1920s Art

Edition of 143 copies. One of 25 copies on pur fil. Near perfect conditions and partially uncut.  Louis Aragon was born in 1897 and died in 1982. He was a French poet and writer,long...

Antonin Artaud, Le Pèse-Nerfs, suivi des Fragments d'un Journal d'Enfer. Edition ornée d'un frontispice par Andé Masson, Les Cahiers du Sud, Marseille 1927. Uncut. Edition decorated ...

Les Malheurs des Immortels révélés par Paul Eluard et Max Ernst. Collection of poems and prints Woodcuts. Uncut. Copy number 822 of 1300. This copy is printed on paper Madagascar.

Edition of 2300 copies. One of only 70 copies on Pur Fil Lafuma paper. Language: french. Little foxing on cover, copy with beards. Perfect conditions inside.

Edition of 1650 copies. Copy number on Hollande Van Gelder paper. Includes an original litograph by Maurice Barraud on the frontispiece. Seventh volume of the "Ceinture du Monde" col...

Volume by Francesco Cangiullo (Napoli,1884 – Livorno,1977), italian writer, poet and painter, who actively participated to the italian futurist movement. First edition of the volume,...

The 1928 original poster for Citroën, promoting "les cabriolets" and inviting viewers to visit the Citroën factories, is a captivating piece of automotive advertising from the interw...

Ex libris -  Domingo Hospital  is an Artwork realized in 1924 by the artist Emilio Marcel Bondurand, from Spain. Woodcut print on ivory paper. The work is glued on ivory cardboard. ...

One of 75 copies on Hollande Van Gelder. Including 8 original etchings by Maurice Asselin. Copy in perfect conditions and partially uncut.

Edition of 2108 copies. Copy on Velin Alfa Lafuma paper. Original paperback cover. Binding partially unglued. Very good conditions. Uncut.

As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (11 November 1862-1941), mat weaver, and his wife Hannah (6 July 1860-1939), who married at Sudbury in 1883 and in 1939 were living at 5 Acton Square, Sudbury. Known as Paul Earee, an artist who was a professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

The Dancing Maenad is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Original Lithograph on ivory paper. Excellent conditions. The Dancing Maenad is ...

Paris la Nuit. Les Plaisirs de la Capitale, ses bas fonds et ses jardins secrets. Considerations by Louis Aragon on different aspects of Paris, seen from...

Edition of 532 copies. Copy on Holland de Rives. Good conditions, lightly wore on binding. Edition including an illustration by Giorgio De Chirico representing the portrait of the au...

Etching on paper realized in 1925. Not signed. Very good condition.

Woodcut print on paper realized in 1925. Hand signed in pencil. Very good condition.

Lithograph on paper. Hand signed in pencil. Very good condition.

Cover for Ecce Homo is an artwork realized by George Grosz in 1923. Lithograph and Offset. 25x25 cm, no frame. Good condtions. Reference: Wieland Herzfelde (introduction), Der Malik-Verlag, 1916-1947, exhib. cat. Deutsche Akademie der Künste Berlin, Berlin (Ost) 1966, cat. no. 59; Lothar Lang, George-Grosz-Bibliographie, in: Marginalien, Zeitschrfit für Buchkunst und Bibliophilie, 30th issue, July 1968, p. 1ff, no. 38; Rosamunde Neugebauer, Georges Grosz, Macht und Ohnmacht satirischer Kunst. Die Graphikfolgen "Gott mit uns...

Art print on heavy paper After the original from 1922 In great condition

The Couple is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Original Lithograph on ivory paper. Signed and dated on plate on the lower right corner: F...

M. Le Trouhadec is an Original etching realized by Jean Auscher in 1926. The artwork is in good condition, included a brown cardboard passpartout (33x25 cm). Another etching repres...

The Prince Of Wales By Alfred Munnings. A rare and signed Sir Alfred Munnings coloured offset lithograph of H.R.H The Prince Of Wales, sat astride his chestnut hunter, Forest Witch....

Hand signed. Handmade drawing in china ink on paper. One of the two characters is Benito Mussolini. Very good condition.

The absolute Monarchist is an original offset and lithograph realized by George Grosz. The artwork is the plate n.35 from the portfolio Ecce Homo published between 1922/1923, editio...

This is a Autograph Greeting Letter Signed by Georges Goyan to the Countess Pecci-Blunt. Arcachon, January 5th, 1923. On ivory-colored and laid paper. In French. One page, single-si...

Medium: pochoir (after the painting). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 6 x 8 inches (155 x 205 mm). Sheet size: 8 x 10 5/8 inc...

Fighting Children and Mother Cry is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. ...

Lice (Mallards grooming themselves) Drypoint, 1927 Signed and dated lower right (see photo) Titled lower left corner Condition: Excellent Image/Plate size: 6 7/8 x 10 3/4 inches Shee...

Couple from Ecce Homo is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 57 from the porfolio Ecce Homo published between 1922/1923,edition o...

Christ is an original print realized by Jacques Beltrand in 1928. Cromolithograph. Good conditions except for being aged and some rips on the lower margin and a cutaway on the top l...

Lake fog Year: circa 1928-1932 Medium: lithograph Pencil signature, numbered 6 Image size: 9 9/16 x 11 7/16 Harold Keeler was born in Denver, Colorado in 1905. He studied at both th...

Fresco from Pompeii is a beautiful hand-watercolored etching realized by Francois Mazois, in 1922. Titled on the lower center. Sculptor's name on the lower right margin. Good condi...

Woman is an original drawing in pencil, ink and watercolor realized by Cesare Bentivoglio in 1920s. Hand signed. Good conditions. The artwork is de...

Crafted around 1925 by the talented artist Julien Lacaze, the original travel poster titled "Eaux Bonnes Avant la Lettre" exudes the charm and allure of this picturesque destination. Commissioned by the Chemin de Fer du Midi...

Au Japon Pochoir (Stencil Print), 1925 Signed by the artist in pencil lower right (see photo) Signed in the image lower left (see photo) Stamped verso: Made in France Note: The artis...

Exhibition of Eugenio Marana - Fascist teachers National association is a vintage print of exhibition invitation realized in 1929. The exhibition was held in Palazzo delle Esposizio...

Constant Duval's 1924 travel poster for the Château de Saumur, endorsed by the Chemin de fer de Paris à Orléans, is a timeless masterpiece that beautifully captures the charm of the ...

The hug from Ecce Homo is an original offset and lithograph print, realized by George Grosz. The artwork is the plate n. 83 from the porfolio Ecce Homo published between 1922/1923,e...

Illustration from the series "Les Fleurs du Mal" is an etching print realized after Odilon Redon and published by Henri Felury in 1923. Monogrammed on the plate. Good conditions. ...

Ex Libris Josep Beleta Quer is an Artwork realized by the Spanish artist Antonio de Guezala (1889-1956). Woodcut coloured print on ivory paper. The work is glued on cardboard. Tot...

Le Liseur is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Titl...

Cover for Ecce Homo is an artwork realized by George Grosz in 1923. Cover for the Suite "Ecce Homo". Lithograph and Offset. 26 x 26 cm, no frame. Good condtions. Reference: Wieland Herzfelde (introduction), Der Malik-Verlag, 1916-1947, exhib. cat. Deutsche Akademie der Künste Berlin, Berlin (Ost) 1966, cat. no. 59; Lothar Lang, George-Grosz-Bibliographie, in: Marginalien, Zeitschrfit für Buchkunst und Bibliophilie, 30th issue, July 1968, p. 1ff, no. 38; Rosamunde Neugebauer, Georges Grosz, Macht und Ohnmacht satirischer Kunst. Die Graphikfolgen "Gott mit uns...

Ange Déchu is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Tit...

Yokihi is an original print realized by Tsukioka Kôgyo in 1923. Mixed colored woodblock print. This print is from the series "One Hundred No Dramas (No...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

Max Kalish was an important and highly collected American sculptor desired for his depictions of the working man. Here we see a miner taking a break. Kalish was adept at conveying ...

Illustrated Plate, from Rues et Visages de Paris is a hand-colored etching and drypoint by Chas Laborde. This original print is hand-colored with tempera and watercolor. In excellent...

Edition of 98 copies. Copy on Verge d'Arches paper, including soft editorial cover. Edition reserved to the Société Stendhalienne. The rare volume was ...

Illustration from the series "Les Fleurs du Mal" is an etching print realized after Odilon Redon and published by Henri Felury in 1923. Monogrammed on the plate. Good conditions. ...

Frame: 16.5 x 13 Picture: 13.5 x 10 Picture is in good condition Frame has a lot of wear

Illustration from the series "Les Fleurs du Mal" is an etching print realized after Odilon Redon and published by Henri Felury in 1923. Monogrammed on the plate. Good conditions. ...

Illustration from the series "Les Fleurs du Mal" is an etching print realized after Odilon Redon and published by Henri Felury in 1923. Monogrammed on the plate. Good conditions wi...

Le Masque de la Mort Rouge is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felu...

Les Facheux is a ballet of Boris Kochno, inspired by Molière's comedy, with the choreography of Bronislava Nijinska, music by Georges Auric, costumes by Georges Braque. First perfor...

Coquette Pochoir (silk screen) printed in colors, c. 1923-1925 Signed by the artist in pencil lower right; numbered in ink on the image, (see photo) Edition: 250 (100/250) in pencil in image (see photo) Image size: 10-1/2 x 12-3/4" The artist won a gold medal in Paris in 1925 for his porchoirs Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

The Collector is an original Modern artwork realized by Hermann-Paul (Paris,1864 – 1940). Original Woodcut Print on paper. Hand-signed in pencil on the lower right corner. Passep...

The Escape of the Bacchantes is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower right corner: F. Bac 1922. Original Lithograph on ivory paper. Perfect conditions. The Escape of the Bacchantes is an elegant Liberty Lithograph realized by Ferdinand Bac in the second decade of the XX Century in France. The work, in full Liberty style, represents some women covered by transparent veils who are running with amphorae on their heads. The scene is very dynamic; behind them, several men are running behind them. The figures are in a structure covered by sqared bricks and are walking quickly up the stairs. Ferdinand Bac (1859 - 1952). Ferdinand-Sigismond Bach, known as Ferdinand Bac was a French cartoonist, artist and writer, son of an illegitimate nephew of the Emperor Napoleon. As a young man, he mixed in the fashionable world of Paris of the Belle Époque, and was known for his caricatures, which appeared in popular journals. He also traveled widely in Europe and the Mediterranean. In his fifties, he began a career as a landscape gardener. He attended Adolphe Thiers, Gambetta, Richard Wagner, Victor Hugo, Taine, Villiers de L'Isle-Adam, Paul Verlaine, Maurice Barrès, Barbey d'Aurevilly, Alphonse Daudet, Guy de Maupassant, Verdi, Gounod, Pierre de Nolhac, and many more other famous people of the time. He established himself as one of the first cartoonists and caricaturists of his time, as famous as Albert Robida...

"Reclining Girl, Half-Figure" Collotype plate E. Strache, Handzeichnungen folio after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHI...

In the Brothel is an original lithograph realized by Eugen Hamm in 1922. In good conditions. This artwork represents a brothel with several nude women. H...

Original poster by Georges Villa commissioned by the French Committee for Aeronautical Propaganda. For aviation - 20 years later More skeptics Joseph Prudhomme... My son is running to take the plane! With a superb picture of a man wearing a hat and an overflowing bag, with a telescope and an umbrella, running towards an air...