Abstract Prints

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From volume, Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes, 1956. Pu...

De trace de pas de trace de… Color etching with aquatint, 1966 From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images) Edition: 85 portfolios in the...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she w...

Pinchas Burstein, known as Maryan Lithograph (after the drawing). 1960 Dimensions: 12 3/8 x 9 3/8 inches (315 x 240mm). There is printed text on the back, as issued. Signed in the...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 14.125 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and ...

Artist: Ronald Julius Christensen – American (1923-1999) Title: Moon Mist Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 21 x 27.5 inches. Sheet size: 22.5 x 30 inches Signature: Signed lower right Edition size: 295 This one: 240/295 Condition: Good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in good, never-framed condition with a faint crease in the upper right margin and a faint stain 4" x 1/2" in the upper left margin, both far from the image. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...

Artist: Man Ray (American, 1890-1976) Title: Due Figure Year: 1968 Medium: Color lithograph Edition: Inscribed E.A (Epreuve d'Artiste) in pencil Paper: Arches Image size: 18.5 x...

This abstract limited edition print by Teodora Guererra features a warm palette, with large strokes and washes of grey, muted yellow-orange, burnt sienna, and white, which move acros...

Amas is an artwork realized by Jean Dubuffet (Le Havre 1888 - 1985 Paris), 1959. Sheet 17 for the portfolio Eaux, Pierres, Sable. Lithograph. Artist Proof. Signed, dated and tit...

This vibrant work features abstract details from Damien Hirst's series of Cherry Blossom paintings and reinterprets the traditional subject of landscape painting. Damien Hirst Fruit...

Artist: Jay Rosenblum (Americam, 1933-1989) Title: "Grove #1" *Signed by Rosenblum in pencil lower right Year: 1979 Medium: Original Screenprint on white Stonehenge paper Limited edi...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

'Russian - Russe - Russisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' Ornement Pol...

Nicolas DE STAEL, Oeuvre gravé, Bibliotheque Nationale Exhibition, 1979 Original print poster, size is framed Excellent condition

"Blue Skull Small" Print 18 x 20 inch Edition of 400 by Steven Tyler Limited edition of 400 Plate signed by Steven Tyler ABOUT: As the lead singer of Aerosmith, Steven Tyler is con...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Gerry Mulligan, Baritone Sax - Rare Signed Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Gerry Mulligan sits on a stool holding his ba...

Sam FRANCIS Color explosion, 1992 Original lithograph Unsigned On Arches vellum 86.5 x 29.5 cm Numbered on the back Authenticated by Moulot blind stamp INFORMATION : Edited by Gale...

86.4 x 71.8 cms (34 x 28.25 ins) Edition of 17 Paper: Somerset Textured Proofs: 9 AP, I CTP (on handmade paper) Signed right, under image; numbered left, under image; publisher's chop lower right Publisher: The Litho Shop Inc., Santa Monica, California Printed by Jacob Samuel...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Drypoint etching by famous Taos Artist Gene Kloss (1903-1996). Edition of 75. Titled: Christmas Eve - Taos Pueblo. Image measures: 12" H x 15" W. Unframed. Archivally matted. Created...

"Woman In a Cage" - Original Woodcut Print on Paper Original abstract expressionist woodcut print "Woman In a Cage" by Louis Nadalini (American, 1927-1995). Multicolor hues of deep ...

Stephen Powers Invest in Love, 2019 5 Color screenprint on 335 GSM Coventry rag paper Hand signed and numbered 9/50 by Stephen Powers with his distinctive hat logo on the front 14 × 8 1/2 inches Unframed "Invest in Love" was created by the renowned street artist Stephen Powers in 2020 to celebrate the artist's return to his hometown of Philadelphia in December 2019 to transform an empty building into a screen-printing pop-up shop to raise funds for a non-profit arts charity Mural Arts. The building at 1201 Spring Garden Street operated for many years as a bank. (see photograph of Powers' painted mural "Invest in Love"). Powers has exhibited in streets, galleries and museums all over the world. About Stephen Powers A Fulbright scholar who has been awarded many public commissions and exhibited in major institutions like the Brooklyn Museum.... Born and raised in Philadelphia’s Overbrook neighborhood, Stephen Powers (b. 1968, Philadelphia) moved to New York in 1994, where he gained attention as the publisher of On the Go magazine and the author of the graffiti history The Art of Getting Over. In 1997, Powers undertook an ambitious and far-reaching graffiti campaign of his own, using the official-sounding acronym ESPO (Exterior Surface Painting Outreach) to deflect attention from the illegality of his activities. By 1999, he had covered dozens of storefront grates with giant silver block lettering. Powers gave up street graffiti the following year to concentrate on studio-based projects. Powers’s work typically fuses word and image in paintings and graphics that evoke the bright look of a handmade bodega and fairground...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

Engraving, 2018 Edition : 5/25 61.00 cm. x 56.00 cm. 24.02 in. x 22.05 in. (paper) 30.00 cm. x 30.00 cm. 11.81 in. x 11.81 in. (image) In this print, Seiko Tachibana evokes a del...

"Head of Batista", a mid-century modern miniature abstract etching by California artist Richard W. Downs (American,b-1934). This delicate, small-scale etching, dated 1965, was submitted to the Seattle Art Museum for the Northwest Printmakers 36th International Exhibition. Numbered "Proof III", titled "Head of Batista", signed "RW Downs" and dated "1/65" lower edge. Submission label attached to verso for the Northwest Printmakers 36th International Exhibition 1965, with information about the artist and piece. "RW Downs / San Jose California" written on verso. Displayed in a new beige mat, unframed. Image size: 3.25"H x 3.25"W. Paper size: 6"H x 5.5"W. Mat size: 13.75"H x 11.5"W RICHARD W. DOWNS was born in Los Angeles and received a Bachelor of Arts degree from the University of California and Master of Arts from San Jose State College where he taught one year as faculty assistant. He was a member of the Drake...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 110, published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

JACEK SOWICKI (born in 1948) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at...

Lithograph, 1968 Handsigned by the artist in pencil and numbered 96/144 Publisher : HKL, Ltd., Boston 74.00 cm. x 54.00 cm. 29.13 in. x 21.26 in. (paper) 74.00 cm. x 54.00 cm. 29.1...

Alexander Calder Sun-Moon-Universe: Rare vintage mid century French poster, 1956 Offset lithograph Plate signed (printed signature) 20 × 17 1/2 inches Unframed Rare Mid Century mode...

This stunning Artist's Proof is an one-off, oil hand-painted, signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the nature of hand mixe...

Surreal Nude, part of my "Pictopoetry" series. Printed on Hahnemuhle art photo paper with white borders This particular one is signed and numbered 2 of 20 (edition of 20). Has been...

Grey Oval is a lithograph realized by Marcello Avenali between the 1960s and 1970s. It is a composition with female legs and shoes and some abstract figures instead of the body.  Ha...

Color etching entitled "La Dernière Porte or the Last Door." Signed "MC Havel" in pencil lower right. Numbered 11/12 lower left. Displayed on a white mat with a golden border and fit...

This abstract portrait limited edition print by Ned Martin blends the artist's signature abstract style with portraiture that is reminiscent of the Old Masters. The softly-executed face and neck of the woman in this painting is contrasted by abstract shapes that compose the rest of the painting, namely, the figure's orange, red, and green clothing...

Jim Dine Kenneth Koch Homage (Oh Scarf of Paradise, Blue Sky is Bread to the Scarf), 1966 Color lithograph on blue grey wove paper with deckled edges 37 × 24 1/2 inches Pencil signed...

Maravillas con Variaciones Acrosticas is an Original Mixed colored lithograph on Guarro Paper, realized in 1975 by Joan Mirò (1893-1983) Good conditions. Joan Miró (20 April 1893 ...

This abstract limited edition print by Roger Mudre features light, translucent circles layered over one another throughout the composition. The under layers are a deep green and yell...

NIGHT ANIMAL is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking paper, 100% ac...

JOHN CHAMBERLAIN Untitled, 2006 Digital monoprint on canvas, mounted on wood. Unsigned. W 9 1⁄4” x H 90 1⁄2” Chamberlain began to explore photography in the late 1960s, but it wa...

Untitled, 1981 (Stacked Signs Series) lithograph with Glosscote overprinting. Published by Holly Solomon Editions. (original gallery label photo is included for reference and not included in sale) Hand signed and numbered from limited edition of 40. This is a beautiful piece perfect for the Memphis Milano early 1980's Post Modern Era. It also bears influence from Pop Art (Particularly Allan D'Arcangelo) Gary Burnley...

Rafael Canogar (Spain, 1935) 'Carácter', 1989 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: CAN1205-010-001_1 Hand-signed by author

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line. Lush, green abstracted land extends the width of the composition, wi...

ONCE I WAS THE SUN is a limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid free. ONCE I WAS...

James Rosenquist Nails, from Monochromes at the New Gallery, 1975 Limited edition lithograph and offset lithograph (pencil signed and numbered) Signed and numbered 10/100 in graphite...

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 142, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...

Signed by the artist in white pencil, lower right. Numbered 10/200 in pencil, lower left. Published by Mourlot, Paris. Framed dimensions is 30 x 47 inches, the sheet with full mar...

Artist: Jean-Marie Haessle, American (1939 - ) Title: Symmetries Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 295 Paper Size: 23 in. x 29 in. (58.42 cm x 73.6...

The Soldier's Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper. Edited by Manus Presse, Stuttgart 1972. Not signed and not ...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Peter Stroud, British (1921 - 2012) - The Clifford Suite, Year: 1973, Medium: Screenprint, signed, dated and numbered in pencil, Edition: 44/45, Image Size: 27 x 36.25 inches, Size: ...

This reproduction is from Richard Artschwager's 1985 exhibition at Leo Castelli Gallery, showcasing an abstract work on paper. The artwork features a yellow shape that appears to be ...

This image was created to celebrate the festival 'Live from Lincoln Center', 1990. The edition of 72 is signed and numbered. This impression h...

Color Lithograph. Artist's proof, aside from an edition of 150. Signed and inscribed "EA" in lower right and left corner respectively. Published by Sidney Z. Lucas, New York. C...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 195, 1971. Published by Aimé Maeght, Éditeur, Paris; pr...

Engraving, 1977 Handsigned by the artist in pencil and annoted EA 63.00 cm. x 91.00 cm. 24.8 in. x 35.83 in. (paper) 58.00 cm. x 76.00 cm. 22.83 in. x 29.92 in. (image) LCD4019