1930s Art

Maxim Geo Woman with child Metal, marble, onyx, 39x51x15 cm small defect

Marie LAURENCIN Woman with Necklace, 1930 Original stone lithograph On Arches vellum 28 x 22 cm (c. 11 x 9 inch) REFERENCES : Catalog raisonne Marchesseau #138 Excellent condition

Jongleur Georges Rouault, French (1871–1958) Portfolio: Le Cirque de l'Etoile Filante Date: 1936 Woodcut, initialed in the stone Size: 3 x 2 in. (7.62 x 5.08 cm) Frame Size: 9.5 x 8....

Issued in 1939, on the eve of global upheaval, the “Croisières” poster for the Loterie Nationale captures a fleeting moment of optimism in prewar France. Designed by the duo Derouet ...

Raphael DELORME (1886-1962) Study, preparatory work for “La Princesse” Watercolor and pencil on paper Annotated “La Princesse” 30,5 x 22,5 cm Small folds and small stains Born in 18...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Work on canvas Golden wooden frame 48 x 61 x 3 cm

Sun Beams Into Grand Central Station (1930) - Silver Gelatin Fibre Print (Photo by Hal Morey/Getty Images) Beams of sunlight streaming through the windows ...

Seated nude. Washed ink and pencil. Signed and dated 1931.

Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

"Gerde's Folk City" by John Kobal Foundation Gerde's Folk City. Unframed Paper Size: 20" x 24'' (inches) Printed 2022 Silver Gelatin Fibre Print

An original silver gelatin black and white photograph by Ralph Young Studios, San Francisco. View of the Sir Francis Drake Hotel building in 1930. Features...

"Bluebird Press Photos" by Central Press 9th January 1935: Cameramen filming British racing driver Malcolm Campbell as he poses with a new Bluebird whic...

Monogram of the artist on plate. This lithograph is from the collection "The Life of Saint Monique", published by Vollard in 1930. Passepartout included : 53 x 37 cm This artwork is...

Warmly hued oil on paper still life of open wooden box with artist's supplies spilling out, circa 1930. Signed lower right. Original artwork on paper displayed on a white mat with ...

1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...

This charming British 1930's Post Impressionist portrait oil painting of a ballerina is by noted female artist Cathleen Sabine Mann. Ballerinas are a popular subject matter in art, conveying great poise, movement and elegance and of course made popular by Degas. A similar composition featuring the same ballerina, but holding a black cat, is held in the Glasgow Museums Resource Centre. In our lovely painting from 1935, the dark haired ballerina is at rest, perched on the edge of an armchair, her pink tutu...

Landscape with Trees is an original etching on paper artwork realized by Georges Henri Tribout. Good Conditions. Georges Henri Tribout (1884-19...

Captivating black and white etching of a crowd gathered to watch performers with hula hoops by Huchs, 1939. Titled and signed in lower margin. Original artw...

Signed lower right

Marc Chagall (1887-1958) Bible : The fight with the angel (La lutte avec l'ange), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 cm (c. 17.3 x 13....

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

The Duce and Badoglio is an original b/w photo realized in 1934 by Agence Trampus. The original hallmark of the agency and a piece of paper with the caption on the back are present. ...

Medicine Man (1934) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Native American, Cacique medicine man San Ildefonso Pueblo, New Mexico, USA circa...

Artist: Paul Strand – American (1890-1976) Title: Cristo, Tlacochahuaya, Oaxaca Year: 1933, printed 1967, Da Capo Press, New York Medium: Photogravure hand-printed from the original plates on BFK Rives paper Publisher: Da Capo Press, 1967, New York Sight size: 10 ¼ x 7 7/8 in. (260 x 200 mm) Sheet size: 15 3/4 x 12 3/8 in. (402 x 313 mm) Framed size: 17 x 14 inches Edition:1000 Condition: Excellent This hand-pulled photogravure is from Paul Strand’s Mexican Portfolio, first published in 1933. This photogravure is from the 2nd edition, published in 1967. It is in excellent condition. It is enclosed in a simple metal frame and Plexiglas only for protection. A seminal work by a legendary figure in 20th century American photography, the photographs taken by the author on his travels through Mexico in 1932-33 show architecture, landscape, the indigenous people, and religious folk sculpture. Strand's work first made its appearance as "Photographs of Mexico" in a limited edition of 250 copies in 1940, with the printing of the steel-faced gravure plates by master platemaker Otto Wackernagel being supervised by Strand himself and executed by Charles Furth and the Photogravure and Color Company. The second edition used the original Wackernagel plates, printed by Albert Delong at the Andersen Lamb Company of Brooklyn. Strand was even more pleased with this version, stating "Delong has made these plates sing." The images are a celebration of the subjects' pride, dignity and endurance. Paul Strand (1890–1976) is considered one of the most significant photographers of the 20th century. His breakthrough work in the 1910s heralded photography’s importance as a modern art form. Early in his career he broke from the soft, impressionistic Pictorialist style to produce among the first abstract images made with a camera. His questioning attitude led him to radically change his work multiple times in his career, always with the highest ambitions for the quality of his photographic prints. In 1932, Carlos Chavez, the director of the fine arts department at the Secretariat of Public Education in Mexico, invited Strand to Mexico. At this time, the Mexican government was concerned with demonstrating a national culture that was reflective of a burgeoning, modern, twentieth-century Mexico. In light of this, Chavez invited Strand to document the new social and physical environment. Over the next two years, Strand travelled around Mexico photographing...

'Canard Souchet' (Northern Shoveler) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations o...

Suzanne VALADON (1865-1938) Naked Women Under the Trees, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, th...

Suzanne VALADON (1865-1938) Young Woman and Old Woman, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this...

Work on canvas mounted on cardboard Brown wooden frame 41.5 x 54.5 x 4 cm

Sun Beams Into Grand Central Station (1930) - Silver Gelatin Fibre Print (Photo by Hal Morey/Getty Images) Beams of sunlight streaming through the windows ...

'Canard Morillon' (Tufted Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of bir...

Marc Chagall (1887-1958) Bible : Canticle of David (Cantique de David), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 cm (c. 17.3 x 13.1 inch) I...

'Oie a Front Blanc' (Great White-Fronted Goose) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illu...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures, image measures 7 x 9.5 inches on a sheet measuring 11 x 15...

"Mauretania" by Topical Press Agency The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Unframed Paper Size: 60"x 40'' (inches) Printed 2022 Silver Ge...

Presenting a rare, early oil painting from the, “New York” period, c.1932, by American artist Ron Blumberg. After his classical training in Paris, Blumberg spent ten years in New Yo...

Original Vintage Swiss Avantgarde Poster created in 1933 by Walter Herdeg (1908 – 1995) and printed in 1934 by the Art. Institut Orell Füssli in Zurich as an intaglio to promote the ...

Family scene. Oil sketch on cardboard. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Swiss painter and designer born in 1880. Died in 1954. Work on canvas Golden plaster moldings frame 70 x 62 x 6 cm

Drunk is an original woodcut print on paper, realized by the Italian Artist Lorenzo Viani in 1930 ca. Monogram of the artist on the lower right" LV". T...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

PHILIP REISMAN "STILL LIFE WITH FROWERS" OIL ON PANEL. SIGNED AMERICAN, C.1935 20 X 16 INCHES Philip Reisman 1904-1992 Philip Reisman was born July 18, 1904 in Warsaw, Poland....

The photographers note regarding this work is "A bicycle with its shadow in the autumn sun, Germany 1930s." This work comes to you as a new Fine Art Print on Hahnemühle William Turn...

Edgar DEGAS (after) Whorehouse Scene : In the Intimacy of the Room Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (t...

Golfer teeing off circa 1939. (Photo by H. Armstrong Roberts) Beautiful large silver gelatine print of an elegant looking golfer fashionably dressed teeing off during the late 1930...

Woman in red is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative artwork of a female figu...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...

Presenting a magnificent early oil painting by American artist Robert McIntosh(1916-2010.) The Professor, is an original oil on paper, laid on panel, estate stamped, painted in 1935, currently unframed with an image dimension of 20 x 16 inches, beautiful original condition, acquired directly from the personal collection of the artist. This is among the earliest work of Robert McIntosh, painted in a master level classical style. Please contact our West Hollywood gallery...

Vintage black and white etching of a farmer leading his flock of sheep to a pasture bordered by a small village by French artist Emile Roux Fabre, circa 1930. Signed in pencil lower ...

This French marquetry picture, circa 1930-40, is a remarkable piece that exemplifies the mastery of wood inlay artistry from the Art Deco period. The scene is a harmonious blend of n...

Soyer, Raphael. PASSER-BY. Etching, 1935 (Cole 40,). 9 5/16 x 6 7/8 inches; 237 x 175 mm. Edition of 2 or 3, per Cole, "about three" per Gettings, "Raphael Soyer Sixty-Five Years o...

Albert Rafols Cullerés (1892-1986) - Landscape of Mollet - Oil on cardboard Oil measures 25x32 cm. Frameless. Catalan painter formed the Llotja...

Bold woodblock serigraph by Ruth Chaney (American, 1908-1973). Numbered (#17), titled, signed, and dated along the bottom edge. The Smithsonian American Art Museum has an edition of...

Oil on canvas Relined with new stretcher bars Overall with gold leaf frame 30 x 36 inches