Stone Abstract Paintings

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...

Sezione Aurea A7 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 72 × 53.5 × 4 cm (28.3 × 21.1 ×...

"Vortex 014" invites the viewer into an abstract, cosmic dreamscape where emotion and texture entwine. Subtle hues of aqua, dusty rose, and silvery beige swirl like distant galaxies,...

This layout stands out for its simplicity. In my opinion, nothing needs to be added. I like the contrast between the materials and colors, and that's it!

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

Large scale modern abstract minimal art painting. A Place I Knew holds a sense of familiarity that’s hard to name, as if returning to a core memory you can’t fully place. It feels l...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Sold and sent unframed -V...

This mixed media contemporary abstract composition in a crimson colour is by a Canadian artist. The uniquely evocative work of Ivo Stoyanov illustrates his interpretation of nature’...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

“Bitch - A Love Letter to Rage”, is a fierce, original mixed-media painting that transforms a historically derogatory word into a declaration of strength, survival, and reclamation. ...

Vivid, deep blue and abstract…this compelling acrylic and mixed media piece by Ivo Stoyanov illustrates his masterful use of expressive form, colour and texture. The Canadian artist ...

Overall Size: Height 200cm x Width 300cm ( The painting consists of 2 parts, one part: 200x150cm ) Overall Size: Height 78,7402 Inch x Width 118,11 Inch ( The painting consists o...

This mixed media contemporary abstract painting in a vivid blue colour is by Bulgarian-Canadian artist Ivo Stoyanov. Ivo Stoyanov’s work is bold and dynamic. Inspired by nature’s co...

This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...

"Chinese mythology" abstract acrylic oxidation on linen canvas 100x80cm 2020 send in wood crate at cost travel memory, need to paint red red made me think of dragons, oxidized that we see in the multitude of temples of South-West Asia to temples I associate the deep reds of the pillars and frayed silks Emmanuelle vroelant...

Artist: Sam Peacock Title: Bury Materials: Oil, Coffee and Parafin on steel Medium: Mild steel sheet Size: 85 x 35 cm Edition: Original Artwork Year: 2018 ____________________...

Canadian artist Ivo Stoyanov is internationally recognized for his compelling abstract paintings. This piece, one of a series illustrates Stoyanov’s masterful vision that combines ge...

« Upon returning from the summer, I wanted to convey my joy of transparent water, the well-being of the sun, the light side of life in the garden, on the beach, with family and frien...

Middle Ground Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

"dawn silence" abstract on linen canvas acrylic 100x300cm triptych The light of the sky at dawn and the silence of the foreshore. I wanted to suggest a landscape just a little inhabi...

« January in Brittany, a peaceful atmosphere of grey and beige, a real harmony, beautiful if you are not sad because it takes an effort to look at the beauty of the foreshore in wint...

Traces Mixed Media on Canvas 100x73 cm Original Art Ready to hang Marilina Marchica was born in Agrigento, where she works and lives, After receiving her diploma at Liceo Artist...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

The memory of my joy as a child when I arrived on the beach knowing that I would be able to ride on the dunes. I invented mini-landscapes and I really liked to watch the mica grains ...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Africana Mid-Century Modern large and impressive mixed media, sand and oil on artist board. The painting is unsigned there is a small fragment of old paper label with number #21 titl...

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

"Forgetting" abstract acrylic , marble, china paper, 81x65 cm on linen canvas Forgetting the words, the names… it’s annoying! The relief is worked as a...

Sezione Aurea 2024-018 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 74 × 40 × 7 cm...

"Underground Railroad" abstract acrylic linen canvas 116x81cm send wood crate C. Whitehead’s book upset me his extremely sober writing speaks of t...

In "Spillway", Wise continues her investigation into a more abstract terrain where landscape as well as water is depicted within her newer approach in style to the landscape. Sunligh...

Large scale modern abstract art painting, textured acrylic, acrylic gel, and concrete on canvas, 36 x 36 inches. Let It Stay leans into quietness and restraint, holding a strong yet...

Large scale modern abstract, minimal art painting. Somewhere Somehow carries a quiet sense of recognition, where color becomes a kind of location and the surface becomes a record of...

This painted work-on-paper is an abstract geometric design that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The...

Brook Soss, "Home I" – Contemporary Abstract Artwork in Sandstone and Acrylic Elevate your space with "Home I", a stunning contemporary mixed-media artwork by acclaimed artist Brook ...

Jinni Oil, bitumen, graphite, marble powder, burlap on canvas 63" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of pa...

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

An original 1960s mid‑century abstract mixed media painting titled Cosmos by Polish‑American modernist Pawel Kontny (1923–2002). This compelling work is executed in mixed media combi...

Wanawhite (Abstract painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in th...

Signed lower right Agnes Hart was born in Meridan, Connecticut. She studied at the Ringling School of Art in Sarasota, Florida; at Iowa State University with Josef Presser, Paul Burlin and Lucile...

The opposition of two sheets of paper, very different in their structure, their color and their origin. Each one is made manually, one with linen rags and broken glass in a mill in ...

At the beginning, the choice of handmade art paper based on linen rags in a mill in Brittany made me want not to intervene too much on these sheets which is self-sufficient as a p...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

Skelet II Skelet II is a sculpture by Czech artist Pavlína Kvita. This sculpture is presented on a steel plinth. Weight of the sculpture: 4 kg. Weight of the plinth: 15 kg. Dimension...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

‘Landscapes of the mind’—that is how art critic Donald Bracket describes the enigmatic work of Ivo Stoyanov. From his Toronto studio, Stoyanov recalls images inspired by nature to cr...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  UNSTRETCHED. You'll receive it rolled in a tube. I recommend taking your painting to a local studio or gallery. This w...

Large scale modern abstract, minimal art painting. In Between Places lives in the threshold, that moment when one location fades and another begins. The work holds a sense of passag...

Vibrant, chaotic, and irresistibly fun — this piece explodes with color and imagination. Whimsical figures and spontaneous gestures fill the canvas with energy, humor, and emotion. I...

Signed lower right. Provenance: Khromin Estate. Victor Khromin, born in Gatchina City, near St. Petersburg, Russia explored his artistic abilities from the earliest years of his life. The Russian-Finish family into which Victor was born discovered and accepted his talent as something that flowed organically through their family tree. Victor's grandfather was an accomplished artist and a student of Repin at the Academy of Art in St. Petersburg, Russia. The scenery of childhood in a small Finnish village on the outskirts of St. Petersburg continues to inspire Victor throughout his life.Victor went on to study art professionally at the Serov School of Fine Art in Leningrad. While still a student, he actively participated in non-conformist exhibitions, which were illegal during the Soviet Regime. In 1976, Victor became a member of the USSR Union of Professional Artists. This was the only Soviet organization, which could recognize an individual as a career artist. Despite membership, he continued to exhibit his works as part of the Underground Art Movement, which contradicted the code of conduct outlined by the USSR Union of Professional Artists and rejected the only officially accepted style of Socialist Realist. Victor's works stopped being presented for exhibition within official circles of the Soviet Art League. Victor became a target for government harassment and monitoring. The 1985 solo exhibition at the Kudamm Gallery, in Berlin, served as a breaking point in the semi-tolerant relationship that had previously existed between Victor and the USSR Union of Professional Artists. According to the Union, an artist was not allowed to exhibit outside of the USSR without the permission of and censorship by that organization. That same year, Victor lost the position, which he had obtained through the Union. He relocated to a small village called Sinicheno, where over the course of 5 years, he created a series of lyrical pieces. The works were displayed at a solo exhibition at Dianart Gallery in Zurich in 1988, and at Arcole Auction, Paris in 1988-1990.The Perestroika finally opened doors for Victor to exhibit within Russia at "From Unofficial Art to Perestroika," in Leningrad in 1989 and The Stanislavski Actor's House in Leningrad in 1990. In 1990, Victor received an invitation to come to New York City for a Solo exhibition at Nahamkin Gallery. During this trip, Victor applied for legal residency within the United States and was granted this status for his Extraordinary Abilities in Art. In 1996, Victor's paintings become part of the Norton and Nancy Dodge Collection of Nonconformist Art at Rutgers University. From this point on, Victor and his family move to rural upstate New York. Here he continues the development of unique techniques for creating 3D casts for oil paintings and paper. Victor's recent works are hand-made paper reliefs, with acrylic used as a color addition to the texture. He also developed a relining technic, which allow him to transfer his reliefs to canvas, and then work with oil paint over the underlying relief. He has also been represented by Jane Voorhees Zimmerli Art Museum of The Norton & Nancy Dodge Collection of Nonconformist Art from the Soviet Union (1956-1986) at Rutgers University, New Brunswick, NJ; Dianart Gallery, Zurich, Switzerland; Kudam Gallery in Berlin, Germany; Codriorg Pallas Museum , Tallinn, Estonia; Urmala Exhibition Hall, Urmala, Latvia; Regional exhibition in Russia, and solo exhibitions in St. Petersburg, Russia, etc. The specific style category...

Sezione Aurea-C1 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 270 × 100 × 52 cm (106.3 × 39.3...

A Sculptor's Full Circle, Yoichi Tamaki at Alex - Washington Post (April 1, 1999). Judging from his lively exhibition at Alex Gallery, Yoichi Tamaki wo...

Punta 1 is a sculpture made of Black Palissandro marble by Italian contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble, dimensions are 113 × 78 × 37 ...

HAPI is a sculpture by Czech artist Pavlína Kvita. Dimensions are 225 × 85 × 50 cm (88.5 × 33.4 × 19.6 in). This work is a unique piece and is sold with a certificate of authenticity...