1960s Art

This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is hand numbered in pencil at the lower left margin, 58 from ...

This original lithograph titled Paddock at Deauville by renowned French artist Raoul Dufy captures the lively atmosphere of the famous horse racing scene at Deauville. Dufy, who init...

This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-glass...

This exquisite lithograph and pochoir after Gustave Courbet (1819–1877), titled Portrait de Juliette Courbet endormie (Portrait of Juliette Courbet asleep), originates from the 1968 ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Spirales (Composition with Spirals), from the folio Derriere le miroir, No. 173, originates from the 1968 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1968. Composition aux Spirales exemplifies Calder’s mastery of rhythm and form, translating his sculptural language of balance and motion into vivid, dynamic compositions on paper that capture his signature sense of energy and harmony. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold, as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Composition aux Spirales (Composition with Spirals), from the folio Derriere le miroir, No. 173 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold, as issued Inscription: Unsigned and unnumbered as issued Date: 1968 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 173, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1968 Notes: Excerpted from the folio (translated from French), The illustrations in this issue are original lithographs by Alexander Calder drawn in the workshops of the Arte printing shop. This issue of "Behind the Mirror" has a luxury edition drawn on velin de Lana and limited to CL examples numbered and signed by the artist on the colophon. The text of G. Carandente was translated from Italian by Alain Veinstein. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Composition...

Artist: MARC CHAGALL Title: Moses receives the Ten Commandments (FROM STORY OF THE EXODUS) Medium: Lithograph on arches paper Image Size: 18.50x13.50 inches paper size: 20 x 15 inche...

Spanish Flamenco Dancer Guitarist Scene Pastel Drawing Mid Century Barcelona Artist: Alfredo Opisso Cardona (1907–1980) Title: Jota Medium: Pastel on paper Date: circa 1965 Signature: Signed lower right Condition: Very good condition Frame: Framed Dimensions (artwork): 46 × 36 cm (18.12 × 14.18 in) Dimensions (frame): 65 × 55 cm (25.6 × 21.65 in) DESCRIPTION Elegant mid-century pastel composition depicting a traditional Spanish dance scene with guitarist and dancer in stylized folkloric costume, executed circa 1965 by Barcelona artist Alfredo Opisso Cardona. The work combines refined draftsmanship with soft chromatic transitions characteristic of the Opisso family’s contribution to twentieth-century Catalan figurative drawing. The balanced interaction between gesture and costume detail creates a lyrical interpretation of Spanish musical culture aligned with the decorative figurative tradition developed in Barcelona during the mid-century period. Its intimate scale and original frame make the piece especially suitable for collectors of Mediterranean figurative drawing and refined European interior compositions. ARTIST BIO Alfredo Opisso Cardona (Barcelona, 1907–1980) belonged to the well-known Opisso family of Catalan artists and developed a career centered on figurative drawing, illustration and pastel compositions inspired by everyday life and Spanish cultural themes. His work continues the Barcelona draftsmanship tradition associated with early twentieth-century modern Catalan illustration and refined social scene painting. ARTISTIC CONTEXT / INSPIRATION This composition reflects the Barcelona figurative drawing tradition developed around the legacy of Ricard Opisso and the broader Catalan illustration movement connected to early twentieth-century modernisme and noucentisme culture. The theatrical gesture and costume treatment resonate with Spanish dance imagery explored by artists such as Ignacio Zuloaga and Hermenegildo Anglada Camarasa, while the refined pastel handling connects with European salon drawing traditions associated with artists working between illustration, costume studies and decorative figurative composition across the School of Paris environment. Spanish dancer painting...

"Sweet Charity" Original Broadway Musical Costume Design Tony Award Nomination Irene Sharaff (1910-1993) "Sweet Charity" 1966 Original Broadway Production Sight: 14 1/4 x 17 1/2 inc...

Artist: Andy Warhol Title: Marilyn Monroe I Love Your Kiss Forever Forever Date: 1964 Medium: Original Lithograph in colors on paper Edition: From the limited edition of 2000 From 1 ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Phenomena High Born by Paul Jenkins (1923-2012) Acrylic on canvas 91.44 x 50.8 cm (36 x 20 inches) Signed lower left Jenkins Signed, dated and titled on the reverse Executed in 1964 which makes this a very early work and so more valuable Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

London original travel poster; artist Sam Wisnom. Size 25 x 37"; archival linen backed and ready to frame. Original vintage travel po...

Alexander CALDER Elephant and Rhinoceros, 1966 Lithograph Handsigned in pencil On Arches Vellum 38 x 28 cm (c. 15 x 11 in) Excellent condition, light text report on the lithograph ...

A strong modernist oil painting depicted in the mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 15 x 11 inches Frame measures 22 x 19 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege...

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

Unrtitled is an artwork realized by Gustave Singier (1909-1984). Lithograph , cm 32,5x25. Signed and numbered (copy 44/200) in pencil on the front. Very Good condition. Gust...

ARTIST: Salvador Dali TITLE: Faust Vignettes Faust Lisant MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 24/100 MEASUREMENTS: 15" x 1...

This work by Nell Blaine was exhibited at the Poindexter Gallery, as well as the Tibor de Nagy Gallery, both in New York City. It is signed lower left, and signed, titled, and dated ...

VIP American in 1960s is a vintage black and white photograph realized in the 1960s. Good conditions. With the stamp of copyright on the rear.

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x1.75" site unframed Signed in ink lower right Myril Adler, was born on September 22, 1920 in Vitebsk, Russi...

Vue sur la Ville au Toit Rouge (View Over the City of Red Roofs), oil on canvas, by Guy Le Péqueux (circa late 1960s). The artist channels his expressionist sensibility into a vivid,...

Midcentury oil on canvas , Wharf scene, possibly Fishermans Wharf in San Francisco. Signed lower right. Mel Fowler (1921-1987) was a listed Italian-American painter known for his cub...

Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...

Artist: Alexander Calder Medium: Lithograph Title: Untitled Portfolio: Derriere le Miroir #173 Year: 1968 Edition: Unnumbered Signed: Unsigned Sheet Size: 15" x 22" Image Size: 15" x...

This original limited-edition poster by Eduardo Chillida was published by the renowned Galerie Maeght for the artist’s 1968 exhibition. While unsigned and unnumbered, it remains a va...

Jean Arp, French (1886 - 1966) - La Cathedrale est Un Coeur, Portfolio: Vers Le Blanc Infini, Year: 1960, Medium: Etching on BFK Rives, Edition: 349/499, Image Size: 10.5 x 8.25...

Signed and dated lower left

Miguel Condé (Mexican/American, b. 1939) Untitled, 1968 Oil on canvas Signed and dated verso 59.5 x 49.5 inches Paint loss throughout - please reach out for a thorough condition rep...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Mehrere Kreise (Several Circles), from the folio Derriere le miroir, No. 118, originates from the 1960 edition p...

John Lennon Skiing By Arthur Steel Paper size: 44 x 33.5" / 112 x 85 cm Silver Gelatin Print 1960 (printed later) unframed hand signed limited edition of 30 note other print siz...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Ovale et rectangle (Oval and Rectangle), originates from the historic 1964 folio Derriere le Miroir, No. 149. Publish...

Sku: EF9863 Artist: Christian Berard Title: Galerie Lucie Weill Year: 1965 Signed: No Medium: Lithograph Paper Size: 25 x 19 inches ( 63.5 x 48.26 cm ) Imag...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

This exquisite lithograph by Marc Chagall (1887–1985), titled Derriere le miroir (Behind the Looking Glass), from the folio Derriere le miroir, No. 147, originates from the 1964 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1964. Derriere le miroir reflects Chagall’s lyrical vision of movement, love, and music, embodying the harmony of color and form that defines his mature style. The composition radiates joy and transcendence, as figures and shapes float in rhythmic unity—a poetic expression of Chagall’s belief in the spiritual power of art to elevate the human spirit. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Derriere le miroir (Behind the Looking Glass), from the folio Derriere le miroir, No. 147 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 412. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 59. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 147, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1964 Notes: Excerpted from the folio (translated from French), Marc Chagall executed for this issue of "Behind the Mirror,” three original lithographs that were printed by Mourlot Freres. This issue has a luxury edition printed on velin de Rives and limited to CL numbered examples. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. In the 1964 issue dedicated to Marc Chagall, titled *La Danse*, the artist contributed three original lithographs printed by Mourlot Freres, capturing the essence of movement, joy, and poetic transcendence. This fusion of visual and literary artistry made Derriere le miroir a cornerstone of modern art publishing, a testament to Maeght’s enduring influence on the presentation and preservation of 20th-century art. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall 1964...

Cardin Hat over Paris, 1960 Silver Print 20 × 24 inches paper size 17.5 x 9' inches image size Edition of 21 only Printed 2023 certificate of authenticity by Norman Parkinson Archi...

Frederick Conway (1900-1973) was a painter, educator, and lecturer. From 1929 to 1970, Conway was a member of the faculty of the Washington University Art School. When Max Beckmann was in residence at Washington University, he and Conway became close associates. Conway was one of the first to realize the importance and seriousness of Beckmann's teaching. In 1949, Beckmann painted Conway's portrait. Conway was born in Saint Louis, Missouri, and studied at the Saint Louis School of Fine Arts and in Paris at the Academie Julian, the Academy Moderne, and the Academy Grande Chaumiere. He painted murals for the WPA (Works Progress Administration...

Oil on plywood realized by Sirio Pellegrini in 1967. Includes a wooden frame. Very good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano)...

Signed lower right, 'Georges Rouault' for Georges Dominique Rouault (French, 1904-2002) and painted circa 1965. Born in 1904, Georges Domini...

Constellation Silkscreen in colors, 1969 Signed, dated, titled and numbered in pencil Edition: 100 (56/100) Condition: Excellent Image Size: 17 x 17 inches Sheet size: 20 x 20 inch...

Still life painting by French artist Madeleine Scali (1911-2000), circa 1960. Original one-of-a-kind vintage work of art on paper displayed on a white mat with a gold border and fi...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

This early 1990s portrait photograph, captured by society photographer Slim Aarons, features the Belgian born actress Audrey Hepburn (1929 - 1993) socialising at a party in San Francisco. This is an estate stamp...

Marcel Duchamp was one of the pioneers of Dada, a movement that challenged preconceived notions of what art should be and how it should be made. In the years leading up to World War I, Duchamp enjoyed success as a painter in Paris. But he soon abandoned painting almost entirely, explaining, "I was interested in ideas, not just visual products." Seeking an alternative to representing objects in paint, Duchamp began to present objects as art...

"Gothic Gables" Poster/Print by LYONEL FEININGER (American-German, 1871-1956). The print measures approximately 20 x 27 inches and is unframed. Published by New York Graphic Society 1966. Printed in Switzerland...

This early 1960s photograph, captured by society photographer Slim Aarons, features skiers walking up a mountain in Cortina D'Ampezzo, a ski resort in northern Italy. This is an est...

Medium: original lithograph. Printed in 1963 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/4 x 9 1/4 inches (312 x 235 mm). Not signed.

George Dannatt (1915-2009) Aigues - Mortes 1961 Gouache on paper Image: 11.4 x 22.8 cm Frame: 38.7 x 48.9 cm Exhibition 1981 May. Newlyn Gallery: Retrospective Exhibition Pr...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 7/8 inches (130 x 98...

An original abstract geometric painting by an unknown artist in an artist made natural wood frame.

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Artist: Alberto Giacometti Title: 'Bust of a Seated Man' Year: 1961 Medium: Original Lithograph on vélin paper Dimensions: 15in. by 11in. Edition: From the rare limited edition Refer...

ANDY WARHOL (1928-1987) Coca-Cola glass bottle, metal bottle stopper and spray paint. Signed with initials by the artist in black ink ‘A. W.’ Executed in 1967.

A party of skiers adjourn for drinks at Palisades Tahoe (formerly Squaw Valley), CA 1961. The festive mood is reflected in the colorful vintage skiwear, in red, yellow, blue, white and orange. In the background, snowy white and tree-topped mountains rise against a brilliant blue sky. This iconic image of casual glamour sets a tone for winter adventure. This site was the host for the 1960...

A beautiful, large modernist cubist influence oil on canvas still life with potted plant by French artist Jef Friboulet. Striking and excellent quality work, presented in a box frame...

Mid Century Carmel Cypress Plein Air Landscape in Oil Pastel by Genevieve Rogers Two wind-sculpted Monterey cypress trees cling to rugged coastal bluff...

Marc Chagall (1887-1985) - Sirène au Poète (Sirene with Poet) Lithograph from 1967. an unsigned proof, from the numbered edition of 150, on Arches paper. Dimensions of work: 73 x ...

This superb oil painting of horses is by Scottish female artist Doris Zinkeisen. Painted circa 1960 the composition has six horses in a landscape. There is great impasto and brushwor...

Mid Century Abstracted Watercolor "Jelly Fish in the Red Sea" Wonderful mid-century watercolor of abstracted jellyfish by Bobbi Merrill (American, 20th Century), 1964. Signed lowe...

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Clarence Holbrook Carter (American, 1904-2000) Medieval Heads, 1966 Acrylic on scintilla Signed and dated upper right 23.5 x 30 inches Condition: crease...