1970s Art

6011b Four nude male dancers gouache painting set in a brown matt in a brass frame Image 16.5x21.5"

ARTIST: Salvador Dali TITLE: Roi, je t'attends a Babylone Des Rois Pendus aux Arbes... MEDIUM: Etching on parchemin (peau de mouton) SIGNED: Hand Signed EDITION NUMBER: HC 1 ME...

Original, for the 1972 Munich, Germany Olympics. Linen-backed Art Series poster done For the Olympische Spiele Munchen 1972. The contemporary abstrac...

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark Hand signed and numbered 25/30 on...

Catalogue of the tarot cards painted by Andrea Picini. It includes the reproductions of all the 78 Tarot cards and a small complete guide written by Ugo Moretti. First published in...

Well Heeled by Arthur Steel WELL HEELED WESTMINSTER BRIDGE LONDON, 1973 “I’d just acquired a 19mm lens for my Leica flex SL9 and was keen to explore it’s ability to focus very ...

This original exhibition poster was created to accompany Richard Diebenkorn’s celebrated Ocean Park Series: New Work exhibition at Marlborough Galerie in Zürich, showcasing a fresh e...

Work on wood Molded frame in plaster and gilded wood 69.5 x 59 x 4.5 cm

Paper Size: 22.25 x 33.5 inches ( 56.515 x 85.09 cm ) Image Size: 20 x 30.5 inches ( 50.8 x 77.47 cm ) Framed: No Condition: A: Mint Additional Details: Limited edition print b...

Roy Lichtenstein, Peace Through Chemistry I (1970), masterfully fuses the aesthetic of commercial illustration with a biting commentary on industrial modernity, science, and human a...

Man Ray Alphabet Pour Adultes (Alphabet For Adults), 1970 Silkscreen in colors and lithograph on paper mounted on wood veneer mounted on card stock. Hand Signed. Numbered. Dated. Ha...

This original lithograph in colours is hand signed in pencil by the artist "Miró" in the lower right corner. It is also hand numbered in pencil from the edition of 75, at the lower ...

Sol Lewitt Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978 Offset lithograph 19 1/2 × 21 1/2 inches Limited Edition of 75 (unnumbered) Hand signed b...

JOAN MIRO (1893 – 1983) Maravillas con Variaciones Acrosticas en el Jardin de Miro Lithograph in colors on Arches paper c. 1975 Signed in pencil by artist, lower margin Impression...

Piero Dorazio Abstract Composition (Bank of New York Corporate Collection), 1971 Lithograph on wove paper Pencil signed, numbered 73/75 and dated on the front. The back bears a label...

This exquisite lithograph by Henry Moore (1898–1986), titled Reclining Figure Interior Setting I, from the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977, originates from the 1977 edition published by Societe Internationale d'Art XXe siecle, Paris, and printed by Curwen Prints Ltd, London, 1977. Reclining Figure Interior Setting I reflects Moore’s masterful synthesis of form and space, capturing his lifelong exploration of the reclining human figure as a symbol of harmony between nature, body, and landscape. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches (24.77 x 31.75 cm). Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Curwen Prints Ltd, London. Artwork Details: Artist: Henry Moore (1898–1986) Title: Reclining Figure Interior Setting I, from the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977 Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1977 Publisher: Societe Internationale d'Art XXe siecle, Paris Printer: Curwen Prints Ltd, London Catalogue raisonne reference: Moore, Henry, et al. Henry Moore, Catalogue of Graphic Work. Gerald Cramer, 1986, illustration 458 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977, published by Societe Internationale d'Art XXe siecle, Paris About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris and London, including Mourlot, Arte, and Curwen, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, Surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Henry Moore (1898–1986) was a British sculptor, draftsman, and modernist pioneer whose monumental bronzes and organic abstractions revolutionized 20th-century sculpture and made him one of the most influential artists of his time. Renowned for his reclining figures, mother-and-child compositions, and pierced biomorphic forms inspired by nature, Moore transformed traditional carving into a universal language of rhythm, balance, and humanity. Born in Castleford, Yorkshire, he studied at the Leeds School of Art and the Royal College of Art in London, absorbing the influences of classical sculpture, African and Pre-Columbian art, and the radical innovations of the European avant-garde. Inspired by Pablo Picasso’s Cubist fragmentation of form, Joan Miro’s lyrical biomorphism, Wassily Kandinsky’s spiritual abstraction, and Constantin Brancusi’s purity of shape, Moore developed a style rooted in the harmony between mass and void, structure and space. During the interwar years, he became part of an international circle that included Alexander Calder, Alberto Giacometti, Salvador Dali, Marcel Duchamp, and Man Ray—artists who, like Moore, expanded art’s boundaries through abstraction, surrealism, and conceptual experimentation. Like Calder, Moore explored balance and movement; like Giacometti, he sought the spiritual essence of humanity; and like Dali and Duchamp, he challenged perception and redefined modern form. His sculptures, carved in stone or cast in bronze, evoke both ancient and modern sensibilities—forms that appear to breathe with natural vitality while engaging directly with their surrounding landscapes. Moore’s “Shelter Drawings” (1940–41), created during the London Blitz, revealed his deep empathy for the human condition, marking a pivotal moment in his exploration of resilience and vulnerability. By the mid-20th century, Moore’s monumental bronzes had become landmarks around the world, from the Lincoln Center in New York to the UNESCO headquarters in Paris, embodying timeless symbols of endurance, renewal, and unity. His synthesis of organic abstraction and humanism influenced generations of sculptors including Barbara Hepworth, Isamu Noguchi, Eduardo Paolozzi, Antony Gormley, Anish Kapoor, and Rachel Whiteread. Like Kandinsky and Miro, he believed abstraction could transcend culture and time, while like Duchamp and Man Ray, he embraced experimentation as a pathway to new truths. Moore’s works, housed in major collections including the Museum of Modern Art in New York, the Tate in London, the Guggenheim Museum, and the Art Institute of Chicago, continue to define the landscape of modern sculpture for their elegance, power, and emotional depth. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Henry Moore remains a cornerstone of modern art—a sculptor whose vision united nature, form, and spirit into a universal language of beauty and meaning. His highest auction record was achieved by Reclining Figure: Festival (1951), which sold for $33.1 million USD at Christie’s, London, on June 30, 2016, reaffirming Henry Moore’s enduring legacy as one of the most visionary, influential, and collectible sculptors in the history of modern art. Henry Moore Reclining Figure...

Luxurious vintage black lacquer and gold plated lighter with red Chinese lettering.

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Original Etching from the series ‘The Song of the Songs of King Solomon’ in colours with stencil on Arches wove paper. signed and numbered by the artist 57.1 x 38 cm - sheet size 66...

Artist: Lucien Clergue, French (1934 - 2014) Title: Nu de la Mer (No. 2) Year: circa 1980 Medium: Gelatin Silver Print Photograph, signed and numbered in marker Edition: 47/50 Image ...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

First edition published in 1972 by Harry N. Abrams, New York, authored by John Barnicoat. This hardcover edition, part of The World of Art Library, is bound in cloth with a dust jack...

Medium: original lithograph. Printed for XXe Siecle (No. 39) in 1972 and published in Paris by San Lazzaro. Size: 12 1/4 x 9 1/2 inches (310 x 240 mm). Not signed.

Hockney, David. RECLINING FIGURE. Etching and sugarlift aquatint in black, 1974. Edition of 75 published by Petersburg Press, London and printed on Inveresk paper. Signed, dated and ...

Crying Clown Portrait in Oil on Canvas Portrait of a sad clown by San Francisco artist John Peers (American, 1922-2009). This portrait is closely fra...

Listing includes framing, free shipping in the US, and a 14-day return policy. Classic Nude c. 1975 by Brett Weston. 14 x 11 inches Vintage gelatin s...

Highly detailed seascape by William Henry Blackman (American, b. 1930). A wave crashes at the shore, glowing from the sun shining through. Above the wave, a few gulls glide across the scene. The rocks in the foreground and the cliffs in the midground are finely textured, adding a lovely sense of realistic detail. Signed "Wm. Blackman" in the lower right corner. Artist's stamp on verso, along with other inventory markings. Artist's name written on edge of canvas. Presented in an ornate wood frame with a linen liner and fillet. Canvas size: 18"H x 24"W William Henry Blackman (American, b. 1930) was born in San Diego, CA in 1930. He spent most of his early years in West Los Angeles. Blackman began painting at age 12. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. He studied at Woodbury College where he learned advertising and graphic arts. In 1960 he bought a home with his wife Shirley in the San Fernando Valley and worked as an advertising manager. His position put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. Note: the original Aaron Brothers Art Galleries Certificate included with the painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes...

Ignacio Gil Sala (1913-2003) - Characters from Ibiza - Oil on canvas Oil measures 60x73 cm. Frameless. Ignacio Gil Sala, was a painter, bohemian character...

"Monument Valley" Black and White Photograph Stunning photograph of Monument Valley, Utah, by an unknown artist (20th Century). A gnarled, ...

Artist: Salvador Dali (1904-1989) Title: Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid tornado bathtub, Imaginations a...

Leonard Cohen is a black and white vintage photo, realized in Mid 20th Century . The photo depicts the Canadian poet and songwriter. Hand signed. Good condition and aged. It belon...

Salvador Dali (1904-1989) - Le Cavalier Triomphant Drypint etching on chromolithograph, embossed from 1973. The edition epruve d'artiste. Countersigned by the editor. Additionall...

Derriere Le Miroir-No. 190-Page 14-15 Color lithograph, 1971 Unsigned (as issued) From: Derriere Le Miroir, No. 190, 1971 Publisher: Aime Maeght, Paris Printer: L’Imprimerie Arts, Pa...

Vintage Poster Exhibition Galerie Maeght is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in 1978. Good conditions. Joan Miró i Ferrà (20 April 1893 –...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Firmado a lápiz por el artista en la parte inferior y con el tiraje, este en concreto es un E/A (epreuve d'artiste) Se presenta enmarcado con su marco original de la época (he puest...

André Brasilier Cavaliers sur la plage, 1977 Signed lower right Oil on canvas 13 x 21 5/8 inches French artist André Brasilier was born in 1929 in Saumur, a town in western Franc. ...

This original 1972 poster by Alex Katz was created for an exhibition at Zabriskie Gallery, supporting the Passage of the Equal Rights Amendment (ERA). A striking example of Katz’s si...

This exquisite lithograph by Robert Motherwell (1915–1991), titled Tricolor, from the album XXe Siecle, Annee No. 40, Juin 1973, originates from the 1973 edition published by Societe...

Karen Christy by Pompeo Posar is a lot of two photographic prints on single coated paper. Photographs published on Playboy 12-1971 and realized by magazine's official Photographer Pompeo Posar(1921-2004) Handwritten notes on back. Dim: cm 25 x 21 Excellent conditions Different nude portraits of Playmate Karen Christy realized with a vouyeristic point of view by master of erotic photography

An outstanding painting by author and painter Ella Bruce. This watercolor is of the finest quality and shows the skill of the painter to the full. A vibrant and unique piece. The white highlights are painted in gouache or body color, which gives the piece great depth and and added level of quality. This and the others from the collection were Im sure painted for Christmas or Holiday cards...

Joe Tilson Mnemonic Device, 1975 Silkscreen with hand coloring on Thin Bamboo Wood Sheet 21 1/4 × 19 1/2 inches Edition 96/100 Hand signed and numbered from an edition of 100 on rect...

Jamie Reid, Sex Pistols Promotional Banner Poster, 1977 Printed by Virgin Records Unsigned Original 1977 UK Virgin in-store promotional banner poster to promote the Sex Pistols 14 ...

Vintage jockstrap ad poster, 1975. Offset lithograph on paper measures 18.5 x 12.75 inches. Copyright Winifred Bonney. Original offset period print on perio...

This exquisite lithograph by Alexander Calder (1898–1976), titled Rouge et bleu sur jaune (Red and Blue on Yellow), originates from the historic 1973 folio Derriere le Miroir, No. 20...

Washes of sun yellow are edged in dashes of bright colors - mauve, cerise, lime and rust -- in this monumental color-field canvas by Milly Ristvedt. "Summer Window" from 1973 was cr...

Color lithograph on wove paper, edited in 1976 limited edition in 150 copies signed in pencil by artist in lower right corner, numbered in lower left corner paper size: 72 x 52 cm (2...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

Josef Albers (after) & Auguste Herbin Paris, 1975: Lithographic exhibition poster published in conjunction with a joint exhibition by Auguste Herbin & Josef Albers at Galerie Melki P...

Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students League, The Beaux-Arts Institute of Design, and with Charles Webster Hawthorne, founder of the Cape Cod School of Art in Provincetown. Painted in a thick impasto style similar in technique to Samuel Rothbort and David Burliuk. Borne himself taught at The New School for Social Research in New York City from 1945-1967. From the 1920s through the 40s he was a prolific producer of New York City cityscapes and genre scenes. In later decades, he adopted a more modernist style apparently influenced by Picasso, producing color drypoints of abstracted figures. His works were widely exhibited in museums in the U.S. and abroad from 1931 and later, including the Art Institute of Chicago, the American Institute of Graphic Arts, Museum of Modern Art, Metropolitan Museum of Art, Corcoran Gallery of Art, New York Public Library, Carnegie Institute, and Royal Society of Painters, Etchers and Engravers in London. He taught at The New School for Social Research in New York City from 1945-1967, and at the Tappan Zee...

Lithograph and original issue World Federation of United Nations Associations postage stamp on vélin paper. Inscription: Signed in the plate, as issued. Good condition. Notes: Publis...

Paper Size: 23.75 x 31.5 inches ( 60.325 x 80.01 cm ) Image Size: 18.5 x 27.5 inches ( 46.99 x 69.85 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. Fo...

This exquisite lithograph by Wifredo Lam (1902–1982), titled Personnage (Figure), from the album XXe siecle, Nouvelle serie, XXXVIe Annee, No. 42, originat...

"Cabaret" Liza Minnelli Joel Grey Broadway Film Academy Tony Award Musical Signed and numbered 12/150 in pencil, lower margin. Etching with aquatint, 15” x 10 1/2”. Framed 22” x 1...

James Boren (1921 - 1990) Waxahatchie, Texas / Oklahoma Artist / Member Cowboy Artists of America Image Size: 28 x 42 Frame Size: 40 x 53 Medium: Oil "Ca...

Sam Francis Untitled (from Fresh Air School), 1972 Lithograph on wove paper, for the Carnegie Museum of Art 15 × 22 inches Limited Edition of 6,000 (unsigned edition; there is a sepa...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark Sheet size: 35" x 21.5" Image size: 24.75" x 19" Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition Rare Notes: Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209). Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris...

Joan Miró Plate 7 (from the Joan Miró Lithographs I portfolio), 1974 Lithograph in colors on Arches Image size: 30 × 24 cm Frame size: 67 x 54 x 2 cm Hand-signed lower right Edition...

Sybil Kleinrock’s work straddles the borders between expressionism and surrealism. Colorful and soft pastels play together to suggest a composition that can be interpreted as both a ...