Early 2000s Art

'Pompeii', a study plein air. signed original work 2005. watercolor on paper 45cm x 55cm. Painted wood glazed frame 72cmx87cm Gradwell focuses on been in the space and time and ma...

After the Accident (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 1668. Not mounte...

Vivid and evocative abstracted painting of 9/11 by artist Jocelyn Audette (American, b. 1952), circa 2001. Impasto adds texture and interest. Label on verso with artist's name. Pres...

José Manuel Broto - Iris 6 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

Provenance Acquired by the gallery directly from the artist. Artist Statement "A winter evening in December at Royal Palms State Beach; White Point, San Pedro...

'Avon Walk no 14 , ' signed original mixed media painting circa 2009. painting: 34cm x 50cm Glazed oak frame 52x 61cm. Part of a series of paintings made in Wiltshire and Somerset du...

The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.). Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings. Shag's work is categorized as lowbrow art...

Ophelia is an original digital photograph realized by Angelo Cricchi in 2008. Hand-signed, dated, numbered by the artist on the back of the photo. The stamp of the photographer is ...

Impressionistic English River Landscape Painting Original Oil by British Artist. A highly varnished mixed media artwork on deep edge canvas capturing the shimmering reflections of su...

Archival pigment print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 8) This photograph is offered by ClampArt, located in New...

She need not move (Sidewinder) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #3298 Not mounted. St...

I know Not. I know (2010) by Takashi Murakami Offset lithograph with diamond dust Numbered and signed by the artist Sheet 76 X 59 cm Framed Edition 196/300 Takashi Murakami is best...

Portrait of Woman by Stream in Traditional Robe and Hat Di Li Feng, Chinese (1958) Date: 2001 Oil on Canvas, signed l.l. Size: 38.5 x 31 in. (97.79 x 78.74 cm) Frame Size: 51 x 46 in...

Bright flowers in the garden Cardboard, oil, 44x58.5 cm

Gerhard Richter Abstract Painting (one plate) - artist authorized, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins. (Artist Authorized) Not signed, edition of 3433 12 1/2 × 16 1/2 inches Unframed This striking limited edition color plate, printed on GardaMatt Art 250 GSM paper with full margins, was published on the occasion of the major twin Richter exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting), and it depicts Richters 1999 Oil on Aluminum abstract picture, catalogue raisonne reference, 858-6. This print is unframed, unnumbered and in excellent condition. More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Francois-Xavier Lalanne (1927-2008) Les Spitz, 2004 Original print (etching) hand signed in pencil by François Xavier Lalanne and untitled "Les Spitz" ("The Spitz"), in perfect cond...

Paper dragon. 2003, canvas, oil, 120x180 cm

Alexandra Rozenman's "Rider and his Orange Juice" is a humorous yet somber square 48 x 48 x 1.5 inch surreal landscape oil painting in soft whites and blues with touches of black and orange. Rozenman puts on stage a vast snowy landscape. You cannot see the seats, but a beautiful theater curtain...

Artist: Peter Max (1937) Title: Abstract Zero Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 11 x 9 inches Condition: Excellent Inscription: Sign...

There is something beautiful about the decay. Something ironic about the contrast of the shiny RV life. The RV is this thing which is mobile, here it's been frozen in salt, it has be...

Stunning large scale abstract with tribal, primordial symbolism and a dark, textural aesthetic by Marc Foster Grant (American, b. 1947), c.2000s. Intentional craquelure and impasto s...

Still Life With Ladybug and Butterfly Artist singed J. Sobel lower left, dated '07 canvas 20x24 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, Poland. There she studied with the famous abstract constructionists, Wladyslaw Strzeminski and Stefan Wegner from whom she learned the principles of Modern Art as laid down by the European Cubists. Sobel’s work was selected for the First Exhibit of Modern Art Museum Krakow in 1948-49. Judith Sobel emigrated to the newly found Israel where she lived for five years, becoming very active in Israel’s emerging art world. Her work was collected and exhibited by the major art museums of Israel including the Museum of Modern Art at Haifa; her art was regularly shown in the Israeli galleries. In 1956, Sobel came to New York on a scholarship, and before that she lived in France for two years. The same year she received the First Prize at the Exhibition in the Saks...

Boy Reading with Elephant" is a reproduction of an iconic photograph by Gregory Colbert, serving as the title image for his renowned "Ashes and Snow" exhibition. This evocative piece...

Vasa Mihich is a renowned Los Angeles-based artist known for his sleek, colorful, and captivating acrylic sculptures. He was a Senior Professor of Design at the University of Califor...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 19...

David Bailey OASIS, 2006 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Edition of 15

Bijan Choudhury - Untitled - 13 x 10 inches (unframed size) Ink on Paper , 2009 ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientatio...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

In the Range of Light (Wastelands) - 2003, (published in the monographs 'Stranger than Paradise', and 'Wastelands') 20x20cm, Edition 5/5, Archival C-Print, based on the Polaroid....

From a series of paintings titled Viva Cuba, this single piece is titled "Laundry on High" and was painted in 2004 by Canadian artist Dwight Baird. This giclee print measures 18 x 36...

From a series of paintings titled Viva Cuba, this single piece is titled "La Madonna with red Shoes" and was painted in 2004 by Canadian artist Dwight Baird. It is numbered 1 to 325 ...

Womb #02 - 2006, 56x55cm, Edition 2/5, Analog C-Print, printed by hand by the artist on Fuji Archive Crystal Paper. Based on a Polaroid Certificate and Signature label artist In...

"Whew!" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece in the lower left. It depicts a man on a motorcycle doing a wheelie on a be...

Marion - Signed limited edition archival pigment print , France, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 g...

Effects of Shadow by Andre Guillou (French 1925-2017) signed oil on canvas canvas: 24 x 24 inches provenance: private collection, France condition: very ...

Georgij Moroz (1937/2015 Ucraina) Luminosa opera di questo pittore che viveva a San Pietroburgo ma d'estate tornava in Ucraina la sua patria Diceva che i girasoli si potevano dipinge...

Sulphur, 2005 Acrylic on canvas (Signed) 39.37 H x 39.37 W in. 100 H × 100 W cm Signed The painting "Sulphur" is part of a larger series of works entitled " Minotaur" and inspired ...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 480...

Fair Weather (Till Death Do Us Part) - 2005, 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist ...

Waiting (Sidewinder) - 2005 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 3173. Not ...

Artist: Peter Max (1937) Title: Vase with Tree Year: 2000 Edition: 140/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 2 x 2.75 inches...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Pont d' Arcole ‘, a bridge of Paris, Fr...

Where Stella Lives 2007 Signed, titled, numbered, and dated, verso Archival pigment print 22 x 17 inches, sheet (Edition of 15) $1,400.00 17 x 11 inches, sheet (Edition of 15) $9...

Thoughts of Home by Lu Haskew Oil 24x30" image size, 30x36" framed (gold) ​ Still life with flowers and fruit amongst a porcelain tea set, multicolor ...

Signed bronze from small edition of 8. plus 4 artists proofs Dominic Albinski, was born in South Africa, in 1975. He started sculpting, at a young age, at the Art Classes of Mercia Desmond, in Johannesburg. From the start, his talent for capturing movement, and character in his human, and animal figures was remarkable. Dominic had a happy childhood, spending his time in the studio, where he studied art and anatomy, which was later to become one of the major themes of his sculptures. He also spent a lot of time on the South African coast; Durban, North Coast and Cape, Plettenburg Bay and in the bush Kruger Park, Okovango Swamps, Chobe and Pilansberg game reserves. He was a good student, but preferred sculpting in his studio, among his artworks, than studying. After finishing High School (St John’s College), he left for Paris, to start a life of independence, in the French capital, famous for artists like Rodin, Bugatti, Carpeaux, Daumier, Giacometti, and Picasso, who inspired him. He was excepted into the prestigious Institute of Political Science. However, his passion for sculpture, made him choose sculpture as a career. He started studying sculpture at the Academy of Fine Arts in Warsaw, and with the British Sculptor, James Butler in England. Here, he learnt observation and techniques that would stand him in good stead later, when he came back to France, as a Professor of Communication at the renowned Ecole Francaise D’Attache de Presse near the Champs Elysees. He had his first major exhibition at the Arnaud Gallery in Verneuil sur Avre in Normandy. A collector, found interest in his work, and created a vast collection of his bronzes, as well as promoting Dominic in various galleries in the region of Normandy, and Touraine, such as Galerie 21 and Club de Arche de Noe, in Tours and Galerie des Remparts, and Eclat de Verre, in Le Mans. He also exhibited in La Rochelle in the Galerie Hourdin, and Bordeaux at the Galerie des Remparts. During this period he studied Literature at the Sorbonne. In Paris, several galleries took Dominic’s work, including Galerie Arcima, on Rue St Jaques, Galerie Herouet, in the Marais, Galerie Etienne de Causans on rue de Seine, or Galerie Mouvances, on Place des Vosges. Dominic participated in a wildlife exhibition in Trocadero Center, and at the Hotel de Ville of Puteux. His sculpture Madness, was chosen to be exhibited as a finalist at the Brain-Up competition, in the Palais de Congres. This impressive sculpture, measuring 1m 60 is in the collection of the Hospital in Lille, and the Mandela Collection in Sandton South Africa, among other collections. In Poland, he had an exhibition in the Canadian Embassy Residence, in the South African Embassy, and in the French Embassy. His work “Man with Pipe” is in the collection of the Canadian Ambassador. His work “Portrait of Agnes” was acquired by the South African Ambassador who, opened Dominic’s exhibition in the Jagellonian University in Krakow, Holiday Inn, and in Galeria Mokotow, in Warsaw. He had an exhibiton in the Warsaw Financial Center on Emili Platter Street, and in the Sculpture Gallery on Jana Pawla street. Later, he exhibited in the Gallery of the Polish War Museum on Krakowskie Przedmiescie, on Nowy Swiat 44, in the Center of Promotion of Culture, Mazowieckie Center of Culture and in the Jan Nowak Jezorianski Center. His work was showcased in the Napiorkowska Gallery, Zapiecek Gallery on the square of the Old Town in Warsaw, Hunters Gallery, and Warsaw Art Gallery in the Marriot Hotel, and sold on various Auctions, such as Rempex, Agra Art, and Polswiss. Back in South Africa, Dominic had much success among his native art galleries, having his first major exhibition at the Mandela Square Gallery, in Sandton. Art Galleries, hearing of his exhibitions in France, took his work, such as the Cherie de Villiers Gallery, in the Mall, in Rosebank, and the Van den Berg Gallery, in Potchefstroom. Dominic also took his work to the USA, where he exhibited at the Modern Show in New York, and at the Dauphin Descours Gallery on Madison Avenue, and the Yew Tree House Antiques Gallery in New York, as well as the Geary Gallery, in Darion, and the Lions Gallery...

This work is offered by CLAMP in New York City.

a Piece of Markthalle (Pieces of Berlin), 2019, 1/10, Lambda C-Print, 30x30cm, unmounted signed Certificate Florian Reischauer's project 'Pieces of Berlin' Berlin – for most younge...

Wonderful abstract expressionist painting of a turquoise purse with various colors of orange stripes by San Francisco, California artist Michael Eggleston (American, 20th century). F...

High on the Hog is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 9/275 (there were also 100 Roman and 20 AP). Robert Deyber...

JOHN CHAMBERLAIN Untitled Self-Portrait, 2006 Digital monoprint on canvas, mounted on wood. Unsigned. W 36” x H 90 1⁄2” Chamberlain began to explore photography in the late 1960s...

A stunning sunset panorama in oil, by award-winning Russian/American painter Boris Garibyan. The striking use of color here speaks for itself. Proudly presented by Guy Lyman Fine Ar...

Anne Andersson Sisal fiber wall sculpture Monkey Head (# 1) Hand signed to verso Dated 2009. Measures approx. 11" height x 10" width x 6 1/4" depth. Her sculptures are made of natural sisal Fiber from an agave and meticulously hand painted. The eyes are hand blown glass. Anne Andersson was born in Gothenburg, Sweden, with a great desire to explore Nature and a Passion for Art. She received a degree in science in 1981 from Kjällbergska University in Gothenburg and a degree in Art from the Art Institute of Fort Lauderdale. She now works from her studio in St. Petersburg, Florida as a Sculptor, illustrator and painter. Her work calls to mind the animalia artworks of Henri Maik and Gustavo Novoa. Anne Andersson's artwork serves as an homage to our planet’s charismatic and rare wild animals. Inspired by the majesty and beauty of exotic wildlife, and motivated by an urge to preserve them, Anne’s astonishingly realistic life-size sculptures capture the experience of seeing these animals up close without exploiting them. Her sculpted work using natural materials and clay, provides a humane alternative to big game trophy hunting and taxidermy. She combines her talents in painting, tapestry weaving and illustration with an intuitive attention to the smallest detail to truly bring her sculptures to life. She has created lions, tigers, leopards, jaguars, cheetahs, bobcats, lynxes, pumas, panthers, elephants, rhinos, bears, water buffalo, bison, moose, wolves, coyotes and more—but she feels closest to the big cats. Anne graduated with honors at the Art Institute of Fort Lauderdale in 1989. It was then that she met Don Moore...

Ivan Chermayeff (1932-2017): Butterfly Mouth Mixed media collage, 2002, hand signed 'Ivan Chermayeff' and dated lower right, titled lower left. Bears label from David Findlay Jr. Gallery, NY. 22 1/2 x 15 in. (sheet), 25 3/4 x 18 1/4 in. (frame). Provenance: The estate of the artist. Ivan Chermayeff born London, United Kingdom, 1932 Chermayeff was one of the greatest American graphic designers, the son of the Russian born, British architect Serge Chermayeff. Ivan Chermayeff Graduated from the Phillips Academy of Andover, Massachusetts in 1950. He studied at Harvard until 1952, and the Institute of Design (New Bauhaus) until 1954. Graduated from the Yale School of Arts and Architecture in 1955 with a Bachelor of Fine Arts. The same year he did a short apprenticeship with Alvin Lustig—a pioneer of American graphic design—and then moved on to CBS as Assistant Art Director in record cover design. In 1956 he co-founded Brownjohn, Chermayeff & Geismar Associate, with Robert Brownjohn and his former schoolmate Tom Geismar. In 1959 Brownjohn left and the studio changed to Chermayeff & Geismar Inc. It soon became one of the best-known design firms worldwide. The firm produced over six-hundred marks, and they were among the very first to develop an abstract trademark (Chase Bank, 1960), still in use today. In 1964 they designed the outstanding corporate identity of Mobil Oil, that is one of the most recognizable identities ever. From its foundation, the studio served major companies including Giorgio Armani, Barneys, Hearst, MoMA (Museum of Modern Art), National Geographic, NBC (National Broadcasting Company), PBS (Public Broadcasting Service), Rockefeller, and others. Recently, Serge Haviv joined as a new partner and the firm changed to Chermayeff & Geismar & Haviv. Besides his design profession, Chermayeff is a talented illustrator artist and collagist. Many graphic pieces he made show a perfect balance of rational logics with imagination, featuring both abstract geometric shapes and figurative images. His collage works require a same sense of witty assemblage, where gathered information, like scraps of paper, stamps, and Polaroid photograph pictures combine as fragmented clues to a greater message. The Surrealist collages often take the shape of people, whose facial features are born of scraps and daily ephemera. They are amusing and infinitely thought-provoking; as Chermayeff has said, “Collages make it possible for everything to be something else.” Board overseers at Parsons School of Design and trustee at New School University from 1988 to 2002. Visiting professor at Cooper Union, University of California, and Kansas City Art Institute. He started making collages at the age of 17 to overcome his fear of not being able to draw. They are mostly made from day-to-day ephemera: envelopes, stamps, cigarette packs, train tickets, strips of coloured paper, found images, stones from the beach or squashed rusty cans. Inspired by Surrealism and organised by the artist’s hand and complemented with strong lines, they make faces, figures, fragmented narratives. Like all great designs, they evoke surprise and the pleasure of recognition. As he put it: “Design is all about seeing and making connections which are not so obvious.”President of AIGA (American Institute of Graphic Arts) from 1963 to 1966. Trustee of MoMA (Museum of Modern Art) from 1965 to 1986. Member of the board of directors of IDCA (International Design Conference in Aspen) from 1968 to 1999. Board Director at Municipal Art Society of New York in 1972-76. Member of AGI (Alliance Graphique Internationale) since 1978. Board Director at Smithsonian Institution from 1988 to 1996. He was elected to the Hall of Fame of ADC New York (Art Directors Club) in 1982. Trustee of the Archives of America Art in 1987-90. Royal Designer for Industry since 1992. He was awarded numerous prizes including the Industrial Art Medal from AIA (American Institute of Architects) in 1967, the Philadelphia College of Art Gold Medal in 1971, AIGA Gold Medal (American Institute of Graphic Arts) in 1979, the President’s Fellow Award from the Rhode Island School of Design in 1981, the First International Design Award from Japan Design Foundation in 1983, the Yale Arts Medal in 1985, the Distinguished Service Award from New School University in 1999, the Society of Illustrators Gold Medal in 2002, the Tokyo Type Directors Club Award in 2004, and the National Design Award for Lifetime Achievement in 2014. He also received a honorary doctorate in law from the Portland School of Art in 1981, and two honorary doctorates in fine arts from the Philadelphia University of Arts and the Corcoran Museum of Art, Washington in 1991. Along with Seymour Chwast, Sid Chafetz, Saul Bass, Milton Glaser, Paul Rand, Ikko Tanaka...

A beautiful soft landscape Giclee of a glowing meadow in the Sonoma Mountains by Donna McGinnis (American, 20th century). Signed "Donna McGinnis", titled "Sonoma Mountains", and numbered "5/195", lower edge. Limited edition Giclee, high resolution long life inkjet print, Edition 5/195, printed on Epson Somerset velvet cotton rag paper. Displayed in a custom mat and wood Italian classical frame. Image size 29"H x 39"W. Paper size, 32.5"H x 42.5"W. Donna McGinnis was born in Spokane, Washington. McGinnis grew up in an artistic family. Her mother was an artist, her grandmother a musician and her father a photographer. Drawing came naturally to her as she had very vivid memories of admiring her father’s black and white photography. These silvery prints inspired McGinnis. Through his love affair with the still image, McGinnis learned composition, chiaroscuro (light and dark tonality), form and line, in essence the basics of formal art theory. McGinnis had a childhood babysitter and mentor who taught her and her two sisters art...

African (Shona) 25 Shona Stone Samples with Specimen Box, ca. 2005

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of Australian actor, sin...

Bouquet of flowers with sunflowers. Cardboard, oil, 31.5x22 cm Still life with flowers in vase

Artist/Designer; Manufacturer: Massimo Vitali (Italian, b. 1944) Marking(s); notes: artist's stamp verso; ed. 59/120; 2006 Materials: offset lithograph Dimensions (H, W, D): 26.75"h,...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Originally trained as a painter, and then working as a collage artist, Marc Yankus began incorporating his own photographs into his artwork around 1999. However, when he did so, it marked a turning point in his career. In many of Yankus’ photographs, textures scanned from old tintypes, books, and other objects are digitally layered on top of the artist’s original images. The superimposition of the old and the new serves as an apt metaphor of Yankus’ wider conceptual interests. Throughout his work, the artist oscillates not only between the old and the new, the past and the present, but also between figuration and landscape. Establishing a rhythm and play between timeless portraits and beautifully still and quiet landscapes and cityscapes, Yankus’ achievement is a wonderful consistency of mood. Hushed, introspective, and at turns even melancholic, this body of work is ultimately a reflection of the artist’s personal past and his passage into the present time. Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth...

Abstract expressionist painting with red and pink forms swimming on a yellow background titled "Primordial" by California artist Inglis Carré (American, 1952) This abstract work of...