Art by Medium: Lithograph

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

Daniel GALLAIS Aurora Japan Original lithograph Handsigned in pencil Limited /175 copies On vellum 76 x 56 cm (c. 30 x 22 in) Excellent condition

Le Rêve (The Dream) Color gillotage poster, 1890 Signed in the image lower right corner (see photo) This poster for a ballet at the Académie nationale de musique in Paris is typical ...

Benton Spruance, 'From the Sea' also 'From the Sea — Pieta', lithograph, editions 30, 35, 1943. A superb, richly inked impression, on off-white wove paper; the full sheet, with decke...

It is framed with black moulding all around. Era: Late 19th to early 20th century, often categorized under the Art Nouveau movement. The poster litho size is 36"x24", print informat...

Harry McCormick, American (1942 - ) - The Landmark Tavern II. Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: AP 60, Size: 26 x 31 in. (66.04 x 78.74 cm)

Artist: Alexander Calder Medium: Original lithograph Title: Plate 5 Derriere le Miroir #141 Portfolio: Derriere Le Miroir #141 (Stabiles) Year: 1963 Edition: Unnumbered Signed: No Fr...

Artist: Georges Rouault Title: La Parade Year: circa 1925 Medium: Lithograph on Arches paper, signed and numbered in pencil Edition: 15/25 Image: 12.5 x 1...

Juan Reus (1912-2003) Original Vintage Bullfighting Poster September 1951 107cm x 53cm Juan Reus was born in 1912 in Valencia, where he became a well-known...

Original Hurricane Bicycle vintage poster. Archivally linen backed in mint condition 72-year-old poster, ready to frame. This is an original mid-century modern vintage Hurricane...

This original poster was created for a 1980 exhibition of Eduardo Chillida’s works at the Museum of Art, Carnegie Institute in Pittsburgh. Known for his mastery of form and space, Ch...

Signed, dated, and numbered in white pencil Color lithograph on Rives BFK paper 19 x 25.5 inches Edition 62 of 200

Abstract Composition is an original colored lithograph realized in the half of XX century. The artwork is hand signed on the lower right margin. Numbered on the lower left. Edition...

Untitled II, by Luis Caballero Lithography Size: 15 in H x 10.7 in W Edition 8/75 Signed in the lower right corner. Numbered in the lower left corner. Great condition with flaws. ...

Takashi Murakami "Bouquet in a basket" 2024 4 Colors Offset print, cold stamp and high gloss varnishing 23 3/5 × 23 3/5 in 60 × 60 cm Edition XX/300 Hand signed and numbered by the...

Costume of the Greeks is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, o...

IN THE GARDEN is a limited edition color lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free, by the renowned American artist Romare Bearden. IN THE GARDEN features visually appealing shades of lavender, fresh green, pink, warm red, orange yellow, grays, black and white. IN THE GARDEN portrays a charming collage portrait of a young black woman waving as she carries her basket of freshly picked flowers. She is standing in the garden wearing a bright pink gingham...

Medium: original lithograph. Printed in Paris in 1968 by the Mourlot Freres atelier. Size: 12 1/4 x 9 1/4 inches (313 x 235 mm). Not signed.

Stephen Sondheim Tony Awards Broadway Musical Theatre NYT Published Al Hirschfeld (1903-2003) Stephen Sondheim Lithograph on paper Sight 21 x 15 inches Signed lower right, numbere...

TWO WORLDS, FACES OF THE FUTURE is a hand drawn, limited edition color lithograph by the renowned American artist Romare Bearden, printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free. TWO WORLDS, FACES OF THE FUTURE is a multicolored collage landscape portraying a mysterious, jigsaw-shaped starry night sky in shades of deep blue, hues of bright green, golden yellow, and touches of red. In the foreground of TWO WORLDS, FACES OF THE FUTURE two human figures stand face to face exchanging stars beneath a celestial blue sky showered with twinkling lights. Bearden created this image bearing in mind the importance of advancement through education. This very unique Romare Bearden lithograph...

Medium: lithograph (after the drawing). Printed on a blue-gray tinted laid paper, and published in Paris by Maeght for Derrière le Miroir (issue no. 131) in 1962. Sheet size: 15 x 11...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Screen print on paper realized in 1971. Hand signed, dated and numbered in pencil. Edition of 300. Excellent condition.

Medium: pochoir (after the painting). Printed in Paris at the atelier of Daniel Jacomet and published in 1975 by the Berggruen Gallery. Image size: 6 x 3 7/8 inches (153 x 98 mm). Th...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Visage sur Fond Rouge". The original painting was completed in 1914. In the 1970's after Pic...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 3/4 inches (125 x 96...

Tentez Votre Chance Loterie Nationale original antique French art deco poster; image created by artist Francois del Ry. "Try Your Luck National Lottery." This is a small format size...

KAWS Original drawing held in Australian monograph, 2019 Original marker drawing held inside hardback monograph: Companionship in the Age of Loneliness Boldly signed and dated with ...

Alexander Calder - Poster Exhibition is a rare mixed colored offset and lithograph print realized in 1971 This print was realized on the occasion of the exhibition dedicated to the ...

Ass Hole is a lithograph on paper, initialed lower right 'BD', 9.5 x 9" image size. From the edition of 395, numbered LV/C (there were also 275 Arabic and 20 AP), framed in a contemp...

"What I wish to show when I paint is the way I see things with my eyes and in my heart." -Raoul Dufy This lithograph was reproduced after a painting by Raoul Dufy entitled "L'Atelie...

This magnificent original circa 1950 poster depicting the legendary ocean liner Normandie by renowned French maritime artist Albert Sébille is a superb tribute to one of the greatest achievements in twentieth-century naval engineering and French luxury. Rendered with remarkable precision, the composition portrays the iconic liner cutting powerfully through the Atlantic swell while a small fishing vessel in the foreground dramatically emphasizes the immense scale and elegance of the ship. Sébille masterfully captures both the strength and grace of the vessel, presenting Normandie as a symbol of speed, prestige and technological innovation. Launched in 1932 for the Compagnie Générale Transatlantique (French Line), the Normandie quickly became the pride of the French merchant fleet. At her maiden voyage in 1935, she captured the prestigious Blue Riband for the fastest transatlantic crossing, establishing herself as the most advanced passenger liner of her generation. Her revolutionary turbo-electric propulsion, streamlined hull and luxurious interiors made her one of the greatest ocean liners ever built. Albert Sébille (1874–1953) was among France's foremost marine painters and illustrators. Celebrated for his meticulous depictions of ships, ports and naval subjects, his works combine documentary accuracy with artistic sensitivity, making them highly prized by collectors of maritime art. Unlike the highly stylized travel posters of the Art Deco period, Sébille's approach is rooted in realism. Every line of the vessel, from the graceful bow to the distinctive three funnels, is carefully rendered, reflecting both his technical understanding of naval architecture and his admiration for the engineering achievements of modern France. Although created after the ship's tragic loss during the Second World War, this image celebrates Normandie as an enduring icon of French elegance and maritime excellence. The liner continued to fascinate artists, historians and collectors long after her destruction, remaining synonymous with the golden age of transatlantic travel. Original maritime posters and prints devoted to Normandie are increasingly sought after for their historical significance and decorative appeal. They evoke an era when ocean liners represented the pinnacle of international travel, luxury and national prestige. Combining Albert Sébille's exceptional maritime artistry with the timeless legend of one of history's most celebrated ships, this original Le Normandie poster...

Marc Chagall (1887-1985) - Femme au bouquet (Woman with Bouquet) Lithograph from 1967. An unsigned proof, from the numbered edition of 150, on Arches paper. Dimensions of work: 73...

This original American travel poster was issued circa 1970 by the United States Travel Service, an agency of the U.S. Department of Commerce responsible for promoting the country to ...

Alphonse Mucha (1860-1939) Four lithographs on wove paper For serious collectors and museum collections. A full set of Mucha’s iconic period lithographs representing The Times Of Th...

Antoni Tàpies Lithograph c. 1968 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Fr...

Signed and dated

The original "Obligation et Action au Porteur" illustrated by Alphonse Mucha represents a captivating blend of finance and artistry, showcasing Mucha's distinctive style and contribu...

Jean-Michel Basquiat The Notebooks 1993 (catalogue): A comprehensive pictorial overview of the history of Basquiat's notebooks. The early 1990's first edition featuring an introducti...

Aki KURODA Abstract Composition with Hidden Profile Original lithograph Printed signature in the plate bottom right On vellum 76 x 55 cm (c. 30 x 22 inch) Excellent condition

Medium: lithograph (after the watercolor). Printed in 1965 at the Mourlot Freres atelier and published by the Hirschl-Adler Gallery for their 1965 Raoul Dufy exhibition. Sheet size: ...

A rare and striking artifact of automotive history, this original 1928 Bugatti poster is a celebration of modern engineering and brand prestige. Featuring a bold, minimalist rendering of a Bugatti Type 35 — one of the most iconic racing cars of its time — this design fuses mechanical precision with graphic elegance. The poster proudly proclaims in bold red lettering: "Les 7 merveilles du monde sont les vestiges des gloires passées — la Bugatti est la merveille de notre époque" (“The seven wonders of the world are relics of past glories — the Bugatti is the marvel of our time”). It's a declaration of innovation, pride, and forward-looking optimism, capturing the spirit of the interwar years when technology and speed symbolized progress. This composition is a masterpiece of early automotive advertising — clean lines, bold contrast, and sharp typography emphasize the modernist aesthetic of the 1920s. More than a promotional piece, it stands as a cultural statement about Bugatti’s place in the modern world. Ideal for collectors of classic car memorabilia...

Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...

Delicate layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. I...

Robert Motherwell (1915 – 1991) Lament for Lorca 1982 lithograph in colors on white Tyler Graphics Ltd. (TGL) handmade paper Printed with full margins; initialed and numbered 30/...

Fernand Léger Montparnasse, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25...

Artist: Peter Max (1937) Title: Sailboat Series III Year: 1998 Edition: 62/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 4.75 x 5.75 inches Condition: Excellent ...

This exact work was exhibited at the Art Students League in an important show. (details below) Elizabeth Catlett Homage to the Panthers, 1993 Color Lithograph on wove paper with deck...

This vintage lithographic reproduction features the iconic 1931 Monaco Grand Prix poster, originally designed by celebrated French artist Robe...

This exhibition poster, titled Celia in a Black Dress with White Flowers, was designed and created by David Hockney for his exhibition held at the Tate Gallery in 1980. The exhibitio...

"Gothic Gables" Poster/Print by LYONEL FEININGER (American-German, 1871-1956). The print measures approximately 20 x 27 inches and is unframed. Published by New York Graphic Society 1966. Printed in Switzerland...

Lithograph with Roman portrait bust. Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition LITHOGRAPH at the Lakeside Studio. The LITHOGRAPH PRINT is from a limited edition THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud...

Created circa 1940 by José Morell Macías, this original French-language travel poster promotes the Canary Islands as one of Spain’s most colourful and distinctive destinations. Published by the Spanish National Tourist Office, it was printed in colour lithography by Seix y Barral in Barcelona. The composition is dominated by two figures wearing traditional island dress. A standing woman raises a white handkerchief as her voluminous pink and red skirt opens across the centre of the image, while a second figure in blue, white and yellow completes the animated scene. Their gestures suggest a traditional dance or festive celebration. Behind them, brilliant green palm leaves evoke the subtropical vegetation of the archipelago. At the left, a delicately rendered harbour, ships and distant volcanic hills introduce the Canary Islands’ Atlantic landscape. Morell combines these descriptive details with broad areas of pure colour, creating a composition that is immediately readable from a distance. The monumental word “Espagne” appears in orange against a deep black ground, with “Canaries” printed...

Lithograph realized by Antonio Saliola, hand signed in pencil. Artist proof. Very good condition.

PICASSO Pablo (1881-1973) (after) Cubist Portrait, Tribute to Rene Char, 1969 Lithograph poster (Atelier Mourlot) Printed signature in the plate On pape...

Green Cosmos - Orange is a lithograph realized by  Eleni Zerva  in 1971. Hand-signed and numbered on the back.  Edition of 120 prints.   Very good condition.

Image dimensions: 26.5 x 20.5 cm. La Gitane de Richepin is a chromolithographed poster, monogrammed on plate on the lower right margin by the French bohemian artist Henri de Toulouse-Lautrec...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-A) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

Clinton Adams, 'September Still Life', lithograph, 1956, edition 20. A superb impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches);...

Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...