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Gary BurnleyLithograph w Gloss Overprinting Stacked Signs Post Modern 80s Memphis Milano Era1981
1981
About the Item
Untitled, 1981 (Stacked Signs Series) lithograph with Glosscote overprinting. Published by Holly Solomon Editions. (original gallery label photo is included for reference and not included in sale)
Hand signed and numbered from limited edition of 40.
This is a beautiful piece perfect for the Memphis Milano early 1980's Post Modern Era. It also bears influence from Pop Art (Particularly Allan D'Arcangelo)
Gary Burnley Born 1950, resident of New York, NY
EDUCATION
MFA Yale University School of Art
BFA Washington University, Saint Louis, Missouri
PUBLIC PROJECTS, COMMISSIONS & INSTALLATIONS
1994–1988 Principal collaborator on the design of a new light-rail transportation system and its infrastructure for the city of Saint Louis, Missouri
1989 Installation, Snug Harbor Cultural Center, Staten Island, NY
1985 Installation, New Haven, CT
1983 Commission, MTA, New York, NY
1982 Installation, Prospect Park, Brooklyn, NY
ONE/TWO PERSON EXHIBITIONS
2006 Silo, New York, NY
1987 Ted Greenwald Gallery, New York, NY
1984 Weatherspoon Gallery, University of North Carolina, Greensboro
1983 Holly Solomon Gallery, New York, NY
Anderson Gallery, Virginia Commonwealth University, Richmond
1982 Holly Solomon Gallery, New York, NY
1981 McIntosh/Drysdale Gallery, Washington, DC
1989 Artist Space, New York, NY
1976 Lehigh University, Bethlehem, PA
1974 Yale School of Art, New Haven, CT
GROUP EXHIBITIONS
2002 Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY
1992 The Forum Gallery, Saint Louis, MO
1990 National Building Museum, Washington, DC
1989 Newhouse Center for Contemporary Art, Staten Island, NY
1988 Contemporary Arts Museum, Houston, TX
Department of Cultural Affairs, New York, NY
1987 Mary Delahoyde Gallery, New York, NY
Ted Greenwald Gallery, New York, NY
1984 Artist Space, New York, NY
Holly Solomon Gallery, New York, NY
University of South Florida
1983 Weatherspoon Gallery, University of North Carolina, Greensboro
Holly Solomon Gallery, New York, NY
1982 Hudson River Museum, Yonkers, NY
Fay Gold Gallery, Atlanta, GA
1981 Hallwalls, Buffalo, NY
Queens Museum, Queens, NY
Hansen-Fuller Gallery, San Francisco, CA
Artist Space, New York, NY
Mattingly-Baker Gallery, Dallas, TX
The Sculpture Center, New York, NY
The Alternative Museum, New York, NY
Tyler School of Art, Philadelphia, PA
Hamilton College, Clinton, NY
Just Above Midtown Gallery, New York, NY
1980 Leo Castelli Gallery, New York, NY
Holly Solomon Gallery, New York, NY
1979 Toni Birckhead Gallery, Cincinnati, OH
112 Workshop, New York, NY
1974 Saint Louis Art Museum
Kansas City Art Museum
SELECTED BIBLIOGRAPHY
1996 Figgatt, Bonnie, The Ridgefield Press, Thursday October 17
1995 Yatzek,Tanya, "Design Collaboration", Maquette Magazine, December
1993 Robinson, Walter, ARTWORLD, Art in America, January
1989 Gass, Mary Henderson, INLANDSCAPE, Inland Architect, January
Degener, Patrica, "Artists Visions", St.Louis Post-Dispatch. January 29
Green, Chris, "Function and Form", Gateway Engineer, May
Fressola, Michael, Staten Island Advance, August 27
1984 Canning, Sue, The Spector, Greensboro, NC, October 10
1983 Merritt, Robert, Review, Richmond Times Dispatch, January 14
1982 Cover, Architectural Digest, July
Green, Lois, "Art- San Francisco", Architectural Digest, July
Lawson, Carol, The New York Times, Sunday June 20
1981 Fleming, Lee, Review, New Art Examiner, March
Fleming, Lee, The Washingtonian, September
Foran, Jack, Review, Buffalo Evening News, February 25
Hunting, Richard, Review, Buffalo Courier Express, February 22
Kunter, Janet, Review, Dallas Morning News, May 8
Lewis, Jo Ann, Review, The Washington Post, January 24
Perreault, John, Review, Soho Weekly News, July 22
Perreault, John, Useable Art, Portfolio, July/August
Wohlfert, Lee, Young Sculptors, Town and Country, September
1980 Rickey, Carrie, Review, ARTFORUM, February
Larson, Kay, The Village Voice, December 24
Zimmer, William, Review, Soho weekly News, December 14
# 6 FOR HOLLY...
Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan-Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker
Marieluise Hessel acquired the works from the legendary SoHo art dealer Holly Solomon. Famously depicted by Andy Warhol in the 1960s, Solomon became one of the most idiosyncratic and independently minded art dealers of the postwar era. Having worked with artists as distinctive as Gordon Matta-Clark, William Wegman, Robert Wilson collaborator Christopher Knowles, and Sigmar Polke, amongst many others, Solomon came to champion—towards the late 1970s and early 1980s—an eclectic, even eccentric, group of artists whose work fearlessly explored the then-taboo subject of art's relationship with decoration. Seemingly out of synch with the dominant socially and politically charged practices of the era, this work—some of which was aligned under the term Pattern and Decoration—has deftly eluded assimilation into the art-historical canon, affording the work an unusual degree of liberty for revaluation and potential recuperation.
CCS Bard Hessel Museum
Hessel Museum of Art & CCS Galleries
Bard College - The Center for Curatorial Studies
Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection
Curator: Matthew Higgs
Künstler: Jonathan Borofsky; Andy Warhol, Imi Knoebel, Joseph Kosuth, Allan McCollum, Martin Kippenberger, Robert Mapplethorpe, Judy Linn, Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Kim MacConnel, Joe Zucker, Jenny Holzer, Barbara Kruger, Bruce Nauman, Raymond Pettibon, Jack Pierson, Cady Noland, Rob Pruitt & Walter Early, Rita Ackermann, Jonathan Borofsky, John Currin, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, Nicola Tyson, Donald Judd, Blinky Palermo, Jorge Pardo, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, Cindy Sherman,Vito Acconci, Bruce Nauman, Aida Ruilova, Cindy Sherman, Lorna Simpson, Dan Flavin, Felix Gonzales-Torres
AWARDS & FELLOWSHIPS
2001 – 1996 Whittemore Chair in the Visual Arts, Sarah Lawrence College, Bronxville, NY
1996 National Design for Transportation Award, National Endowment for the Arts and The United States Department of Transportation
1995 Presidential Design Award
Federal Design Award
1989 New York State Council for the Arts Fellowship
1984 National Endowment for the Arts Fellowship
1982 Creative Artist Public Service (CAPS) Fellowship
- Creator:Gary Burnley (1950)
- Creation Year:1981
- Dimensions:Height: 22.25 in (56.52 cm)Width: 30.25 in (76.84 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213685872
About the Seller
4.9
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Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
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