Framed Photography

Heidler & Heeps Singapore Stamp Collection, 30 Cents QEII Oil Tanker Khaki. From the 2018 Singapore Series, Postcards from afar. This artwork is a limited edition of 25, gloss photo...

A celebration of the art of graffiti drawn from various locations around the world… these pieces are part reality and part creation emphasizing the often ephemeral nature of street ...

A celebration of the art of graffiti drawn from various locations around the world… these pieces are part reality and part creation emphasizing the often ephemeral nature of street ...

'Telephone V' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines a softened monochrome palette and a mid-century modern nostalgic v...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...

Victor Arimondi (1942-2001). Portrait of Senegalese Model, ca. 1975. Period print measures 8.5 x 11.5 inches; 17 x 20 inches frames. Artist studio stam...

Belles of Shoreditch, from Richard Heeps Burlesque series. Richard Heeps became well-known for his Burlesque Photography after he spent 2003 ca...

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large f...

Heidler & Heeps Vinyl Collection Twenty-One Piece Rainbow Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautif...

Side One Only Pink, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, per...

Photograph by photographer Federico Vacca Massaro signed and numbered 5/50, from the 2016 film "Indivisibili" by Edoardo De Angelis

'Sun 45', from Richard Heeps Dream in Colour series. Captured in a classic Airstream RV featuring everybody's favourite Johnny Cash song 'I Walk the Line'. Primarily known as a colo...

'Milkshakes' make you feel as if you are sitting in the car at this "Americana style" Roadhouse in Welkom, South Africa. It is typical of Richard's work in that it has a sense of a n...

'Four Feet', photographed at a swimming pool in Las Vegas, part of Richard Heeps 'Dream in Colour' Series. Primarily known as a color photographer Richard Heeps was commissioned to ...

Drugs, part of Richard's portfolio of street photography he is building up which depict the colour, fabric and structure of cities with distinct style. As New York changes in the fac...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage telephone on a nightstand combines bright contrastin...

British actress Jane Birkin and French poet, singer, and actor Serge Gainsbourg around the release of their single "Je t'aime... moi non plus" in 1969. Taken at the Sunday Times Stu...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

Stereo, a blue artwork in the Heidler & Heeps B Side Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have ...

This giant isolated roadside sign set against a vast blue sky is a remnant of 'The Sundowner Bar and Restaurant' of the motel which is sadly no more. This photograph, part of Richard...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams...

TABACCHI at Night, one of a sequence of artworks from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable ...

A woman of vigour and spirit and humour, full of stories, sat on her rocking chair, smoking a cigar, commenting on the world with a word or stream of invective. The Spirit of the Re...

Wildwood beach lockers captured on a glorious spring blue sky day. Taken in 2013 this picture was first executed in Richard's darkroom in April 2020. Colour is key in Richard's work ...

Chrome Blue, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

Six artworks by Richard Heeps capturing New York City street neon. This artwork is part of Richard's portfolio of street photography he is building up which depict the colour, fabric...

Stars and Stripes Barn, photography part of Richard Heeps Dream in Colour series. The American flag painted on a barn on the horizon, set against a big blue sky. This artwork is a ...

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

Mint Tinted Cassette, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past a...

Chrome Blue, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

Outtake (Wastelands) - 2003 Edition of 5, 128x125cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, Artist inventory Number 819.01, complete with certificate and signature label Not mounted For sale is a piece from the Wastelands series. purchase the 2nd edition and have it unmounted. Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007) Published in: WASTELANDS published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had regis- tered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pic- tures. Happiness brimmed in that wild terrain. Maybe things were begin- ning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abol- ish concepts that orient us, cause and effect, time, plot, and story line, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end-result, as posited in this book, will show how she bursts open our apparatus of perception and acknowl- edges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other- worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period...

Blue Martini, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fai...

Bitchin', part of Richard Heeps 'Man's Ruin' Series. This cool 'Bitchin' decal was shot at 4am at the Hemsby Rock 'n' Roll Weekender. This artwork is a limited edition of 25, gloss ...

Tabacchi Sign, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fair Milan 2019 and the series...

Photographed in the British Recording Studio that in the 1980's recorded music by Julian Cope of the Teardrop Explodes and the Stranglers. It was the he...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

AILA (Yellow), from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and thei...

Heidler & Heeps B Side Vinyl Nine Piece Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising c...

Japanese Stamp Collection 'Mount Fuji'. Historic postage stamps that make up the Heidler & Heeps Stamp Collection, have been given a twenty-first century pop art lease of life. The f...

TABACCHI at Twilight from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fair Milan 2019 and the ...

This artwork is classic roadside Americana 'Sign Porn' photography and Richard Heeps captured it in its original site. The owners since sold the Lariat Motel and donated the 1950's s...

Michael & Delilah, part of Richard Heeps 'Burlesque' Series, this contemporary portrait photography is so cool and cinematic. Richard became well-known for his Burlesque Photography ...

30 Cents Singapore Orchid Yellow, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcar...

'Mint Tinted Cassette' from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal past a...

Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past a...

30 Cents Singapore Orchid Purple, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcar...

'Beach Ball', part of Richard Heeps 'Dream in Colour' Series, it captures Palm Springs mid-century modern architecture. The stillness and the c...

Original Peter max mixed media . In good condition. Measures 24x22. No coa but has park west original gold frame. Some minor wear to frame

Tinted Oval Window Cassette from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal ...

Sound Recording, from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmeri...

Press Conference, from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analogue technology, which reflects the artists practice within photography. This record features a purple David Bowie Record...

NOMAD New York by Richard Heeps featuring the iconic Empire State building in the mist. Photographed in New York City in 2017. From the series The Streets of New York, this artwork i...

'Blank Tape Side A' from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal past and ...

Side Two!!, a bold pink artwork in the Heidler & Heeps B Side Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler ha...

'Product of the 80's' from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal past an...

'Pink Tinted Cassette' from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal past a...

Yellow Corridor, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has ...

Décadence - 2017 25 x 25 cm, edition of 10. Archival Print on Metal, based on a Polaroid. Hand-numbered and signed on the back by artist. Artist Statement “Since my childhood ...

'Buick in the Dust', features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing photographer, a sport h...

Hepburn With Dove 1966 by Terry O’Neill Lifetime hand signed Limited Print Paper size 12 x 16″ inches / 31 x 41 cm Gelatin Silver Print signed and numbered by artist 40/50 With...