Plastic Paintings

This is a beautiful ink on Mylar by Alexis Portilla, unframed. Daylight 26.5 x 21 in. Ink and Mylar mounted on acid free foam core Unframed Framing a...

Orville is a textile inspired, minimalist painting on plexiglass. The surfaces is carved and filled with paint, leaving a groove textured surface. A spraying technique is applied t...

Acrylic on acrylic panel (plexi) - Unframed. This work is sold as a diptych and comes with a cleat system for hanging. Each panel has the following dimensions: 8.25" x 5.25" x .75" - 21 x 13.5 x 2 cm Mirage is from a new series titled Without Intention. The pieces exemplify time and the presence of Ramsay's hand in concert with painting tools...

Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captures the moment when solid is turn...

Pigment pencil and water on mylar - Unframed. This work is from a series titled Big Melt. It has been created with pigment pencils and ice. It captures the moment when solid is turn...

Acrylic on acrylic panel - Unframed This work is from a series started in Feb-Mar 2018 when Ramsay visited Thailand. She collected colors by photographing objects both natural and h...

To allow something that I do not control to have an action, to allow oneself to bring this action into a materiality; this is why I make art. My work is very much about process. I f...

Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured time passing by documenting the chang...

Pigment pencil on Mylar - Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers ...

Acrylic on acrylic panel - Unframed This work is from a series started in Feb-Mar 2018 when Ramsay visited Thailand. She collected colors by photographing objects both natural and h...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 10" x 10" x 2" (HxWxD). It is acrylic with painted plexiglass overl...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 10" x 10" x 2". It is made with acrylic, paper and overlayed with p...

Pigment pencil on Mylar - Unframed. This work is from a series titled Tipping Point. This drawing has been created eyes closed. It captures an accumulation of marks made by the arti...

Alina Poloboc "Blue and Pink explosion"

"Fancy Liu" in the "Another me- fancy collection" presented at Art Basel Miami 2022. The painting "Fancy Liu" portrays this fictional character in a specific scene or situation that ...

" Fanc y Pink Goat" is a contemporary art piece from the Fancy Collection, created in Spain in 2022. It is a vividly colorful painting dominated by pink and blue, which are the signature colors of the artist's style. The painting features a fancy goat walking through the jungle with its elegant collar and abstract, long legs. Surrounding the Fancy Pink...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

The Eclipse Series, explores solar and lunar dynamics. Through contrast of forms and the layering of color, the paintings convey the mystery and awe one experiences during the observation of this rare convergence of two heavenly bodies. ARTIST BIO Rebecca Kamen...

Acrylic on acrylic panel (plexi) - Unframed Ramsay's work is informed by nature, the seasons, changing landscapes and the passing of time. She is inspired by systems, mathematics an...

Framed Dimensions: 25h x 25w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received in...

Acrylic on polyester film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It blooms in January with bright yel...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Oil on circular plexiglass - Unframed This work, on plexiglass equipped with French cleat hanger, floats off the wall. It combines looping lines and interlocking shapes. Neutrals an...

Graphite and colored pencil on two layers of plastic paper. Unframed. Thaw Series is a new series of drawings where the artist continues her work touching upon environmental matter...

James Minden 51904 Holographic style painting- incised plastic and acrylic on wood panel 24 x 24 inches 2019 To get a sense of the holographic effect look at the video on that vime...

James Minden 51905 Holographic style painting- incised plastic and acrylic on wood panel 24 x 24 inches 2019 To get a sense of the holographic effect look at the video on that vime...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Pigment pencil on Mylar - Unframed The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers t...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Framed Dimensions: 36.5h x 36.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Exampler, Airbrush and Polymer on Linen Painting by Alex Blau, 2023 Additional information: Medium: Airbrush and polymer on linen Dimension: 32 x 36 inches About artist: Alex Blau’...

Slither, Airbrush and Polymer on Canvas Painting by Alex Blau, 2022 Additional information: Medium: Airbrush and Polymer on Canvas Dimension: 18 × 18 in (45.7 × 45.7 cm) About arti...

Aftershock, Airbrush and Polymer on Canvas Painting by Alex Blau, 2022 Additional information: Medium: Airbrush and polymer on canvas Dimension: 16 x 20 inches About artist: Alex B...

Time and Time Again, Airbrush and Polymer on Canvas Painting by Alex Blau, 2022 Additional information: Medium: Airbrush and Polymer on Canvas Dimension: 24 × 24 in (61 × 61 cm) Ab...

Passage, Airbrush and Polymer on Linen Painting by Alex Blau, 2022 Additional information: Medium: Airbrush and polymer on linen Dimension: 18 x 18 inches About artist: Alex Blau’s...

Metropolis, Airbrush and Polymer on Linen Painting by Alex Blau, 2022 Additional information: Medium: Airbrush and polymer on linen Dimension: 18 x 18 inches About artist: Alex Bla...

Through the Clouds, Airbrush and Polymer on Linen Painting by Alex Blau, 2023 Additional information: Medium: Airbrush and polymer on linen Dimension: 16 x 16 inches About artist: ...

Bubble Cloud, Airbrush and Polymer on Linen Painting by Alex Blau, 2022 Additional information: Medium: Airbrush and polymer on linen Dimension: 16 x 16 inches About artist: Alex B...

Sky Magnet, Airbrush and Polymer on Canvas Painting by Alex Blau, 2022 Additional information: Medium: Airbrush and polymer on canvas Dimension: 16 x 20 inches About artist: Alex B...

Signed and dated "Mary Spencer Nay '74" lower left. Titled "Pyromaniac's Pyre" verso. Exhibited: 1976-1977 "Mary Spencer Nay: Recent and Retrospective Works". J.B. Speed Art Museum...