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Early 2000s Art

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Period: Early 2000s
Louise Bourgeois - I Have Been to Hell and Back Handkerchief, Lt Ed Tate Gallery
Louise Bourgeois - I Have Been to Hell and Back Handkerchief, Lt Ed Tate Gallery

Louise Bourgeois - I Have Been to Hell and Back Handkerchief, Lt Ed Tate Gallery

By Louise Bourgeois

Located in New York, NY

Hand numbered 900/1000 and with the artist's silkscreened initials This long sold out coveted limited edition embroidered handkerchief is based on a larger original, which Bourgeo...

Category

Contemporary Early 2000s Art

Materials

Cotton, Thread, Mixed Media, Screen

The masquerade
The masquerade

The masquerade

Located in Paris, FR

BALS Wim (1973- ) 'The masquerade' Oil on wood. Signed. Certificate on the back signed by the artist. Willem Bals, known professionally as Wim Bals, is a contemporary Belgian paint...

Category

Realist Early 2000s Art

Materials

Oil

Venice Palace and Gondola Mooring Colorful Impasto Canal View Oil Painting Italy
Venice Palace and Gondola Mooring Colorful Impasto Canal View Oil Painting Italy

Venice Palace and Gondola Mooring Colorful Impasto Canal View Oil Painting Italy

By Ulpiano Carrasco

Located in Sitges, Barcelona

Venice Palace and Gondola Mooring, Colorful Impasto Canal View Artist: Ulpiano Carrasco Title: Palacio y embarcadero en Venecia Medium: Oil on canvas Dimensions: 60 × 73 cm / 23.6 ×...

Category

Expressionist Early 2000s Art

Materials

Oil

Red Light - Mindscreen 07 (Night on Earth) - Polaroid

Red Light - Mindscreen 07 (Night on Earth) - Polaroid

By Stefanie Schneider

Located in Morongo Valley, CA

Red Light - Mindscreen 07 (Night on Earth) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #242 Not mo...

Category

Contemporary Early 2000s Art

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Once We Were Warriors (Stage of Consciousness) starring Radha Mitchell

Once We Were Warriors (Stage of Consciousness) starring Radha Mitchell

By Stefanie Schneider

Located in Morongo Valley, CA

Once We Were Warriors (Stage of Consciousness) - part of the 29 Palms, CA project - 2007 - featuring Radha Mitchell 48x46cm, Edition of 10 plus 2 Artist Proofs. digital C-Print, ...

Category

Contemporary Early 2000s Art

Materials

Archival Paper, Photographic Paper, C Print, Polaroid, Color

Palace, Signed Photorealistic Oil Portrait by Di Li Feng
Palace, Signed Photorealistic Oil Portrait by Di Li Feng

Palace, Signed Photorealistic Oil Portrait by Di Li Feng

By Di Li Feng

Located in Long Island City, NY

Di Li Feng, born 1958, is a Chinese contemporary artist, now working as Professor in the Lu Xun Academy of Fine Arts, in China. Born in a small Chinese town, he graduated from the Ch...

Category

Photorealist Early 2000s Art

Materials

Canvas, Oil

Abstract Expressionism Riviera Nocturnal Twilight Modernist Signed
Abstract Expressionism Riviera Nocturnal Twilight Modernist Signed

Abstract Expressionism Riviera Nocturnal Twilight Modernist Signed

Located in Buffalo, NY

A one of a kind signed original painting . Many facets of chroma and texture and gem like luminosity . Multiple focal points dot the landscape emanating a mysterious glow. Excellen...

Category

Abstract Expressionist Early 2000s Art

Materials

Canvas, Paint

Gregory Colbert 'Child with Cheetah, Mexico City' 2007- Poster

Gregory Colbert 'Child with Cheetah, Mexico City' 2007- Poster

By Gregory Colbert

Located in Brooklyn, NY

"Child with Cheetah, Mexico City" is a reproduction of a captivating photograph by Gregory Colbert, known for his profound and poetic depictions of the interactions between humans an...

Category

Early 2000s Art

Materials

Offset

La Fille du Régiment
La Fille du Régiment

La Fille du Régiment

By William Wegman

Located in Wilton Manors, FL

WILLIAM WEGMAN (b. 1943) 'La Fille du Régiment', 2007 SIGNED Vintage Oversized Artist's Photography Poster Commissioned for the Metropolitan Opera's 2007-2008 season, renowned arti...

Category

Realist Early 2000s Art

Materials

Offset

Telephone VII, Palm Springs, California - Vintage Interior Color Photography
Telephone VII, Palm Springs, California - Vintage Interior Color Photography

Telephone VII, Palm Springs, California - Vintage Interior Color Photography

By Richard Heeps

Located in Cambridge, GB

Telephone VII, vintage interior photograph from Richard Heeps' series, Dream in Colour. Captured in the cool Ballantines Movie Colony, Palm Springs this artwork combines gorgeous col...

Category

Contemporary Early 2000s Art

Materials

Photographic Paper, C Print, Color, Silver Gelatin

American Cowboy Head, Salton Sea, California - Roadside America Color Photo
American Cowboy Head, Salton Sea, California - Roadside America Color Photo

American Cowboy Head, Salton Sea, California - Roadside America Color Photo

By Richard Heeps

Located in Cambridge, GB

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

Category

Contemporary Early 2000s Art

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Wild Things (Till Death do us Part) - Polaroid

Wild Things (Till Death do us Part) - Polaroid

By Stefanie Schneider

Located in Morongo Valley, CA

Wild Things (Till Death do us Part) - 2008 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #9503 Not mounted....

Category

Contemporary Early 2000s Art

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Huge Signed Oil Painting Tranquil Italian Canal Venice Backwater Old Houses
Huge Signed Oil Painting Tranquil Italian Canal Venice Backwater Old Houses

Huge Signed Oil Painting Tranquil Italian Canal Venice Backwater Old Houses

Located in Cirencester, Gloucestershire

The Venetian Backwater French artist, signed and dated 29/4/2000 oil painting on canvas, framed framed: 48.5 x 35 inches canvas: 46 x 32 inches condition: very good provenance: priv...

Category

Impressionist Early 2000s Art

Materials

Oil

Sunset of São Miguel, Contemporary Offset Print, 2000-2009, Unframed
Sunset of São Miguel, Contemporary Offset Print, 2000-2009, Unframed

Sunset of São Miguel, Contemporary Offset Print, 2000-2009, Unframed

Located in Brooklyn, NY

São Miguel, the largest island in the Azores archipelago, offers stunning sunsets over its diverse landscapes. Known for its volcanic origin and lush greenery, São Miguel boasts pano...

Category

Contemporary Early 2000s Art

Materials

Offset

Roland Garros French Open 2007 Poster by Shepherd
Roland Garros French Open 2007 Poster by Shepherd

Roland Garros French Open 2007 Poster by Shepherd

By Kate Shepherd

Located in Brooklyn, NY

In 2007, Kate Shepherd, an American artist celebrated for her precise line work and bold color fields, was commissioned to design the official poster for the Roland Garros French Ope...

Category

Contemporary Early 2000s Art

Materials

Offset

El mar. By Inna Panasenko. 2007. Oil on canvas. 200/300 cm
El mar. By Inna Panasenko. 2007. Oil on canvas. 200/300 cm

El mar. By Inna Panasenko. 2007. Oil on canvas. 200/300 cm

Located in Riga, LV

Inna Panasennko is one of the most successful and best-selling contemporary artists in Germany. One of the central themes of Inna's work is monumental images of bulls in all their na...

Category

Contemporary Early 2000s Art

Materials

Canvas, Acrylic

Mezza Luna
Mezza Luna

Mezza Luna

By Julio Larraz

Located in New York, NY

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Category

Early 2000s Art

Materials

Photographic Paper

Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Light, Series Drawing From Israel - Large Format, Charcoal On Paper

Light, Series Drawing From Israel - Large Format, Charcoal On Paper

By Krzysztof Gliszczyński

Located in Hallein, AT

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Category

Conceptual Early 2000s Art

Materials

Paper, Charcoal

Dot's Diner, Bisbee, Arizona - American Color Photography
Dot's Diner, Bisbee, Arizona - American Color Photography

Dot's Diner, Bisbee, Arizona - American Color Photography

By Richard Heeps

Located in Cambridge, GB

'Dot's Diner' part of Richard Heeps 'Dream in Colour' Series, featuring a classic American Diner has gorgeous colours of the glowing neon lights in the twilight and a cool vibe remin...

Category

Contemporary Early 2000s Art

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Sea Road to Bimini
Sea Road to Bimini

Sea Road to Bimini

By Julio Larraz

Located in New York, NY

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

Category

Early 2000s Art

Materials

Photographic Paper

The Road to Death Valley, Mojave Desert, California - Landscape Color Photo
The Road to Death Valley, Mojave Desert, California - Landscape Color Photo

The Road to Death Valley, Mojave Desert, California - Landscape Color Photo

By Richard Heeps

Located in Cambridge, GB

'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...

Category

Pop Art Early 2000s Art

Materials

Photographic Paper, C Print, Color, Silver Gelatin