Gouache Abstract Paintings

Meredith Walker’s "Sister Bloom" is an enchanting example of contemporary botanical art that marries organic abstraction with symbolic folk influences. This unique painting was creat...

Meredith Walker’s "Seeing Bloom" is a striking original painting that fuses abstract botanical symbolism with a rich, earthen palette, capturing the viewer's attention through its el...

Edwin Mieczkowski (American, 1929-2017) Broken Ice, 1976 Gouache and pencil on paper Signed, dated (Feb. 2, 1976) and titled lower right 27.5 x 37.75 inches 35 x 45 inches, framed Edwin Mieczkowski, born in Pittsburgh, was a leader of geometric and perceptual abstraction during the latter part of the 20th century. Mieczkowski's work first came to prominence in "The Responsive Eye" exhibition, the nation's first major exhibition of perceptual art, held at the Museum of Modern Art in New York in 1965. Mieczkowski was also featured in the 1964 article in Timemagazine that first used the term "Op Art" to describe paintings that manipulated visual cues in order to reorder and excite viewers' perceptual responses. With a complex aesthetic that over time has transcended mere tricks of optical art, Mieczkowski has spent nearly four decades producing geometrically paintings, drawings and sculptures, a genre of modern art that is known broadly as perceptual abstraction. His output of static and dynamic forms create a body of work, still largely intact, that uses visually disorienting, meticulously arranged lines, dazzling kaleidoscopic colors, and alluring juxtapositions of hue and tone, to playfully and seductively present new challenges for the viewer's eyes. The desired result is an optical effect of perpetual motion, harmonics and rhythm. . . . Along with Frank Hewitt and Ernst Benkert, Mieczkowski was a co-founder in 1959 of the Anonima* group that worked together in Cleveland and New York and declared itself free from the pressures of the art market and the pursuit of personal fame. Members of Anonima often left their works unsigned and vowed to shun the usual art market venues such as commercial galleries, biennials and competitions. Instead, they engaged in a rigorous, self-imposed program of painting exercises to explore the effects of geometry and color on visual perception. Although Mieczkowski's work hung side-by-side in the MOMA "Responsive Eye" exhibition with such colleagues as Josef Albers, Victor Vasarely, Richard Anuszkiewicz, Morris Louis, Kenneth Noland, Carlos Cruz-Diaz, Ad Reinhardt and Bridget Riley, all of whom went on to considerable fame and fortune, Mieczkowski chose to eschew commercial exhibition and career promotion. Instead, he spent 39 years teaching at the Cleveland Institute of Art and quietly executing a number of public art commissions while independently pursuing his own intuitive explorations in geometric abstraction. Mieczkowski pursued virtually no commercial sales of his work. Consequently, the body of work he left behind consists of hundreds of paintings, drawings and sculptures only recently viewed...

Title: Impressionist Coastal Gouache Painting of Fishing Boats and Rowing Figure at Sea By Fanch Lel Signed: Yes Size: 9.75 x 11.75 inches (height x width) Gouache painting on cardbo...

Meredith Walker’s "A Single Bud" is a luminous example of modern abstract botanical painting that fuses organic minimalism with symbolic form. This unique painting invites viewers in...

Meredith Walker’s "Sunshine I" is a luminous fusion of contemporary folk art, naïve surrealism, and symbolic illustration, embodying a tender balance between emotional vulnerability ...

Meredith Walker's “All Living Things” is a stunning example of contemporary folk art that blends botanical motifs and symbolic imagery to evoke a sense of interconnectedness and harm...

Meredith Walker’s "Desert Sunflower" is a luminous original painting that bridges abstract symbolism and folk art tradition through radiant color and bold composition. This unique ac...

Meredith Walker's "Floral Study I" is a stunning example of contemporary botanical art that blends modern minimalism with folk art sensibilities. This original painting, created with...

In the artist's abstract print series, Cosmos, 2023 by a.muse represents an imaginary cosmos - the universe as a place of longing, dreams, wonder, and ethereal beauty. A 13.75" x 11"...

Meredith Walker's "Lucky Four" is a captivating original artwork that blends geometric abstraction, symbolic surrealism, and contemporary folk art influences into a visually poetic c...

Best Laid Plan (Mixed Media Collage on Board in Bright Colors), made by Hudson Valley based artist, Donise English, in 2025 mixed media collage on board, framed Image size: 20.50 x 2...

Abstract Geometric Composition Date: Second half of the 20th century Medium: Gouache on paper Dimensions: H 50 cm x W 65 cm approx. Description: Modular geometric structure with ove...

French gouache painting, circa 1930. This abstract piece stands out for its bright hues and sharp, interconnected geometric shapes. Original one-of-a-...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

In this contemporary abstract painting in gouache and acrylic on paper, clean and precise, carefully ordered thick horizontal stripes in shades of peach, light blue, dark navy, and a...

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

A fluid wash of bubblegum pink fills the surface of this painting. Ricard has written in bright yellow, blue, and vivid silver the following: So how do you be friends w/a whore? Business being business/Ethically, a ho can’t rat on its tricks; so if the ho is hohoing yr husband Damned if you’ll ever find out. March 26. Whore sharply contrasts the beauty of silver, yellow, and pink with Rene’s pithy, obscene pronouncement. The pink ground is applied in a sheer wash, like Male Cinderella’s background, and the artist’s cursive shimmers in the same silver as One Shoe One You / True Love, Size 3?, and This is not a thanksgiving pumpkin. While Whore shares enticing formal qualities with other works in this group, the text snaps us to cold reality, down into the gutter with a bump. Ricard is happy to visit a fairy tale, but doesn’t stays in the fantasy for long. There’s an intimacy to this work’s smaller scale which compels the viewer to lean in and decode Ricard’s poetry. The artist’s outsized signature is with initials in dark blue, which pop out against that beautiful saturated pink. Canvas floater frame, in maple with .25 inch moulding. Whore is part of a group of works dating from 1989-1990 as Rene Ricard prepared for Mal de Fin at the Petersburg Gallery, New York, in 1990, his very first one-man exhibition. Born Albert Napoleon Ricard, he moved to New York in the 1960s at the age of 18. With that relocation, Albert died, and Rene was born. Instantly adopted into Andy Warhol’s glittering orbit, Ricard thrived in the city, with its heady concentration of art, culture, and debauchery. In New York Ricard found the milieu where he would shine. He acted in underground films, playing Warhol in the artist’s own Andy Warhol Story. He became a renowned poet and writer, published in the Paris Review and Artforum. In typically wry fashion he explained how he became a painter: “I began adding images [to my poetry] because I’ve always liked to draw and paint. And it was hard to find junk-store paintings of the right quality, things that could support some writing, so I just started making the images myself. Unfortunately, people really like that, even though I far prefer just the writing.” Ricard drew on his vast knowledge of literature and art history, weaving these references together with bursts of autobiographical poetry: what the New York Times termed his “seething verbal finesse.” Ricard, having spent years in the Factory’s milieu, learned from Warhol’s creative strategies. Warhol created images quickly with screen printing, with no regard for perfection. Duplication was the method and the ideology. Ricard, too, worked quickly: urgency was part of his visual language of looped cursive and scribbled colors. He often borrowed a lithographic plate or silkscreen from already-completed works, printing the matrix on canvas or paper to create backgrounds for new works (Size 3’s red printed background may be an example of this). He appropriated thrifted paintings and discarded items such as a pinboard or a piece of insulation, so long as the object in question had a flat surface upon which to work. The two artists were both outsiders to the art world in a sense—Warhol coming from the world of design and Ricard, a bona fide author, but both intuitively understanding how to compel the viewer. As Warhol anthologized consumerism, Ricard catalogued desire. For example, Size 3 and One Shoe One You feature Ricard’s take on Warhol’s famous shoe drawings...

"Abstract Design" by Arlette Martin (French, b.1924) signed and dated 85' gouache/watercolour painting on card, unframed painting: 12 x 8.75 inches Stunning original painting by t...

Kerry Smith Bee Gees - Saturday Night Fever Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1625 *Black frame with a mirror-gl...

'Fish, Dove and Musical Instrument', gouache on paper, from the Italian School of artists (circa 1940s). Surely this very attractive piece was inspired by Georges Braque (1882-1963) ...

Joan Miro. Original single piece mixed technique painting Joan Miro Ferra 1893-1983 Original Study for “EL GOLAFRE ".NOT SIGNED 1979 Unique. Gouache, lithotint and crayon on paper ...

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

Lamar Briggs Untitled color abstraction, ca. 2008 Mixed media oil and gouache on paper Hand signed by Lamar Briggs on the lower center front Frame included: held in the original off ...

Salvador Dalí 1904-1989 Spanish Two of Swords Signed “Dalí” (upper right) Gouache on photographic background Representing a unique blend of spiritualism and Surrealism, this goua...

Pointillist Abstract Design by Louis Bellon (French 1908-1998) initialled lower right in the image and again in the margin gouache painting on paper, unframed unfinished sketch on th...

This is a beautiful 20th-century Russian Art Deco cubist gouache painting on cardboard. There is no obvious signature on the artwork. Although this painting is a typical example of t...

Title: Impressionist French Gouache of Sacré-Cœur Paris in Snow with Figures By Fanch Lel Signed: Yes Size: 15.75 x 11.75 inches (height x width) Gouache painting on board, unframed ...

Three Freedoms - Worship, Communication and Assembly, February, 1960, mixed media on paper, signed lower right, 28 x 19 3/4 inches, exhibited Portrait of Freedom, Lehigh Art Alliance...

Mindbender - Abstract Expressionism "G.D." A painting in vivid red that revels in a harmonious balance between gestural abstraction, geometric ...

"Soucoupes Volantes (Saucers)" is an abstract Post War gouache painting by Alexander Calder in 1965. The artwork is 42 1/4 x 29 5/8 inches and is 49 1/4 x 35 1/2 x 1 7/8 inches with ...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

George Dannatt (1915-2009) Havannah Lake No 1 1966 Gouache on paper Image: 24.2 x 34.3 cm Frame: 41.9 x 52.0 cm Exhibitions 1970 Sep. Penwith Gallery, St Ives. 1975 Newlyn ...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing woman portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 24 inches high by 48 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

Falling Towards Myself is a large-scale multicolored abstract painting with dramatic shades of Kelly green, vibrant cobalt lapis blue, yellow, ochre, peach and pale mint green agains...

Floral Composition, Gouache on Paper, depicting tangle of wildflowers in pastel tones on gold ground, signed "Mori" lower right, silver-tone frame. Image: 18.5" H x 23.5" W; frame: 2...

This vintage 1941 gouache painting on paper, titled Birth of Mind, signed and dated lower right, is a striking example of retrofuturism by Charles Ragland Bunnell, a prominent artist from the Broadmoor Academy...

Esteban Vicente (1903-2001). Untitled, #36, 1955. Gouache on paper, image measures 8 x 11 inches, 16.5 x 19.5 inches framed. Signed, dated and numbered on verso. Excellent condition....

Signed and dated in graphite pencil at the bottom right , annotated in graphite pencil on the reverse side 2019 / Renaud Allirand. Bright yellows, orange and red make for a unique ...

Josine Vignon (French 1922-2022) ...

My 80's Heart "Token 7" 2019, gouache, acrylic, graphite, panel, blue, wood, orange

"Geometric Abstract" by Arlette Martin (French, b.1924) signed lower right hand-side, gouache painting on card, unframed painting: 3.5 x 8.5 inches Finely painted original by the p...

Juanita Guccione (1904 - 1999) Study for Ladders, 1948 Gouache on paper 17 x 13 inches Signed lower left, dated, and inscribed “Study for Oil Painting...

Signed lower right, 'Gilberg' for Robert George Gilberg (American, 1911-1970) and dated '58'. Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during t...

By Fernand Léger Medium: Mixed Media on Paper Size: 28" x 21" Framed Size: 39.25" x 32" An glorious example of a Master Cubist, Fernand Léger, featuring bold primaries and stately s...

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso) Excellent abstract expressionist mixed media work. Measurements: Image: 17" x 24" Framed: 24" x 28" x 1" From Wiki: Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3] Career and Museum Representation Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72" Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10] With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13] Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...

Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths from left to right, stacking...

Mid Century Mountain Stream Modernist Landscape by Honora Berg This mid century modernist landscape painting by Honora Berg (American, 1897-1985) depicts a vibrant mountain stream, ...

Susumu Shingu (Japanese, b. 1937), Untitled (Black and White Abstraction), Mixed Media Collage on Paper, 1964, signed and dated lower left, painted white trim wood frame. Image: 19" ...

Bold Geometric Abstract gouache on artist paper, unframed painting: 23 x 16 inches Provenance: private collection, France Condition: very good condition For more any more informatio...

Richard Anuszkiewicz Near and Far Acuity, 1957 Gouache and watercolor painting on board Hand signed and dated 1957 by Richard Anuszkiewicz on the right front Frame included Anuszkie...

Karin Kahlhofer Untitled Gestural Abstraction Gouache Year: 1993 Size: 38 x 26.3 inches Signed and dated by hand Mounted on Board COA provided Karin Kahlhofer studied painting and sculpture at the Düsseldorf Art Academy from 1961 to 1965 with Gerhard Hoehme and Karl Otto...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

"Micro Mini Token I" (2018) by Catherine Hart Acrylic and gouache on canvas; abstract miniature painting, pastels and bold saturated palette Framing available COA included

Dynamic, mid century multi colored abstract by Erle Loran (American, 1905-1999). Depicts a group of hunters and their horses participati...

A Surrealist Judaica scene of a bearded man (Rabbi) in a boat with Shabbat candlesticks. Sight size: 17.75" x 22.5". Overall size with frame: 26.5" x31.5" Naftali Bezem (Hebrew: נ...

4084 A vintage Japanese male dancer Painting on silk set in a red mat and displayed in a gilt wood frame under glass.

Title: French Impressionist Landscape of Brunoy and the Old Bridge of Boussy By Fanch Lel Signed: Yes Size: 10.75 x 13.75 inches (height x width) Gouache painting on cardboard, unfra...

Signed and dated in graphite pencil at the bottom right , annotated in graphite pencil on the reverse side Gouache / 2018 / Renaud Allirand. Abstracted landscape in rds and black, w...