Art by Medium: Handmade Paper

Pigments on paper Arches with anti-reflective glass metal black frame, 61 x 46 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Artist: Purvis Young Title: Untitled Medium: Mixed Media Hand-Painting on Paper Mache Sculpture Size: 35" x 8-1/2" x 38" Edition: Original Inscription: Signed "Young" near tail Purv...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Black Neoexpressionist Painting. This is an original artwork realized by TUSET in 2018. We can frame it in natural wood or black on request. The dimensions of the painting are 65 x ...

Original drawing by the artist TUSET (1997, A Coruña), one of the young promises of contemporary Spanish painting. The work is original and includes a certificate of authenticity, it...

Caroline Besse creates unique vibrant paintings on paper using crushed minerals that she carefully sources as pigments. She mixes Chinese ink with crushed minerals that she carefully...

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...

23 x 22 inch. Handmade Paper, Textured Lithograph. Signed in Pencil: Bottom Right. Numbered in Pencil: Bottom Left "111/150" A meditative and serene, abstract piece made of a combin...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Drypoint etching and aquatint in sepia on cream wove paper, 10 x 8 inches (254 x 201 mm), full margins. Signed in pencil, lower left. Minor toning with evidence of very minor moistur...

Robert Wilkinson, 1816. Copperplate engraving on buff wove paper with hand coloring in watercolor, 10 7/8 x 13 /4 inches (275 x 336 mm), full margins. In good condition with some sc...

London: Robert Wilkinson, 1820 Copperplate engraving on buff wove paper, 13 x 9 3/4 inches (330 x 247 mm) full margins. In good condition with some minor toning and surface soiling ...

An Interior View of the Porch of the Parish Church St. Alphage; An interior view of the porch of the parish church of St Alphage, London Wall: formerly the chapel of the priory of El...

London: Robert Wilkinson, c1620 Engraving on thin Japon paper,16 1/8 x 11 3/4 iches (408 x 297 mm), narrow margins. In good condition with some age-related toning and edge wear, including two small horizontal tears which appear at the right and left center sheet edges. There is a vertical edge tear on the the lower sheet edge which is expertly repaired with a tab of paper tape mounted to the verso, and a soft horizontal fold, as issued. Plate created circa 1620, however printed later, likely early 19th century. Dr. John King preaching at St. Paul's Cross for James I, his Queen, Charles Prince of Wales...

London: A. Churchill & J. Knapton, 1754 Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...

Bird's eye view of the old buildings in West Cheap (Cheapside) as they appeared in 1585, from Londina Illustrata. London: Robert Wilkinson, 1814 Engraving on buff wove paper, 11 ...

London: William Herbert & Robert Wilkinson, 1809 Engraving on buff wove paper, 12 1/4 x 8 1/4 inches (310 x 208 mm), full margins. In good condition with some scattered surface soiling, and edge wear along the top sheet edge, well outside of the image area. From a series of three views of the Duke's Theater. An impression of this work may be viewed in the permanant collection of the Royal Collection...

Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing. From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...

Exquisite Chinese painting on rice paper, similar to gouache, dating from the late Qing Dynasty (19th century) to the early 20th century. Its iconography, technique, and composition ...

London: T. Bensley for R. Bowyer, 1810 Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...

London: T. Bensley for R. Bowyer, 1810 Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...

London: Tallis & Co., 1851 Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear. ...

A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring. London: Robert Wilkinson, 1811. Copperplat...

Lithograph on chine-collé mounted to wove paper, 14 1/8 x 8 3/4 inches (355 x 220 mm), full margins. Scattered light foxing throughout, toning, surface soiling and scattered creasing...

London: Gebbie & Husson Co., 1879. Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margin...

London: Tallis & Co., 1851. Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear...

Etching on antique cream laid paper with an "England" watermark; 13 7/8 x 8 5/8 inches (353 x 221 mm), full margins. Signed, dated, titled, numbered "III," and inscribed in pencil. O...

1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of ...

Arlene Shechet Summer Set 8, 2005 Watercolor monoprint on dieu donné hand made paper 21 × 27 1/2 inches Signed and dated in graphite on the front Exquisite watercolor monoprint on di...

A substantial abstract watercolor comprising harmonious geometric forms arranged on a grid of blue, green, ivory and buff mosaic-like rectangles. Signed lower right "D.M. Hubbard" (A...

ink on rice paper

Artist: Heiner Meyer Title: Veedol Portfolio: Masterpieces in Oils Medium: Multi-colored screenprint on handmade paper Year: 2016 Edition: 42/60 Frame Size: 33" x 25" Sheet Size: 27 ...

'Ebren Ha Dor, Tremenus'. Contemporary landscape painting, Cornwall Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies, hung high a...

ink on rice paper

"Future Tense" Abstract Biomorphic Relief Sculpture Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). An abstract relief composed on a carved panel, feat...

François Viète, Seigneur de la Bigotière (1540–1603), is known by mathematicians as the “Father of Algebra.”. Paris: 1861. Etching on tissue-thin Japon paper, 8 1/4 x 5 1/2 inches (...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollon...

Pigment & acrylic on rice paper

This is an original artwork unframed realized by TUSET in 2010. We can frame it in natural wood or black on request. Dimensions: 70 x 50 cm Original and unique piece 1/1. Includes ...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Blue Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollonian pictori...

ink & graphite on mulberry paper

Graphite and crayon in color with white heightening on cream wove paper, 13 1/2 x 12 1/4 inches (343 x 310 mm) (sheet). In good condition with uniform toning, handling creases, and lightly dog-eared corners. The building on the left is a hotel particulier in Paris' Marais neighborhood, the Hôtel Salé, which now houses the Musée Picasso.

An original hand built porcelain and paper sculpture by contemporary conceptual American artist Bethany Krull. Cattree, 2019 Paper, paint, wire, soil, found table This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at Hotel Henry...

Red crayon on brown light-wove paper, 6 3/4 x 4 3/4 inches (172 x 121 mm). Light toning and extremely minor, small losses at the very extreme top right and left corners (1/8-inch).

Denon, Baron Dominique Vivant. View of Arona. Paris: 1788. Etching on light cream wove paper, 5 1/2 x 8 1/2 inches (140 x 215 mm), full margins. Some...

This charming landscape features the structure now known as the Worplesdon Place Hotel, near Guildford, Surrey. The house is of notable historical significance, and it is registered ...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Caroline Besse creates unique vibrant paintings on paper using crushed minerals that she carefully sources as pigments. She mixes Chinese ink with crushed minerals that she carefully...

Willi Kissmer - "The Victorian Scarf". Giclée print on heavy handmade cotton paper. Hand signed and numbered. A beautiful artwork that looks good in every room and especially in t...

In this charming scene a maid appears bashful as she is introduced by her mother to the shepherd’s son. Ink and wash on hand made, cool-toned cream laid paper, 6 3/4 x 8 7/8 inches...

Etching on cream laid paper, 3 3/16 x 1 9 1/6 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. From the second state (of 2) before the re...

Etching on cream wove paper, 3 3/16 x 1 9/16 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin, and with an inscription and dedication in t...

Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...

Etching on light cream wove paper, 2 5/8 x 2 11/16 inches (68 x 69 mm), full margins. Signed, titled, and inscribed "IV" in pencil, lower margin. Likely a proof impression of the t...

Etching on light gray Chine collant, laid down to ivory wove paper, 4 3/8 x 7 3/4 inches (110 x 195 mm) (Chine matrix), full margins. In very good condition with light mat tone and o...

Etching on cream wove paper 3 5/16 x 1 7/8 inches (84 x 49 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. Likely one of eight trial proof impressions f...

The Minature Print Society of Kansas City, Mo. , 1942. Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II"...

Pen and ink with wash on watermarked J Whatman 1814 paper, 11 x 8 1/4 (280 x 210 mm). Scattered minor edge losses at the left sheet edge, well outside of image area. Minor handling w...