1980s Abstract Paintings

Lyman Kipp Untitled Minimalist painting on paper, 1981 Oil paint on paper Signed and dated 1981 on the front Floated and framed in the original vintage frame under UV plexiglass Meas...

Work on paper Silver wood frame with glass pane 72 x 93 x 2 cm

Richard Andres American, 1927-2013 Untitled, c. 1980 acrylic and ink on paper mounted on canvas signed lower right 24 x 20 inches 25 x 21 inches, framed Note: Minor abrasion on lowe...

Signed, titled and dated verso 1980 (11–’80) Provenance: Irving Galleries, Palm Beach, Florida 1985; Private Collection, Palm Springs, CA Exhibitions: M. Kno...

Abstract Expressionist Painting. Acrylic on Canvas. Collection from revered artist of NYC and The Hamptons. About the Artist: Part of the New York School Abstract Expressionists. Recognized around the world as the leading art movement after WW II. He showed with Jackson Pollock, Willem de Kooning and Franz Kline. 1921 born in Philadelphia 1934 – 38 Graphic Sketch Club 1938 – 40 Philadelphia Museum School of Art 1940 – 41 Pennsylvania Academy of Fine Art 1942 – 45 WWII War Correspondent-Artist, Yank magazine 1946 – 47 Art Students League, Will Barnett 1947- 48 Hans Hofmann Academy 1960–1979 Instructor at: University of California, Berkeley, CA; Princeton University, Princeton, NJ; New York University, New York, NY; Columbia University, New York, NY; Brooklyn College, New York, NY; Temple University, Rome, Italy 2017 deceased Collections: Ciba-Geigy Collection Chase Manhattan Bank Art Institute of Chicago Corcoran Art Museum, Washington Eugene V. Thaw Collection Max Kozloff Collection Montana Historical Society, Montana New York University Norfolk Art Museum Robert Rosenblum Collection Sarah Lawrence Collection Union Carbide Collection University of California Museum University of Massachusetts University of Montana Walter P. Chrysler Collection Walker Art Center, Minneapolis Whitney Museum, New York Yellowstone Art Center, Montana Exhibitions: Individual 2020 Frankfurt TBD 2018 Galerie Barbara von Stechow, Frankfurt 2008 Suvretta House, St. Moritz, Schweiz Galerie Barbara von Stechow, Frankfurt 2006 Ludwigmuseum im Deutschherrenhaus, Koblenz Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf 2005 Galerie Barbara von Stechow, Frankfurt New York „Abstract Expressionism” Galerie Barbara von Stechow, Dr. Alexander Georgieff & Dr. Peter Sewing bei Georgieff Capital, Frankfurt 2004 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf CherryStoneGallery, Massachusetts 2003 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf Galerie Barbara von Stechow, Frankfurt Kunstverein Augsburg 2002 ART Frankfurt, Galerie Barbara von Stechow, Frankfurt 2001 Galerie Barbara von Stechow, Frankfurt a. M. Art Cologne, Galerie Barbara von Stechow Denise Bibro Fine Art, New York City 2000 Galerie Barbara von Stechow, Frankfurt a. M. Art Frankfurt, Galerie Barbara von Stechow, Frankfurt a. M. Galerie Schröder & Dörr, Bergisch-Gladbach 1999 Galerie Peter Bäumler, Regensburg 1998 Conrad Hinrich Donner Bank, Hamburg 1996 Galerie Hexagon, Aachen Olaf Clasen Gallery, Köln 1995 Olaf Clasen Gallery, Köln Denise Bibro Gallery, New York City 1994 Olaf Clasen Gallery, Köln 1993 Galerie Peter Bäumler, Regensburg Bologna-Landi Gallery, East Hampton, New York 1992 Olaf Clasen Gallery, Köln Benton Gallery, East Hampton, New York 1991 St. Mary’s College, Maryland M 13 Gallery, New York City 1989 Randall Gallery, St. Louis, Mass. RH Love Gallery, Chicago, Illinois Pennsylvania Academy of Fine Arts (Morris Gallery), Pennsylvania 1988 Cyrus Gallery, New York City Benton Gallery, East Hampton, New York 1987 Armstrong Gallery, New York City 1986 Barbara Ingber Gallery, New York City 1984 Barbara Ingber Gallery, New York City 1982 The New School, New York City 1981 Benson Gallery, New York City 1980 Landmark Gallery, New York City 1978 Temple University Abroad, Rom 1977 Andre Zarre, New York City 1974 Bertha Schaefer, New York City 1973 Bertha Schaefer, New York City 1971 Westbeth Galleries, New York City 1965 University of Arkansas, Little Rock 1964 Princeton University, New Jersey 1963 Thibault Gallery, New York City 1962 Hacker Gallery, New York City 1960 Poindexter Gallery, New York City 1958 Poindexter Gallery, New York City 1957 Poindexter Gallery, New York City 1956 Ganymede Gallery, New York City 1954 Artists’ Gallery, New York City 1953 Hendler Gallery, Philadelphia 1952 New Gallery, New York City 1950 Artists’ Gallery, New York City Group Exhibitions: 2018 Titans In the Rough Denise Bibro Gallery, New York, NY 2011 Joe Stefanelli...

The Old Ways is a watercolor and graphite painting on paper by Italian-born multidisciplinary artist Lucio Pozzi. It is currently housed at Hal Bromm Gallery.

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 17 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur...

This colourful abstract painting on paper by Milly Ritsvedt has a green backdrop. In the 1980s, Milly Ristvedt’s artistic journey continued to embrace colour and abstract form as he...

Andreas Nottebohm is a German painter known as a key innovator in metal painting. The painting measures 48 x 40 inches and is signed and dated verso. Provenance: Private Collection, NYC

This abstract painting on paper by Milly Ritsvedt features a purple background. Milly Ristvedt says she dreams in colour. Her lifelong quest to unlock the potential of colour expres...

Untitled (Abstraction) Mixed media on paper, 1980 Signed and dated 1980 lower right (see photo) Condition: Excellent, unframed Sheet size: 31 1/2 x 47 1/2 inches Provenance: Jan Cowl...

Keith Haring. 1958-1990. The iconography of his drawings includes dancing animals and figures, dogs, crawling babies, pyramids, televisions, telephones, and flying saucers. The idea ...

Tharrats lunar landscape- original . . dark. small abstract Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massan...

Artist: Betsy Kaufman – American (1953- ) Title: Landscape of Reflection Study Year: 1988 Medium: Acrylic on paper mounted to canvas Sight size: 13.5 x 1...

Untitled is an oil stick and graphite painting on paper by Italian-born multidisciplinary artist Lucio Pozzi. It is currently housed at Hal Bromm Gallery.

Jules Olitski Abare, 1987 Signed and dated on the reverse Oil-based acrylic and water-based acrylic on plexiglass 44 3/4 x 23 5/8 inches Provenance The artist Andre Emmerich Gallery...

Abstract Expressionist Painting. Acrylic on Canvas. Collection from revered artist of NYC and The Hamptons. About the Artist: Part of the New York School Abstract Expressionist...

Joseph Glasco (American, 1925-1996) Untitled 1978-81 Acrylic on canvas collage initialed verso and dated ‘81 48 x 51 inches Joseph Glasco was born in Paul’s Valley, Oklahoma and gre...

6051 Italian white on white composition in silver leaf frame

Hand signed frame measures 39 X 51 sheet measures 29 X 41 This will be shipped unframed If you would like the frame please contact me. Apple or fruit shape abstract color field pai...

Lynton Wells Landscape, 1984 Oil on Canvas (with original Sable Castelli Label back of frame) Hand signed, titled, dated 1984 with artist's copyright symb...

Jim’s of Lambertville is proud to offer this artwork by: Mercedes Matter (1913 - 2001) Born in New York in 1913 to famed Philadelphia Modernist, Arthur B. Carles, Mercedes Matter g...

Jay Rosenblum Polarity #3, 1981 Acrylic on paper 6 × 9 1/2 inches Signed and titled in graphite pencil on the front Unframed This gem of a work is an acrylic painting on paper by ren...

5074 Colorful view into outer space signed on verso Oil on artist board Not framed

It is hard to reconcile Gershon Iskowitz's (1921-1988) aesthetic with his personal history. Born to a religious family in Poland, Iskowitz was allowed to leave Yeshiva (Jewish relig...

G. Caliman Coxe, an influential African American artist born in 1935, is celebrated for his vibrant abstract works that explore themes of identity, history, and spirituality. A grad...

Alexander Liberman (1912-1999): Svet III Mixed media on board, 1984, signed 'Alexander Liberman' and dated at bottom= Hand signed, titled and dat...

Includes a Certificate of Authenticity

Stefanos Sideris (1921-2014). Floral Still Life, ca. 1980. Oil on panel measuring 11 x 14 inches; 19 x 22 inches framed. Signed lower left.

Menashe Kadishman - The Tide - Kings Gallery - Fine art - Israeli art - Israeli artist - international art - Sheep. “The Tide” by Menashe Kadishman Menashe Kadishman721ViewsItamarIta...

20th Century Modern Mixed Media Triptych of Acrylic and Sand on Canvas. Signed and Dated Lower Right 1980. Bright Dynamic Abstract work known for Painted Forms that seem to Dance Off...

Cindy Kane (American, b. 1957) Untitled, 1985 Oil on plywood Sight: 31 1/2 x 28 1/2 in. Framed: 39 3/4 x 36 x 2 in. Signed lower right: KANE Signed, titled, dated verso: Cindy Kane, Untitled, 1985 Cindy Kane (American, 1957-) grew up in Washington DC during the Vietnam War era, absorbing the period's powerful political climate. She is a self-taught artist whose multi media work is born out of a deep sense of connection to the political and environmental issues of our times. Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. She draws on personal narrative and experience to create her paintings of maps, birds, toys, and artifacts from nature, often collaging bits of newspaper headlines, pieces of her children's homework, and pages of sheet music beneath layers of color and imagery. In a review of her work, author and critic John Loughery wrote; "Kane leads us into a peculiar netherworld, a hard to place area that's both reassuringly ancient, and anxiously modern. This is a painter who is interested in the unconscious and the archetypal, and utilizes her own private, (but not inaccessible) vocabulary and imagery." In a submission to AskART, Diana Wilson...

Biagio Civale, Italian/American (1936 - ) - Oval Search, Medium: Mixed Media on Canvas, Signed Four Times, Size: 20 in. x 16 in. (50.8 cm x 40.64 cm), Frame Size: 30 x 24 inches

Richard Andres American, 1927-2013 The King of Diamonds Accepts Challenges, 1982 acrylic and ink on paper mounted on canvas signed lower right, signed and titled verso 47.5 x 47.5 in...

Artwork size: 81 x 100 cm. Frame size: 87 x 106 cm. Frame in wood white gold. Acquired directly from the artist. Free shipment worldwide. “With just a few strokes of his brush he c...

Michael Forster (bn. India, 1907-2002) Abstract in blues and greens signed, Polymer medium / Acrylic on paper, Image 17.5" x 23"

5-1476 Ballet Painting, large scale of oil on canvas of classical dancers, signed by Sari lower right Displayed in a wood frame with metal trim.Marks on the frame

Painted by Anne Kramer (American, 20th century) circa 1985, stamped verso and accompanied by Certificate of Authenticity. A very substantial and period, A...

September To Remember II Artist signed and titled. Large bright and vibrant abstract expressionist. Sergio was born in Cordoba, Argentina, in 1934. He studied at National School of Fine Arts, the National Academy, and the Superior School of Art in Buenos Aires. In the late 1950's he began to collaborate with a group of contemporary Argentinean artist interested in Op art. The group moved to Paris and Sergio was able to rejoin them with students support from the French government. Aware of the creative differences amongst the group, in 1960, he moved To Munich where he received a grant from the German government to study etching in the House der Kunst. In 1962 he returned to Paris continuing to create paintings, etchings and woodblocks. A lifetime of spiritual and cultural influences is reflected in Moyano's work, which in turn mirrors...

TECHNICAL SHEET Title: Gemini Artist: Svetla Georgieva Technique: Mixed media (oil and material) on canvas Dimensions: 21.6 x 18.1 in Framing: Unframed Year: 1989 Style: Abstract Ex...

5-3735 French Mixed media abstract set in a wood frame

Original, oil paint and acrylic paint on canvas by the well known American artist, Syd Solomon. Signed bottom middle by the artist. Titled and dated verso 1983. Condition is excellent. Original gallery floating frame. Overall framed measurements are 38 by 42 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

Stefanelli’s extensive travels throughout Europe and his keen interest in ancient culture and architecture influenced this work and were the impetus for him to create "The Untitled One". Throughout the canvas one can see shapes reminiscent of antique columns painted in white to resemble marble. One such shape is placed at the very edge of the painting, to the left, standing on top of the marble steps...

signed 'A. Istrati' (lower right); signed and dated 'A. Istrati, 1984-87' (on the verso) Provenance Private collection, Paris Exhibited Paris, Salon d'Automne, November 1988 Dunkir...

Detritus Series 7 Juan Sánchez Juárez, Mexican (1946) Date: circa 1980 Acrylic on Canvas, signed l.r. Size: 48 x 60 in. (121.92 x 152.4 cm)

The masters is a watercolor painting on paper by Italian-born multidisciplinary artist Lucio Pozzi. It is currently house at Hal Bromm Gallery.

Mountains in the Clouds in Tuscany Italy by 20th Century Italian Artist Armando Romano Art measures 20 x 16 inches Frame measures 26 x 22 inches In...

Artist: Laszlo Dus – Hungarian/American (1941- ) Title: Repules XVI Year: 1988 Medium: Oil on canvas Size: 16 x 12 inches Framed size: 24 x 20 inches Signature: Signed lower right Condition: Very good. Frame in fair/poor condition This abstract oil on canvas painting is by the well-known Hungarian/ American artist Laszlo Dus (1941-). The painting is in very good condition. The frame is in fair/poor condition. The linen inner mat is stained and should be replaced. The very nice silver wooden frame has a chip on the right bar near the bottom. There is also a tiny chip in the lower left corner. Please see pictures. The painting is signed in the lower right. On the reverse is information about this painting and some biographical information about Dus. Laszlo Dus (Born 1941) Laszlo Dus was considered a brilliant young artist behind the Iron Curtain before moving to the United States at the age of thirty-three, having already exhibited in France, Italy, Yugoslavia, Austria, Czechoslovakia and Holland. Dus' achievements and abilities have been recognized across the U.S., where his works have found a place in many major collections including the Metropolitan Museum of Art (NY), The National Gallery of Fine Arts (Washington, D.C.), the Chicago Art Institute and the Detroit Institute of Arts. 1941 Born in Zalaegerszeg on July 15th 1956-60 Attended the Fine Art High School, Budapest 1962-67 Studied at the Academy of Fine Arts, pupil of Aurel Bernath, Budapest 1967 Director of the Town Art Program at the Town Council, Zalaegerszeg 1968 Founder of the Egervár Artists’ Colony 1971 Study trip to the USA 1974 Emigration to the USA 1976 Artist–in–Residence at Clarion State College 1977-92 Association with Park West Galleries, Detroit 1992 Organization of the Kunst Atelier International, Cleveland 1993-99 Association with AL Galerie, Stuttgart 1999 Settled in Los Angeles as well as in Budapest, Százados út Artist Colony Collections (selected) Art Institute of Chicago, Chicago (USA) Detroit Institute of Art, Detroit (USA) Flint Institute of Arts, Flint (USA) Library of Congress, Washington D. C. Metropolitan Museum of Art, New York NASA Space...

As in many of Michael Forster’s works Untitled, 1987 similarly places a special focus on the supremacy of color. This all-absorbing passion for color h...

Ashes of Roses is Rene Ricard's mauve-colored map of Rivington Street between Suffolk and Clinton Street, with a white arrow pointing to the word mofongo, indicating a Puerto Rican r...

This 22' x 28" painting is an oil on linen abstract and surrealist work by Ed Ruscha's friend an colleague, Robert Bonaparte. Done in a minimalist sty...

5-3623 Oil on artist board set in a vintage frame Image size 7x10"

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Phenomena Prism Mirror by Paul Jenkins (1923-2012) Acrylic on canvas 147.3 x 1...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, dated, and titled verso. 52.25 x 52.75 in. 54 x 54.25 in. (framed) Custom framed in a maple hardwood floater. Provenance Salander O’Reilly Galleries, New York Private Collection, Connecticut Provenance Estate of Samuel Feinstein...

Oil on wooden panel realized by Mino Meno in 1980s. Hand signed and titled on rear. It bears a contemporary wooden frame cm. 59.5x49.

Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack. Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces took place at Galerie Jurka in Amsterdam during November 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Peter McCaffrey, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Laurie Simmons, Tyler Turkle, Meyer Vaisman, and Oliver Wasow. Final Love took place at the C.A.S.H./Newhouse Gallery in New York from March 15 – April 14, 1985. Larmon was accompanied by artists Ross Bleckner, Peter Halley, Jonathan Lasker, Allan McCollum, Olivier Mosset, Peter Nadin, Bonnie Nielson, Meyer Vaisman, Wallace & Donohue, James Welling, and Stephen Westfall. Cult and Decorum took place at Tibor De Nagy Gallery in New York from December 7, 1985 – January 4, 1986. Larmon was accompanied by artists Ross Bleckner, Sarah Charlesworth, David Diao, Peter Halley, Jeff Koons, Jonathan Lasker, Peter Nadin, Joel Otterson, Ricardo Regazzoni, Robin Rose, Laurie Simmons, Haim Steinbach, Gary Stephan, Philip Taaffe, and Meyer Vaisman. Modern Sleep took place at American Fine Arts Co. in New York from October 17 – November 16, 1986. Larmon was accompanied by artists Saint Clair Cemin, John Dogg, Tishan Hsu, Jonathan Lasker, Annette Lemieux, Olivier Mosset, Joel Otterson, and Jeffrey Plate. Art at the End of the Social took place at The Rooseum in Malmö, Sweden from July – October, 1988. Larmon was accompanied by artists Donald Baechler, Ford Beckman, Gretchen Bender, Ross Bleckner, David Carrino, Lawrence Carroll, Saint Clair Cemin, Sarah Charlesworth, Charles Clough, David Diao, John Dogg, Suzan Etkin, Peter Fend, Robert Gober, Peter Halley, Claudia Hart, Tishan Hsu, Jon Kessler, Jeff Koons, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Joel Otterson, Richard Prince, Holt Quentel, Sal Scarpitta, Nancy Shaver, Haim Steinbach, Gary Stephan, Philip Taaffe, Tyler Turkle, Meg Webster, and James Welling. Exhibitions at Feature Inc. Head Sex took place at Feature Inc. in Chicago, Illinois from July 7 - August 7, 1987. Larmon was accompanied by artists Kathe Burkhart, General Idea, Mike Kelley, Lillian Mulero, Raymond Pettibon, Johnny Pixchure, Richard Prince, Kay Rosen, Rene Santos, and Kevin Wolff. Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Larmon was accompanied by artists Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos, Nancy Shaver, Jim Shaw, Cindy Sherman, Elaine Sturtevant, Tony Tasset, James Welling, Kevin Wolff, and B. Wurtz. I Gaze a Gazely Stare took place at Feature Inc. in New York, New York from March 9 - April 14, 1995. Larmon was accompanied by Jeanne Dunning, Robert Flack, Jason Fox, Tom Friedman, Jim Isermann, Pruitt-Early, Brett Reichman, Richard Rezac, David Robbins, and Nancy Shaver. THOUGHTS took place at Feature Inc. in New York, New York from April 14 – May 19, 2007. Larmon was accompanied by Pam Golden, Jonathan Heartshorn, Andrew Masullo, Tracy Miller, Travis Molkenbur, David Moreno, Oren Slor, the unnameable, and Tyler Vlahovich. Tom of Finland and then Some took place at Feature Inc. in New York, New York from June 25 - July 31, 2010. Larmon was accompanied by Tom of Finland, Richard Kern, Judy Linn, Bastille, Jerry Phillips, Martin of Holland, Joe Brainard, Fred Esher, Larry Clark, Robert W. Richards and Brian Kenny, Sean Landers, Richard Prince, Robert Fontanelli, GB Jones, Jeff Burton, Mie Yim, Raymond Pettibon, Catherine Opie, Carl Ferrero, Jared Buckhiester, Judy Rifka, Jeffrey Pittu, Scooter Laforge, The Hun, Tyler Ingolia, David Frye, Kinke Kooi, Juan Gomez, Rex, and Gengoroh Tagame...

Original raised wood with inset enamel paint artwork by Sid Birnbaum. The painting is done in a abstract cubist style. Condition is very good. Signed and dated verso, 1987. Overal...

Painted by Jim Jacobs (American, born 1945), titled, 'Nankaweep' and dated 1983. Previously with Lopoukhine Gallery, Boston. A substantial, dynamic abstract comprising staccato geom...

Includes a Certificate of Authenticity

Richard Andres American, 1927-2013 L. S. F., 1980 acrylic and ink on paper mounted on canvas signed lower right, dated and titled verso 48 x 65 inches 48.75 x 65.75 inches, framed R...