1850s Art

Etching Héliogravure and drypoint. Signed with artist's monogram. Hand titled. Second state.  Good condition. Ref. Rouir 905; Exteens 411. 

SALE ONE WEEK ONLY "The Rev. and Mrs. E. H. Cumpston" a silhouette cut by August Edouart is in very good condition and cut by the artist sometime between 1839 - 1849. On the lower f...

Utagawa Kunisada (Toyokuni III), 'Kabuki Actors as Two Samurai Warriors in Confrontation Under Cherry Blossoms', woodblock print, 1849-53. Signed in the left panel, lower left, and r...

This mid-19th-century oil painting by English artist Thornton Rippingille (1830-1863) depicts the inventor Thomas Dunn. Dunn was a remarkable Lancastrian who pioneered new technolog...

This stunning large 19th century landscape oil painting is attributed to follower of Joseph Turner, possible George William Mote. Painted circa 1850 it is a panoramic landscape loo...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

French school of the mid-19th century Watercolor 51 x 37 cm (69 x 55 cm with frame) Signed and dated at the bottom “M. C. / 1857” The hollyhock comes from China, passing through Sy...

"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...

Signed and dated on plate. Eighth state of 8 (final state), after different works with drypoint, with margins.  Published in 1878/79 on Japan paper in "The Portfolio". Matting includ...

Charles Cumberworth (1811-1852) Indian Huntress Bronze with double patina Vittoz chiseller Old cast France circa 1850 height 52 cm Biography: Charles Cumberworth (1811-1852), son...

Henry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...

This stunning arched top Victorian figurative oil painting is by noted Belgian artist Charles Soubre. It was painted in 1853 and is signed and date lower right. The composition is a ...

In the world of cartography, maps transcend mere geography; they are historical records and works of art, encapsulating the essence of a place at a specific moment in time. The 1851 ...

Attributed to James Edward Buttersworth Hailing from what is now the northwest of Greater London, Buttersworth came from an artistic family. His father, Thomas Buttersworth, Jr., wa...

Oil on canvas c.1855 - 1860 Image size: 19 x 14 inches (48.25 x 37.25 cm) Original Watts frame The Sitter Herbert William Fisher (1826 - 1903) was a British historian, best known for his 'Considerations on the Origin of the American War' (1865). Fisher was tutor to the future King Edward VII, and served as Private Secretary to the 5th Duke of Newcastle. in 1863 he became Private Secretary to the Prince of Wales, his former pupil, before being appointed to the position of Vice-Warden of the Stannaries in 1870. One of his daughters, Adeline, married Ralph Vaughan Williams. George Frederick Watts Watts (1817 - 1904) was a British painter and sculptor associated with the Symbolist movement. He is known to have said 'I paint ideas, not things'. Watts became famous in his lifetime for his allegorical works, such as 'Hope' and 'Love and Life' in which the emotions and aspiration life were intended to be represented in a universal symbolic language. Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. He showed artistic promise very early, learning sculpture from the age of 10 with William Behnes, starting to study devotedly the Elgin Marbles (later writing "It was from them alone that I learned") and then enrolling as a student at the Royal Academy Schools at the age of 18. He first exhibited at the Academy in 1837, with a picture of "The Wounded Heron" and two portraits, but his attendance at the Academy was short-lived, and his further art education was confined to personal experiment and endeavour, guided by a constant appeal to the standard of ancient Greek sculpture. He also began his portraiture career, receiving patronage from his close contemporary Alexander Constantine Ionides, who later came to be a close friend. In 1849 the first two of the allegorical compositions which form the most characteristic of the artist's productions were exhibited—"Life's Illusions," an elaborate presentment of the vanity of human desires, and "The people that sat in darkness," turning eagerly towards the growing dawn. In 1850 he first gave public expression to his intense longing to improve the condition of humanity in the picture of "The Good Samaritan" bending over the wounded traveller; this, as recorded in the catalogue of the Royal Academy, was "painted as an expression of the artist's admiration and respect for the noble philanthropy of Thomas Wright, of Manchester," and to that city he presented the work. From the late 1840s onward he painted many portraits in France and England, some of which are described below. Notable pictures of the same period are “Sir Galahad...

This lovely British Victorian oil painting is by noted 19th century landscape artist Thomas Baker of Leamington. It was painted on 18th September 1854 as a special commission. The co...

John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...

Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper Dynamic woodblock print with several elegantly dressed figures by Utag...

Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate CXXXI. Philadelphia, J.T. Bowen, ca. 1856. Excellent ...

Dressing Room 53 Stations of Tokaido - Woodblock Utagawa Hiroshige and Kunisada Elegant woodblock print by Utagawa Hiroshige I (Japanese, 1797–1858) and Utagawa Kunisada I...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...

Attributed Paul Von Franken (1818-1884), famous Gemany a genre and landscape painter, signed bottom right. Fertile scenery coastal town with castle, mosque, minaret, large travelers ...

This woodblock print depicts two characters from the play Godairiki Koi no Fujime, Igami no Gonda and Koman, a Geisha. The play tells the story of Koman, who is in love with the nob...

This charming mid-19th-century pastel by Maltese artist George Bonavia (1818-1901) depicts a young British officer in uniform. Upstanding with his right...

Watercolour depicting a castle tower signed & dated 1859 in a French mat & gilt frame Art Sz: 17"H x 12 3/8"W Frame Sz: 27 7/8"H x 23 3/8"W

Born at Edinburgh, he was son of an architect, who placed him at the age of fifteen with a seal- engraver there. He was a student in the Trustees' Academy from 1831 to 1834, when he ...

"Shirasuka Rokuro" - Mid 19th Century Figurative Japanese Woodblock Print Beautiful mid 19th century figural Japanese woodblock print of a samurai named Shirasuka Rokuro by Utagawa Toyokuni III (Kunisada) (Japanese, 1786-1864/5). The samurai is holding a spear, standing under a tree with full blossoms. He is wearing an elaborate outfit, including two swords. Artist's signature and chop are in the lower left corner of the piece. Presented in a wood frame with a cream mat. Frame size: 21.5"H x 16.5"W Image size: 13.75"H x 9.5"W During his lifetime Kunisada Utagawa was considered to be the best print designer by his contemporaries. He was more popular than Hiroshige, Hokusai or Kuniyoshi. And Kunisada was extremely productive. His total output is estimated at more than 20,000 designs, many made by his students. Kunisada was born near Edo (today Tokyo) as the son of an affluent merchant with a ferry boat license. At the age of fifteen he joined the famous art school of Utagawa Toyokuni and took the name Kunisada. In 1807 the young artist produced his first illustrated book. And in 1808 his first actor prints were published. His fame grew fast. While other artists like Kuniyoshi Utagawa or Hiroshige had to fight for recognition for years, he was successful from the beginning. He should become the most commercially successful of all woodblock printmakers ever. His early success may not have had a good influence on his personality. He had a reputation for his conceited personality. Kunisada designed a wide spectrum of traditional ukiyo-e subjects like kabuki themes, beautiful women, historical events and quite a few shunga...

"Tokijiro, Midori, and Katsumi" is an original Japanese color woodcut by the artist Kuniyoshi. It was created in 1851 and depicts a scene from the play "Akegarasu Hana no Nureginu" (...

John Stewart was a Scottish painter of rustic subjects and landscapes. HE exhibited 20 works at the Suffolk Street Exhibition location in London and 4 wor...

Thomas Hill Water Stop, 1853 Signed and dated lower left Oil on canvas 14 x 20 inches Provenance: Arader Galleries, New York Immigrating from England ...

This is an original oil painting on paper that was then mounted onto canvas. It was created by Rosa Bonheur and has the artist's stamp on the verso of the canvas, as well as the fram...

Classic fox-hunt engraving Pl.3. "Swishing a Rasper" by H(enry) Alken printed 1850 from Fores' Hunting Accomplishments in hunter green mat w/ gilt frame Image Sz: 10"H x 12.75"W Fr...

Parisian is aLithograph realized by Gustave Dore in 1854. Good conditions except for some foxings. Hand-singed. The artwork is depicted in a well-balan...

Very fine large Neoclassical white marble bust of Arianna wearing a diadem with grape vine in her hair after the antique in Vatican Museum . Ariadne, in Greek mythology (Latin Aria...

Edward LADELL Picture Size: 20 x 16" (50 x 40cm) Outside Frame Size: 26 x 22" (65 x 55cm) An exquisite example of Ladell's painting. Signed with his traditional stylistic monogram,...

Old work on wood (1859) sold with frame. The total size with frame is 34x41 cm. Signed "C. Rivière" and dated.

Print Sz: 11 1/2"H x 15"W Frame Sz: 17 1/4"H x 20 1/2"W Composed and drawn on stone by A. Fay Stylish gentlemen's private club interior scene featuring a grand bar c.1854

French School mid 19th Century Animated dune landscape, oil on cardboard panel 12.4 x 29.8 cm bears a small inscription "Escoublac" on the lower right, not visible under the actual ...

Francis Moltino (1818–1888) was a 19th-century English landscape painter. Most biographical accounts give his place of birth as Milan, Italy but this is incorrect. Francis Moltino was in fact born Frank George Owen Moulton in Norfolk and no doubt changed his name and reinvented himself in order to sound more exotic. Moltino married Elizabeth Nockold in 1834 and moved to London in the 1840s. Between 1847 and 1867 he exhibited at the Royal Academy, the British Institution, and the Royal Society of British Artists. Moltino specialized in atmospheric cityscapes of the river Thames and Victorian London, and in particular scenes of Venice in the style of J. M. W. Turner. Moltino died in Wandsworth, South London in April 1888. This is a bright well-painted example of the artist's work and is framed in its original Antique English frame.

A signed, dated, 1855 terracotta, classical style sculpture of the robed figure of Fate holding the thread of life by listed, Austrian-born artist, Franz Melnitzky (1822-1876) whose ...

Title: The Actor Ichikawa Ichizō III as Nozarashi Gosuke, likened to Shi Jin the Nine Dragoned (Kyūmonryū Shishin ni hisu) from the “Pine” triptych of the series A Modern W...

A wonderful painting of a beautiful woman in the style of the Pre-Raphaelites. It is signed Arnhold. It is in very condition and in the original frame. Picture Size: 21 x 21" (51 ...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

This piece is unsigned but there are many half-erased writings on the back of the cardboard. In particular "miss Ecart" and "Julie Sandoz" as well as the date. Interesting portrait a...

Gabriel-Dominique DUDAN (Active 1830s-1850s) Oil on canvas 61 x 50 cm (77 x 66 cm with frame) Signed and dated lower right  "G. Dudan / 1854" Beautiful carved and gilded wooden frame...

A beautifully painted oil on canvas of a flower vendor. Signed illegibly upper right corner. Framed in an ornate ebonized and gilded frame.

Shunga, Love plays is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865). Good print with gold. Backed, restored wormholes and missing oarts, glued at upper ...

This painting is listed in the W.H. Cadbury and H.F. Marsh book Arthur Fitzwilliam Tait: Artist in the Adirondacks, Newark, Delaware, 1986, no.59.36t. It is hand-signed "AF Tait...

Scènes de la Vie Privée et Publique des Animaux is an original modern rare book illustrated by Jean Jacques Grandville (Nancy, 1803 – Vanves, 1...

Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right. - a little bit stained, with a light water stain at lower right About the artwork Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits. The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up. While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level. About the artist Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him. In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting. From 1861-64 Deiker had his own studio in Karlsruhe, then moved to Düsseldorf, where his brother Johannes followed four years later. Deiker married a daughter of the landscape painter Karl Hilger and remained in Düsseldorf until his death. In 1868 he finally achieved international fame with his painting 'Pursued Noble Deer' and was regarded as a virtuoso new founder of animal painting. "Deiker brought for the first time a truly great artistic quality to animal painting [...]". - Hans Vollmer From 1870 he participated in the academic art exhibitions in Berlin, Dresden, Munich and Hanover. He was also very busy as an illustrator. He drew for the Gartenlaube, the Salon, the Universum, and produced many of the finely illustrated hunting and animal books of the period. He also worked as a printmaker, while his oil paintings circulated as reprints by Franz Dinger. From 1865 to 1892 Deiker was a member of the artists' association Malkasten. Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892. His son Carl Deiker, born in 1879, also became a painter. Selection of art museums that own works by Carl Friedrich Deiker: Hamburger Kunsthalle / Kunsthalle Karlsruhe / Kunstmuseum Düsseldorf / Wallraff Richartz Cologne. Selected Bibliography H. Schmidt: Johannes and...

A striking portrait of a very large American sidewheel paddle steamer on her maiden voyage from New York to Mobile, Alabama, and on from there to Havana, Cuba. The BLACK WARRIOR began the voyage in her home port of New York City. Bard has undoubtedly painted her in concert with either her listed builder, William Collyer of New York, whose name is included by the artist on the canvas, or the owners, Livingston, Crocheron & Co. Launched in 1852, the line soon moved its southern base to New Orleans, establishing a foothold in a region soon in direct competition with the Vanderbilt and Morgan families. Her deep luster coloration is expertly portrayed by Bard. He has used draftsmanship in composing the full outline of the steam/sail transition vessel, and then worked in painstaking detail to apply every touch of oil, down to the pointillist-style of the water's wake against the hull and the top of the ocean swells. The brooding sky colors compliment the impressive heavy sense of the 1556-ton steam/sail paddlewheeler, with the flags brightly displayed before the clouded sky. Several gentlemen sailors are visible on deck, attending to the coast-wise Atlantic journey. With the placement of the American Government's streaming pennant at the main mast top, undoubtedly this included mail to the South, and possibly return news of the recent Gold Boom in California. She would stay on this route until a snow squall off Rockaway, Long Island put her aground on Feb. 20, 1859. Full Artist Inscription LL: Steam Ship Black...

Artist: Philip Lutley Sclater (English, 1829-1913) Titles: "Crossoptilon Harmani (Tibetan eared Pheasant)", "Hypotaenidia Sulcirostris (Barred Rail)", "Craspedophora Duivenbodei (Dui...

Jules LAURENS Carpentras (Vaucluse), 1825 - Saint-Didier (Vaucluse), 1895 Pencil 29 x 23 cm (36 x 30 cm with frame) Signed and dated lower left "JL / 52" Modern frame Excellent condi...

William Moritz (1816-1860) An historical scene, signed lower left Brown ink and brown ink wash on paper 17 x 16.5 cm Framed : 27 x 23.5 cm The subject of this charming drawing rema...

Outstanding small oil on velum sketch of a North African/ Arab head study. The painting is a classic sketch and I'm sure the figure would have been used in a much larger finished w...

Adolphe Braun (French, 1811-1877) Bouquet, c. 1850 Silver gelatin print 10 1/2 x 11 1/2 in. Matte: 12 1/2 x 14 in. Walter Rosenblum Label verso: "Bouq...

Pencil on paper, dated (lower right), 55cm x 44cm (76cm x 64cm framed) Drawings and paintings of the nude were central to academic art training in Europe from the 16th century onwar...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...