1980s Abstract Paintings

4090 An abstract graffiti art, oil on artist board displayed in a custom -made wood frame Image size 12H x 12 W

This colourful contemporary abstract painting is by Carol Sutton. In the 1970s, the paintings of a young Carol Sutton caught the attention of one of America’s best-known art critics...

'Feminine Forms: Harmony in Curves', oil on board, German School (circa 1980s). Two nude figures portrayed in the abstract posture differently. Both are curvaceous and Rubenesque. Re...

'Portrait of a Young Woman', oil on board, by Peter Robert Keil (1983). A wide-eyed woman gazes out to the viewer with an inquisitive gaze. The artist's use of exuberant colours beli...

Cubist Composition by Jean Besnard (1922-2007) oil on board, unframed signed with initials, dated board: 27 x 26 inches provenance: private collection, France condition: good and sou...

'Portrait of a Smiling Woman', oil on board, by Peter Robert Keil (1983). A cheerful look on the painting's subject puts a smile on the face of the viewer as well. Her beautiful blue eyes express a contentedness suggesting life is good...

David Humphrey Trophy (Museum of Contemporary Art, Chicago), 1983 Oil on Canvas painting Signed Twice: Hand signed and dated verso, also artist has signed his name and written his ho...

Richard Anuszkiewicz (American, 1930-2020) Temple of Evening Reds, 1983 Acrylic on canvas Signed verso 36 x 36 inches 36.75 x 36.75 inches, framed Richard Anuszkiewicz was born in E...

Harold Feist’s gloriously colorful acrylic abstract painting called Chanson radiates joy. Known for his innovative color field work, Feist has chosen a bright rainbow palette in broa...

Roland Ayers (1932-2017). Untitled, 1983. Ink on paper, measures 17 x 23 inches. Unframed and unmounted. Signed and dated lower left. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Milly Ristvedt has captured, in vivid colour, and expressive form the wonders of the ‘deep’ in this gorgeous abstract painting. Against a rich blue colour field, ethereal forms and g...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower ...

'Prisms of Identity: A Portrait Series III', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Fl...

'Expressions in Bloom: Portraits from the 20th Century III', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings thro...

Pierre Marie Brisson is a French painter known for his Iconographic style. His work appropriates the forms, concepts, and imagery of art history. Spanning from prehistoric art to Roc...

Abstract Expressionist Original Gouache on paper and Collage Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006). Image 30"H x 40"W Slat with white paint .25" ...

This abstract expressionist painting is by Carol Sutton. At the age of only twenty-two years, a portfolio of sixteen serigraphs by Carol Sutton became part of a collection at the Sm...

Red Thumbprint - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece i...

Signed lower right, 'Dooley' for Helen Bertha Dooley (American, 1907-1994); additionally signed, verso, titled 'Turquoise Sea' and dated 1983. Exhibited: Carmel Art Association, Cal...

Ben Wilson Concert, ca. 1989 Oil on masonite board (Hand Signed by the artist; also bears the Estate Stamp) Boldly signed front and back, titled and dated on the back by Ben Wilson and also stamped on the back by the estate of Ben Wilson 42 × 48 inches Unframed This stunning painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. This work "Concert" - depicting instruments, in a light, lyrically abstract painting. Exquisite colors and subtle imagery. In 2017, he was the subject of a retrospective at the George Segal Gallery at Montclair State University from September 6 to November 4 and it was accompanied by a catalogue. About Ben Wilson: Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...

American modernist abstract oil painting. Framed. Oil on canvas. Image size, 10H by 10L.

Abstracted seascape of three boats near the shore with broad, painterly strokes of blue, turquoise, and neutrals by Robert Canete (American, b. 1948). Signed lower right. Image: 16"H...

Gutai Object, Paris Period by Takesada Matsutani Important organic abstraction in polyvinyl acetate adhesive on vinyl by Takesada Matsutani (Japanese, b. 1937). Titled "Objct" on verso. Signed and dated (1983) on verso with "Japan, Paris, S.F" delinated. Unframed. Image size: 47"H x 37"W. x 3"D Condition: Good: some bending and creasing to thinner edge areas top center and all corners, vinyl on lower right corner and under signature. One image shows a patch of vinyl tape, this is the artists access port for adding air under the acrylic glue to pump up the area. We will mount on Sturdy foam core and make the conservation minor fixes to the vinyl layers prior to shipping. From the early sixties to the early seventies, Matsutani was a key member of the ‘second generation’ of the Gutai Art...

Deep Blue Figures, French Expressionist Original Oil Painting French school, late 20th Century Oil painting on canvas, unframed Canvas size: 39 x 51 inches A deep and inky blue lar...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 3 sheets, each measuring 18 x 24 inches. Each vertical edge is hinged with mounting tape, resulting in a triptych presentation. Entire measurement: 24 x 54 inches w. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

Artist: Jacob Kainen– American (1909 - 2001) Title: Aegean XI Year: 1981 Medium: Oil on Canvas Size: 48 x 60 inches Framed size: 49 x 61 inches Signature: Signed, dated lower right. ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 35 by 47 inches overall and 27 by 39 painting alone. In excellent original condition. Hands...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Artist: Dan Teis Title: Abstract with Red Forms Year: 1980 Medium: Acrylic on Canvas, Signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55.5 x 61.75 inches

Pierre Coquet - Abstract Composition in white shades Reference number A202 Framed with a natural oak floated frame 40 x 45 cm (45 x 50 cm frame included) This work is painted with oil on a board. It is signed and dated 83 in the bottom right. Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Provenance : Workshop of the artist Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran, Edouard Mouriquand, Pierre Palué, Paul Philibert-Charrin, Antoine Sanner and Françoise Juvin. The latter will become his wife in 1948. In 1949, he participated in an exhibition in Geneva, at the Musée de l'Athénée, entitled "Eleven French painters" with Jacques Truphémus and Jean Fusaro. Françoise and Pierre moved to Paris in 1950. There he met Alexandre Garbell, who encouraged him and whom he attended classes in his academy on Boulevard de Clichy. Working as an art teacher at the Corvisart school in Paris he painted a lot beside this activity. His main subjects are “assemblages of objects” which evoke the memory of Giorgio Morandi, the roofs of Paris, still lifes, characters in situation, and abstraction. This sincere and modest man, turned inward in a climate of deep meditation, likes to express his feeling that “all painters encounter the same difficulties in wanting to express unspeakable emotions with painting. Everything is possible, at the condition it is true ” use to say Pierre. I have known Pierre for a long time and organized several exhibition with their paintings. I am now taking care of the whole workshop providing beautifiul figurative and abstract works, paintings and many drawings with various sizes. Pierre was always working in his workshop, everyday, he needed it, painting was something vital to him. Paintings by Pierre...

Large Abstract Expressionist color field painting. Similar in the manner of the colorful abstract works of Paul Jenkins. This one is a bit more muted in color. Lamar Briggs (1935-2...

Antique American modernist abstract painting. Oil and encaustic on canvas, circa 1980. Signed on verso. Displayed in a period frame. Imag...

Large early oil painting by noted Mexican abstract artist Leonardo Nierman (1932 - ), signed lower right. Systema Solar Leonardo Nierman, Me...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.75 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lo...

5022 Surreal Abstract set in a brushed aluminum frame Signed P.Russo 1986

An evocative oil painting by Katherine Bowling, completed in 1989. Executed on spackle over wood, this atmospheric composition reveals Bowling’s distinctive technique of layering thi...

Vibrant abstract of Berkeley Hills overlooking the city of Oakland, California by Erle Loran (American, 1905-1999). Presented in a wood slat white frame. Signed lower right "Loran." ...

Janet Jennings Oil Painting on Canvas Peace and Plenty, 1989. Hand signed Dimensions: Canvas, 65 1/2" x W: 59 1/2". framed 68 X 62 inches Janet Jennings received her BFA from the University of Dayton and attended The Dayton Art Institute, Antioch College and The Art Students League. Her paintings are in numerous corporate and private collections worldwide. She has exhibited at numerous galleries on Long Island, the Hamptons and New York City including The New York Design Center, Hampton Road Gallery, Pamela Williams Gallery, Folioeast, Lizan-Tops Gallery, Chase Edwards Gallery, Gallery North, Elaine Benson Gallery, Glenn Horowitz Gallery, Mark Humphrey...

Affection 1989 Artist signed lower right Oil, graphite on linen canvas 38x30, framed 52x44 inches. Jurgen Gorg was born in 1951 in​, Dernbach Germany. His formative years were spen...

African contemporary oil on Panel figurative painting by Zacharia Mbutha, Born 1949, Kenya. A colorful painting by one of East Africa's most famous artists depicting three figures o...

"Untitled Abstract II" is an Original Oil on Canvas by G. CURTIS. The piece is part of a set. It measures 49.5 x 37.5 x 1 inches with frame. It is signed and dated by the artist. The...

"Mesa World" abstract acrylic on canvas painting of horses by artist Jean Richardson. Signed Richardson lower right recto. "Mesa World", 40 x 60, JR 917, 1987 written on back.

Landscape abstract composition signed canvas size 35.5x31.5 Heydenryk hand made giltwood frame 41x45x1.5 Erwin Wending (Germany, 1900 – the United States, 1993) Born in Freiberg. In 1937, following the completion of his studies at the Dresden Art...

'Rolling Stones - Three Heads' acrylic on canvas, by Peter Robert Keil (1985). Big, bold with brash brush strokes painted in exuberant colours is the trademark of the artist. Strange...

Modern Cubist inspired colorful desert landscape painting by the iconic Houston based artist David Adickes. The work features an abstract cluster of purple, coral, and yellow cacti s...

Walking By The Sea. Artist signed lower right corner, canvas size (31 1/2 x 39 1/4in). Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in the 1940s he began devoting himself to painting in a studio at Via del Babuino in central Rome. Simbari's early exposure to the architectural world had a lasting impression on his art, as he incorporated geometric forms and architectural structures into almost all of his paintings. He began to develop a distinct style stemming from impressions of life, nature, and the Mediterranean...

Step into the serene world of American minimalism with this exquisite 1980 signed original oil painting. Created by a talented American artist, this work invites you to explore the c...

Original painting on canvas. Hand signed, titled and dated on verso by Paul Jenkins. Artwork is in excellent condition. Acquired by our gallery from a private collector. All reaso...

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Crete. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

4091 Graffiti art oil on artist board displayed in a custom -made wood frame. Signed by S.Mooney 1987. Image size 12H x12W

"Florentine Expressions: A Portrait Series XII", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing art professor from the Istituto di Arte di Porta Romana, Florence, Italy. The professor released works of artists whom he mentored over the years. We are unsure who painted the series we acquired as several are just signed, 'Giacomo', or, left completely unsigned, yet many are clearly by the same artist. This one is in good overall condition and has been newly framed with a French-style linen slip. The canvas is textural like one of the vintage maps...

French abstract in tones of blues, black and purple, 1980s. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival pla...

JOSEPH STABILITOS work is in many public and private collections in New York, the United States, and Europe. As well, his work can be seen in the upcoming Batman movie being released 2015. Stabilito first displayed his large scale paintings in the windows of Bonwitt Teller, an upscale ladies department store in Philadelphia. That was followed with the first solo exhibition of his work at the Sande Webster Gallery in 1982. He moved to New York the following year, as his paintings were being featured in the windows of Bloomingdales. That made a particular splash, attracting a fan base of notable designers and collectors to his work. Saks Fifth Avenue and Paul Smith prominently put his colorful paintings in their own windows. Stabilito settled into the burgeoning East Village Graffiti art scene, while having gallery shows in Italy, Germany, and across the United States. His work was shown at the prestigious Navy Pier Show in Chicago, and the very first Miami Art Fair. Stabilito continues to paint today from a studio on Canal Street in Manhattan, and is constantly exploring new directions for his work. His latest paintings...

Pierre Coquet – Abstract Composition Reference number A268 Framed with a natural oak floated frame 55 x 70 cm frame included (50 x 65 cm without frame) This work is painted with oil on a paper that is mounted on a board and placed in a made to measure wood strectcher. It is signed in the bottom right. Stamp of the signature in the bottom right Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Abstract paintings by Pierre Coquet represent a large part of his production. The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we know of him. His way of painting is strong and thoughtful, the lines stretch out and the harmonious touches, applied with sobriety, reveal a great sense of color. Provenance : Workshop of the artist (stamped and numbered on the back) Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran...

Stephen Edlich Ouverture, with Cypress Forms, 1982 Signed, dated and titled on the stretcher Acrylic paint, mixed media, and burlap on canvas 60 x 40 inches An artist who worked in the post-cubist and constructivist traditions, Stephen P. Edlich gained a considerable amount of acclaim in the 1970s and 1980s for his collages, sculpture, and paintings. His promising career was cut short due to his untimely death at age 45 in 1989. Edlich was born in New York City. He received his undergraduate degree with a major in fine arts studies from New York University in 1967. During his college years, he traveled to London, where he met the art dealer Victor Waddington and created his first white on white collage. In that same year, he attended a major exhibition of the work of Ben Nicholson, which would be influential source in his art. Edlich returned to England in 1967, where he met Barbara Hepworth and Patrick Heron in London and traveled to St. Ives, Cornwall, long a favorite artists' haunt. Edlich began creating acrylic reliefs...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, titled and inventoried verso. 43.25 x 47.25 in. 44.75 x 48.5 in. (framed...

Splashes of Color - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). The backg...

Steven H. Rehfeld (American, born 1954) "Blue Impressions" 1980 Oil Paint, Mixed Media, Paper, Tape, Graphite, Ink, Canvas, Stretcher Bars The artist signed the back of the painting....

Vibrant and dynamic abstracted nude figure drawing, depicted with expressive line and color by Stewart Goldman (American, b. 1936). Signed "S. Goldman" and dated "82" lower right. "Steward Goldman," dated "1982" and titled "Figure Drawing #2" on verso. Presented in a metal frame. Image size, 29.5"H x 22"W. Exhibited:Chamber Paintings and Other New Work - Toni Birckhead Gallery - Cincinnati, Ohio EDUCATION Philadelphia College of Art - 1955-58, 1960-62, BFA in Painting TEACHING EXPERIENCE Art Academy of Cincinnati –September 1968-August 2001 –Retired PROFESSIONAL SERVICE Cincinnati Art Museum Board of Trustees Member– 2013-2016 Advisory Committee- Weston Art Gallery Previous Service Center for Holocaust and Humanity Education, Board of Trustees Member Gamble-Nippert YMCA - Committee of Management Member GRANTS and AWARDS Ohio Arts Council Grant-Exhibition support-“Working Spaces” Munich, Germany -2001 Ohio Arts Council Grant-Exhibition support-“Tales of Slavery and Deliverance”, Munich, Germany-1999 Kulturreferat, Munich, Germany Grant-Residency, Villa Waldberta-Feldafing, Germany-1997 Cincinnati Arts Allocation Grant-To create installation-“The Cherubs of Theresienstadt”-1994 Ohio Arts Council Grant-To curate exhibition and travel “Cincinnati Artists Works on Paper” Kharkiv Art Museum, 1993 Cincinnati Bell Mural Commission-1990 Cincinnati Summerfair Fellowship-1988 Cincinnati Post-Corbett Award, Outstanding Individual Artist-1988 RECENT PROFESSIONAL ACTIVITIES 2013 Curator- “Seeing Opera” Weston Art Gallery, Aronoff Center for the Arts, Cincinnati, Ohio 2013 Book publication, My Mother’s Eyes, Italian translated edition 2011 Curator - exhibition for Constella Festival of Music and Fine Arts, Cincinnati, Ohio 2010 Created print at invitation for Cincinnati Art Museum portfolio commemorating Jim Dine 2007 Book Publication, My Mother’s Eyes, German Translated edition 2005 Commencement Address, New Hampshire Institute of Art, Manchester, NH Colloquia, College of Applied Science, Cincinnati, Ohio Portfolio Presentation, 92 Street Y, New York, NY 2004 Book Publication, My Mother’s Eyes. Holocaust Memories of a Young Girl SELECTED SOLO EXHIBITIONS 2017 Mythic Macrocosm - Tarble Art Center, Eastern Illinois University, Charleston, ILL 2015 Stewart Goldman: Nuances - Philip M. Meyers, Jr., Memorial Gallery, University of Cincinnati - Cincinnati, Ohio 2009 Stewart Goldman Presence through Absence - Cincinnati Art Museum – Cincinnati, Ohio 2008 Then and Now- Paintings and Tape drawings – Springfield Museum of Art- 2006 Old Square/New Square: Paintings and Wall Drawings-Weston Art Gallery, Aronoff Center for the Arts 2005 Paintings-Cincinnati Art Galleries...

Lee Jaffe, American (1950 - ) - Benedict Arnold at The Battle of Saratoga, Year: 1983, Medium: Gold Leaf, Tar, Turkey Feathers, and Oil on Canvas, not signed, Size: 136 x 144 in....