Art by Medium: Lithograph

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

“Plate I,” from “Oda à Joan Miró,” by Joan Brossa Lithograph in colors, 1973 Signed in pencil and inscribed “H.C.” (presumably one of 10; the total edition was 525) Published by La...

Leonardo Nierman, Mexican (1932-2023) Monumental Painting, Acrylic on Board "Magic Flight". Signed Lower Left & Described on the Back. In Original Frame. Condition: Generally Very Go...

Original vintage poster: TOY DEPARTMENT. Chromolithographed illustration of a mother and four young children surrounded by a ball, blocks, and dolls, and with two young girls reading a book. No publishing information, but with a Shirley Temple doll...

Black variation of the original poster (three variations were created: red - blue - black) for the exhibition "The Americans Indian Series" by Andy Warhol commissioned by the Ace Gallery...

La melodie acide. original lithograph painting. signed on the stone and numbered 384/1500

A original Lithograph in black and yellow with embossing on wove paper. Signed and numbered in pencil by the artist. Edition 30/60. Sheet size 58 x 82cm. Published with the blindstam...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXXIX Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Leonetto Cappiello produced yet another stunning poster in 1922 for Veuve Amiot Champagne. It was noted as the "sparkling wine of kings," hence Cappiello's choice of a royal central ...

This artwork by Lee Teter depicts a veteran at the Vietnam Veterans Memorial in Washington, D.C. It is nicely framed and in very good condition. The signature by Lee Teter is a r...

Theatre is a lithograph realized by Raoul Dufy in 1920. Good conditions. Edition of 110. The artwork is depicted through confident strokes in a well-balanced composition.

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...

ALL THE PEOPLE is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. ALL THE PEOPLE is graphic composition comprised of a brilliant multi color rainbow across the bottom of the image with a centered, rose beige textured circle filled with simple black line drawings of men, women, and children's faces, a blue sky like area on top consists of textural effects obtained from Japanese rice paper. This impressive composition by the master print maker and sculptor, Elizabeth Catlett is from the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker. "For my people standing staring trying to fashion a better way from confusion, from hypocrisy and misunderstanding, trying to fashion a world that will hold all the people, all the faces, all the adams and eves and their countless generations;" - Stanza from the poem FOR MY PEOPLE by Margaret Walker Print size 23” x 19”, Edition size 99, unframed color lithograph on archival Arches paper, 100% acid free, Edition printed using traditional hand lithography methods by J.K. Fine Art Editions Co, NJ. Published in 1992 by the Limited Editions Club, NY. Excellent condition, never been framed or mounted, hand signed in pencil, dated and inscribed P.P.(Printers Proof) aside from edition of 99, print documentation/COA will be provided. From the master printer's private collection. About the artist - Elizabeth Catlett (born April 15, 1915, Washington, D.C., U.S.—died April 2, 2012, Cuernavaca, Mexico), American-born Mexican sculptor and printmaker renowned for her intensely political art. Catlett, a granddaughter of enslaved people, was born into a middle-class Washington family; her father was a professor of mathematics at Tuskegee Institute. After being disallowed entrance into the Carnegie Institute of Technology because she was Black, Catlett enrolled at Howard University (B.S., 1935), where she studied design, printmaking, and drawing and was influenced by the art theories of Alain Locke and James A...

Piège is an original contemporary artwork realized by Guillaume Corneille in 1956. Original Lithograph on vélin paper Hand signed and dated in pencil on the lower margin. Guillau...

“I prefer drawing to talking. Drawing is faster, and leaves less room for lies.” This colorful modern lithograph was printed at the Atelier Mourlot in Paris in 1963 and is from the printer's edition. It is signed and dated in the plate in the bottom left quadrant. Le Corbusier...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 133-134, 1962. Published by...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

'Tacsonia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.73 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Salvador Dali - The Atomic Era - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : printed in the image LIMITED : 19...

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions...

Artist: Beatriz Milhazes Title: Pink Sunshine Year: 2021 Medium: Lithograph on Fabriano Disegno 5 paper Sheet: 18 3/4 × 23 in (47.6 × 58.42 cm) Edition: 100; signed and numbered in pencil (verso) Condition: Mint. Certificate of Authenticity included Beatriz Milhazes is a Brazilian artist whose brilliant paintings and prints draw from local tradition. Brazilian Baroque...

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...

Joe Goode Floating Cards - Part IV, 1969 Lithograph on Arches paper with two deckled edges. Hand signed, dated and annotated Artists Proof on the lower front 22 1/4 × 29 4/5 inches Unframed Part of Joe Goode's five part 1960s series "Floating Cards". Rarely to market. The provenance of this print is from the Reese-Palley Gallery. The famous dealer and adventurer Reese Palley of Atlantic City New Jersey - was the second gallerist in the 1960s - after Paula Cooper - to set up shop in SOHO. Hand signed, dated, and annotated Artist's Proof aside from the regular edition. Pop art pioneer Joe Goode (born 1937) was born in Oklahoma City, Oklahoma, in 1937. In 1959 he moved to Los Angeles, California, where he attended the Chouinard Art Institute until 1961. First recognized for his Pop Art milk bottle paintings and cloud imagery, Goode's work was included along with Roy Lichtenstein, Andy Warhol, Jim Dine, Phillip Hefferton, Robert Dowd, Edward Ruscha, and Wayne Thiebaud, in the 1962 ground-breaking exhibit New Painting of Common Objects, curated by Walter Hopps...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life 1970 (from Carmen): Lithograph in colors on Arches paper. 25.5 x 19.8 inches (64.8 x 50.5 cm). Good overall vintage ...

Antoni Tapies (Spain, 1923-2012) 'Chaise et ciseaux (variations III)', ca. 1970-1975 Serie: Variations sur Chaise lithograph on paper 41.4 x 29.6 in. (105 x 75 cm.) Edition of 90 Unf...

Original linen-backed “Plaza de Toros de Toledo" bullfighting poster for 20 August 1942. Grandiosa Corrida de Toros. Six bulls from the famou...

View of Paris is a Modern artwork realized by Orfeo Tamburi (Jesi, 1910 – Paris,1994) in the 1980s. Colored Lithograph on paper. Hand-signed. Numbered on the lower, Edition, 12...

Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Cel...

"Tapiz of Tarragona" 1970 Lithography. virtual frame 76x56 Cm. 200 Copies Edition Exemplary HC Papel Guarro with Water Filigree of the Sala Gaspar Signed in Monogramada and numbered ...

Robert Rauschenberg Leo Castelli Gallery 1986: Vintage Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...

This is truly one of the iconic images of vintage poster art. It was created in the early 1900's by the famed artist, Leonetto Cappiello. He was known to have created more than 2,000...

Original 1967 Milton Glaser Fold Out Poster for Bob Dylan's Greatest Hits. Offset lithograph printed in colors 33 x 22 in (83.82 x 55.88 cm) Fold lines as issued; very good vinta...

Keith Haring Safe Sex poster 1987: A fun, witty, classic Haring illustration created by the artist in conjunction with his many Aids Awar...

Pablo Picasso ( 1881 – 1973 ) –Portrait de Famille , Six Personnages ( Ref Bloch 1031; Mourlot 385 ) lithograph on Arches paper, edited in 1962 Limited edition of 50 copies signed ...

Hopeless is a Colored lithograph realized on japan paper by Jean Cocteau (1889 -1963) in 1930 ca. French draftsman, poet, essayist, playwright, librettist, ...

Medium: original lithograph. Printed in 1958 for the art revue Derriere le Miroir (issue number 110) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (380 x 560 mm)...

Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...

’Waterfall’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 635mm x 870mm Date - c1975 Condition - Good. 8 out of 10. Colour of print may not be accurate when vi...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a s...

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Salvador Dali - Plum - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Edition of 340 + proofs Editor : Jean Schneider, Basel Handsigned, EA (Epreuv...

'Strahlinge' (Protozoa - Radiolarians or Radioza) German lithograph, circa 1895. Key to protozoa in German below the image. 250mm by 305mm (sheet). Central vertical fold as iss...

Original travel poster: Visitate l'Esposizione Coloniale A smiling dusky maiden who looks just like Josephine Baker, pushes aside a blue curtain to reveal the splendors of her nat...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Original poster for the 1959 exhibition at the Maeght Gallery (Paris) Alexander Calder 🇺🇸 (1898-1976) revolutionized #sculpture, the art of volume, by bringing movement and color! Close to the #populararts, this genius tinkerer started by making a miniature animated circus. Calder is best known for his #mobiles and #stabiles, sometimes monumental, which are one of the most daring expressions of sculpture in the 20th century...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Anemone per Antipasti (Anemone of the Toreador) Year: 1972 Medium: Lithograph with embossing on heavy Arches paper, signed and num...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 175, 1968. Published by Aim...

Original American Airlines - California, Arizona, Texas, New Mexico by McKnight Kauffer, 1948 vintage poster. Archival linen backed in Grade A, Excellent condition. No paper loss and no restoration. Kauffer’s signature artistry is on full display with a bold and minimalist design. The striking depiction of a Western figure adorned with a cowboy hat and scarf emphasizes California, Arizona, Texas, and New Mexico—the sun-drenched landscapes and destinations of the era's most adventurous travelers. The clean typography and bold color contrasts evoke modernism and nostalgia, making the piece a perfect centerpiece for collectors of aviation history, vintage travel memorabilia, or timeless graphic art. Designed by E. McKnight Kauffer, a renowned artist known for his bold use of color and striking designs, this poster is a masterpiece that resonates with the charm of a bygone era. This original piece from 1948 tells a story about American Airlines and reflects the excitement of post-war travel and the booming airline industry. This rare, authentic poster...

Unknown/ Unidentified Artist, "Lobster" Edition 20/100, Abstract Animal Lithograph numbered and signed in Pencil, 16 x 22, Late 20th Century Colors: Red, Orange, Green, Yellow

A print by Frank Stella. “Fattipuff, from Imaginary Places II” is a lithograph, screenprint, etching, aquatint, and relief print in a palette of bright colors by American painter and...

Will Bradley When hearts are trumps, 1896 Original lithograph Printed signature in the plate Printed on paper vélin Size 40 x 29 cm (c. 15.7 x 11.4") INFORMATION : Plate 52 of "Les Maîtres de l'Affiche", Paris, 1896, printed by l'Imprimerie Chaix. Bears the blind stamp of the editor bottom right. This image was created for a book of love poetry written by Tom Hall...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 3/4 inches (125 x 96...

Medium: Lithograph on vélin d’Arches paper Year: 1959 Paper Size: 10.25 X 16.5 inches Catalogue raisonné reference: Cramer, illustration 101 Inscription: Inscription: Unsigned and u...

Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

Ultra rare and precious exhibition leaflet of Cy Twombly's Exhibition at Galleria La Tartaruga, Rome, 1960. Lithograph on ivory colored cardboard. Invitation of the American master exhibition at the La Tartaruga Gallery in Rome from the 26th April 1960. Dimensions closed: cm. 15x17.5. The cover is an original lithograph after Cy Twombly...