Glitter Abstract Paintings

Abstract and figurative, "Venus" is made with oil paint and glitter on wood panel.

Drift into Ascent holds a unique place within Haleh Mashian's practice — a painting where two of her defining series converge. Teardrops and butterflies share the canvas in both tens...

Drift into Ascent holds a unique place within Haleh Mashian's practice — a painting where two of her defining series converge. Teardrops and butterflies share the canvas in both tens...

Saturated Drift captures the moment just before rain becomes a storm when the air fills with so much suspended water that the world seems to dissolve into pure sensation. Across a ve...

Green Tears transforms the image of the tear into an immersive visual language rooted in repetition, materiality, and emotional intensity. Cascading across the surface in layered for...

Alexandra Bernardini – Celebration of Life No. 04 is a monumental contemporary mixed-media painting created in 2021 and exhibited at SCOPE Miami the same year. The work is composed ...

Curtain Wall is a piece created from cast resin panels. The piece depicts the nighttime Mountain Views and a cave system within that range. With this piece I was inspired by tapest...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion." Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

537 by Jessie Woodward [2021] original Acrylic, Posca Pen and glitter on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:4cm Sold Unframed...

Acrylic on canvas with whispers of glitter coated with heavy resin.

A dramatic mixed media on canvas painting with wonderful details and pops of purple, green and light lavender. We are enamored by the stark contrast, as the shape of the paint takes ...

Jay Mikal’s “Angel Breath 002” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition fea...

MULTICOLORED TAPESTRY 5 is an acrylic sculptural painting on panel that is created from various types of molds. Artist Statement: I am drawn to the aesthetic qualities of jewelry...

"Superbloom" is made with acrylic, oil pastel, paper, glitter, thread and clay on canvas and paper mache. This bright and vividly colored sculptural painting is a perfect example of the power of unrestrained creativity. INSPIRATION BEHIND THE WORK - What began as an experiment in creating rose petals slowly evolved into this deconstructed "Superbloom". At the center of these petals is a seemingly chaotic arrangement of color and texture. Yet, from slow observation, patterns and repetition emerge. What can be easily grouped into a "whole" is actually a balancing act of orchestrated parts - the same as every living organism we observe. There is a mystery to be savored in every act of living - as well as in viewing the traces of life left behind. "Superbloom" was made in love of the former, and leaves behind the latter. We'll never fully understand all the bits of a rose, or all the brushstrokes of a painting, but we're always welcome to bask in the sunshine that is loving without knowing. ABOUT THE ARTIST: Los Angeles based artist, Megan Dune...

Medium: acrylic, flashe, collage, pencil, paint pen, glitter and crayon on canvas. Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, ent...

A wonderful circular mixed media on canvas painting. Executed with bold, bright colors and beautiful pops of metallic and gold. The First Time I Met You is part of a series of abstra...

Jake Chapman Yin & Yin, 2022 Unique multiple on hand-painted circular ply boards with glitter overlay 17 3/10 in diameter 44 cm diameter hand-signed on the back number 7 of 125 "Yi...

MTB-4276 is one of Mack's strongest paintings. This piece part of his ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using...

"Looking for faith at the party" stems from finding pattern and rhythm in the world around him. Giles' paintings begin from finding places and spaces between words and lines in the text of "One Hundred Years of Solitude...

Women and a Tiger Cub - Pop Art in Oil and Mixed Media on Canvas Pop art by George "Milo" Buck (American, b. 1952). In the center of the composition a woman is running to the left. She is holding a flaming object and appears to be on fire herself, yet suffers no distress. There is another woman's face to the right side of the piece. In the lower left corner is a tiger cub. This piece incorporates glitter and pieces of reflective vinyl to add shimmer and depth. Milo used Hollywood Movie stars in may of his symbolist works. From a collection of the artist's work. Signed in the lower right corner "Buck". Unframed. Board size: 16"H x 20"W George Milo Buck...

This grand scale masterpiece fills a space with marvelous color and energy. This is a three piece triptych that can be displayed with no space in between measures 180 inches in lengt...

Jumper Maybach is an abstract painter and the alter ego of Ben Workman. Maybach draws inspiration from Jackson Pollock, often creating his works by lay...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

This conceptual text based painting by New York artist, David Kramer, combines stylized painting of the FBI Building in Washington DC and the bold text: BRUTAL. An architecture joke, the subtitle reads: "Quasi-Political Architecture Joke (for James Comey.). The J Edgar Hoover building is a low-rise office building located at 935 Pennsylvania Avenue NW in Washington, D.C., in the United States. It is the headquarters of the Federal Bureau...

This piece captures the vast, shifting energy of deep water in a moment of quiet tension. Layers of textured blues—ranging from midnight indigo to icy turquoise—form a swirling, almo...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

Mike Piggott was born in 1963, Charlottesville, VA. He received his BA at Virginia Commonwealth University and studied at the Winchester College of Art, Winchester England. Mike Pigg...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, enti...

Jay Mikal’s “Obsidian 003” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition feature...

Jay Mikal’s “Vortex 012” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition features ...

A stylized depiction of bathers in a swimming pool, reminiscent of 1970's style advertising, this large scale conceptual text based by New York artist, David Kramer reads: "I am all ...

Titled: SIlver Bullet, Hand signed, dated and titled. Sheet measures 22 X 30 From her Pompidou Series (1979-1981) built around the X in the raw, exposed architecture of the Centre Georges Pompidou in the center of Paris designed by Richard Rodgers and Renzo Piano. Sheila Elias (born in Chicago, Illinois) is an American artist. Her work is Neo Expressionist, Feminist Pop Art. Her works have been featured in exhibitions across North America and at the Liberty show at the Louvre Museum in Paris. Elias graduated from the Art Institute of Chicago, lives and works in Miami, Florida and in New York City. As an artist and art historian, Elias works with the layers of life and art history, seeking in it a connection between art aesthetics and social consciousness. She has exhibited with diverse artists, Larry Rivers, Bob Stanley, Ford Crull, Sol LeWitt, Mark Tobey, Walter Darby Bannard, Clyde Butcher. Her work spans the disciplines of painting, digital mixed media, sculpture, installation and performance. Her inspiration to be an artist began with the work that Matisse created (La Cirque) in the library of the Art Institute of Chicago. Paul Wieghardt (from the Bauhaus School in Germany), was her art teacher at SAIC. She was influenced by the Marisol, Claes Oldenburg and Jean Dubuffet. Her sculptures also reveal the influence of Andy Warhol and Robert Rauschenberg. Select Exhibitions: Museo Vault in Wynwood Art District, Miami Coral Springs Museum of Art, Sheila Elias: Somewhere-Anywhere, Coral Springs, Fla. Lila G. Martinez Gallery, Cambridge, Mass. “Painted Pixels” Lowe Art Museum, University of Miami, FL (Solo Exhibition) “Salon Series” The Sagamore Hotel, Miami Beach, FL (Group Exhibition) “The Invisible Woman” Concrete Space, Doral, FL (Group Exhibition) “eye-Pad” Silvana Facchini Gallery, Wynwood, Miami, FL “Jewels” Buccellati, Bal Harbour, FL “Chai Contemporary” Jewish Museum, Miami Beach, FL “Tribute to Africa” Silvana Facchini Gallery, Wynwood, Miami, FL The Bakehouse Art Complex, Wynwood, Miami, FL Apple Store “iPaint on my iPad,” Chicago, IL The Multicultural Arts Center, Cambridge, Mass. The Napoleon Grand Salon at The Deauville Hotel, Miami Beach, Fla. Bass Museum, "I Wanna Be Loved by You: Photographs of Marilyn Monroe," Miami Beach, Fla. Boca Raton Museum of Art Norton Museum of Art Bass Museum, Miami Beach, Fla. Jewish Museum of Florida Kim Foster Gallery, "Beyond the Camera...," New York, NY Silvana Facchini Gallery, "Living in Miami," Miami, Fla. South Florida / Art Center, "Reconnect," Miami Beach, Fla. Maryland Federation of Art, "Art on Paper 2001" Corcoran Gallery, Annapolis, MD, juror David C. Levy Veneto Gallery, Miami, Fla. Margulies Taplin Gallery, Bay Harbour, Fla. "Secret Gardens," Travelling Exhibition, Lowe Art Museum, Miami, Fla. Public Art Program, City of Orlando, Fla. Lowe Museum, University of Miami, Fla. Art and Culture Center of Hollywood, Hollywood, Fla. Bernard Biderman Gallery, New York, NY Metro Dade Cultural Resource Center, Miami, Fla. Huntsville Museum of Art New England Center for Contemporary Art San Diego Art Institute, CA Anne Jaffe Gallery, Bay Harbour, Fla. Ratner Gallery, Chicago, IL Santa Monica Heritage Museum, Los Angeles, Calif. Paula Allan Gallery, New York, NY. Otis Parsons...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Acrylic on canvas with whispers of glitter coated with heavy resin.

I Love You by Lélia Pissarro (b. 1963) Acrylic and glitters on canvas Triptych, each panel 80 x 30 cm (31 ¹/₂ x 11 ³/₄ inches); overall 80 x 90 cm (31 ¹/₂ x 35 ³/₈ inches) Signed an...

This conceptual text based painting by New York artist, David Kramer, incorporates gestural swatches of color over a controlled pastel striped ground. The bold text reads: "I AM COM...

Brave - Vigorous - Manful by Lélia Pissarro (b. 1963) Black and red acrylic, red glitter 121 x 126 cm (47 ⁵/₈ x 49 ⁵/₈ inches) Signed, titled and dated on the reverse Executed in 2007 Literature Lélia Pissarro, Abstraction, London, 2008, p. 3 (illustrated) This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro...

Audace by Lélia Pissarro (B. 1963) Oil and glitter on canvas 55.8 x 40.6 cm (22 x 16 inches) Signed lower right, Lélia Pissarro Signed Lélia Pissarro and titled Audace on the reverse...

Tu es matinale aujourd’hui by Lélia Pissarro (B. 1963) Blue and gold acrylic and glitter on canvas 80 x 59.5 cm (31 ½ x 23 ⅜ inches) Signed lower right, Lélia Pissarro P.C. Inscribed...

Indecent Exposure by Lélia Pissarro (b. 1963) Acrylic and glitters on canvas 150 x 120 cm (59 x 47 ¹/₄ inches) Signed lower right, Lélia Pissarro; signed, titled and dated on the rev...

Erotic Dreams by Lélia Pissarro (b. 1963) Acrylic and glitters on canvas 51 x 40.5 cm (20 ¹/₈ x 16 inches) Signed and titled on the reverse This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro gallery...

Acrylic on canvas with whispers of glitter coated with heavy resin.

This vertical 60 inch high and 40 inch wide textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by an amazing tactile quality. The built up texture and colors create a show stopping effect. This piece would be an excellent addition to any collection. For over 20+ years, Haleh Mashian...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

This 72 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

This great piece captures in its blues, emeralds, greens, and whites the elegance of "Sacred Waters." The textures and built-up surface bring light and reflections into the space, an...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

Acrylic on canvas with whispers of glitter coated with heavy resin.