and graphite with white heightening on blue handmade laid paper. Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand. ________ Aglio was born in Cremona is 1777 and his artistic talent was recognized early in his life. He was promised a place at the University in Milan by the Holy Roman Emperor, however, his formal education was upended before it even began by the invasion of Italy and Austria by Napoleon. Aglio joined the war effort and fought in a series of major battles near Venice before becoming seriously ill. At the age of about 23 he was released from duty, and traveled to Rome to focus on his health, and landscape painting. In Rome, Aglio studied with the renowned artist Campovecchio. At the invitation of well known British architect William Wilkins (designer of the National Gallery and University College London), Aglio relocated to London in 1803. He made London his permanent home, and married Letitia Clarke in 1805. He enjoyed a lucrative career painting frescoes in the interiors of high society townhouses, country manors, and major London concert halls and theaters. Most notably, Aglio painted multiple official portraits of Queen Victoria...

Pigment & acrylic on rice paper

Abstract Hanging Sculpture - Triangle by Mickey "Kano" Kane (American, 1939-2002). This simple yet striking piece can be viewed from both sides. It is composed of two separate trian...

Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi" (Revenge at the Denka Teahouse), by Shigeharu, Ryusai (also called Kuniyoshi) Tokyo: Horie Ichiba Wataki, 1835. Woodcut on la...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of women stopping travelers in Goyu, circa 1850. Signed in Kanji lower left, "Hiroshige Ga" for Utagawa (Ando...

This is an original artwork unframed realized by TUSET in 2010. We can frame it in natural wood or black on request. Dimensions: 70 x 50 cm Original and unique piece 1/1. Includes ...

Blue Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollonian pictori...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollon...

Etching in brownish black ink on cream laid paper, 5 3/8 x 3 1/2 inches (135 x 87 mm), partially trimmed lower sheet edge. With the artist's moniker in ...

Etching on cream wove paper, 5 1/2 x 7 inches (138 x 176 mm), full margins. Signed in pencil in the lower margin. With minor mat tone, and two pin-point spots...

Mixed Media artist Amy Genser makes dimensional paper collages. These colorful, textural, one-of-a-kind wall pieces embody movement and processes. She masterfully manipulates paper -...

Denon, Baron Dominique Vivant. View of Arona. Paris: 1788. Etching on light cream wove paper, 5 1/2 x 8 1/2 inches (140 x 215 mm), full margins. Some...

Graphite and crayon in color with white heightening on cream wove paper, 13 1/2 x 12 1/4 inches (343 x 310 mm) (sheet). In good condition with uniform toning, handling creases, and lightly dog-eared corners. The building on the left is a hotel particulier in Paris' Marais neighborhood, the Hôtel Salé, which now houses the Musée Picasso.

Black crayon on white wove paper, 4 3/8 x 5 3/8 (110 x 135 mm), signed in pencil on the verso. Adhered to an archival laid-paper mount at each of the four corners on the verso. With ...

Lithograph with hand tinting on heavy wove paper, full margins. Significant condition issues in the margins which include adhesive residue, edge tears and minor edge losses. The image area is clean with minor mat tone, however, colors are slightly attenuated. The verso shows moderate uneven toning. Issues primarily exist outside of the image area. This large and lively work was printed by Charles Hullmandel. _______ The images in Boys's 1842 portfolio, Original Views of London...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing the summer horse fair, which Chiryu was well known for. Every summer, horse traders would bring near 500 horses to m...

This piece titled "Ten Milkweed Pods" is an original artwork made from Plaster, acrylic paint pens, milk, relief on mulberry paper, and silverpoint, moun...

Brownish black ink on dark cream, handmade, laid paper, 8 1/4 x 10 1/4 inches (208 x 260 mm). Uniform age tone with several scattered, unobtrusive spots of brown discoloration, consistent with age. Right top corner loss, evenly trimmed, paper tape remnants at top left corner, recto. Collector's stamp in blue ink ("PRB"), lower left corner, recto. On the verso is a neoclassical graphite and brown ink study of a procession showing a woman being carried in a birthing sedan chair. The woman is being carried backwards, with putti, and horn players, leading her up an embankment, across a river. In her wake we see a crowned man...

Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very goo...

Etching on bluish-grey wove paper, 8 5/8 x 5 1/8 inches (221 x 130 mm), full margins. Signed and dated in pencil. In good condition with light mat tone on the recto and various frame...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

The Minature Print Society of Kansas City, Mo. , 1942. Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II"...

Etching on handmade, cream laid paper. 5 13/16 x 7 5/8 inches (146 x 192 mm), thread margins. Scattered handling creases, light age tone, and minor paper inconsistoncies throughout....

Etching on cream wove paper, 6 x 4 inches (153 x 102 mm), full margins. Signed in pencil, lower margin. From the edition of 150, printed by Frederick Reynolds. [Fletcher 163] This ...

Etching with aquatint printed in brownish black ink on watermarked BFK Rives cream wove paper, 9 1/2 x 7 11/16 inches (240 x 193 mm), full margins. Signed in pencil and numbered 79/...

Pen and ink with wash on watermarked J Whatman 1814 paper, 11 x 8 1/4 (280 x 210 mm). Scattered minor edge losses at the left sheet edge, well outside of image area. Minor handling w...

Untitled carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). Wood panel has large cut-outs where golden wire is strung between the edges. This striking pi...

Pen and ink on light-weight cream wove paper, 9 1/2 x 14 3/4 inches (242 x 375 mm), the full sheet. Signed in pencil in the lower right image area. In good condition with some minor ...

Ernest Procter Wonderful classical drawing of a young boys head study Ernest Procter ARA was an English designer, illustrator and painter, and husband of the famous British artist ...

A set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Two are signed by the artist to the bottom righ...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the road into Ishiyakushi. Signed in Kanji upper right, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japan...

Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins. With an ink stamp from the collection of E.A. Scollin, M.D., Springfield, IL, an...

English School, 19th century. Baths at Caracalla, Rome. 1852. Ink wash in brown ink on cream wove paper, 9 7/8 x 13 inches (250 x 330 mm), titled and dated in brown ink, lower right...

“War Chronicles of Osaka” (Osaka gunki no uchi). Okubo Hikozaemon, raising his sword, protects the hidden Tokugawa shogun from the spear of Gorô Matabei Mototsugu in a moonlit fores...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Nancy Cohen Seeing Through, 2022 paper pulp and handmade paper 20 x 54 in. (coh115)

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco shapes of the 30's, 40's and 50's. The subtle but chic color combinations will combine beautifully with both vintage and modern furniture without overtaking spaces that are carefully crafted by designers. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Pale Blue Dots...

Lot of 2 original works by TUSET (A Coruña, 1997) made with ink and seawater on paper. The works can be framed on request or sent to you in a protected envelope for you to place, onc...

Nancy Cohen Amidst, 2025 paper pulp and handmade paper 26 x 19.25 in. (coh122)

Graphite and ink on handmade, watermarked C & I Honig laid paper, 8 15/16 x 6 3/4 inches (226 x 170 mm). Signed illegibly in ink, lower margin. Scattered light creasing and surface...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

"This Monkey Pod VSE (Variable Stencil Edition) is a collaboration produced with my good friend and former co-worker Ernesto Reyna Each piece is a stencil painting with letterpress l...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space an...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art Deco shapes of the 30's, 40's and 50's. The subtle but chic color combinations will combine beautifully with both vintage and modern furniture without overtaking spaces that are carefully crafted by designers. Natalia Roman was born in 1984 in Girona, Spain. She has exhibited in galleries across Europe and her colorful, abstract paintings are part of private collections all over the world. Details: Title: Art Deco Beach...

Graphite on hand made, fibrous wove paper, finished with gray wash. Unevenly trimmed sheet edges, non-archival tape remnants at all four corners, recto, well outside of image area. Horseshoe-shaped area of light discoloration that extends significantly into the figure's face, beneath the lips, and up over the rear of the head, dog-eared right lower corner with associated light discoloration at crease. DeMin and Belluno inscribed in graphite, verso. A detailed study showing 'primo pensiero' for Giovanni DeMin's large scale fresco, Assumption of the Virgin...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...