Lacquer Abstract Paintings

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Size: 59 x 47 150 x 120 Edition: Original Artwork Year: 2009 About the Artist: Detlef E. Aderhold is a contemporary ab...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Size: 90 x 90 cm Edition: Original Artwork About the Artist: Detlef E. Aderhold is a contemporary abstract painter from...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Rainbow Colors Turquoise, Green, Yellow, Blue, Red and Black About the Artist: De...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

Energy" is an abstraction of expressionism from the Volsky Lily. What is 2025 for us? What to expect and what to prepare for?Summing up the results. The end of the cycle, what has ju...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

"What inspired the creation of this floral abstraction: The excellent intensive pink and red colours supporting with tender light rose and violet hues. Dimension in inches: 31 x 31 D...

Harald Kröner works thoroughly with paper, of which he is a notorious collector. Harald Kröner's work is very much about perception and the transition between the visible and the in...

"Blue Morpho" is a contemporary and parametric wall sculpture with gorgeous blue tones. Made from oil lacquer paint and carved Baltic birch wood, this ...

"Rose Gold Shimmers" is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work...

Dimensions: 18 X 12 including frame, 16" x 11." image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Au...

Dimensions: 19" x 13" including frame, 17.5" x 11.5" image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Fra...

In this series the artist represent the force of white that invades with its free forms, strongly over the structure of black. White is the absolute color, the purest, the most perfe...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life doesn't maintain its shape; it changes; it has no contained form, but rather everything seems to blend together. In her work, Rosario Briones...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Flat 68.12 (Abstract painting) Lacquer on Aluminum - Unframed As the title indicates, this work stands in the trajectory of Tilman’s interest in architectural space and its correlation with light. The title ‘Flat’ relates to the simple idea of a ‘flat’ painted object. However, in a humorous sense it also makes a relation to a flat, an apartment and henceforth to an architectural description of a certain spatial quality. The series ‘Flat’, started in 2010, consist of hand-painted aluminum planes...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Size: 59 x 47 150 x 120 Edition: Original Artwork Year: 2009 About the Artist: Detlef E. Aderhold is a contemporary a...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Size: 59 x 47 150 x 120 Edition: Original Artwork Year: 2009 About the Artist: Detlef E. Aderhold is a contemporary a...

Artist: Detlef E. Aderhold Size: 110 x 90 cm Edition: Original Artwork Edition: Original Artwork Year: 2009 About the Artist: Detlef E. Aderhold is a contemporary abstract pain...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

"Lavender Noir" is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work is contemporary & sculptural. E...

Large abstract green painting, light green, dark green, verdant, Ready to hang This large vertical abstract painting in deep green and black tones is a nature inspired abstract paint...

Lacquer on MDF and Aluminum. Unframed. This work as well as 17.16 (Breather) and Anywhere Now 19.15 can be understood as reflections on urban and architectural structures which fo...

The color is blue. The portal. abstract painting by Lilia Volskaya. The blue color of the painting was not chosen by chance. It's energizing. It teaches you to think creatively. Opens up new possibilities. It is the color of explorers, romantics and spiritual people. It was especially popular in the 17th and 19th century. Nowadays, it seems to me that the blue king...

Comes framed and ready to hang in black floater frame. Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...

In creating this explosion of color and emotion, I embraced a blend of abstract, expressionism, and pop art forms. I joyously applied acrylics, oil, and enamel, accenting generously ...

This mesmerizing artwork exhibits a nuanced interplay between light and shadow through the use of varying shades of deep blues. The composition, reminiscent of a twilight ocean's sur...

This is an impulsive abstraction of cherry blossoms' kiss. The artist designedly has created an expressive painting that`s both chaotic abstraction and breathtakingly floral beauty...

Gateway 15.15 (Abstract Painting) Lacquer on Aluminum. This work reveals the artist's interest in architectural form. The melodical interplay between planes and colors offers a re...

17.16 (Breather) (Abstract Painting) Lacquer on MDF and Aluminum. This work as well as 14.16 (In the Cities) and Anywhere Now 19.15 can be understood as reflections on urban and a...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

Adhesive tape, acrylic, lacquer, cardboard, on MDF. Unframed. This work is part of a series of similar works consisting of four layers of different material. Adhesive tape, fixed o...

H.O.C 41.08 (Abstract Painting) Lacquer on Aluminum. Tilman started to create the series ‘HOCs’ in 2006. These works vary in dimensions. Recognizing the architectural potential of the ‘Stacks’ series, Tilman developed the underlying idea further, which resulted in the works titled ‘HOC/House of...

Flat 68.12 (Abstract painting) Lacquer on Aluminum - Unframed As the title indicates, this work stands in the trajectory of Tilman’s interest in architectural space and its correlation with light. The title ‘Flat’ relates to the simple idea of a ‘flat’ painted object. However, in a humorous sense it also makes a relation to a flat, an apartment and henceforth to an architectural description of a certain spatial quality. The series ‘Flat’, started in 2010, consist of hand-painted aluminum planes...

Anywhere now 19.15 (Abstract Painting) Lacquer on MDF and Aluminum. This work as well as 17.16 (Breather) and 14.16 (In the Cities) can be understood as reflections on urban and a...

Lacquer on MDF and Aluminum. This work as well as 17.16 (Breather) and 14.16 (In the Cities) can be understood as reflections on urban and architectural structures which form our a...

Lacquer on Aluminum. This work reveals the artist's interest in architectural form. The melodical interplay between planes and colors offers a reading of an intended play on infini...

(Note: sorry about the large pic of the full painting; could not get the light right, without reflections from the varnish; in person the negative space is less brownish, lighter. Th...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and pure colour. "Rainy Day 04" is a stylish and contemporary bright emerald green abstract painting. It ...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and colours. "I work on a white surface, usually leaving the background pure, happily playing with the ...

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Acrylic, enamel, lacquer & pastel pencil on canvas