Unknown

The Sermon on the Mount – French School, 19th century

1850

In this charming scene a maid appears bashful as she is introduced by her mother to the shepherd’s son. Ink and wash on hand made, cool-toned cream laid paper, 6 3/4 x 8 7/8 inches...

Red crayon on brown light-wove paper, 6 3/4 x 4 3/4 inches (172 x 121 mm). Light toning and extremely minor, small losses at the very extreme top right and left corners (1/8-inch).

Brownish ink and grayish ink wash with white heightening on handmade cream laid paper, 10 5/8 x 8 1/4 inches (267 x 208 mm)(matrix). Scattered minor losses to top sheet edge (outside...

A lovely, early drawing of the Roman god Mercury. Pen and brown ink on cream laid paper, with a partial crown and shield watermark, 7 1/4 x 4 7/8 inches (184x 123 mm) (matrix). In go...

Graphite and ink on handmade, watermarked C & I Honig laid paper, 8 15/16 x 6 3/4 inches (226 x 170 mm). Signed illegibly in ink, lower margin. Scattered light creasing and surface...

Collage heightened in gilt ink laid down to card stock. Light band of moisture stain running horizontally along the top margin, above the image area. Light attenuation, otherwise in good condition. Presented beautifully in a period burled walnut frame. _______ William Hubard, sometimes known as "Master Hubard," was a British born American artist who settled in Boston in about 1820, in his late teenage years. He opened a gallery on the corner of Milk and Congress Streets at Julien Hall, in the heart of Boston's Financial District. His gallery became well known for Hubard's silhouette's, which he produced prodigiously for sitters in moments, using nothing but black paper, a pair of scissors, and sometimes a dash of gold ink. Hubard filled his gallery with silhouette likenesses of famous people, beggars, fiddlers, great works of architecture, and all types of animals. Each evening he presented a panharmonicon concert in his gallery, and for 50¢ the public was invited to enjoy the gallery, the concert, and have their likeness created by hand in moments by Hubard. In the early 1830s Hubard married the daughter of a wealthy patron, and moved to Richmond, Virginia, where he won major commissions to paint portraits of notables such as Andrew Jackson, and James Marshall, as well as several commissions from the Virginia General Assembly. Hubard enjoyed a successful career until his death in February 1862, when he was killed in an accidental explosion while making munitions for the Confederate States...

An exceptional ink, wash and graphite portrait of a gentleman by Henri-Joseph Hesse, dating from circa 1820, the time of the Bourbon restoration in France. It depicts a dashing figur...

A magnificent and sensitively treated line drawing in coloured ink, heightened with white. It depicts Argan, the hypochondriac from Molière's play of the same name. Dating from circa...

Late 18th Century French pastel portrait on paper of a young lady in period dress in a 'feigned oval'. In gilt wood frame presented under glass. Very much of its period and similar ...

A virtuoso charcoal sketch by the Frech 19th Century master Gustave Jean Jacquet (1846-1904). It depicts a thoughtful woman (or woman in thought?) with her face resting on her hand...

Work on paper Brown wooden frame with glass pane 92 x 73 x 5 cm

The School of Athens after Raphael • 18th century Pen and Ink Wash Drawing • Later glazed wood frame, ca. 62 x 78.5 cm • Mounted behind a modern arch...