Early 1900s Art

Gelatin silver print 10 x 8 inches, sheet 9.25 x 6 inches, image This photograph is offered by ClampArt, located in New York City.

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...

Artist: Stephen Enoch Hogley, British (1842 - 1927) Title: Watering Hole Year: circa 1900 Medium: Oil on Canvas, signed l.r. Size: 20 in. x 30 in. (50.8 ...

André DEVAMBEZ (Paris, 1867 – Paris, 1944) Portrait of a Woman in a Bistro Oil on mahogany panel H. 22 cm; W. 16 cm Signed lower right Circa 1905–1910 Provenance: Galerie de la Scal...

This lovely Edwardian oil painting is by French artist William Albert Ablett. Dated 1901, the brush work and use of light are superb. Ablett has perfectly captured the movement and f...

Portrait de Paul Gauguin Woodcut, c. 1900 Initialed in pencil lower right Numbered in pencil lower left Edition: 100 (34/100) Annotated verso: “epreuve sur japon” Condition: Excellent Image size: 6 3/4 x 4 3/4 inches Sheet size: 11 x 8 5/8 inches Note: Born in New York, Monfreid studied in France at the Academy Julian. He was a friend of Gauiguin, Verlaine and Maillol. He formed a noted collection of works by Gauguin. In 1924, Monfreid published the manuscript for Paul Gauguin’s Noa Noa with 24 woodcuts inspired by Gauguin...

"Fire and Police Department Record" is a chromolithograph by J.M. Vickroy & Co. It features scenes of a Fire and Police department doing civic se...

A group of six chromolithographed illustrations of shoes, some printed with gold and silver inks. [Published: David Douglas, Edinburgh, 1900]. Plates taken from a scarce first edit...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

English moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there is an ...

This absolutely charming Edwardian portrait oil painting is by noted artist Edward Francis Wells. Painted in 1908, the sitter is Brian de Lolme Bullock as a six year old boy. (See hi...

Henry H Parker, British (1858-1930) "The Golden Harvest" Medium: Oil on canvas Canvas size: 14 x 20 inches Framed size: 20 x 25 inches Signature: Signed (Lower left) Provenance: Ha...

This superb British Edwardian portrait oil painting is attributed to noted Newlyn School artist Albert Chevallier Tayler. Painted circa 1905 the painting is of the head and shoulders...

"Coupe Gordon Bennett 1909 — Curtiss le Gagnant" is an original Lithograph with Pochoir created by Marguerite Montaut (GAMY). Gamy presents the viewer w...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Reginald Hallward (1858 - 1948) Stained glass memorial design for Chelford Chu...

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Standing Woman in Profile Pen and ink drawing, c. 1900 Unsigned Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Condition: Excellen...

Antique impressionist painting of Castillo De Los Tres Reyes Del Morro in Cuba. Oil on canvas, circa 1908. Signed. Displayed in a period giltwood frame. Image, 18"L x 12"H, overa...

PAUL FORDYCE MAITLAND (1863-1909) Shop Front, Cheyne Walk, Chelsea Signed l.r.: Maitland; bears inscription and date on a label on the reverse: No. 71 Cheyne Walk/ (unfinished painting) / by Paul Maitland...

Artist: Cornelius Ary Renan (French, 1857-1900) Title: "La Douleur d'Orphée (The Pain of Orpheus)" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1903 Medium: Original Etc...

Expressive turn-of-the-century cityscape of the canals of the Hague, Netherlands by Richard Paul "Max" Fleischer (German, 1861-1930), circa 1900. Signed "Max Fleischer" in the lower ...

Harry McCormick, American (1942 - ) - Paloma. Year: circa 1990, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Size: 26 in. x 40 in. (66.04 cm x 101.6 cm)

Pyramus and Thisbe Etching, c.1906 Signed along bottom edge in pencil "Augustus E John" Edition: 25 Reference: Dodgson 91 ii/II Condition: Excellent Plate: 5 1/8 x 4" (13.02 x 10.16 ...

Helena Adele Dunlap (American, 1876-1955), Rowing on the River, Oil on Canvas, 1908, signed and dated lower right, giltwood frame. 14.5" H x 29.5" W; frame: 20" H x 34.75" W x 1.5" ...

L'Abreuvoir (The Trough) Woodcut printed in two shades of brown on paper, mounted Signed by the artist in pencil lower right (see photo) Signed with artist's monogram in the stone upper right: AL Dedicated in ink lower left: á Sagot (see photo) Annotated in ink lower right: 1/5 HT (1 of 5 Hors Triage [apart from the printing]) (see photo) Image: 12 x 15-7/8" (30.6 x 40.3 cm.) Mount: 19-5/8 x 25-1/2" (50 x 64.9 cm.) Condition: Excellent Reference: Lotz-Brissonneau 521 Auguste Louis Lepère...

A fine floral oil painting by Glasgow Boy artist James Stuart Park. This is a super oil on canvas painting of white and pink hydrangea in a vase with a green fan by listed artist Par...

Artist: F. Denner Smith (English, fl. 1901-1908) Title: "Canal in Norfolk Broads" *Signed by Smith lower right Circa: 1905 Medium: Original Gouache/Watercolor Painting on paper Fram...

The Ermine Scarf Lithograph, 1905 Signed in pencil Belleroche and initialed A.B. lower right Edition: 30 Reference: Belleroche K447 Albert Belleroche log of llithographs, AB164 Condition: Excellent Image size: 6 5/16 x 5 1/4 inches Frame size: 18 3/4 x 17 inches Provenance: Estate of the Artist Richard Reed...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...

Charlotte Buell Coman The Meadow Signed lower left; titled on the reverse Watercolor on paper 6 1/4 x 7 inches Provenance Monica Stevens, Springfield, Virginia Charlotte Buell Com...

This listing is for 3 collotypes: "Medicine", "Jurisprudence", and "Philosophy", pictured, from the Das Werk portfolio by Gustav Klimt and k.k. Hof-und Staatsdruckerei, published by H.O. Miethke. Gustav Klimt created glyphs, unique to each of these pieces, specifically for this portfolio. Further information below: About the portfolio: DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art...

The Gate of Hundred Sorrows Etching, 1900 Signed in the plate lower right (see photo) From: A Series of Thirty Etchings by William Strang, Illustrating Subjects from the Writings of...

Mademoiselle Sablon, MUSCIAL ACTRESS Lithograph, 1907 Unsigned Provenance: estate of the artist Reference: Belleroche No. K383 Albert Belleroche Log of lithographs...

'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...

Harry McCormick, American (1942 - ) - The Chinese Screen. Year: circa 1990, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Size: 26 in. x 30 in. (66.04 cm x 76.2 cm)

Aurelia Della Corte Szvatek (active c. 1900–1919) Portrait of a Young Woman in a Shawl, c. 1900–1910 signed lower left “A. Della Corte Szvatek” oil on canvas unframed 51 × 41 cm (2...

This refined 1900 poster by André Castaigne promotes The Century Magazine, highlighting one of his illustrations for Paris of the Faubourgs. Unlike many posters of the era that rely ...

La Grande Cascade de Saint Cloud Color aquatint on watermarked Arches J Perrigot paper, 1905 Signed by the artist in pencil lower right. (see photo) Edition: 100. Numbered "39" in ...

Stella, Joseph (American, 1877-1946). MAN PLAYING PICCOLO. Pencil on paper, 1908. Signed and dated, lower right. 6 1/4 x 7 inches, framed to 14 x 14 inches. Identified on labels of D...

A group of six chromolithographed illustrations of shoes, some printed with gold and silver inks. [Published: David Douglas, Edinburgh, 1900]. Plates taken from a scarce first edit...

Classic c1900 colour lithograph portrait by 'Sem' aka Georges Goursat (1863-1934) depicting 'Sampieri' from the album 'Le Turf' Print Sz: 15 1/4"H x 10 1/2"W Frame Sz: 19"H x 15"W ...

Artist: Louis LeGrand (French, 1863-1951) Title: "La Loge (The Lodge)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by LeGrand in the plate (printed signature) l...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

➡️ (Un) Classical Hendrix⬅️ New technique by carving the surface of several layout of paints. Thanks for supporting my new technique ⭐Technique: acrylic on wooden frame 55x55cm ■■ ...

John Henries N.Y. '09 Playful Young Boys and Older Tradesman With Horse Oil on canvas 24.5 x 31.5 unframed

FREDERICK CAYLEY ROBINSON, ARA, RWS (1862-1927) A Summer Evening Signed l.r.: CAYLEY-ROBINSON; inscribed on the reverse: A Summer Evening/Exhibited at Leicester Galleries Oil on paper 16.5 by 18.5 cm., 6 ½ by 7 ¼ in. (frame size 38.5 by 40 cm., 15 ¼ by 15 ¾ in.) Exhibited: London, Leicester Galleries, Small Paintings and Sketches by the Late F. Cayley Robinson, ARA, RWS, December 1929 Born in Brentford-on-Thames, the son of a stockbroker, Robinson began his artistic training at the St John’s Wood...

Merieanna Etching and aquatint, c. 1900 Signed by the artist in pencil lower right Titled in pencil lower right corner of sheet Annotated "4" lower left below image Publisher's dryst...

English hawk moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Signed and dated oil on canvas landscape by French post impressionist painter Paul Madeline. This beautiful work depicts the Tournant bridge over the River Arques at the seaport in D...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

"Manege rue Caulaincourt ou Le Petit Manege Aux Chevaux De Bois" is an original etching and aquatint signed by Jacques Villon. The artist signed the piece in the lower right. This is an artist proof in brown & black on arches paper. This piece depicts a number of figures on a horse-drawn carousel going through the street. 21 7/8" x 28 1/2" art 29 1/4" x 33 1/2" frame Jacques Villon (French, 1875 - 1963) French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon; soon afterwards this new surname was combined with the family name by Raymond. Marcel Duchamp and their sister Suzanne Duchamp...

BERKES, ANTAL (1874-1938) Well listed Hungarian artist. Active: Paris, Budapest, Munich, Vienna. Berkes studied at The Academy of Fine Arts between 1889 and 1894 in Budapest, Hungar...

French School circa 1900 Studies of characters, four drawings in a same frame Pencil on paper Sizes of the drawings (from left to right and from top to bottom) A couple at a table ...

Felician Myrbach (1853-1940) Poèmes magyars, Magyar poems bears the monogram "M" on the lower left, titled in the upper right Ink on paper 29,8 x 19,8 cm in good condition, the sheet is slightly yellowed In a modern frame : 33 x 23 cm This is an illustration project by Felician Myrbach for François Coppée's work, "Poèmes magyars". He leaves the space to be occupied by the text blank on the sheet and arranges his composition accordingly. It is interesting to see the artist imagine his drawing with this constraint. Felician Myrbach (also Felicien de Myrbach, Felician von Myrbach, from 1919 Freiherr von Rheinfeld) was born on 9 February 1853 in Zalishchyky, he died 14 January 1940 in Klagenfurt He was an Austrian painter, graphic designer and illustrator. He was a founding member of the Vienna Secession and the director of the Applied Arts School in Vienna (now the University of Applied Arts Vienna), and was instrumental in the creation of the Wiener Werkstätte. Myrbach's father was Franz Myrbach (1818–1882), the Administrator of Bukovina in 1865–70. His older brother Franz Xaver (1850–1919) was an economist and professor at the University of Innsbruck. He attended the Theresian Military Academy in 1868–71, graduating as a Leutnant, then at the Academy of Fine Arts, Vienna under August Eisenmenger. In 1875, he joined the 19th Feldjäger Battalion, and in 1877 became an Oberleutnant in the Military Geographic Institute, then, after campaigning in Bosnia in 1878, he taught drawing at the Infantry Cadet School in Vienna. He continued his artistic studies under C R Huber. In 1881, he went on military leave and moved to Paris, retiring totally from the military in 1884 as a Hauptmann, 2nd Class. He stayed in Paris until 1897, working as an illustrator, including illustrating the works of Alphonse Daudet, Victor Hugo and Jules Verne. Myrbach was a founding member of the Vienna Secession in 1897. In the same year, he became the a professor of the Applied Arts School at the Museum of Art and Industry; Arthur von Scala, another reformer Modernist, was made head of the Museum. In 1889, Myrbach became the director of the school. He brought an enthusiastic Modernist attitude and encouraged an integration between art, design and production. He added Koloman Moser and Josef Hoffmann to the staff, amongst other Secession artists. This would lead to the foundation of the Wiener Werkstätte in 1903. Myrbach leant more towards an aesthetic approach than von Scala, but both worked together to bring about their combined vision of successful, popular Austrian applied art. Myrbach was a voice for reform towards Modernist ideals in the School, which was started 1899 with the support of Alfred Roller, and completed by 1901.The reform of the school has been described as his "lasting merit". Ludwig Hevesi called Myrbach "probably the best [illustrator] in Vienna", partially for his work (with Moser) in the Secession magazine Ver Sacrum. Myrbach visited America on a state-funded study trip in 1904, part of which was to represent the Applied Arts School at the 1904 World...

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Jacques Villon (1875-1963), La Couseuse (The Seamstress), drypoint, 1905, signed in pencil lower right margin. Reference: Ginestet and Pouillon 147, Aub...

A pair of exceptional earthenware vases by Clément Massier in a unique rectangular form, featuring albino peacock feathers enhanced by accents of purple and gold glazing. As Massier ...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...